The Faulkner Miscellaneous Images Collection is open for research. This collection is stored at an off-site facility. Researchers
interested in using this collection must contact Archives and Special Collections at least two business days in
advance of their planned visit.
Collection processed by Archives and Special Collections staff. Finding aid encoded by Jason Kovari, October 2009.
No further additions are expected to this collection.
Faulkner Miscellaneous Images Collection, Archives and Special Collections, J.D. Williams Library, The
University of Mississippi
The Faulkner Miscellaneous Images Collection is open for research. This collection is stored at an off-site facility. Researchers
interested in using this collection must contact Archives and Special Collections at least two business days in
advance of their planned visit.
The copyright law of the United States (Title 17, United States Code) governs the
making of photocopies or other reproductions of copyrighted material. Under
certain conditions specified in the law, libraries and archives are authorized
to furnish a photocopy or other reproduction. One of these specified conditions
is that the photocopy or reproduction is not to be “used for any purpose other
than private study, scholarship or research.” If a user makes a request for, or
later uses, a photocopy or reproduction for purposes in excess of “fair use”,
that user may be liable for copyright infringement.
For a description of the William Faulkner archival collections housed at the University of Mississippi, please view our William Faulkner Subject Guide
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Prints – Portraits and Family Images |
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Folder 1.1
| Childhood photograph of William Faulkner, in chair, ca. 1898. (b&w, 4×5) |
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Folder 1.2
| Childhood photograph of William Faulkner. (b&w, 5×8) |
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Folder 1.3
| William Faulkner in New Orleans, 1925. (b&w, 5×7) |
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Folder 1.4
| William Faulkner holding his hat in his hands, from the 1936 “Ole Miss” yearbook. (b&w, 5×7 & 4½x9) |
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Folder 1.5
| William Faulkner at the Oxford Airport, 1936. (b&w, 5×7) |
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Folder 1.6
| William Faulkner standing with a cigarette in hand. (b&w, 5×8) |
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Folder 1.7
| William Faulkner standing by his plane at the Memphis airport. (b&w, 5×7) |
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Folder 1.8
| William Faulkner laughing, c. 1950s, 89-6. (b&w, 2-8×10, see box 5) |
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Folder 1.9
| William Faulkner with Paul Flowers of the Memphis Commercial Appeal (b&w, 4×5)
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Folder 1.10
| William Faulkner and Eudora Welty, 89-5. (b&w, 8×10) |
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Folder 1.11
| William Faulkner shooting a bow and arrow during his trip to Nagano Japan, August 1955, taken by Leonard J. Sherwin. (b&w,
5×7)
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Folder 1.12
| William Faulkner lecturing to professors during his trip to Nagano Japan, August 1955, taken by Leonard J. Sherwin. (b&w,
5×7)
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Folder 1.13
| William Faulkner lecturing during his trip to Nagano Japan, August 1955, taken by Leonard J. Sherwin. (b&w, 5×7) |
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Folder 1.14
| William Faulkner during a lecture during his trip to Nagano Japan, August 1955, taken by Leonard J. Sherwin. (b&w, 5×7) |
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Folder 1.15
| William Faulkner at the Nagano Seminar during his trip to Nagano Japan, August 1955, taken by Leonard J. Sherwin. (b&w, 5×7) |
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Folder 1.16
| William Faulkner walking with Dr. Leon Picon and Ichiro Nishisaki during his trip to Nagano Japan, 1955, taken by Leonard
J. Sherwin. (b&w, 5×7)
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Folder 1.17
| William Faulkner at the Buddhist Zenkoji Temple during his trip to Nagano Japan, 1955, taken by Leonard J. Sherwin. (b&w,
5×7)
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Folder 1.18
| William Faulkner on the street during his trip to Nagano Japan, 1955, taken by Leonard J. Sherwin. (b&w, 5×7) |
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Folder 1.19
| William Faulkner posed with monks during a trip to Japan, 1955, 91-56. (color, 3×5, see B7F1 – slide 2C15) |
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Folder 1.20
| William Faulkner posed with children during a trip to Japan, 1955, 91-56. (color, 3×5, see B7F1 – slide 2C17) |
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Folder 1.21
| William Faulkner during a trip to Japan, 1955, 91-56. (color, 3×5, see B7F1 – slide 2C16) |
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Folder 1.22
| William Faulkner with group of people during a trip to Japan, 1955, 91-56. (color, 3×5 see B7F1 – slide 2D1) |
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Folder 1.23
| William Faulkner posed with a woman during a trip to Japan, 1955, 91-56. (color, 3×5, see B7F1 – slide 2D6) |
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Folder 1.24
| William Faulkner posed with a woman during a trip to Japan, 1955, 91-56. (color, 3×5, see B7F1 – slide 2C22) |
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Folder 1.25
| William Faulkner posed with two women during a trip to Japan, 1955, 91-56. (color, 3×5, see B7F1 – slide 2D5) |
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Folder 1.26
| William Faulkner on a boat during a trip to Japan, 1955, 91-56. (color, 3×5, see B7F1 – slide 2C20) |
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Folder 1.27
| William Faulkner in a field during a trip to Japan, 1955, 91-56. (color, 3×5, see B7F1 – slide 2C24) |
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Folder 1.28
| Signed lithograph of Colonel W.C. Falkner. (two photocopies) |
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Folder 1.29
| Statue of Colonel W.C. Falkner, Ripley, Mississippi. (b&w, 5×7) |
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Folder 1.30
| Colonel W.C. Falkner’s home in Ripley, Mississippi. (b&w, 5×7) |
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Folder 1.31
| Back porch of William Faulkner’s childhood home in New Albany, Mississippi. (b&w, 8×10) |
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Folder 1.32
| Lucille Faulkner’s brother, age 5 on a horse. (b&w, 8×10) |
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Folder 1.33
| Dean Swift Falkner. (b&w, 8×10) |
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Folder 1.34
| John Faulkner in his art studio. (color, 10×7) |
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Folder 1.35
| Jimmy Faulkner at Rowan Oak, taken by Billy Howard, c. 1996. (b&w, 5×7) |
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Folder 1.36
| Two-star pennant in the window of William Faulkner’s mother’s house. (b&w, two 5×7) |
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Folder 1.37
| William Faulkner pictured with his Sigma Alpha Epsilon brothers at the University of Mississippi, 1919. (b&w, 8×10) |
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Folder 1.38
| Estelle Oldham’s “Ole Miss” yearbook picture, 1913. (b&w, 4×6) |
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Folder 1.39
| Post Office Blues, drawing by William Faulkner. (b&w, 5×7) |
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Folder 1.40
| Ben Wasson. (b&w, 8×10) |
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Folder 1.41
| William Spratling, c.1925. (b&w, 8×10) |
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Folder 1.42
| William Spratling’s apartment building in New Orleans. (color Polaroid) |
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Folder 1.43
| William Faulkner and his brothers, childhood portrait. (b&w, 8×10) |
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Folder 1.44
| William Faulkner’s sixth grade class. (2 b&w photo postcards) |
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Folders 1.45-1.75
| William Faulkner during a lecture in Oregon, taken by James Baker Hall, c. 1950. (b&w, 5×7) |
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Folder 1.76
| William Faulkner riding his horse Wedgewood, #93-128 . (b&w, 1-3×3, 4-5×7) |
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Prints – Movie Images |
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Folder 2.1
| Movie publicity still, The Story of Temple Drake (1933), Miriam Hopkins. (b&w, 8×10)
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Folder 2.2
| Movie publicity still, Today We Live (1933), Betty Davis, Franchot Tone, Robert Young. (b&w, 8×10)
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Folder 2.3
| Movie publicity still, Lazy River (1934), Jean Parker, Robert Young. (b&w, 8×10)
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Folder 2.4
| Movie publicity still, Air Force (1934). (b&w, 8×10)
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Folder 2.5
| Lobby card, Background to Danger (1943). (b&w, 8×10)
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Folder 2.6
| Movie publicity still, God is My Co-Pilot (1945), Andrea King, 91-103. (b&w, 8×10)
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Folder 2.7
| Movie publicity still, God is My Co-Pilot (1945), 91-103. (b&w, 8×10)
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Folder 2.8
| Movie publicity still, God is My Co-Pilot (1945), 91-103. (b&w, 8×10)
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Folder 2.9
| Lobby card, Mildred Pierce (1945), Joan Crawford, Jack Carson, Zachary Scott. (b&w, 8×10)
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Folder 2.10
| Movie publicity still, The Big Sleep (1946), Lauren Bacall, Humphrey Bogart, 91-102. (b&w, 8×10)
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Folder 2.11
| Movie publicity still, The Big Sleep (1946), Lauren Bacall, Humphrey Bogart, 91-102. (b&w, 8×10)
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Folder 2.12
| Lobby card, Deep Valley (1947). (b&w, 8×10)
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Folder 2.13
| Movie publicity still, Stallion Road (1947), Ronald Regan, Alexis Smith. (b&w, 8×10)
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Folder 2.37
| Movie publicity still, The Left Hand of God (1955), Humphrey Bogart, Lee J. Cobb.(b&w, 8×10)
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Folder 2.38
| Movie publicity still, The Tarnished Angels (1957). (b&w, 8×10)
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Folder 2.39
| Movie publicity still, The Tarnished Angels (1957), Rock Hudson. (b&w, 8×10)
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Folder 2.40
| Movie publicity still, The Tarnished Angels (1957), Rock Hudson. (b&w, 8×10)
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Folder 2.41
| Movie publicity still, The Tarnished Angels (1957). (b&w, 8×10)
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Folder 2.42
| Movie publicity still, The Long Hot Summer (1958), Paul Newman, Joanne Woodward. (b&w, 8×10)
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Folder 2.43
| Movie publicity still, The Long Hot Summer (1958), Paul Newman, Lee Remick. (b&w, 8×10)
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Folder 2.44
| Movie publicity still, The Long Hot Summer (1958), Paul Newman, Joanne Woodward. (b&w, 8×10)
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Folder 2.45
| Movie publicity still, The Long Hot Summer (1958), Orson Welles,Lee Remick, Joanne Woodward, Paul Newman. (b&w, 8×10)
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Folder 2.46
| Movie publicity still, The Sound and the Fury (1959), Margaret Leighton, Yul Brynner. (b&w, 8×10)
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Folder 2.47
| Movie publicity still, The Sound and the Fury (1959), Joanne Woodward. (b&w, 8×10)
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Folder 2.48
| Movie publicity still, Sanctuary (1961), writer Ruth Ford. (b&w, 8×10)
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Intruder in the Dust (1949) |
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Folder 2.14
| William Faulkner publicity shot for the film. (b&w, 5×7) |
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Folder 2.15
| William Faulkner at the premiere of the film. (b&w, 5×9) |
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Folder 2.16
| Shooting the film, in Oxford, Mississippi, 1948 from William Campbell. (eight different b&w image, 3 ½ x 5) |
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Folder 2.17
| Shooting the film, in Oxford, Mississippi, 1948 from William Campbell. (ten different b&w image, 3 ½ x 5) |
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Folder 2.18
| Ms. Thompson and Ms. Longest with a copy of the novel, signed by the film’s cast and crew, 1948. (three b&w, 8 x10s) |
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Folder 2.19
| Movie publicity still, Elizabeth Patterson, 91-69. (b&w, 8×10) |
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Folder 2.20
| Movie publicity still, David Brian. (b&w, 8×10) |
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Folder 2.21
| Movie publicity still, Porter Hall. (b&w, 8×10) |
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Folder 2.22
| Movie publicity still, Will Geer, 98-38. (b&w, 8×10) |
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Folder 2.23
| Movie publicity still, Will Geer, 98-38. (b&w, 8×10) |
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Folder 2.24
| Movie publicity still, Claude Jaman Jr. and film crew. (b&w, 8×10) |
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Folder 2.25
| Movie publicity still, Porter Hall. (b&w, 8×10) |
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Folder 2.26
| Movie publicity still, Claude Jaman Jr. and Clarence Brown. (b&w, 8×10) |
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Folder 2.27
| Movie publicity still, David Brian, Juano Hernandez, Claude Jarman Jr. (b&w, 8×10) |
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Folder 2.28
| Movie publicity still, Charles Kemper. (b&w, 8×10) |
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Folder 2.29
| Movie publicity still, movie poster. (b&w, 8×10) |
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Folder 2.30
| Movie publicity still, movie poster art – man with a gun. (b&w, 8×10) |
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Folder 2.31
| Movie publicity still, novel. (b&w, 8×10) |
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Folder 2.32
| Movie publicity still, director Clarence Brown with the cast and crew. (b&w, 8×10) |
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Folder 2.33
| Director Clarence Brown during filming (b&w, 8×10) |
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Folder 2.34
| Charles Kemper, Gene Roper, Claude Jaman Jr. during filming. (b&w, 3 ½ x 5) |
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Folder 2.35
| Extra on the set. (b&w, 3 ½ x 5) |
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Folder 2.36
| Extras on the set. (b&w, 3 ½ x 5) |
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The Reivers (1969) |
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Folder 2.49
| Steve McQueen on the set, from Edward Moore. (b&w, 8×10) |
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Folder 2.50
| Steve McQueen on the set, from Edward Moore. (b&w, 8×10) |
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Folder 2.51
| Movie publicity still. Steve McQueen, from Edward Moore. (b&w, 8×10) |
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Folder 2.52
| Movie publicity still. Steve McQueen, from Edward Moore. (b&w, 8×10) |
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Folder 2.53
| Movie publicity still. Steve McQueen, Rupert Crosse, Mitch Vogel, from Edward Moore. (b&w, 8×10) |
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Folder 2.54
| Steve McQueen and Rupert Crosse on the set, from Edward Moore. (b&w, 8×10) |
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Folder 2.55
| Extra on the set getting her hair fixed, from Edward Moore. (b&w, 8×10) |
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Folder 2.56
| Extra on set getting her costume fixed, from Edward Moore. (b&w, 8×10) |
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Folder 2.57
| Cast and crew eating on the set, from Edward Moore. (b&w, 8×10) |
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Folder 2.58
| Extra on the set getting her hair fixed, from Edward Moore. (b&w, 8×10) |
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Folder 2.59
| Extra on the set getting his hair fixed, from Edward Moore. (b&w, 8×10) |
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Folder 2.60
| Child extras on the set, from Edward Moore. (b&w, 8×10) |
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Folder 2.61
| Child extra on the set, from Edward Moore. (b&w, 8×10) |
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Folder 2.62
| Cast and crew at the catering truck on the set, from Edward Moore. (b&w, 8×10) |
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Folder 2.63
| Director Mark Rydell and the crew on the set, from Edward Moore. (b&w, 8×10) |
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Folder 2.64
| Shooting, photo album 1 and 2, images taken by [H.?] Eggleston. (29 different images, color, 3 ½ x 3 ½) |
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Folder 2.65
| Shooting, photo album 1 and 2, images taken by [H.?] Eggleston. (19 different images, color, 3 ½ x 3 ½) |
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Folder 2.66
| Shooting, photo album 1 and 2, images taken by [H.?] Eggleston. (29 different images, color, 3 ½ x 3 ½) |
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Prints – Rowan Oak and Exhibition Photographs |
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Folder 4.1
| Tenant’s house at Rowan Oak, -102. (color, 7 ½ x 9 ½ ) |
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Folder 4.2
| Tree at Rowan Oak, taken by Russell Barrett. (color, 3 ¼ x 3 ¼) |
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Folder 4.3
| Cow in front of a barn at Rowan Oak, taken by Russell Barrett. (color, 3 ¼ x 3 ¼) |
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Folder 4.4
| Front view of Rowan Oak, taken by Russell Barrett. (color, 3 ¼ x 3 ¼) |
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Folder 4.5
| Stable at Rowan Oak, taken by Russell Barrett. (color, 3 ¼ x 3 ¼) |
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Folder 4.6
| Outbuilding at Rowan Oak, taken by Russell Barrett. (color, 3 ¼ x 3 ¼) |
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Folder 4.7
| Couple on the grounds of Rowan Oak, taken by Russell Barrett. (color, 3 ¼ x 3 ¼) |
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Folder 4.8
| Side view of Rowan Oak, taken by Russell Barrett. (color, 3 ¼ x 3 ¼) |
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Folder 4.9
| Gardens at Rowan Oak. (b&w, 6 ¼ x 9 ¾ ) |
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Folder 4.10
| Gardens at Rowan Oak (b&w, two 6 ¼ x 9 ¾) |
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Folder 4.11
| Image of materials for the 1982 Faulkner Exhibit, taken by Thomas Sennett, -1462. (color, 5×7) |
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Folder 4.12
| Image of William Faulkner’s Nobel Prize and books taken for the 1982 Faulkner Exhibit by Thomas Sennett, -1462. (color, 5×7) |
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Folder 4.13
| Image of William Faulkner’s Nobel Prize taken for the 1982 Faulkner Exhibit, by Thomas Sennett, -1462. (color, 5×7, see B7F6
– slide 9)
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Folder 4.14
| William Faulkner’s awards including the Nobel Prize. (b&w, 8×10) |
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Folder 4.15
| William Faulkner’s grave and Rowan Oak by R.R. Nicoli, 98-47. (color photocopies) |
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Folder 4.16
| Publicity photographs of Dr. William Verich posed with the “Wooden Crosses” screenplay. (b&w, four 5x7s) |
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Folder 4.17
| Display of William Faulkner’s books. (color, 3 x 4 ½ ) |
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Folder 4.18
| People viewing the 1977 Faulkner Conference Exhibit, – 163. (12 different, b&w, 8x10s) |
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Folder 4.19
| People viewing the 1977 Faulkner Conference Exhibit, – 163. (12 different, b&w, 8x10s) |
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William Faulkner’s Gift of Friendship Exhibit – 1980 |
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Folder 4.20
| Exhibit cases, – 163. (9 different, b&w, 8x10s) |
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Folder 4.21
| Signed copy of The Sound and the Fury, – 163. (three b&w, 8x10s)
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Folder 4.22
| Signed copy of Intruder in the Dust, – 163. (five b&w, 8x10s)
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Folder 4.23
| William Faulkner, Prize Account document, – 163. (five b&w, 8x10s) |
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Folder 4.24
| Letter from William Faulkner to R.P. Adams, – 163. (two b&w, 8x10s) |
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Folder 4.25
| Big Woods proof, – 163. (five b&w, 8x10s)
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Folder 4.26
| Draft, – 163. (b&w, two 8x10s, two 5x7s) |
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Folder 4.27
| Draft, – 163. (two b&w, 8x10s) |
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Negatives |
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Folder 6.1
| William Faulkner holding his hat in his hands, from the 1936 “Ole Miss” yearbook. (b&w, nine 35mm and two 2 ¼ x 2 ¼) |
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Folder 6.2
| William Faulkner at the Oxford Airport, 1936. (four b&w, 35mm) |
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Folder 6.3a
| Faulkner in the American Legion ( three b&w, 35mm) |
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Folder 6.3b
| Estelle Oldham’s “Ole Miss” yearbook picture, 1913. (two b&w, 35mm) |
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Folder 6.4
| William Faulkner riding his horse Wedgewood, #93-128. (six b&w, 35mm) |
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Folder 6.5
| Cornell Franklin, Ole Miss Yearbook, 1913. (three b&w, 35mm) |
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Folder 6.6
| Phil Stone, Ole Miss Yearbook. (b&w, 2 ¼ x 2 ¼) |
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Folder 6.7
| William Spratling, c.1925. (three b&w, 35mm) |
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Folder 6.8
| Post Office Blues, drawing by William Faulkner. (eight b&w, 2 ¼ x 2 ¼) |
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Folder 6.9
| Red and Blue Club in Ole Miss yearbook, drawing by William Faulkner. (four b&w, 35mm) |
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Folder 6.10
| University of Mississippi Post Office. (four b&w, 35mm) |
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Folder 6.11
| The cover of The Devil Beats his Wife, by Ben Wasson. (three b&w, 35mm)
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Folder 6.12
| Inside of dust jacket of the book Satoris. (b&w, 2 ¼ x 2 ¼)
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Folder 6.13
| Marionettes page in Ole Miss yearbook, drawing by William Faulkner. (b&w, 2 ¼ x 2 ¼)
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Folder 6.14
| Rowan Oak. (color, 4×5) |
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Folder 6.15
| Rowan Oak. (color, 4×5) |
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Folder 6.16
| Rowan Oak. (color, 4×5) |
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Folder 6.17
| Students reading The Marble Faun, June 1969. (six b&w, 35mm)
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Folder 6.18
| The premiere of Intruder in the Dust at the Lyric Theatre in Oxford, Mississippi, 1949. (four b&w, 35mm)
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Folder 6.19a
| William Faulkner at the premiere of the film, Intruder in the Dust, 1949. (two b&w, 35mm)
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Folder 6.19b
| William Faulkner publicity shot for the film, Intruder in the Dust, 1949. (two b&w, 35mm)
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Elizabeth M. Kerr Slides |
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Folder 7.12
| Elizabeth M. Kerr slide collection inventory (3 copies) |
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Places Associated with the Faulkner Family |
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7.9s1
| Rowan Oak, side front |
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7.9s2
| Rowan Oak, front (2 slides) |
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7.9s3
| Rowan Oak, garden (2 slides) |
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7.9s4
| Rowan Oak, wisteria (2 slides) |
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7.9s5
| Road to the Faulkner farm (2 slides) |
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7.9s6
| The Faulkner farm (2 slides) |
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7.9s7
| The Faulkner farm (2 slides) |
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7.9s8
| The “study” on the Faulkner farm (2 slides) |
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7.9s9
| View from the farm house (2 slides) |
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7.9s10
| View from the farm house (2 slides) |
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7.9s11
| Falkner, Mississippi (2 slides) |
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7.9s12
| Col. William Falkner’s monument, Ripley, MS |
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7.9s13
| Col. William Falkner’s monument (2 slides) |
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7.9s14
| Ripley cemetery, with the Falkner monument (2 slides) |
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7.9s15
| Grave of William Faulkner, Oxford, MS (2 slides) |
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7.9s16
| Grave of William Faulkner (2 slides) |
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7.9s17
| Grave of William Faulkner (2 slides) |
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7.9s18
| Grave of Caroline Barr, Oxford, MS (2 slides) |
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7.9s19
| Monument to William Faulkner’s grandmother (2 slides) |
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7.9s20
| St. Peter’s Cemetery, Oxford, MS (2 slides) |
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“Jefferson” |
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7.9s21
| The long hill into Oxford from the east (2 slides) |
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7.9s22
| The courthouse, south side (2 slides) |
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7.9s22a
| Courthouse, south side and federal courthouse and post office (2 slides) |
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7.9s23
| Confederate monument, campus of the University of Mississippi (2 slides) |
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7.9s24
| The Square, west side (2 slides) |
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7.9s25
| The courthouse, north side (2 slides) |
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7.9s26
| The Square, north side, from beneath the hardware store gallery (2 slides) |
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7.9s27
| Ante-bellum hotel, off Square (2 slides) |
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7.9s28
| Former office of Phil Stone (3 slides) |
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7.9s29
| The Colonial Hotel (2 slides) |
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7.9s30
| The Square, opposite the Colonial Hotel (2 slides) |
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7.9s31
| Cotton gin, off the Square (2 slides) |
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7.9s32
| Cotton gin and water tower (2 slides) |
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7.9s33
| Flem’s Mansion (2 slides) |
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7.9s34
| The old jail (2 slides) |
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7.9s34a
| The Isom house (2 slides) |
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7.9s35
| Ammadelle (2 slides) |
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7.9s36
| The Eades-Lewis-Rowland home (2 slides) |
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7.9s36a
| Avent Acres (2 slides) |
|
|
7.9s37
| St. Peter’s Episcopal Church (2 slides) |
|
|
7.9s38
| The railroad station (2 slides) |
|
|
7.9s39
| The hill opposite from the depot (2 slides) |
|
|
7.9s40
| The hill from the depot to the Square (2 slides) |
|
|
7.9s41
| Hilgard Cut, spring (2 slides) |
|
|
7.9s42
| Hilgard Cut, summer, kudzu in loaf (2 slides) |
|
|
7.9s43
| The Lyceum, University of Mississippi (2 slides) |
|
|
7.9s44
| Burney’s Branch (2 slides) |
|
|
7.9s45
| The Howorth residence; originally the home of Jacob Thompson, burned by General Smith, except the portion at the right (3 slides) |
|
|
7.9s45a
| Modern residential area, Prico and Vivyan (2 slides) |
|
|
7.9s46
| Nigger Hollow (2 slides) |
|
|
7.10s47
| Freedmantown, outskirts (2 slides) |
|
|
7.10s48
| Freedmantown, outskirts (3 slides) |
|
|
7.10s49
| Freedmantown, outskirts (3 slides) |
|
|
7.10s49a
| Freedmantown, outskirts (3 slides) |
|
|
The Northwest Sector |
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7.10s50
| College Hill Church (2 slides) |
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|
7.10s50a
| College Hill store (2 slides) |
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|
7.10s51
| Sunset Hill, near College Hill (3 slides) |
|
|
7.10s52
| Erosion (2 slides) |
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7.10s53
| Erosion (2 slides) |
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7.10s53a
| Road (2 slides) |
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7.10s54
| Cabin (2 slides) |
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7.10s55
| Farm (2 slides) |
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7.10s56
| Toby Tubby Church (2 slides) |
|
|
7.10s57
| Harrykin Landing (2 slides) |
|
|
7.10s58
| Indian Mound, Sardis Reservoir (2 slides) |
|
|
7.10s59
| Samo mound (2 slides) |
|
|
7.10s60
| View from the mound, toward Sardis Reservoir (2 slides) |
|
|
7.10s61
| View from the mound (2 slides) |
|
|
Highway 7, North toward Memphis |
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|
7.10s62
| Country store, north of Oxford (2 slides) |
|
|
7.10s63
| College Hill crossing (2 slides) |
|
|
7.10s64
| Sorghum mill (2 slides) |
|
|
7.10s65
| Kudzu vines in spring (2 slides) |
|
|
7.10s66
| Kudzu in summer (2 slides) |
|
|
7.10s67
| Marshall County farm (2 slides) |
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|
7.10s68
| County church (2 slides) |
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|
7.10s68a
| County church |
|
|
7.10s69
| Railroad station, Holly Spring (3 slides) |
|
|
Northeast Sector |
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|
7.10s70
| Side road, from Highway 30 |
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|
7.10s71
| Store (2 slides) |
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|
7.10s72
| Farm, in the McCallum area (2 slides) |
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|
7.10s73
| Holly Springs National Forest (2 slides) |
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|
7.10s74
| Bay Springs Church (2 slides) |
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|
7.10s75
| Hillside farm (2 slides) |
|
|
7.10s76
| Natchez Trace Parkway (3 slides) |
|
|
Southeast Sector, Frenchman’s Bend: Combines Characteristics of Yocona and Toccopola to the Southeast and Taylor to the Southwest |
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|
7.10s77
| Railroad station, Taylor (2 slides) |
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|
7.10s77a
| Store, Taylor (2 slides) |
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|
7.10s78
| Store, Tula (2 slides) |
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|
7.10s79
| House at Yocona (2 slides) |
|
|
7.10s80
| “Will Varner’s house” (2 slides) |
|
|
7.10s81
| “Mrs. Littlejohn’s hotel” (2 slides) |
|
|
7.10s82
| The Yoknapatawpha River (2 slides) |
|
|
7.10s83
| Yoknapatawpha River (2 slides) |
|
|
7.10s84
| Main street, Toccopola (2 slides) |
|
|
7.10s85
| Horse and wagon, main street, Toccopola (2 slides) |
|
|
7.10s86
| Shed, Toccopola (2 slides) |
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|
7.10s87
| Cabin, Toccopola (2 slides) |
|
|
7.10s88
| Same cabin (2 slides) |
|
|
7.10s89
| Cotton gin, Toccopola (2 slides) |
|
|
7.10s90
| Same cotton gin (2 slides) |
|
|
7.11s91
| Dog-trot cabin from side (2 slides) |
|
|
7.11s92
| Dog-trot cabin from front (2 slides) |
|
|
7.11s93
| Vacant dog-trot cabin (2 slides) |
|
|
7.11s94
| The Shipp house, front (2 slides) |
|
|
7.11s95
| Shipp house, side (2 slides) |
|
|
7.11s96
| View from the Shipp house (2 slides) |
|
|
7.11s97
| View from the Shipp house (2 slides) |
|
|
7.11s98
| Spring, on the Jones-Miller place (2 slides) |
|
|
7.11s99
| Jones-Miller house, side (2 slides) |
|
|
7.11s100
| Jones-Miller house, front (2 slides) |
|
|
7.11s101
| Graveyard, Jones-Miller place (2 slides) |
|
|
7.11s102
| Eroded farm (2 slides) |
|
|
7.11s103
| Cabin (2 slides) |
|
|
7.11s104
| Water Valley (2 slides) |
|
|
7.11s105
| Cotton patch (2 slides) |
|
|
7.11s106
| Cotton field, Yocona River bottom (2 slides) |
|
|
West of Yoknapatawpha County |
|
|
7.11s107
| Cotton field (2 slides) |
|
|
7.11s108
| Cotton field (2 slides) |
|
|
7.11s109
| Cabin with willow tree (2 slides) |
|
|
7.11s110
| Cabin with gate (2 slides) |
|
|
7.11s111
| Old red cabin (2 slides) |
|
|
7.11s112
| Cabin and road (2 slides) |
|
|
7.11s113
| Cabin in the fields (2 slides) |
|
|
7.11s114
| Roadside cotton gin (2 slides) |
|
|
7.11s115
| Highway cotton gin (2 slides) |
|
|
Grand Junction Tennessee, “Parsham Junstion” of The Reivers |
|
|
7.11s116
| Race track, near Starkville, MS (2 slides) |
|
|
7.11s117
| Spectators, race track (2 slides) |
|
|
7.11s118
| The main street (2 slides) |
|
|
7.11s119
| The main street (2 slides) |
|
|
7.11s120
| The main street (2 slides) |
|
|
7.11s121
| The main street (2 slides) |
|
|
7.11s122
| The hotel (2 slides) |
|
|
|
|
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|
|
Wayon Thomas Covington Slides |
|
Folder 7.15
| Covington Inventory |
|
|
John Faulkner’s Vanishing South a Slide and Tape Presentation by Waymon Thomas Covington |
|
|
7.13s1
| Title |
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|
7.13s2
| Credit |
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|
7.13s3
| South Street Presbyterian Church, Oxford Eagle , 25 January 1940
|
|
|
7.13s4
| “Up for Sale…”, Oxford Eagle |
|
|
7.13s5
| “The Old Church”, Oxford Eagle , 20 February 1941>
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|
|
7.13s6
| South Street Presbyterian Church, original photograph by Col. Cofield, Mississippi Collection, University of Mississippi |
|
|
7.13s7
| Remains of Church, Oxford Eagle , 6 February 1941
|
|
|
7.13s8
| John Faulkner by Maud Falkner |
|
|
7.13s9
| Col. W.C. Falkner |
|
|
7.13s10
| “Treasure Trail”, Colliers , 6 March 1943
|
|
|
7.13s11
| “Progress Report”, Colliers , 14 June 1941
|
|
|
7.13s12
| Men Working |
|
|
7.13s13
| Dollar Cotton |
|
|
7.13s14
| Chooky |
|
|
7.13s15
| Cabin Road |
|
|
7.13s16
| Cabin Scene, photographed by Waymon T. Covington |
|
|
7.13s17
| The Faulkner Brothers, 1910 |
|
|
7.13s18
| Painting probably done by Lelia Dean Swift Butler, collection of Mrs. John Faulkner, III |
|
|
7.13s19
| Maud Butler Falkner |
|
|
7.13s20
| Miss Maud’s signature on painting |
|
|
7.13s21
| Miss Maud |
|
|
7.13s22
| Cabin Painting by Miss Maud |
|
|
7.13s23
| Cabin Painting by Miss Maud |
|
|
7.13s24
| Copy of “A Young Woman at a Casement,” Jan Vermeer, by Miss Maud |
|
|
7.13s25
| Detail from a copy of “The Lacemaker,” Jan Vermeer, by Miss Maud |
|
|
7.13s26
| Painting of fruit by Miss Maud |
|
|
7.13s27
| Painting of petunias by Miss Maud |
|
|
7.13s28
| Portrait of Murry Cuthbert Falkner by Miss Maud |
|
|
7.13s29
| John and Miss Maud, McCalls, October 1956
|
|
|
7.13s30
| John Faulkner, pilot |
|
|
7.13s31
| Portrait of John Faulkner by Miss Maud |
|
|
7.13s32
| John Faulkner’s signature on watercolor, 1939 |
|
|
7.13s33
| Watercolor by John Faulkner |
|
|
7.13s34
| Watercolor by John Faulkner |
|
|
7.13s35
| Memory House, photographed by Waymon T. Covington, 1973 |
|
|
7.13s36
| John Faulkner, at mailbox |
|
|
7.13s37
| John Faulkner, at mailbox |
|
|
7.13s38
| John Faulkner |
|
|
7.13s39
| Newspaper Clippings |
|
|
7.13s40
| John and his grandson, Buddy Faulkner |
|
|
7.13s41
| Mr. and Mrs. John Faulkner, Buddy Faulkner, Mr. and Mrs. Jimmy Faulkner, from photograph by Charles Nicholas |
|
|
7.13s42
| John Faulkner, from photograph by Charles Nicholas |
|
|
7.13s43
| John Faulkner, slide by Charles Nicholas |
|
|
7.13s44
| John Faulkner, slide by Charles Nicholas |
|
|
7.13s45
| John Faulkner |
|
|
7.13s46
| “The Bear” by John Faulkner |
|
|
7.13s47
| “Red Leaves” by John Faulkner |
|
|
7.13s48
| “Red Leaves” |
|
|
7.13s49
| John Faulkner |
|
|
7.13s50
| Paintings by John Faulkner |
|
|
7.13s51
| Painting with story by John Faulkner |
|
|
7.13s52
| John Faulkner, detail from oil colored photograph by Clements Studio, Oxford, Mississippi |
|
|
7.13s53
| John Faulkner’s Vanishing South |
|
|
7.13s54
| “Monday Morning 1910” |
|
|
7.13s55
| “Monday Morning 1910” |
|
|
7.13s56
| “Monday Morning 1910” |
|
|
7.13s57
| “Monday Morning 1910” |
|
|
7.13s58
| “Monday Morning 1910” |
|
|
7.13s59
| “Carnival Time” |
|
|
7.13s60
| “Carnival Time” |
|
|
7.13s61
| “Carnival Time” |
|
|
7.13s62
| “Carnival Time” |
|
|
7.13s63
| “Carnival Time” |
|
|
7.13s64
| “Carnival Time” |
|
|
7.13s65
| “Carnival Time” |
|
|
7.13s66
| “Old Linkers Mill” |
|
|
7.13s67
| “Old Davidson’s Spring” |
|
|
7.13s68
| “Old Davidson’s Spring” |
|
|
7.13s69
| “Old Davidson’s Spring” |
|
|
7.13s70
| “Git a Hoss” |
|
|
7.13s71
| “Git a Hoss” |
|
|
7.13s72
| “Git a Hoss” |
|
|
7.13s73
| “Grabbling” |
|
|
7.13s74
| “Grabbling” |
|
|
7.13s75
| “Grabbling” |
|
|
7.13s76
| “Grabbling” |
|
|
7.13s77
| “Grabbling” |
|
|
7.13s78
| “Sorghum Mill at Night” |
|
|
7.13s79
| “Sorghum Mill at Night” |
|
|
7.13s80
| “Sorghum Mill at Night” |
|
|
7.14s81
| “Sorghum Mill at Night” |
|
|
7.14s82
| “Sorghum Mill at Night” |
|
|
7.14s83
| “Sorghum Mill at Night” |
|
|
7.14s84
| “Sorghum Mill at Night” |
|
|
7.14s85
| “Brush Arbor” |
|
|
7.14s86
| “Brush Arbor” |
|
|
7.14s87
| “Brush Arbor” |
|
|
7.14s88
| “Brush Arbor” |
|
|
7.14s89
| “Weighin’ In” |
|
|
7.14s90
| “Weighin’ In” |
|
|
7.14s91
| “Ginnin’ Time” |
|
|
7.14s92
| “Ginnin’ Time” |
|
|
7.14s93
| “Ginnin’ Time” |
|
|
7.14s94
| “Ginnin’ Time” |
|
|
7.14s95
| “Autumn Scene” |
|
|
7.14s96
| “Hunting Scene” |
|
|
7.14s97
| “Hunting Scene” |
|
|
7.14s98
| “Possum Hunt” |
|
|
7.14s99
| “Possum Hunt” |
|
|
7.14s100
| “Possum Hunt” |
|
|
7.14s101
| “Possum Hunt” |
|
|
7.14s102
| “Possum Hunt” |
|
|
7.14s103
| “Chittlin’s” |
|
|
7.14s104
| “Chittlin’s” |
|
|
7.14s105
| “Chittlin’s” |
|
|
7.14s106
| “Chittlin’s” |
|
|
7.14s107
| “Going Home in the Rain” |
|
|
7.14s108
| “Going Home in the Rain” |
|
|
7.14s109
| “Going Home in the Rain” |
|
|
7.14s110
| “Going Home in the Rain” |
|
|
7.14s111
| “YellowLeaf Covered Bridge” |
|
|
7.14s112
| “Little Chicago” |
|
|
7.14s113
| “Little Chicago” |
|
|
7.14s114
| “Little Chicago” |
|
|
7.14s115
| “The End of the Day” |
|
|
7.14s116
| “The End of the Day” |
|
|
7.14s117
| “The End of the Day” |
|
|
7.14s118
| “The End of the Day” |
|
|
7.14s119
| “Plodding Home” |
|
|
7.14s120
| “Plodding Home” |
|
|
7.14s121
| “Plodding Home” |
|
|
7.14s122
| “Plodding Home” |
|
|
7.14s123
| THE END |
