University of Mississippi Libraries
Finding aid for the Sheldon Harris Collection
MUM00682
Table of Contents
PURL
http://purl.oclc.org/umarchives/MUM00682/
Summary Information
- Repository
- University of Mississippi Libraries
- Creator
- Harris, Sheldon
- Title
- Sheldon Harris Collection
- Date [inclusive]
- circa 1834-1998
- General Physical Description note
- 71 boxes (49.21 linear feet)
- Location:
- Blues
- Mixed materials [Boxes]
- 1-71
- Abstract:
- Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris’ person collecting
and research.
Preferred Citation
Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi
Biographical Note
Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as
a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation
classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction
of the late Dr. Marshall W. Stearns, noted jazz authority. In 1954, he joined Dr. Stearns at New York Institute of Jazz Studies,
serving as a volunteer secretary until its transfer to Rutgers University in 1966. From 1963 to 1971, he was blues editor
of
Jazz & Pop Magazine, a national publication, writing feature stories, critiques, record and book reviews. Mr. Harris had lectured on blues and
related music at Rutgers University, Alfred University, Jersey City State, Brooklyn College and Queens College, among other
schools and universities as well as community and student centers, clubs and private social groups. He also organized and
presented live concerts at the International Center in New York.
After almost 20 years of research, his book
Blues Who’s Who: A Biographical Dictionary of Blues Singers was published in 1979. The 775-page work listed detailed biographical facts on 571 of the most noted singers in the history
of the blues and is now considered the prime reference source in the field. It won the Memphis Blues Foundation’s “National
Blues Music W.C. Handy Award” in 1981 as the outstanding blues book of the year and in 1983 won its “Blues Hall of Fame Award”
in the classics of blues literature category. An emendated soft-cover edition was published in 1981 and is presently in its
seventh printing. In 1945, he began a 30-year professional career in the advertising business, eventually serving as a longtime
account executive at Doyle Dane Bernbach Advertising Agency of New York City, handling many local and national accounts, including
Ohrbach’s specialty stores. He also had a three-year war service record, serving in the U.S. Air Force in England and Germany.
His wife of 47 years, Gladys, died in 1994.
Scope and Content Note
Over 1,800 78-rpm discs document the early commercial recordings of blues, jazz, and popular American songs. This collection
particularly highlights the female “Classic Blues” singers of the 1920s and 1930s.
The 589 pieces of sheet music in this collection consist of minstrel songs, coon songs, blues, jazz, ragtime, and general
popular music from 1834 through 1954, with the bulk of the music primarily from the decades immediately surrounding the turn
of the twentieth-century. The large numbers of minstrel and coon songs exhibit late nineteenth, early twentieth-century attitudes
toward race.
The research files contain much of the information Sheldon Harris used when writing his books
Blues Who’s Who and
I Remember: Eighty Years of Black Entertainment, Big Bands, and the Blues. Materials in these files include newspaper clippings, copies of death certificates, some correspondence, and various ephemera.
The photographs in this collection are mostly images used in Sheldon Harris’ books
Blues Who’s Who and
I Remember: Eighty Years of Black Entertainment, Big Bands, and the Blues.
Arrangement
This collection is arranged in 4 series and alphabetically in each series. The 78’s, Photographs and Research files are organized
according to subject, namely Blues artist. The Sheet Music is arranged according to the pieces’ titles.
Administrative Information
Publication Information
University of Mississippi Libraries
Access Restrictions
The Sheldon Harris Collection is open for research; however, use of the 78s may be restricted at the curator’s discretion
dependant upon condition.
Copyright Restrictions
The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions
of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a
photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used
for any purpose other than private study, scholarship or research.” If a user makes a request for, or later uses, a photocopy
or reproduction for purposes in excess of “fair use”, that user may be liable for copyright infringement.
Additions
No further additions are expected to this collection.
Acquisition Information
The collection was donated to the University of Mississippi by blues and jazz collector/author Sheldon Harris. The collection
resided in Harris’ Brooklyn, NY residence until the donation. Blues Archivist Edward Komara made the original contacts with
Sheldon Harris about acquiring the collection. Blues Curator Greg Johnson orchestrated the final arrangements with Harris’
daughter, Rina Chalkin, in 2004.
Processing Information
Collection processed by Greg Johnson. 78s: Mark Coltrain assisted processing the 78s, research files and photographs. Pamela
Williamson and Sara Simonson assisted processing the 78s. Saida Boyce, Sara Newell and Rena Tuten assisted processing the
sheet music. Finding aid encoded by Jason Kovari.
Alternative Formats
Sheet music in this collection has been digitized and made available at
https://clio.lib.olemiss.edu/cdm/search/collection/sharris.
The photographs in this collection have been digitized and are available in the
Blues Photographs digital collection.
Related Materials
Resources at the University of Mississippi
The Race Parody Sheet Music Collection is another collection of sheet music that contains minstrel and coon songs,
http://purl.oclc.org/umarchives/MUM00376/
The Ann Rayburn Collection contains sheet music of show tunes, ragtime, jazz, and popular music of the twentieth-century.
Separated Material
The LPs and books in this collection have been cataloged and are searchable through the online catalog.
Controlled Access Headings
Format(s)
- 78 rpm records
- clippings (information artifacts)
- correspondence
- death certificates
- ephemera
- photographs
- printed ephemera
- research (document genres)
- sheet music
Subject(s)
- African American songs
- African American women musicians
- Blues (Music)
- Blues musicians
- Folk-songs, English — United States
- Jazz
- Jazz musicians
- Musicals — Vocal scores with piano
- Popular music — United States — 1834-1954
- Ragtime (Music)
- Revues — Vocal scores with piano
- Songs, English — United States — 19th century
- Songs, English — United States — 20th century
- Women musicians
Collection Inventory
Series I. 78s |
||||
78s. # |
||||
5 Red Caps (Gennett 7118) Side A: No Fish Today! ; Side B: Grand Central Station |
||||
6 and 7/8 Band, The (Circle 5002) Side A: High Society ; Side B: A. Tico Tico B. That Old Gang Of Mine |
||||
78s. A |
||||
[Ace, Johnny] Johnny Ace (Duke 136) Side A: Pledging My Love ; Side B: No Money. Note: Performed with Johnny Board’s Orch. | ||||
Adams, Marie (Peacock 1614) Side A: Ain’t Car Crazy ; Side B: I’m the Bluest Gal in Town. Note: Performed with Bill Harvey |
||||
Adler, Larry (Decca 23319) Side A: Begin the Beguine ; Side B: Hand to Mouth Boogie. Note: Performed with John Kirby and his |
||||
All Star Trio (Paramount 20021) Side A: Manyana ; Side B: Somebody |
||||
Allen, Fred (Columbia A2099) Side A: The Sunshine of You Smile ; Side B: Somewhere a Voice is Calling |
||||
Allen, Henry Jr. and his Orch. (Victor V-38080) Side A: Feeling Drowsy ; Side B: Swing Out |
||||
Allen, Henry “Red” and his Orchestra (Vocalion 3302) Side A: When Did You Leave Heaven? ; Side B: Algiers Stomp |
||||
Allen, Henry “Red” and his Orchestra (Vocalion 3292) Side A: Am I Asking Too Much? ; Side B: Until Today |
||||
Allen, Rosalie (RCA Victor 20-2237) Side A: Hitler Lives ; Side B: I Can’t Tell That Lie to My Heart. Note: Performed with |
||||
Ammons, Albert and His Rhythm Kings (Mercury 8075) Side A: Ammons Stomp ; Side B: The Clipper |
||||
Ammons, Albert and His Rhythm Kings (Decca 749) Side A: Boogie Woogie Stomp ; Side B: Nagasaki |
||||
Ammons, Albert and His Rhythm Kings (Mercury 8022) Side A: Swanee River Boogie ; Side B: I Don’t Want to See You |
||||
Ammons, Albert and Meade Lux Lewis (Columbia 35961) Side A: Bear Cat Crawl ; Side B: Shout for Joy. Note: Meade Lewis on side |
||||
Ammons, Gene (Mercury 8048) Side A: Red Top ; Side B: Idaho. Note: Ammons , t. sax with Gail Brockman, trmpt; James Craig, |
||||
Anderson, Marian (Royale 1765) Side A: Heav’n, Heav’n ; Side B: Sometimes I Feel Like a Motherless Child. Note: Performed |
||||
Anderson, Marian (RCA Victor 10-1278) Side A: Poor Me ; Side B: Hold On!. Note: Performed with Franz Rupp acc. Piano, disc |
||||
Andrews, Helen (Excelsior OR-181) Side A: Cotton and Corn Blues ; Side B: Black World Blues. Note: Performed with Johnny Creach |
||||
Anthony, Ray (Capitol 1884) Side A: The Honeydripper ; Side B: Busman’s Holiday. Note: Performed with his Orchestra |
||||
Arnold, Kokomo (Decca 48000) Side A: Milk Cow Blues ; Side B: Old Original Kokomo Blues |
||||
Armstrong, Lil (Decca 1092) Side A: Brown Gal ; Side B: Or Leave Me Alone. Note: Performed with her Swing Orchestra |
||||
Armstrong, Lil (Decca 1388) Side A: Lindy Hop ; Side B: When I Went Back Home. Note: Performed with her Swing Orchestra |
||||
Armstrong, Lil (Decca 1904) Side A: Oriental Swing ; Side B: Let’s Get Happy Together. Note: Performed with her Swing Orchestra |
||||
Armstrong, Lil (Decca 1722) Side A: You Shall Reap What You Sow ; Side B: Happy Today Sad Tomorrow. Note: Performed with her |
||||
Armstrong, Louis (Decca 672) Side A: I Hope Gabriel Likes My Music ; Side B: Shoe Shine Boy. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Vocalion 3039) Side A: Rockin’ Chair ; Side B: Chinatown, My Chinatown. Note: Performed with his Orchestra |
||||
Armstrong, Louis & Ella Fitzgerald (Decca 27209) Side A: Dream a Little Dream of Me ; Side B: Can Anyone Explain?. Note: Performed |
||||
Armstrong, Louis & Ella Fitzgerald (Decca 23496) Side A: You Won’t Be Satisfied ; Side B: The Frim Fram Sauce. Note: Performed |
||||
Armstrong, Louis & Jordan, Louis (Decca 27212) Side A: Life is So Peculiar ; Side B: (I’ll Be Glad When You’re Dead) You Rascal |
||||
Armstrong, Louis (Decca 25099) Side A: 219 Blues (Mamie’s Blues) ; Side B: Perdido Street Blues. Note: Performed with his |
||||
Armstrong, Louis (Okeh 41350) Side A: After You’ve Gone ; Side B: St. Louis Blues. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Okeh 41276) Side A: Ain’t Misbehavin’ ; Side B: (What Did I Do to Be So) Black and Blue. Note: Performed |
||||
Armstrong, Louis (Decca 4327) Side A: Among My Souvenirs ; Side B: Coquette. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 2230) Side A: As Long as You Live You’ll Be Dead if You Die ; Side B: When the Saints Go Marching |
||||
Armstrong, Louis & Velma Middleton (Decca 28372) Side A: That’s My Desire ; Side B: Baby, It’s Cold Outside. Note: Performed |
||||
Armstrong, Louis (Decca 27816) Side A: Cold, Cold Heart ; Side B: Because of You. Note: Performed with Sy Oliver Orch. |
||||
Armstrong, Louis (Decca 3011) Side A: Bye and Bye ; Side B: Poor Old Joe. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 18091) Side A: Coal Cart Blues ; Side B: Down in Honky Tonk Town. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 26154) Side A: Confessin’ (That I Love You) ; Side B: Our Monday Date. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 28943) Side A: Zat You, Santa Claus? ; Side B: Cool Yule. Note: Performed with The Commanders |
||||
Armstrong, Louis (Columbia 36154) Side A: Cornet Chop Suey ; Side B: My Heart. Note: Performed with his Hot Five |
||||
Armstrong, Louis (Okeh 8774) Side A: Dallas Blues ; Side B: Bessie Couldn’t Help It. Note: Performed with His Orchestra |
||||
Armstrong, Louis (Decca 3756) Side A: New Do You Call That a Buddy ; Side B: Hey Lawdy Mama. Note: Performed with his Orchestra |
||||
Armstrong, Louis (RCA Victor 20-2087) Side A: Do You Know What It Means to Miss New Orleans? ; Side B: Endie. Note: Performed |
||||
Armstrong, Louis (Decca 3825) Side A: Everything’s Been Done Before ; Side B: In the Gloaming. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Vocalion 3204) Side A: Got No Blues ; Side B: West End Blues. Note: Performed with his Orchestra (includes |
||||
Armstrong, Louis (Decca 28995) Side A: The Gypsy ; Side B: I Can’t Afford to Miss This Dream. Note: Performed with The Commanders |
||||
Armstrong, Louis (Decca 3283) Side A: Hep Cat’s Ball ; Side B: Lazy ‘Sippi Steamer. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Okeh 41204) Side A: I Can’t Give You Anything But Love (from “Blackbirds of 1928”) ; Side B: No One Else |
||||
Armstrong, Louis (Decca 2042) Side A: I Can’t Give You Anything But Love ; Side B: Ain’t Misbehavin’. Note: Performed with |
||||
Armstrong, Louis (RCA Victor 20-2612) Side A: I Want a Little Girl ; Side B: Joseph ‘N His Brudders. Note: Performed with |
||||
Armstrong, Louis (Decca 18652) Side A: I Wonder ; Side B: Jodie Man. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 27481) Side A: (I Wonder Why) You’re Just in Love ; Side B: If. Note: Performed with Velma Middleton |
||||
Armstrong, Louis (Decca 2480) Side A: If It’s Good (Then I Want It) ; Side B: West End Blues. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 906) Side A: If We Never Meet Again ; Side B: Dipper Mouth. Note: Performed with his Orchestra (side |
||||
Armstrong, Louis (Decca 25156) Side A: (I’ll Be Glad When You’re Dead) You Rascal You ; Side B: When It’s Sleepy Time Down |
||||
Armstrong, Louis (Decca 28177) Side A: I’ll Walk Alone ; Side B: Kiss of Fire. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 698) Side A: I’m Putting All My Eggs in One Basket ; Side B: Yes-Yes! My-My! (She’s Mine). Note: Performed |
||||
Armstrong, Louis & Gordon Jenkins (Decca 28076) Side A: Indian Love Call ; Side B: Jeannie. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 1937) Side A: I’ve Got a Pocketful of Dreams ; Side B: Naturally (Natch-ra-ly). Note: Performed with |
||||
Armstrong, Louis (Decca 27720) Side A: A Kiss to Build a Dream On ; Side B: (When We Are Dancing) I Get Ideas. Note: Performed |
||||
Armstrong, Louis (Decca 27113) Side A: La Vie En Rose ; Side B: C’Est Si Bon (It’s So Good). Note: Performed with his Orchestra |
||||
Armstrong, Louis (Vocalion 3114) Side A: When Your Lover Has Gone ; Side B: Lazy River. Note: Performed with his Orchestra |
||||
Armstrong, Louis (RCA Victor 20-1912) Side A: Back O’Town Blues ; Side B: Linger in My Arms a Little Longer, Baby. Note: Performed |
||||
Armstrong, Louis (Columbia 40587) Side A: Mack the Knife ; Side B: Back O’Town Blues. Note: Performed with his All Stars |
||||
Armstrong, Louis (Okeh 8680) Side A: Mahogany Hall Stomp ; Side B: Beau Koo Jack. Note: Performed with his Savoy Ballroom |
||||
Armstrong, Louis (RCA Victor 20-1891) Side A: No Variety Blues ; Side B: Whatta Ya Gonna Do. Note: Performed with Thelma Middleton |
||||
Armstrong, Louis (Decca 622) Side A: Old Man Mose ; Side B: Was I to Blame for Falling in Love With You. Note: Performed with |
||||
Armstrong, Louis (Decca 914) Side A: On a Cocoanut Island ; Side B: To You, Sweetheart Aloha. Note: Performed with The Polynesians |
||||
Armstrong, Louis (Vox 16060) Side A: On the Sunny Side of the Street, pt.1 ; Side B: On the Sunny Side of the Street, pt.2. |
||||
Armstrong, Louis (Columbia 37535) Side A: Once in a While ; Side B: Struttin’ With Some Barbecue. Note: Performed with His |
||||
Armstrong, Louis (Decca 1347) Side A: Public Melody Number One ; Side B: Red Cap. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Columbia 37537) Side A: Put ‘Em Down Blues ; Side B: Savoy Blues. Note: Performed with his Hot Five |
||||
Armstrong, Louis (RCA Victor 20-6630) Side A: Rain, Rain ; Side B: I Never Saw a Better Day |
||||
Armstrong, Louis (Decca 28704) Side A: Ramona ; Side B: April in Portugal. Note: Performed with Sy Oliver and his Orchestra |
||||
Armstrong, Louis (Decca 2405) Side A: Save It Pretty Mama ; Side B: Hear Me Talkin’ to Ya. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 2538) Side A: Savoy Blues ; Side B: Me and Brother Bill. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 1913) Side A: Shadrack ; Side B: Jonah and the Whale. Note: Performed with The Decca Mixed Chorus |
||||
Armstrong, Louis (RCA Victor 20-2530) Side A: Some Day ; Side B: Fifty-Fifty Blues. Note: Performed with his All Stars |
||||
Armstrong, Louis (Decca 29280) Side A: Someday You’ll Be Sorry ; Side B: Muskrat Ramble. Note: Performed with The Commanders |
||||
Armstrong, Louis (Decca 797) Side A: Somebody Stole My Break ; Side B: I Come From a Musical Family. Note: Performed with |
||||
Armstrong, Louis (RCA Victor 20-3064) Side A: A Song Was Born ; Side B: Before Long. Note: Performed with his All Stars |
||||
Armstrong, Louis (Decca 3235) Side A: Sweethearts on Parade ; Side B: Cut Off My Legs and Call Me Shorty. Note: Performed |
||||
Armstrong, Louis (Decca 28394) Side A: Takes Two to Tango ; Side B: I Laughed at Love |
||||
Armstrong, Louis (Decca 666) Side A: Thanks a Million ; Side B: Solitude. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 24752) Side A: That Old Lucky Sun (Just Rolls Around Heaven All Day) ; Side B: Blueberry Hill. Note: |
||||
Armstrong, Louis (Okeh 8717) Side A: That Rhythm Man ; Side B: Sweet Savannah Sue. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 27254) Side A: That’s What the Man Said ; Side B: Sit Down, You’re Rocking the Boat. Note: Performed |
||||
Armstrong, Louis (Okeh 41497) Side A: Walkin’ My Baby Back Home ; Side B: I Surrender, Dear. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 27899) Side A: When It’s Sleepy Time Down South ; Side B: It’s All in the Game. Note: Performed with |
||||
Armstrong, Louis (RCA Victor 20-2088) Side A: Where the Blues Were Born in New Orleans ; Side B: Mahogany Hall Stomp. Note: |
||||
Armstrong, Louis (Decca 29153) Side A: The Whiffenpoof Song ; Side B: Bye and Bye. Note: Performed with Gordon Jenkins and |
||||
Armstrong, Louis (RCA Victor 20-2240) Side A: You Don’t Learn That in School ; Side B: I Believe. Note: Performed with his |
||||
Armstrong, Louis (Brunswick) Side A: You Are My Lucky Star ; Side B: I’m in the Mood for Love. Note: Performed with his Orchestra |
||||
Armstrong, Louis (Decca 28628) Side A: Your Cheatin’ Heart ; Side B: Congratulations to Someone |
||||
Armtsrong, Louis (Okeh 41478) Side A: You’re Driving Me Crazy! (What Did I Do?) ; Side B: The Peanut Vendor. Note: Performed |
||||
Armstrong, Louis (Columbia 36155) Side A: You’re Next ; Side B: Oriental Strut. Note: Performed with his Hot Five |
||||
Armstrong, Lil (Decca 1092) Side A: Brown Gal ; Side B: Or Leave Me Alone. Note: Performed with her Swing Orchestra |
||||
Armstrong, Lil (Decca 1388) Side A: Lindy Hop ; Side B: When I Went Back Home. Note: Performed with her Swing Orchestra |
||||
Armstrong, Lil (Decca 1904) Side A: Oriental Swing ; Side B: Let’s Get Happy Together. Note: Performed with her Swing Orchestra |
||||
Armstrong, Lil (Decca 1722) Side A: You Shall Reap What You Sow ; Side B: Happy Today Sad Tomorrow. Note: Performed with her |
||||
Ash, Samuel (Columbia A2425) Side A: Smile and Show Your Dimple ; Side B: Hello Wisconsin. Note: Harris note: This was an |
||||
Auld, Geogie (Guild 128) Side A: Co-Pilot ; Side B: I’ll Never Be the Same. Note: Performed with his Orchestra |
||||
Austin, Gene (Hit of the Week L3) Side A: Now That You’re Gone ; Side B: n/a. Note: Performed with La Paloma |
||||
78s. B |
||||
Bailey Swing Group, The (Juke Box 506) Side A: Pine Top’s Boogie Woogie ; Side B: Eccentric Rag |
||||
Bailey, Max “Blues” (Domino 305/308) Side A: Put Your Money Where Your Mouth Is ; Side B: Irene’s Blues. Note: Performed with |
||||
Baker, Lavern (Atlantic 1030) Side A: I’m Living My Life For You ; Side B: I Can’t Hold Out Any Longer. Note: Performed with |
||||
Baker, Lavern (Atlantic 1075) Side A: Play It Fair ; Side B: Lucky Old Sun. Note: Performed with The Gliders with Orchestra |
||||
Baker, Lavern (Atlantic 1116) Side A: Jim Dandy ; Side B: Tra La La. Note: Performed with The Gliders with Orchestra / Harris |
||||
Bales, Burt & His Ragtime Piano (Good Time Jazz No. 9) Side A: 12th Street Rag ; Side B: Dill Pickles. Note: Performed with |
||||
Barbour, Dave (Capitol 358) Side A: Forever Nicki ; Side B: Forever Paganini. Note: Performed with his Orchestra |
||||
Barbour, Dave (Capitol 973) Side A: The Mambo ; Side B: Dave’s Boogie. Note: Performed with his Orchestra |
||||
Barelli, Aime (Pathe 2121) Side A: Refrain Sauvage ; Side B: Nouveau Rythme. Note: Performed with son Orchestre |
||||
Barker, Blue Lu (Decca 7506) Side A: Don’t You Make Me High ; Side B: He Caught That B&O. Note: Performed with Danny Barker’s |
||||
Basie, Count (Mercury 89028) Side A: Sent For You Yesterday And Here You Come Today ; Side B: Goin’ to Chicago. Note: Performed |
||||
Basie, Count (Clef 89162) Side A: Roll ‘Em Pete ; Side B: April in Paris. Note: Performed with Basie’s Orchestra and Joe Williams, |
||||
Basie, Count (Mercury 8987) Side A: Jive at Five ; Side B: Jumping at the Woodside. Note: Performed with Basie’s Orchestra |
||||
Basie, Count (Mercury 89014) Side A: Hob Nail Boogie ; Side B: Paradise Squat. Note: Performed with Basie’s Orchestra |
||||
Basie, Count (Clef 89070) Side A: Small Hotel ; Side B: Blee Blop Blues. Note: Performed with Basie’s Orchestra |
||||
Basie, Count (Clef 89061) Side A: Song of the Islands (with C. Basie Quintet) ; Side B: Royal Garden Blues (with C. Basie |
||||
Basie, Count (Mercury 8988) Side A: Why Not ; Side B: Fawncy Meeting You. Note: Performed with Basie’s Orchestra |
||||
Bayes, Nora (Victor 45099) Side A: Hello, Hawaii, How are You? ; Side B: When Old Bill Bailey Plays the Ukulele |
||||
Bechet, Sidney (RCA Victor 20-3120) Side A: 12th Street Rag ; Side B: Suey. Note: Performed with his New Orleans Feetwarmers |
||||
Bechet, Sidney (Emm Ess 113) Side A: Blues of Bechet ; Side B: Sheik of Araby |
||||
Bechet, Sidney (Victor 27337) Side A: Egyptian Fantasy ; Side B: Slippin’ and Slidin’. Note: Performed with his New Orleans |
||||
Bechet, Sidney (HMV 9091) Side A: I Want You Tonight (vox, Wilson Myers) ; Side B: Lay Your Racket (vox, Billy Maxey). Note: |
||||
Bechet, Sidney (Victor 27904) Side A: I’m Coming, Virginia ; Side B: Georgia Cabin. Note: Performed with his New Orleans Feetwarmers |
||||
Bechet, Sidney (Columbia 38318) Side A: Just One of Those Things ; Side B: Laura. Note: Performed with his Quartet |
||||
Bechet, Sidney (Columbia 38321) Side A: Love for Sale ; Side B: Shake ‘Em Up. Note: Performed with his Quartet |
||||
Bechet, Sidney (Victor 20-1510) Side A: The Mooche ; Side B: Blues in the Air. Note: Performed with his New Orleans Feetwarmers |
||||
Bechet, Sidney (Blue Note 502) Side A: Saturday Night Blues ; Side B: Bechet’s Steady Rider. Note: Performed with his Blue |
||||
Bechet, Sidney (HMV 9402) Side A: Save It Pretty Mama ; Side B: Swing Parade. Note: Performed with his New Orleans Feetwarmers |
||||
Bechet, Sidney (Circle J-1057) Side A: Who ; Side B: September Song. Note: Performed with his Circle Seven |
||||
Bechet, Sidney (Blue Note 566) Side A: Struttin’ with Some Barbecue ; Side B: See See Rider. Note: Performed with Claude Luter’s |
||||
Bechet, Sidney (Blue Note 567) Side A: Temptation Rag ; Side B: Sobbin’ and Cryin’. Note: Performed with Claude Luter’s Band |
||||
Bechet, Sidney (Blue Note 562) Side A: Tiger Rag ; Side B: Cake Walking Babies. Note: Performed with his Blue Note Jazz Men |
||||
Bechet, Sidney “Pops” (Decca 3521) Side A: Viper Mad ; Side B: Early Mornin’ Blues. Note: Performed with Sissle, Noble’s Swingsters |
||||
Beck, Elder (Chess 1539) Side A: Wine Head Willie Put that Bottle Down ; Side B: I’m Gonna Tell God |
||||
Beck, Elder (Gotham 622) Side A: Lord, I’ve Tried ; Side B: You Better Watch Your Close Friends. Note: Performed with his |
||||
Bee, Willie (Vocalion 03907) Side A: Ramblin’ Mind Blues ; Side B: Can’t Control My Mind |
||||
Beiderbecke, Bix (a-side) & Hitch’s Happy Harmonists (b-side) (Brunswick 02206) Side A: Davenport Blues ; Side B: Washboard |
||||
Beiderbecke, Bix (Tram, Bix & Lang–a-side) / Paul Whiteman Orch. with Beiderbecke (b-side) (Columbia 35667) Side A: For No |
||||
Beiderbecke, Bix & Frankie Trumbauer (a-side) / Miff Mole & his Little Molers feat. Nichols, Red (Columbia 36280) Side A: |
||||
Beiderbecke, Bix (Parlophone 2097) Side A: Mississippi Mud ; Side B: There’ll Come a Time. Note: Performed with Frankie Trumbauer |
||||
Beiderbecke, Bix (Columbia 37805) Side A: Riverboat Shuffle ; Side B: Ostrich Walk. Note: Performed with Frankie Trumbauer |
||||
Beiderbecke, Bix (Columbia 37806) Side A: Way Down Yonder in New Orleans ; Side B: Wringin’ and Twistin’. Note: b-side is |
||||
Beiderbecke, Bix (Victor 23008) Side A: I Don’t Mind Walkin’ in the Rain ; Side B: I’ll Be a Friend “With Pleasure” |
||||
Beneke, Tex (RCA Victor 20-3513) Side A: Blues in the Night March ; Side B: The One Who Gets You. Note: Performed with his |
||||
Beneke, Tex (RCA Victor 20-2424) Side A: I Have But One Heart ; Side B: Too Late. Note: Performed with The Miller Orch. & |
||||
Beneke, Tex (RCA Victor 20-2722) Side A: St. Louis Blues March ; Side B: Cherokee Canyon. Note: Performed with his Orchestra |
||||
Bennett, Buster (Trio) (Columbia 36873) Side A: Leap Frog Blues ; Side B: Reefer Head Woman |
||||
Bennett, Buster (Columbia 37346) Side A: Mellow Pot Blues ; Side B: Signifying Woman. Note: Performed with his Band |
||||
Bentley, Gladys (Okeh 8612) Side A: Moanful Wailin’ Blues ; Side B: How Long How Long Blues. Note: Harris note: 1928, $15-20 |
||||
Bernard, Mike (Columbia A1427) Side A: 1915 Rag ; Side B: Maori |
||||
Bernie, Ben (Brunswick 3528) Side A: Rosy Cheeks ; Side B: That Little Something. Note: Performed with his Hotel Roosevelt |
||||
Berry, Chu (Commodore 7509) Side A: Blowing Up a Breeze ; Side B: Monday at Mintons. Note: Performed with his Jazz Ensemble |
||||
Berry, Chu (Commodore 510) Side A: Forty Six West Fifty Two ; Side B: Sitting In. Note: Performed with his Little Jazz Ensemble |
||||
Biese, Paul (Brunswick 2023) Side A: Dardanella ; Side B: Fast Asleep in Poppyland. Note: Performed with his Novelty Orchestra |
||||
Big 3 Trio (Bullet 275) Side A: Signifying Monkey ; Side B: You Sure Look Good to Me |
||||
Big Duke (Henderson) (Flair 1018) Side A: Hey Dr. Kinsey ; Side B: Hello Baby. Note: Performed with his Orchestra |
||||
Big Joe and his Rhythm (Bluebird 8956) Side A: Bessie Lee Blues ; Side B: Go to Go Blues |
||||
Big Maceo (Bluebird 34-0703) Side A: Anytime For You ; Side B: Since You Been Gone |
||||
Big Maceo (Bluebird 34-0743) Side A: Chicago Breakdown ; Side B: Wintertime Blues |
||||
Big Maceo (Specialty 320) Side A: Do You Remember? ; Side B: Big City Blues |
||||
Big Maceo (RCA Victor 20-2028) Side A: Maceo’s 32-20 ; Side B: Texas Stomp |
||||
Big Maybelle (Smith) (Savoy 1195) Side A: Candy ; Side B: That’s a Pretty Good Love |
||||
Big Maybelle (Smith) (Savoy 1500) Side A: Mean to Me ; Side B: Tell Me Who |
||||
Big Maybelle (Smith) (Okeh 7060) Side A: One Monkey Don’t Stop No Show ; Side B: Whole Lotta Shakin’ Goin’ On. Note: Performed |
||||
Big Walter (Horton) (States 145) Side A: Hard-Hearted Woman ; Side B: Back Home to Mama. Note: Performed with his Combo |
||||
Bigeou, Ester (Okeh 8025) Side A: Stingaree Blues ; Side B: If That’s What You Want Here It Is. Note: Harris Note: Performed |
||||
Bigeou, Ester (Okeh 8118) Side A: West Indies Blues ; Side B: That Twa-Twa Tune. Note: Harris Note: Performed with Piron’s |
||||
Bingham, Ralph (Victor 18231) Side A: Goldstein Behind Bars ; Side B: Mrs. Rastus Johnson at the Wedding. Note: Harris note: |
||||
Bini Tribe (Five Drums) (Victor 89) Side A: Secret Society Dance Song ; Side B: Secret Society Drums |
||||
Birmingham Quartet (Columbia 14154-D) Side A: Southbound Train ; Side B: Birmingham Boys |
||||
Birmingham Quartet (Columbia 14190-D) Side A: Sweet Mama, Tree Top Tall ; Side B: How Come You Do Me Like You Do |
||||
Blake, Eubie (Victor 18791) Side A: Baltimore Buzz (Introducing, “In Honeysuckle Time” ; Side B: Bandana Days (Introducing, |
||||
Bland, Billy (Old Town 1022) Side A: Oh, You For Me ; Side B: Chicken Hop. Note: Harris note: $10-20 |
||||
Blind Pilgrim, The (Anchor 380) Side A: Motherless Children ; Side B: Oh Lord, If I Had My Way. Note: Blind Willie Johnson |
||||
Bo Diddley (Checker 842) Side A: I’m Bad ; Side B: Who Do You Love? |
||||
Bo Diddley (Checker 814) Side A: I’m a Man ; Side B: Bo Diddley |
||||
Bollin, Zuzu (Torch 6910) Side A: Why Don’t You Eat Where You Slept Last Night ; Side B: Headlight Blues. Note: Harris note: |
||||
Boots and his Buddies (Bluebird B-7187) Side A: The Raggle Taggle ; Side B: Blues of Avalon |
||||
Booze, Bea (Decca 8658) Side A: So Good ; Side B: These Young Men Blues |
||||
Booze, Bea (Decca 8619) Side A: Uncle Sam Come and Get Him ; Side B: If I’m a Fool (I’m a Fool About the Man I Love) |
||||
Booze, Bea (Decca 8633) Side A: See See Rider Blues ; Side B: Catchin’ As Catch Can |
||||
Booze, Bea (Decca 8633) Side A: See See Rider Blues ; Side B: Catchin’ As Catch Can |
||||
Botkin, Perry (Decca 27162) Side A: Ukey-Ukulele ; Side B: Lover |
||||
Bradley, Will and his Orch. (Signature 15134) Side A: Lonely Moments ; Side B: Bop’N Boogie. Note: broken into two pieces, |
||||
Bradshaw, Tiny (King 4621) Side A: The Blues Came Pouring Down ; Side B: Heavy Juice |
||||
Bragg, Dobby (Century 3028) Side A: 3,6, and 9 ; Side B: We Can Smell That Thing. Note: Harris note: Bragg is Sykes, Roosevelt |
||||
Brim, John (Parrot 799) Side A: Tough Times ; Side B: Gary Stomp. Note: Harris note: 1953, $100-150 |
||||
Broadway Bell-Hops (Harmony 159-H) Side A: I Found a Round-a-Bout Way to Heaven ; Side B: Show that Fellow the Door |
||||
Broadway Bell-Hops (Harmony 120-H) Side A: But I Do-You Know I Do ; Side B: Let’s Talk About My Sweetie |
||||
Brooks, Stella (Disc New York 5031) Side A: St. Louis Blues ; Side B: Jazz Me Blues |
||||
Brooks, Stella (Disc New York 5032) Side A: I’m a Little Piece of Leather ; Side B: I’ll Never Be the Same |
||||
Broonzy, Big Bill (Perfect 0207) Side A: How You Want It Done? ; Side B: M&O Blues. Note: Performed with his Big Busters |
||||
Broonzy, Big Bill (Melotone 6-12-59) Side A: Detroit Special ; Side B: Falling Rain |
||||
Broonzy, Big Bill (Okeh 6651) Side A: I’m Gonna Move to the Outskirts of Town ; Side B: Hard Hearted Woman. Note: Performed |
||||
Broonzy, Big Bill (Vocalion 04149) Side A: New Shake ‘Em on Down ; Side B: Night Time is the Right Time, No. 2 |
||||
Broonzy, Big Bill (Columbia 37088) Side A: I Feel So Good ; Side B: Tell Me Baby. Note: Performed with his Chicago Five |
||||
Broonzy, Big Bill (Columbia 37088) Side A: I Feel So Good ; Side B: Tell Me Baby. Note: Performed with his Chicago Five |
||||
Broonzy, Big Bill (Vocalion 05259) Side A: My Last Goodbye to You ; Side B: Just a Dream No. 2 |
||||
Broonzy, Big Bill (Vocalion 04280) Side A: It’s Your Time Now ; Side B: The Mill Man Blues |
||||
Broonzy, Big Bill (Vocalion 05043) Side A: Just Wondering ; Side B: That’s All Right, Baby |
||||
Broonzy, Big Bill (Okeh 6724) Side A: Bad Acting Woman ; Side B: I’m Woke Up Now |
||||
Broonzy, Big Bill (Okeh 06630) Side A: Why Should I Spend My Money ; Side B: She’s Gone with the Wind |
||||
Brown, Amanda (Columbia A3901) Side A: Triffin’ Blues ; Side B: Chirping the Blues. Note: Performed with Porter Grainger on |
||||
Brown, Amanda (Columbia A3867) Side A: Laughin’ Cryin’ Blues ; Side B: Strut Long Papa. Note: Harris note: Viola McCoy with |
||||
Brown, Charles (Aladdin 3092) Side A: Don’t Fool With My Heart ; Side B: Seven Long Days. Note: Performed with his band |
||||
Brown, Charles (Aladdin 3060) Side A: Repentance Blues ; Side B: I’ve Got That Old Feeling. Note: Performed with his band |
||||
Brown, Charles (Aladdin 3071) Side A: Texas Blues ; Side B: How High the Moon. Note: Performed with his band |
||||
Brown, Delores (Beacon 110) Side A: 20-99 Blues ; Side B: Cold Winter Papa. Note: acc. by The Polka Dots |
||||
Brown, Gabriel (Gennett 5004) Side A: Black Jack Blues ; Side B: Going My Way. Note: Performed with His Guitar |
||||
Brown, Gabriel (Gennett 5003) Side A: I Get Evil When My Love Comes Down ; Side B: You Ain’t No Good. Note: Performed with |
||||
Brown, Gabriel (Joe Davis 5020) Side A: It’s Getting Soft ; Side B: Don’t Worry About It. Note: Performed with His Guitar |
||||
Brown, J.T. “Saxman” (Meteor 5024) Side A: Sax Symphonic Boogie ; Side B: Flaming Blues. Note: Performed with The Broomdusters |
||||
Brown, Lee (Decca 7575) Side A: New Little Girl Little Girl ; Side B: Moanin’ Dove. Note: Performed with Price, Sams’ Fly |
||||
Brown, Les (Decca 1231) Side A: Swamp Fire ; Side B: Dance of the Blue Devils. Note: Performed with his Duke Blue Devils |
||||
Brown, Nappy (Savoy 155) Side A: Don’t Be Angry ; Side B: It’s Really You |
||||
Brown, Pete (Decca 18118) Side A: Ocean Motion ; Side B: Tempo Di Jump. Note: Performed with his Jump Band |
||||
Brown, Roy (De-Luxe 3300) Side A: Boogie at Midnight ; Side B: The Blues Got Me Again. Note: Performed with his Mighty-Mighty |
||||
Brown, Sweet Georgia (Decca 7871) Side A: Rock Me in the Groove ; Side B: These Low Down Men Blues |
||||
Browne, Harry C. (Columbia A3833) Side A: Kiss Me, Honey, Do ; Side B: I’ll Make Dat Black Gal Mine |
||||
Browne, Harry C. (Columbia A1999) Side A: Nigger Love a Watermelon, Ha! Ha! Ha! ; Side B: Old Dan Tucker |
||||
Brunis, George (Commodore 546) Side A: Ugly Chile ; Side B: That Da Da Strain. Note: Performed with his Jazz Band |
||||
Bullock, Chick (Banner 350902) Side A: I’ll Never Say “Never Again” Again ; Side B: East of the Sun |
||||
Bumble Bee Slim (Fidelity 3004) Side A: Lonesome Old Feeling ; Side B: Ida Red |
||||
Bumble Bee Slim (Decca 7045) Side A: The Longest Day You Live–Pt. 1 ; Side B: The Longest Day You Live–Pt.2 |
||||
Bumble Bee Slim (Bluebird B-5563) Side A: Sad and Lonesome ; Side B: Bye Bye Baby Blues. Note: Harris note: 1934, $15-25, |
||||
Burley, Dan (Circle J-1021) Side A: Big Cat, Little Cat ; Side B: Three Flights Up. Note: Performed with Skiffle Boys |
||||
Burley, Dan (Circle J-1022) Side A: Shotgun House Rag ; Side B: Lakefront Blues. Note: Performed with Skiffle Boys |
||||
Burnett, Rev. J.C. (Columbia 14191-D) Side A: Christian’s Home ; Side B: It’s Your Time Now But My Time After Awhile. Note: |
||||
Bushkin, Joe (Commodore 534) Side A: In a Little Spanish Town ; Side B: Blue Chips |
||||
Butterbeans and Susie (Okeh 8520) Side A: Deal Yourself Another Hand ; Side B: Jelly Roll Queen. Note: Harris Note: Performed |
||||
Butterbeans and Susie (Okeh 8163) Side A: Construction Gang ; Side B: A to Z Blues. Note: Harris Note: Performed with Joe |
||||
Butterbeans and Susie (Okeh 8147) Side A: Get Yourself a Monkey Man, Make Him Strut His Stuff ; Side B: When My Man Shimmies. |
||||
Butterfield, Billy (Capitol 15047) Side A: I Can’t Get Started ; Side B: Flip-Flop |
||||
Byas, Don (Quartet) side-a / Erskine Butterfield Quartet, side-b (Super Disc 1007) Side A: Harvard Blues ; Side B: St. Louis |
||||
Byas, Don (Super Disc 1006) Side A: Three O’Clock In the Morning ; Side B: One O’Clock Jump. Note: feat. Slam Stewart on singing |
||||
Byas, Don (Jamboree 903) Side A: Deep Purple ; Side B: Them There Eyes. Note: Performed with his All Star Quintet |
||||
Byas, Don (Jamboree 902) Side A: Little White Lies ; Side B: You Came Along. Note: Performed with his All Star Quintet |
||||
Byas, Don (Jamboree 904) Side A: My Melancholy Baby ; Side B: Once in Awhile. Note: Performed with his All Star Quintet |
||||
Byas, Don (Jamboree 901) Side A: Pennies From Heaven ; Side B: Jamboree-Jump. Note: Performed with his All Star Quintet |
||||
Byas, Don (Jamboree 900) Side A: Should I ; Side B: You Call It Madness But I Call It Love. Note: Performed with his All Star |
||||
Byrd, Josephine (Columbia 14349-D) Side A: Take It Away From Here ; Side B: Mosquito Blues. Note: Performed with Fred Longshaw |
||||
Byrd, Roy (Mercury 8175) Side A: Bald Head ; Side B: Hey How Baby. Note: Performed with his Blues Jumpers |
||||
78s. C |
||||
California Ramblers (Columbia 236-D) Side A: Copenhagen ; Side B: Gotta Getta Girl |
||||
California Ramblers (Columbia 105-D) Side A: Lazy ; Side B: I Must Have Company |
||||
California Ramblers (Columbia 127-D) Side A: Shine ; Side B: It Had to Be You |
||||
California Ramblers (Columbia A3994) Side A: Sittin’ in a Corner ; Side B: Tell All the Folks in Kentucky |
||||
California Ramblers (Columbia A3970) Side A: That Old Gang of Mine ; Side B: No, No, Nora. Note: 78 is chipped on rim and |
||||
California Ramblers (Columbia 9D) Side A: You Darling You ; Side B: Melancholy |
||||
California Ramblers (Columbia A3986) Side A: You’ve Simply Got Me Cuckoo ; Side B: If I Can’t Get the Sweetie I Want |
||||
California Syncopators (Bell 530) Side A: Broken Hearted ; Side B: A Shady Tree |
||||
Calloway, Cab (Vocalion 4700) Side A: Ratamacue ; Side B: AD-DE-DEY |
||||
Calloway, Cab (Oriole 2607) Side A: Beale Street Mama ; Side B: Stange as it Seems |
||||
Calloway, Cab (Okeh 6422) Side A: Blues in the Night ; Side B: Says Who! Says You, Says I!. Note: Performed with his Orch. |
||||
Calloway, Cab (Vocalion 5195) Side A: I Ain’t Getting’ Nowhere Fast ; Side B: Jiveformation Please. Note: Performed with his |
||||
Calloway, Cab (Columbia 36894) Side A: If This Isn’t Love ; Side B: The Honeydripper. Note: Performed with his Orch. |
||||
Calloway, Cab (Okeh 6354) Side A: Hey, Doc! ; Side B: Conchita. Note: Performed with his Orch. |
||||
Calloway, Cab (Okeh 6717) Side A: I’ll Be Around ; Side B: Virginia, Georgia and Caroline. Note: Performed with his Orch., |
||||
Calloway, Cab (ABC-Paramount 9671) Side A: Little Child ; Side B: The Voice. Note: Performed with Lael Calloway, side a / |
||||
Calloway, Cab (Okeh 36662) Side A: Ogeechee River Lullaby ; Side B: I Get the Neck of the Chicken. Note: Performed with his |
||||
Calloway, Cab (Okeh 6084) Side A: Bye Bye Blues ; Side B: Run Little Rabbit. Note: Performed with his Orch. |
||||
Calloway, Cab (Brunswick 80017) Side A: You Rascal You ; Side B: Some of These Days. Note: Performed with his Orch. |
||||
Candullo, Joe (Harmony 260) Side A: I’ve Got the Girl ; Side B: Susie’s “Feller”. Note: Performed with his Everglades Orch. |
||||
Candullo, Joe (Perfect 14657) Side A: Burgundy ; Side B: In My Heart. Note: Performed with his Everglades Orch., side a / |
||||
Candullo, Joe (Perfect 14750) Side A: Delilah ; Side B: Je T’Aime, Means “I Love You”. Note: Performed with his Everglades |
||||
Candullo, Joe (Perfect 14752) Side A: Someone to Watch Over Me ; Side B: You Know, I Know Ev’rything’s Made for Love. Note: |
||||
Candullo, Joe and Golden Gate Orchestra (Perfect 147218) Side A: Don’t Take the Black Bottom Away ; Side B: Stampede. Note: |
||||
Cannon’s Jug Stompers (Victor 38585) Side A: Pretty Mama Blues ; Side B: Going to Germany. Note: vocal refrain by Noah Lewis |
||||
Capitol International Jazzmen (Capitol 283) Side A: You Can Depend on Me ; Side B: Stormy Weather |
||||
Carolina Gospel Singers (Victor 21140) Side A: Beyond the River ; Side B: Jesus Paid It All |
||||
Carter and his Orchestra (Dandy 5068) Side A: Yes Sir, That’s My Baby ; Side B: Rabbit Hop |
||||
Carter, Benny (Bluebird 10962) Side A: The Very Thought of You ; Side B: All of Me. Note: Performed with his Orch. / Roy Felton, |
||||
Carter, Benny (Bluebird 10998) Side A: Cocktails for Two ; Side B: Takin’ My Time. Note: Performed with his Orch. |
||||
Carter, Benny (Capitol 200) Side A: I Surrender Dear ; Side B: Malibu. Note: Performed with his Orch. |
||||
Carter, Benny, side a / King Cole Trio, side b (Capitol 10038) Side A: Love for Sale ; Side B: Jumpin’ at Capitol (King Cole |
||||
Carter, Benny (Bluebird 11341) Side A: Sunday ; Side B: Back Bay Boogie. Note: Performed with his Orch. |
||||
Carter, Bo (Okeh 8952) Side A: Pretty Baby ; Side B: Baby How Can It Be. Note: Harris note: last name actually Chatmon (in |
||||
Carter, Bo & WalterJacbos (Okeh 8858) Side A: Same Thing the Cats Fight About ; Side B: Times is Tight Like That. Note: Harris |
||||
Carlisle, Una Mae (Joe Davis 7172) Side A: I’m a Good, Good, Woman ; Side B: Ain’t Nothin’ Much |
||||
Carlisle, Una Mae (Joe Davis 7175) Side A: You’re Gonna Change Your Mind ; Side B: The Rest of My Life |
||||
Casey, Al (Capitol Criterion 10034) Side A: Sometimes I’m Happy ; Side B: How High the Moon. Note: Performed with his Sextet, |
||||
Cash, Johnny (Sun 241) Side A: Get Rhythm ; Side B: I Walk the Line |
||||
Chapman, Chris (Victor 5560) Side A: Dill Pickles Rag ; Side B: n/a |
||||
Charleston Chasters (Columbia 1335-D) Side A: My Melancholy Baby ; Side B: Mississippi Mud. Note: vox, Scrappy Lambert |
||||
Charleston Chasters (Columbia 1891-D) Side A: Ain’t Misbehavin’ ; Side B: Moanin’ Low. Note: vox, Eva Taylor |
||||
Chase, Charley (Victor 16547) Side A: How Mother Made the Soup (Case) ; Side B: The Liars, or My Uncle’s Farm Golden and Hughes |
||||
Christy, June (Capitol 57-578) Side A: The Way You Look Tonight ; Side B: Everything Happens to Me. Note: Performed with Bob |
||||
Cobb, Arnett (Okeh 6830) Side A: Smooth Sailing ; Side B: Your Wonderful Love. Note: Performed with his Orch. |
||||
Coe, Jimmy (States 118) Side A: After Hour Joint ; Side B: Baby I’m Gone. Note: Performed with his Gay Cats of Rhythm |
||||
Cole, Cozy (Savoy 501) Side A: Body and Soul ; Side B: Talk to Me. Note: Performed with his Orch. |
||||
Cole, Cozy (Continental 6004) Side A: Comes the Don ; Side B: Memories of You. Note: Performed with his All Stars |
||||
Cole, Cozy (Continental 6000) Side A: Look Here ; Side B: I Don’t Stand a Ghost of a Chance With You. Note: Performed with |
||||
Cole, Cozy (Guild 119) Side A: Hallelujah ; Side B: Through for the Night. Note: vox, June Hawkins |
||||
Cole, Cozy (Guild 129) Side A: Strictly Drums ; Side B: Why Regret |
||||
Cole, Cozy (Continental 6001) Side A: Take It On Back ; Side B: Willow Weep For Me. Note: Performed with his All Stars |
||||
Cole, Cozy (Continental 6014) Side A: When Day Is Done ; Side B: The Beat. Note: Performed with his All Stars |
||||
Collins and Harlan (side a) / Irving Kaufman (side b) (Standard 2360) Side A: Down in Borneo Isle ; Side B: Mr. Jazz Himself. |
||||
Columbians, The (Columbia 88-D) Side A: Lime House Blues ; Side B: Virginia, Don’t Go Too Far! |
||||
Condon, Eddie (Decca 27095) Side A: Charleston ; Side B: Black Bottom. Note: vox, Peggy Ann Ellis |
||||
Condon, Eddie (Decca 24987) Side A: Dill Pickles ; Side B: At the Jazz Band Ball |
||||
Condon, Eddie (Decca 23719) Side A: Farewell Blues ; Side B: Stars Fell on Alabama |
||||
Condon, Eddie (Decca 23718) Side A: Impromptu Ensemble No. 1 ; Side B: The Sheik of Araby |
||||
Condon, Eddie (Decca 23720) Side A: Just You, Just Me ; Side B: Atlanta Blues |
||||
Condon, Eddie (UHCA 63) Side A: Madame Dynamite ; Side B: Tennessee Twilight. Note: Chicago Rhythm Kings listed as artist |
||||
Condon, Eddie (Decca 27035) Side A: Maple Leaf Rag ; Side B: Jazz Me Blues |
||||
Condon, Eddie (Decca 23431) Side A: My One and Only ; Side B: Oh Lady Be Good |
||||
Condon, Eddie (Decca 23699) Side A: She’s Funny That Way ; Side B: Improvisation For the March of Time |
||||
Condon, Eddie (Decca 23430) Side A: S Wonderful ; Side B: Somebody Loves Me |
||||
Condon, Eddie (Decca 23433) Side A: Swanee River Boogie ; Side B: I’ll Build a Stairway to Paradise |
||||
Condon, Eddie (Decca 23721) Side A: The Way You Look Tonight ; Side B: Some Sunny Day |
||||
Condon, Eddie (Decca 23393) Side A: When Your Lover Has Gone ; Side B: Wherever There’s Love |
||||
Condon, Eddie (Decca 27106) Side A: Yellow Dog Blues ; Side B: Sweet Cider Time, When You Were Mine |
||||
Coon-Sanders Original Night Hawk Orch. (Victor 19316) Side A: Night Hawk Blues ; Side B: Red Hot Mamma |
||||
Coon-Sanders Original Night Hawk Orch. (Victor 19357) Side A: There’s No One Just Like You ; Side B: Why Don’t My Dreams Come |
||||
Copeland, Martha (Columbia 14189-D) Side A: Fortune Teller Blues ; Side B: On Decoration Day (There’ll Know Where to Bring |
||||
Copeland, Martha (Okeh 8112) Side A: The Pawn Shop Blues ; Side B: The Down So Long Blues. Note: Harris note: 1924, $10-15, |
||||
Cotton Pickers, The (Brunswick 2338) Side A: I Wish I Could Shimmy Like My Sister Kate ; Side B: Got To Cool My Doggies Now |
||||
Cotton Pickers, The (Brunswick 2382) Side A: Loose Feet ; Side B: Runnin’ Wild |
||||
Cotton Pickers, The (Brunswick 2404) Side A: You Tell Her I Stutter ; Side B: Way Down Yonder in New Orleans |
||||
Cousin Joe (Savoy 5527) Side A: Weddin-Day Blues ; Side B: You Got it Comin To You. Note: Performed with Pete Brown’s Brooklyn |
||||
Cox, Ida (Vocalion 05258) Side A: Pink Slip Blues ; Side B: Take Him Off My Mind. Note: Performed with her All-Star Band |
||||
Cox, Ida (Paramount 12237) Side A: My Mean Man Blues ; Side B: Worried In Mind Blues. Note: Harris Note: Performed with Love |
||||
Crayten, Pee Wee (Imperial 5338) Side A: My Idea About You ; Side B: I Got News For You |
||||
Crippen, Katie (Black Swan 2018) Side A: That’s My Cup Blues ; Side B: When It’s Too Late (You Gonna Miss Me Daddy). Note: |
||||
Crosby, Bob (Decca 3248) Side A: All By Myself ; Side B: Spain. Note: Performed with his Bob Cats |
||||
Crosby, Bob (Decca 1756) Side A: The Big Crash From China ; Side B: Coquette. Note: Performed with his Bob Cats |
||||
Crosby, Bob (Decca 2108) Side A: Big Foot Jump ; Side B: Five Point Blues. Note: Performed with his Bob Cats |
||||
Crosby, Bob (Decca 4403) Side A: Big Tom ; Side B: Way Down Yonder in New Orleans. Note: Performed with his Bob Cats |
||||
Crosby, Bob (Coral 60254) Side A: Black Bottom ; Side B: Charleston. Note: Performed with his Bob Cats |
||||
Crosby, Bob (Decca 3694) Side A: Burnin’ the Candle at Both Ends ; Side B: The Mark Hop. Note: Performed with his Bob Cats |
||||
Crosby, Bob (Decca DU 40145) Side A: Chain Gang ; Side B: Ec-Stacy. Note: Performed with his Orchestra |
||||
Crosby, Bob (Decca 18355) Side A: It’s a Long, Long Way to Tipperary ; Side B: Sweethearts on Parade. Note: Performed with |
||||
Crosby, Bob (Decca 4137) Side A: It Was Only a Dream ; Side B: Take It Easy. Note: Performed with his Orchestra |
||||
Crosby, Bob (a-side) / New Orleans Rhythm Kings (b-side) (Decca 3523) Side A: Jazz Me Blues ; Side B: Tin Roof Blues |
||||
Crosby, Bob (Decca 2209) Side A: Loopin’ the Loop ; Side B: My Inspiration. Note: Performed with his Bob Cats (a-side) / with |
||||
Crosby, Bob (Decca 1962) Side A: Milk Cow Blues ; Side B: Squeeze Me. Note: Performed with his Orch. with Nappy Lamare, vox |
||||
Crosby, Bob (Decca 2482) Side A: Hindustan ; Side B: Mournin’ Blues. Note: Performed with his Bob Cats |
||||
Crosby, Bob (Decca 2011) Side A: Palesteena ; Side B: Slow Mood. Note: Performed with his Bob Cats with Nappy Lamare, vox |
||||
Crosby, Bob (Decca 2206) Side A: Speak to Me of Love ; Side B: The Big Bass Viol. Note: Performed with Bob Cats feat. Marion |
||||
Crosby, Bob (Coral 60217) Side A: The Washington Post March ; Side B: Stars and Stripes Forever. Note: Performed with his |
||||
Crosby, Bob (Decca 1865) Side A: Who’s Sorry Now ; Side B: March of the Bob Cats. Note: Performed with his Bob Cats |
||||
Crosby, Bob (Decca 1747) Side A: Yancey Special ; Side B: At the Jazz Band Ball. Note: Performed with his Orchestra |
||||
Crosby, Bob (Decca 3689) Side A: Yes Indeed ; Side B: Tea for Two. Note: Performed with his Bob Cats & Bing Crosby & Connie |
||||
Crosby, Bob (Decca 1680) Side A: You’re Driving Me Crazy ; Side B: Can’t We Be Friends. Note: Performed with his Bob Cats |
||||
Crudup, Arthur “Big Boy” (Bluebird 34-0738) Side A: Cool Disposition ; Side B: Keep Your Arms Around Me. Note: Harris note: |
||||
Crudup, Arthur “Big Boy” (RCA Victor 20-2205) Side A: Crudup’s After Hours ; Side B: That’s All Right |
||||
Crudup, Arthur “Big Boy” (RCA Victor 22-0100) Side A: Hand Me Down My Walking Cane ; Side B: Lonesome World to Me |
||||
Crudup, Arthur “Big Boy” (RCA Victor 20-2387) Side A: I Don’t Know It ; Side B: That’s Your Red Wagon |
||||
Crudup, Arthur “Big Boy” (RCA Victor 20-2105) Side A: I Want My Lovin’ ; Side B: You Got to Reap |
||||
Crudup, Arthur “Big Boy” (RCA Victor 22-0141) Side A: I’m Gonna Dig Myself a Hole ; Side B: Too Much Competition |
||||
Crudup, Arthur “Big Boy” (Bluebird 34-0717) Side A: My Mama Don’t Allow Me ; Side B: Standing at My Window. Note: Harris note: |
||||
Crudup, Arthur “Big Boy” (Bluebird 34-0725) Side A: Rock Me Mamma ; Side B: Who’s Been Foolin’ You. Note: Harris note: 1945, |
||||
Crudup, Arthur “Big Boy” (RCA Victor 20-4367) Side A: Where Did You Stay Last Night ; Side B: Love Me Mama |
||||
78s. D |
||||
Daily, Pete (Capitol 57-760) Side A: O Katharina ; Side B: Down Home Rag. Note: Performed with his Chicagoans |
||||
Daily, Pete (Capitol 15095) Side A: I Want to Linger ; Side B: What’s Your Story. Note: Performed with his Chicagoans |
||||
Dan and his Skiffle Boys (a-side) / Dan Burley & Pops Foster (b-side) (Circle 1020) Side A: South Side Shake ; Side B: Dusty |
||||
Davies, Evan (Columbia A2572) Side A: Mrs. Rastus Johnson at the Wedding ; Side B: My Possum Hunt |
||||
Davis, Walter (Bluebird 5094) Side A: Blue Ghost Blues ; Side B: Hijack Blues. Note: Harris note: 1932, $50-80 |
||||
Davis, Walter (Bluebird 9027) Side A: Don’t You Want to Go? ; Side B: Goodbye |
||||
Davison, Wild Bill (Commodore 549) Side A: Clarinet Marmalade ; Side B: Original Dixieland One-Step. Note: Performed with |
||||
Davison, Wild Bill (Commodore 563) Side A: Confessin’ ; Side B: Big Butter and Egg Man. Note: Performed with his Commodores |
||||
Davison, Wild Bill (Commodore 575) Side A: Baby Won’t You Please Come Home ; Side B: At the Jazz Band Ball. Note: Performed |
||||
De Leath, Vaughn (Okeh 4588) Side A: Alabamy Mammy ; Side B: Can’t Feel Jolly Blues. Note: Harris note: 1922, NL |
||||
Delta Four (Decca 737) Side A: Swingin’ On the Famous Door ; Side B: Farewell Blues |
||||
Delta Rhythm Boys (Decca 25019) Side A: Dry Bones ; Side B: Joshua Fit De Battle of Jericho |
||||
DeParis Brothers Orchestra (Commodore 552) Side A: I’ve Found a New Baby ; Side B: Black and Blue |
||||
Diddley, Bo (Checker 842) Side A: I’m Bad ; Side B: Who Do You Love? |
||||
Diddley, Bo (Checker 814) Side A: I’m a Man ; Side B: Bo Diddley |
||||
Dillard, Varetta (Savoy 897) Side A: Mercy, Mr. Percy ; Side B: No Kinda Good, No How |
||||
Dixie Hummingbirds (Apollo 108) Side A: My Record Will Be There ; Side B: Amazing Grace |
||||
Dixie Stompers, The (Harmony 545) Side A: Cornfed! ; Side B: Goose Pimples |
||||
Dixie Stompers, The (Harmony 166) Side A: Tampleekoe ; Side B: Jackass Blues. Note: slight crack |
||||
Dixon, Willie (Checker 822) Side A: If You’re Mine ; Side B: Walking the blues |
||||
Doc Sausage and his Mad Lads (Regal 3251) Side A: You Got Me Cryin ; Side B: Rag Mop |
||||
Doctor Sausage (Decca 8836) Side A: Wham (Wham, Re, Bop, Boom, Bam) ; Side B: Doctor’s Sausage’s Blues. Note: Performed with |
||||
Dodds, Baby (Circle J-1002) Side A: Albert’s Blues ; Side B: Manhattan Stomp. Note: Performed with his Trio |
||||
Dodds, Johnny (Decca 25103) Side A: Red Onion Blues ; Side B: Gravier Street Blues. Note: chunk of record missing towards |
||||
Dodds, Johnny (Decca 3519) Side A: Wild Man Blues ; Side B: Bump It. Note: Performed with his Chicago Boys |
||||
Dodds, Johnny (Decca 1676) Side A: Melancholy ; Side B: Stack O’Lee Blues. Note: Performed with his Chicago Boys |
||||
Donnegan, Lonnie (London 1650) Side A: Rock Island Line ; Side B: John Henry. Note: Performed with his Skiffle Group |
||||
Dorsey, Tommy and others (Victor 25559) Side A: Honesuckle Rose ; Side B: Blues. Note: A Jam Session at Victor |
||||
Dr. Clayton (RCA Victor 20-2323) Side A: Copper Colored Mama ; Side B: Root Doctor Blues |
||||
Dunham Jubilee Singers (Columbia 14540-D) Side A: Will He Welcome Me There ; Side B: I Dreamed of the Judgement Morning |
||||
Dunn, Johnny (Columbia A3653) Side A: He May Be Your Man (But He Comes to See Me Sometimes) ; Side B: Rules and Regulations |
||||
Dunn, Johnny (Columbia A3893) Side A: Sweet Lovin’ Man ; Side B: Vamping Sal. Note: Performed with his Original Jazz Band |
||||
Dunn, Johnny (Columbia A3729) Side A: Four O’Clock Blues ; Side B: Hawaiian Blues. Note: Performed with his Original Jazz |
||||
Dunn, Johnny (Columbia A3634) Side A: Mammy, I’m Thinking of You ; Side B: Take It ‘Cause It’s All Yours. Note: Performed |
||||
Dupree, Champion Jack (Okeh 05713) Side A: Black Woman Swing ; Side B: Cabbage Greens, No. 1. Note: Harris note: 1940, $5-10 |
||||
Dupree, Champion Jack (Joe Davis 5102) Side A: F.D.R. Blues ; Side B: God Blues Our New President! |
||||
Dupree, Jack (King 4633) Side A: The Blues Got Me Rockin’ ; Side B: Tongue-Tied Blues |
||||
Dupree, Jack & Mr. Bear (King 4812) Side A: Walking the Blues ; Side B: Daybreak Rock. Note: b-side is Mr. Bear only |
||||
Dupree, Champion Jack (Davis 5108) Side A: Wet Deck Mama ; Side B: Love Strike Blues |
||||
78s. E |
||||
Easter, Monte (Sterling 103) Side A: Aint’Cha Glad ; Side B: Empty Bed Blues |
||||
Edwards, Chuck & Guitar (Duke 174) Side A: Morning Train ; Side B: Warm My Heart. Note: Performed with Chuck Edwards Orch. |
||||
Edwards, Cliff (Ukelele Ike) (Perfect 11632) Side A: I Don’t Mind Being All Alone ; Side B: If You Can’t Land ‘Er on the Old |
||||
Edwards, Cliff (Ukelele Ike) (Perfect 11597) Side A: Remember ; Side B: Someone’s Stolen My Sweet, Sweet Baby. Note: Performed |
||||
Edwards, Joe & Susie (Butterbeans and Susie) (Okeh 8182) Side A: Kiss Me Sweet ; Side B: I Got Your Bath Water On. Note: Harris |
||||
Ellington, Duke (Capitol 2817) Side A: Isle of Capri ; Side B: Band Call. Note: Performed with his Famous Orchestra |
||||
Ellington, Duke (Brunswick m 8044) Side A: Black Butterfly ; Side B: Harmony in Harlem. Note: Performed with his Famous Orchestra |
||||
Ellington, Duke (Victor 24521) Side A: Stompy Jones ; Side B: Blue Feeling. Note: Performed with his Orchestra |
||||
Ellington, Duke (Columbia 39712) Side A: Bensonality ; Side B: Blues at Sundown |
||||
Ellington, Duke (Victor 20-1718) Side A: Every Hour on the Hour ; Side B: Time’s A-Wastin’. Note: Performed with his Famous |
||||
Ellington, Duke (RCA Victor 27326) Side A: The Girl in My Dreams Tries to Look Like You ; Side B: Flamingo. Note: broken into |
||||
Ellington, Duke (Victor 27531) Side A: I Got It Bad (And That Ain’t Good) ; Side B: Chocolate Shake. Note: Performed with |
||||
Ellington, Duke (Bluebird 10245) Side A: Saratoga Swing ; Side B: It’s Glory. Note: Performed with his Orchestra |
||||
Ellington, Duke (Brunswick m 8174) Side A: The Stevedore’s Serenade ; Side B: La De Doody Doo. Note: Performed with his Famous |
||||
Ellington, Duke (Columbia 30195) Side A: The World is Waiting for the Sunrise ; Side B: Joog, Joog. Note: Performed with his |
||||
Ellington, Duke (Victor 38045) Side A: Harlemania ; Side B: Japanese Dream. Note: Performed with his Orch. |
||||
Ellington, Duke (Parlophone R.582) Side A: Hot and Bothered ; Side B: Swampy River |
||||
Ellington, Duke (Victor 38036) Side A: High Life ; Side B: Saturday Night Function. Note: Performed with his Cotton Club Orch. |
||||
Ellington, Duke (Victor 22743) Side A: Limehouse Blues ; Side B: Echoes of the Jungle. Note: Performed with his Cotton Club |
||||
Ellington, Duke (Victor 22587) Side A: Mood Indigo ; Side B: When a Black Man’s Blue. Note: Performed with his Cotton Club |
||||
Ellington, Duke (Victor 27356) Side A: Blue Serge ; Side B: Jumpin’ Punkins. Note: Performed with his Famous Orch. |
||||
Ellington, Duke (Columbia 35240) Side A: A Lonely Co-Ed ; Side B: Bouncing Buoyancy. Note: Performed with his Famous Orch., |
||||
Ellington, Duke (Victor 20-1748) Side A: Come to Baby, Do! ; Side B: Tell Ya What I’m Gonna Do. Note: Performed with his Famous |
||||
Ellington, Duke (Columbia 35208) Side A: Doin’ the Voom Voom ; Side B: I’m Checkin’ Out – Go’Om Bye. Note: Performed with |
||||
Ellington, Duke (Victor 26677) Side A: Dusk ; Side B: Blue Goose. Note: Performed with his Famous Orch. |
||||
Ellington, Duke (Columbia 35310) Side A: Grievin’ ; Side B: Tootin’ Through the Roof. Note: Performed with his Famous Orch. |
||||
Ellington, Duke (Victor 20-1505) Side A: Hayfoot, Strawfoot ; Side B: Sherman Shuffle. Note: Performed with his Famous Orch., |
||||
Ellington, Duke (Victor 20-1623) Side A: I Didn’t Know About You ; Side B: I Ain’t Got Nothin’ But the Blues. Note: Performed |
||||
Ellington, Duke (Victor 20-1598) Side A: I Don’t Mind ; Side B: What Am I Here For?. Note: Performed with his Famous Orch., |
||||
Ellington, Duke (Victor 27247) Side A: I Never Felt This Way Before ; Side B: All Too Soon. Note: Performed with his Famous |
||||
Ellington, Duke (Columbia 36112) Side A: In a Sentimental Mood ; Side B: Showboat Shuffle. Note: Performed with his Famous |
||||
Ellington, Duke (Columbia 35776) Side A: Jubilee Stomp ; Side B: Country Gal. Note: Performed with his Famous Orch. |
||||
Ellington, Duke (Columbia 35640) Side A: Killin’ Myself ; Side B: Your Love Has Faded. Note: Performed with his Famous Orch., |
||||
Ellington, Duke (Victor 20-1670) Side A: Kissing Bug ; Side B: Mood to be Wooed. Note: Performed with his Famous Orch. with |
||||
Ellington, Duke (Victor 20-1556) Side A: Main Stem ; Side B: Johnny Come Lately. Note: Performed with his Famous Orch. |
||||
Ellington, Duke (Victor 20-1644) Side A: My Heart Sings ; Side B: Carnegie Blues. Note: Performed with his Famous Orch., with |
||||
Ellington, Duke (Victor 20-1584) Side A: My Little Brown Book ; Side B: Someone . Note: Performed with his Famous Orch. |
||||
Ellington, Duke (Victor 20-1697) Side A: (Otto Make That) Riff Staccato ; Side B: Everything But You. Note: Performed with |
||||
Ellington, Duke (Columbia 35214) Side A: The Sergeant Was Shy ; Side B: Serenade to Sweden. Note: Performed with his Famous |
||||
Ellington, Duke (Victor 20-1528) Side A: A Slip of the Lip ; Side B: Sentimental Lady. Note: Performed with his Famous Orch. |
||||
Ellington, Duke (Columbia 35427) Side A: Solitude ; Side B: Mood Indigo. Note: Performed with his Famous Orch. |
||||
Ellington, Duke (Victor 27380) Side A: Take the “A” Train ; Side B: The Sidewalks of New York. Note: Performed with his Famous |
||||
Ellington, Duke (Victor 20-1799) Side A: The Wonder of You ; Side B: I’m Just a Lucky So and So. Note: Performed with his |
||||
Ellington, Duke (Columbia 38165) Side A: Air Conditioned Jungle ; Side B: It’s Monday Every Day. Note: Performed with his |
||||
Ellington, Duke (RCA Victor 20-2326) Side A: Beale Street Blues ; Side B: Transblucency. Note: Performed with his Orch., with |
||||
Ellington, Duke (Victor 21137) Side A: Creole Love Call ; Side B: Black and Tan Fantasie. Note: Performed with his Orch. |
||||
Ellington, Duke (Victor 24501) Side A: Daybreak Express ; Side B: Dear Old Southland. Note: Performed with his Orch., slight |
||||
Ellington, Duke (Columbia 39545) Side A: Deep Night ; Side B: Please Be Kind. Note: Performed with his Orch. |
||||
Ellington, Duke (Columbia 39428) Side A: Fancy Dan ; Side B: The Hawk Talks. Note: Performed with his Orch. |
||||
Ellington, Duke (Victor 21284) Side A: Harlem River Quiver ; Side B: Washington Wabble. Note: Performed with his Orch. |
||||
Ellington, Duke (RCA Victor 20-1992) Side A: Just Squeeze Me ; Side B: Swamp Fire. Note: Performed with his Orch. with Ray |
||||
Ellington, Duke (RCA Victor 20-2325) Side A: Memphis Blues ; Side B: Pretty Woman. Note: Performed with his Orch. with Al |
||||
Ellington, Duke (Columbia 39496) Side A: Monologue ; Side B: The Eighth Veil. Note: Performed with his Orch. (promo copy) |
||||
Ellington, Duke (RCA Victor 24486) Side A: Mood Indigo ; Side B: The Mooche. Note: Performed with his Orch. |
||||
Ellington, Duke (RCA Victor 20-3135) Side A: My Honey’s Lovin’ Arms ; Side B: Suddenly It Jumped. Note: Performed with his |
||||
Ellington, Duke (Columbia 36276) Side A: The New East St. Louis Toodle-O ; Side B: Braggin’ in Brass. Note: Performed with |
||||
Ellington, Duke (RCA Victor 40-0134) Side A: Rockabye River ; Side B: Blow Me Down. Note: Performed with his Orch. |
||||
Ellington, Duke (Columbia 39942) Side A: Rock-Skippin’ At the Blue Note ; Side B: The Vulture Song. Note: Performed with his |
||||
Ellington, Duke (RCA Victor 20-2324) Side A: Royal Garden Blues ; Side B: Frankie and Johnnie. Note: Performed with his Orch. |
||||
Ellington, Duke (Victor 24431) Side A: Rude Interlude ; Side B: Dallas Doings. Note: Performed with his Orch. |
||||
Ellington, Duke (Columbia 38464) Side A: Singin’ in the Rain ; Side B: Don’t Get Around Much Anymore. Note: Performed with |
||||
Ellington, Duke (Okeh 6911) Side A: Smada ; Side B: Come on Home. Note: Performed with his Orch. (promo copy) / with Jimmie |
||||
Ellington, Duke (Victor 24755) Side A: Solitude ; Side B: Delta Serenade. Note: Performed with his Orch. |
||||
Ellington, Duke (RCA Victor 20-2327) Side A: St. Louis Blues ; Side B: Drawing Room Blues. Note: Performed with his Orch. |
||||
Ellington, Duke (Columbia 38363) Side A: Do Nothing Till You Hear From Me ; Side B: Sultry Serenade. Note: Performed with |
||||
Ellington, Duke (Victor 22528) Side A: Three Little Words ; Side B: Ring Dem Bells. Note: Performed with his Orch. (outer |
||||
Ellington, Duke (Columbia 39670) Side A: V.I.P.’s Boogie ; Side B: Jam With Sam. Note: Performed with his Orch. |
||||
Ellington, Duke (Columbia 38576) Side A: Women ; Side B: Change My Ways. Note: Performed with his Orch. with Ray Nance, vox |
||||
Ellington, Duke (Victor 45-0002) Side A: The Minor Goes Muggin’ ; Side B: Tonight I Shall Sleep (With a Smile on My Face). |
||||
Ellington’s Washingtonians (Cameo 8182) Side A: East St. Louis Toodle-Oo ; Side B: Jubilee Stomp |
||||
Ellis, Seger (Victor 19755) Side A: Prairie Blues ; Side B: Sentimental Blues |
||||
Ellis, Seger (Decca 1350) Side A: Sometimes I’m Happy ; Side B: Bee’s Knee’s. Note: Performed with his Orch. |
||||
Ellison, Perline (Decca 7910) Side A: New That Ain’t Right ; Side B: Razor Totin’ Mama |
||||
Elman, Ziggy (Bluebird 10663) Side A: I’m Through With Love ; Side B: Something to Remember You By. Note: Performed with his |
||||
Erby, Jack (Columbia 14151-D) Side A: Lonesome Jimmy Blues ; Side B: Awfully Blue |
||||
Esquire All-American Award Winners (a-side) / Benny Goodman Quintet (b-side) (RCA Victor 40-0137) Side A: Indiana Winter ; |
||||
Esquire All-American Award Winners (a-side) / Louis Armstrong’s Hot Six (b-side) (RCA Victor 40-0136) Side A: Indian Summer |
||||
Excelsior Quartette (Gennett 4881) Side A: Jelly Roll Blues ; Side B: Kitchen Mechanic Blues |
||||
78s. F |
||||
Fazola, Irving (Keynote 624) Side A: Sweet Lorraine ; Side B: Clarinet Marmalade. Note: Performed with his Orch. |
||||
Feather, Leonard (Savoy 5513) Side A: Fortune Tellin Man ; Side B: I Would If I Could. Note: Performed with his Hiptet with |
||||
Feather, Leonard & Dan Burley (Continental 6006) Side A: A Suite in Four Comfortable Quarters, Pt.1: Bedroom Blues ; Side |
||||
Fisk University Male Quartette (Columbia A2803) Side A: Steal Away to Jesus ; Side B: Little David Play on Your Harp |
||||
Fisk University Jubilee Singers (Columbia 2901) Side A: Most Done Traveling ; Side B: Oh! Reign Massa Jesus Reign |
||||
Fisk Jubilee Quartet (a-side) / Rev. J.A. Myers (b-side) (Victor 16843) Side A: Po’ Mo’ner Got a Home at Last ; Side B: The |
||||
Fisk University Jubilee Quartet (Victor 16453) Side A: Swing Low, Sweet Chariot ; Side B: Golden Slippers |
||||
Fisk University Jubilee Singers (Columbia A1932) Side A: Couldn’t Hear Nobody Pray ; Side B: River of Jordan |
||||
Fisk University Jubilee Singers (Columbia 658-D) Side A: Keep A’ Inchin’ Along ; Side B: Shout All Over God’s Heaven |
||||
Fisk University Quartet (Victor 16895) Side A: Done What You Tole Me To Do ; Side B: I Know the Lord Laid His Hands on Me |
||||
Fitzgerald, Ella (Decca 28126) Side A: Air Mail Special ; Side B: Goody Goody. Note: Performed with The Ray Charles Singers |
||||
Fitzgerald, Ella (Decca 27602) Side A: The Chesapeake and Ohio ; Side B: The Chesapeake and Ohio. Note: Performed with Sy |
||||
Fitzgerald, Ella (Decca 1061) Side A: The Darktown Strutters Ball ; Side B: My Last Affair. Note: Performed with Her Savoy |
||||
Fitzgerald, Ella (Decca 27948) Side A: I Don’t Want to Take a Chance ; Side B: Rough Ridin’. Note: Performed with Sy Oliver |
||||
Fitzgerald, Ella (Decca 25125) Side A: I Got It Bad (And That Ain’t Good) ; Side B: Cabin in the Sky |
||||
Fitzgerald, Ella and The Mills Brothers (Decca 24813) Side A: Fairy Tales ; Side B: I Gotta Have My Baby Back |
||||
Fitzgerald, Ella (Decca 24387) Side A: How High the Moon ; Side B: You Turned the Tables on Me. Note: Performed with The Daydreamers |
||||
Fitzgerald, Ella (Decca 2628) Side A: I Want the Waiter (With the Water) ; Side B: That’s All Brother. Note: Performed with |
||||
Fitzgerald, Ella (Decca 4073) Side A: I’m Thrilled ; Side B: Make Love to Me |
||||
Fitzgerald, Ella (Decca 24868) Side A: I’m Waitin’ For the Junkman ; Side B: Basin Street Blues. Note: Performed with Sy Oliver |
||||
Fitzgerald, Ella (Decca 24780) Side A: Talk Fast, My Heart, Talk Fast ; Side B: In the Evening. Note: Performed with Sy Oliver |
||||
Fitzgerald, Ella (Decca 27120) Side A: Peas and Rice ; Side B: I’ve Got the World on a String. Note: Performed with Sy Oliver |
||||
Fitzgerald, Ella (Decca 29198) Side A: Later ; Side B: Lullaby of Birdland. Note: Performed with Sy Oliver Orch. |
||||
Fitzgerald, Ella (Decca 27693) Side A: Love You Madly ; Side B: Smooth Sailing. Note: Performed with Sy Oliver Orch., side |
||||
Fitzgerald, Ella (Decca 24646) Side A: Lover’s Gold ; Side B: Black Coffee. Note: Performed with Gorden Jenkins Orch. |
||||
Fitzgerald, Ella (Decca 23956) Side A: Oh, Lady Be Good! ; Side B: Flying Home. Note: Performed with Bob Haggart Orch. |
||||
Fitzgerald, Ella (Decca 4007) Side A: This Love of Mine ; Side B: Jim |
||||
Fitzgerald, Ella (Decca 24538) Side A: Robbins Nest ; Side B: No Sense |
||||
Fitzgerald, Ella (Decca 24332) Side A: I’ve Got a Feeling I’m Falling ; Side B: My Baby Likes to Be-Bop…. Note: Performed |
||||
Fitzgerald, Ella and The Delta Rhythm Boys (Decca 23425) Side A: It’s Only a Paper Moon ; Side B: Cry You Out of My Heart |
||||
Fitzgerald, Ella (Decca 18347) Side A: All I Need Is You ; Side B: Mama Come Home. Note: Performed with Her Four Keys |
||||
Fitzgerald, Ella (Decca 2904) Side A: Betcha Nickel ; Side B: Moon Ray. Note: Performed with Her Famous Orch. |
||||
Fitzgerald, Ella (Decca 3324) Side A: Gulf Coast Blues ; Side B: Deedle-De-Dum. Note: Performed with Her Famous Orch. |
||||
Fitzgerald, Ella (Decca 24446) Side A: My Happiness ; Side B: Tea Leaves. Note: Performed with The Song Spinners |
||||
Fitzgerald, Ella and The Ink Spots (Decca 23399) Side A: I’m Beginning to See the Light ; Side B: That’s the Way It Is |
||||
Fitzgerald, Ella (Decca 2769) Side A: Please Tell Me the Truth ; Side B: Billy. Note: Performed with Her Famous Orch. |
||||
Fitzgerald, Ella (Decca 3420) Side A: So Long ; Side B: Five O’Clock Whistle. Note: Performed with Her Famous Orch. |
||||
Fitzgerald, Ella (Decca 3078) Side A: Sugar Blues ; Side B: Imagination. Note: Performed with Her Famous Orch. |
||||
Fitzgerald, Ella (Decca 3612) Side A: Wishful Thinking ; Side B: Hello Ma! I Done It Again. Note: Performed with Her Famous |
||||
Fitzgerald, Ella and The Ink Spots (Decca 23356) Side A: I’m Making Believe ; Side B: Into Each Life Some Rain Must Fall |
||||
Fitzgerald, Ella and The Ink Spots (side a only) (Decca 18587) Side A: Cow-Cow Boogie ; Side B: When My Sugar Walks Down the |
||||
Fitzgerald, Ella and Jordan, Louis’s Tympany Five (Decca 23546) Side A: Stone Cold Dead in the Market ; Side B: Peetootie |
||||
Five Birmingham Babies (Perfect 14399) Side A: Pickin’ on Your Baby ; Side B: You Better Keep the Home Fires Burning. Note: |
||||
Flowers, Pat (Decca 8587) Side A: After the Sun Goes Down ; Side B: Beg, Borrow and Steal |
||||
Foote, Bea (Decca 7535) Side A: Try and Get It ; Side B: Jive Lover |
||||
Forehand, Blind Mamie (Anchor 381) Side A: Honey in the Rock ; Side B: Wouldn’t Mind Dying |
||||
Four Buddies, The (Savoy 789) Side A: My Summer’s Gone ; Side B: Why, At a Time Like This |
||||
Four of the Bob Cats (Decca 2207) Side A: I Hear You Talking ; Side B: Call Me a Taxi |
||||
Fowler, Lem (Columbia 14111-D) Side A: The Florida Blues ; Side B: Salty Dog. Note: Performed with his Washboard Wonders |
||||
Freberg, Stan (Capitol 2671) Side A: Christmas Dragnet, pt.1 ; Side B: Christmas Dragnet, pt.2. Note: Performed with Davis |
||||
Freberg, Stan (Capitol 1356) Side A: John and Marsha ; Side B: Ragtime Dan |
||||
Freberg, Stan (Capitol 2596) Side A: St. George and the Dragonet ; Side B: Little Blue Riding Hood. Note: Performed with Orch. |
||||
Freeman, Bud (Decca 2849) Side A: As Long As I Live ; Side B: Sunday. Note: Performed with The Summa Cum Laude Orch. |
||||
Freeman, Bud (Decca 18066) Side A: Tia Juana ; Side B: I Need Some Pettin’. Note: Performed with The Summa Cum Laude Orch. |
||||
Freeman, Bud (Decca 18112) Side A: Tillie’s Downtown Now ; Side B: The Buzzard. Note: Performed with His Windy City Five |
||||
Freeman, Bud (Commodore 501) Side A: You Took Advantage of Me ; Side B: There’s No Crowd. Note: Performed with His Trio |
||||
Frisco Syncopators (Ross Stores 11359) Side A: Sioux City Sue ; Side B: Papa Doesn’t Two-Time No Time. Note: Harris note: |
||||
Froeba, Frank (Decca 23603) Side A: Moosie Mousie Boogie ; Side B: Squeeze Me. Note: Performed with His Boys |
||||
Froeba, Frank (Decca 23601) Side A: St. Louis Blues ; Side B: Sugar Blues. Note: Performed with His Boys |
||||
Frosini, P. (a-side) / Pryor, Arthur (Band) (b-side) (Victor 16482) Side A: Spring Flowers Waltz ; Side B: Dill Pickles Rag |
||||
Fuller, Blind Boy (Okeh 03457) Side A: Careless Love ; Side B: I’m Goin’ to Move. Note: Harris note: 1937, NL |
||||
Fuller, Blind Boy (Columbia 37781) Side A: Pistol Slapper Blues ; Side B: Mean and No Good Woman |
||||
Fuller, Blind Boy (Vocalion 05575) Side A: Shake It Baby ; Side B: Worn Out Engine Blues |
||||
Fuller, Blind Boy (Columbia 37155) Side A: She’s a Truckin’ Little Baby ; Side B: Screaming and Crying Blues |
||||
Fuller, Earl (Victor 18394) Side A: Li’l’ Liza Jane ; Side B: Coon Band Contest. Note: Performed with his Famous Jazz Band |
||||
Fuller, Earl (a-side) / Military Band (b-side) (Symphonia 447) Side A: Jazzbo Jazz ; Side B: I Want to Learn to Dance |
||||
78s. G |
||||
Gaillard, Slim (Vocalion 5341) Side A: Chittlin’ Switch Blues ; Side B: Huh! Uh-Huh!. Note: Performed with his Flat Foot Floogee |
||||
Garcia, Louis (Bluebird 6303) Side A: No Greater Love ; Side B: Christopher Columbus. Note: Performed with his Swing Band, |
||||
Garner, Cora (Columbia 14659-D) Side A: Wouldn’t Stop Doing It ; Side B: I Ain’t Going to Sell You None |
||||
Garner, Errol (Modern 20-640) Side A: Blue Lou, Part 1 ; Side B: Blue Lou, Part 2. Note: Instrumental |
||||
Garner, Errol (Savoy 725) Side A: Cottage For Sale ; Side B: I’m in the Mood for Love |
||||
Garner, Errol (Signature 15135) Side A: Gaslight ; Side B: Yesterdays |
||||
Garner, Errol (Columbia 39145) Side A: How High the Moon ; Side B: Poor Butterfly |
||||
Garner, Errol (Savoy 688) Side A: I Love The Waterfront ; Side B: Penthouse Serenade |
||||
Garner, Errol (Savoy 701) Side A: I Surrender Dear ; Side B: Love Walked In . Note: Damaged |
||||
Garner, Errol (Dial 1031) Side A: Love For Sale ; Side B: Sloe Gin Fizz |
||||
Garner, Errol (Apollo 797) Side A: Loverman ; Side B: What Is This Thing Called Love |
||||
Garner, Errol Trio (Black and White 15) Side A: Night and Day ; Side B: White Rose Bounce |
||||
Garner, Errol (Regent 1004) Side A: Red Sails In The Sunset ; Side B: Undecided |
||||
Garner, Errol (Arco 1223) Side A: Sherry Lynn Flip ; Side B: Blue, Brown, and Beige |
||||
Garner, Errol (Savoy 571) Side A: Somebod Loves Me |
||||
Garner, Errol (Columbia 39615) Side A: Sophisticated Lady ; Side B: Fine and Dandy |
||||
Garner, Errol (Savoy 577) Side A: Star Dust ; Side B: Back Home Again In Indiana |
||||
Garner, Errol (Columbia 39888) Side A: Summertime ; Side B: What’s New? |
||||
Garner, Errol (Signature 15136) Side A: Sweet Lorraine ; Side B: Loot To Boot |
||||
Garner, Errol (Mercury 2040) Side A: Symphony ; Side B: Bouncin’ With Me |
||||
Garner, Errol (Modern 20-692) Side A: Tenderfly ; Side B: Someone To Watch Over Me |
||||
Garner, Errol (Mercury 5008) Side A: Where Or When ; Side B: Frantonality |
||||
Garner, Errol and Slam Stewart, Charlie Ventura , George Walters, the Flash (Disc 5501) Side A: He Pulled A Fast One ; Side |
||||
Garnett, Blind LeRoy (Century 3025) Side A: Chain ’em Down ; Side B: Louisiana Glide |
||||
Gates, Rev. J.M. (Victor 20217) Side A: I Know I Got Religion ; Side B: Funeral Train |
||||
Gates, Rev. J.M. (Columbia 14145-D) Side A: Need Of Prayer ; Side B: Death’s Black Train Is Coming. Note: Sermon with singing |
||||
Gates, Rev. J.M. (Okeh 8508) Side A: Where Will you Be Christmas Day ; Side B: Will The Coffin Be Your Santa Claus. Note: |
||||
Georgians, The (Columbia A-3864) Side A: Farewell Blues ; Side B: Snakes Hips |
||||
Georgians, The (Columbia 23-D) Side A: Hometown Blues ; Side B: You May Be Fast, But Your Mamma’s Gonna Slow You Down |
||||
Georgians, The (Columbia 11-D) Side A: I’m Sitting Pretty In A Pretty Little City ; Side B: Learn To Do The Strut |
||||
Georgians, The (Columbia 62-D) Side A: Lovely Came Back ; Side B: Dancin’ Dan |
||||
Georgians, The (Columbia A-3857) Side A: You Tell Her I Stutter ; Side B: You’ve Got To See Mama Every Night |
||||
Georgia Strutters (Harmony 311) Side A: Wasn’t It Nice ; Side B: Original Black Bottom Dance |
||||
Gibbons, Irene (Columbia A-3834) Side A: That Da-Da Strain ; Side B: Last Go Round Blues |
||||
Gilliand, Henry C. and A.C. (Eck) Robertson (Victor 19149) Side A: Turkey In The Straw ; Side B: Ragtime Annie. Note: Violin |
||||
Gillum, Jazz (Bluebird 34-0709-A) Side A: Deep Water Blues ; Side B: I Couldn’t Help It-Blues |
||||
Gillum, Jazz (Bluebird B-8816-A) Side A: I Got Somebody Else ; Side B: It Looks Bad For You. Note: Damaged |
||||
Gillum, Jazz (Bluebird B-9042-A) Side A: I’m Gonna Leave You On The Outskirts Of Town ; Side B: Woke Up Cold In Hand. Note: |
||||
Gillum, Jazz (RCA Victor 20-1974) Side A: Reckless Rider Blues ; Side B: Look On Yonder Wall |
||||
Gillum, Jazz (Groove 5002) Side A: Tell Me Mama ; Side B: Key To The Highway |
||||
Gillum, Jazz (RCA Victor 20-2580) Side A: The Blues What Am ; Side B: Roll Dem Blues |
||||
Gold, Lou (Perfect 14656) Side A: Lucky Day ; Side B: Black Bottom. Note: Lou Gold and His Orchestra |
||||
Gold, Lou/ Bill Wirgis (Perfect 14404) Side A: Yearning ; Side B: Cheatin’ On Me. Note: Lou Gold and His Orchestra/ Bill Wirgis |
||||
Gold, Lou and his Orchestra (Harmony 64-H) Side A: I’m Sitting On Top Of The World ; Side B: I Never Knew |
||||
Golden, Billy (Victor 4515) Side A: Turkey In The Straw |
||||
Goldengate Orchestra (Bell P-238-A) Side A: When You Walked Out ; Side B: No! No Nora |
||||
Goldkette’s Book-Cadillac Orchestra (Jean Goldkette) (Victor 20268-A) Side A: Just A Birds Eye View Of My Old Kentucky Home |
||||
Goodman, Benny and His Boys (Brunswick 80030) Side A: Shirt Tail Stomp ; Side B: Blue |
||||
Goodman, Benny and His Boys (Brunswick 80029) Side A: Room 1411 ; Side B: Jungle Blues |
||||
Goodman, Benny and His Orchestra (Victor 25878) Side A: A Little Kiss At Twilight-Fox Trot ; Side B: What Goes On Here In |
||||
Goodman, Benny and His Orchestra (Victor 20-2409) Side A: Afraid To Dream ; Side B: Goodbye |
||||
Goodman, Benny and His Orchestra (Victor 25445) Side A: Alexander’s Ragtime Band ; Side B: Riffin’ At The Ritz |
||||
Goodman, Benny and His Orchestra (Columbia 36050) Side A: Amapola (Pretty Little Poppy)-Fox Trot ; Side B: Intermezzo (A Love |
||||
Goodman, Benny and His Orchestra (Victor 26170) Side A: And The Angels Sing-Fox Trot ; Side B: Sent For You Yesterday And |
||||
Goodman, Benny and His Orchestra (Victor 26130) Side A: Bach Goes To Town-Fox Trot ; Side B: Whispering-Fox Trot |
||||
Goodman, Benny and His Orchestra (Victor 25258) Side A: Basin Street Blues-Fox trot ; Side B: When Buddha Smiles |
||||
Goodman, Benny Quartet (Victor 25751) Side A: Bei Mir Bist Du Schon ; Side B: Bei Mir Bist Du Schon |
||||
Goodman, Benny and His Orchestra (Columbia 37187) Side A: Benjie’s Bubble-Fox Trot ; Side B: A Gal In Calico |
||||
Goodman, Benny (All Star Band) (Victor 26144) Side A: Blue Lou-Fox Trot ; Side B: The Blues-Fox Trot |
||||
Goodman, Benny and His Orchestra (Victor 25683) Side A: Bob White-Fox Trot ; Side B: Minnie The Moocher’s Weddin’ Day-Fox |
||||
Goodman, Benny and His Orchestra (RCA Victor 25467) Side A: Bugle Call Rag-Fox Trot ; Side B: After You’ve Gone-Fox Trot |
||||
Goodman, Benny and His Orchestra/ Tommy Dorsey and His Orchestra (Victor 25531) Side A: Chlo-E (Song Of The Swamp)-Fox Trot |
||||
Goodman, Benny and His Orchestra (Columbia 36823) Side A: Clarinade-Fox Trot ; Side B: June Is Bustin’ Out All Over |
||||
Goodman, Benny and His Orchestra (Bluebird B-10460) Side A: The Devil And The Deep Blue ; Side B: Christopher Columbus |
||||
Goodman, Benny and His Orchestra (Columbia 3033-D) Side A: The Dixieland Band ; Side B: Down Home Rag |
||||
Goodman, Benny and His Orchestra (Capitol 439) Side A: Dizzy Fingers ; Side B: Tattle Tale |
||||
Goodman, Benny and His Orchestra (Victor 25792) Side A: Don’t Be That Way-Fox Trot ; Side B: One O’Clock Jump-Fox Trot |
||||
Goodman, Benny and His Orchestra (Victor 25840) Side A: Feelin’ High And Happy ; Side B: I Let A Song Go Out Of My Heart |
||||
Goodman, Benny and His Orchestra (Capitol 15030) Side A: For Every Man There’s A Woman ; Side B: Beyond The Sea |
||||
Goodman, Benny and His Orchestra (Columbia 2907-D) Side A: Georgia Jubilee ; Side B: Emaline |
||||
Goodman, Benny and His Orchestra (Capitol 15044) Side A: Give Me Those Good Old Days ; Side B: You Turned The Tables On Me |
||||
Goodman, Benny and His Orchestra (Victor 25316) Side A: The Glory Of Love ; Side B: You Can’t Pull The Wool Over My Eyes |
||||
Goodman, Benny and His Orchestra (Victor 25215) Side A: Good-Bye ; Side B: Sandman |
||||
Goodman, Benny and His Orchestra (Columbia 36813) Side A: Gotta Be This Or That (Part 1) ; Side B: Gotta Be This Or That (Part |
||||
Goodman, Benny and His Orchestra (Capitol 57-568) Side A: Having A Wonderful Wish ; Side B: Shishkabop |
||||
Goodman, Benny and His Orchestra (Columbia 37207) Side A: Mora Staccato ; Side B: Man Here Plays Fine Piano |
||||
Goodman, Benny and His Orchestra (Capitol 57-576) Side A: The Huckle Buck ; Side B: That Wonderful Girl Of Mine |
||||
Goodman, Benny and His Orchestra (Columbia 2835-D) Side A: I Gotta Right To Sing The Blues ; Side B: Ain’t Cha’ Glad? |
||||
Goodman, Benny and His Orchestra (RCA Victor 26089-A) Side A: I Never Knew-Fox Trot ; Side B: Sweet Sue, Just You-Fox Trot |
||||
Goodman, Benny and His Orchestra (Victor 26082-A) Side A: Is That The Way To Treat A Sweetheart?-Fox Trot ; Side B: I Had |
||||
Goodman, Benny and His Orchestra (Capital 376) Side A: It Takes Time ; Side B: Moon-Faced, Starry Eyed |
||||
Goodman, Benny and His Orchestra (Victor 25245) Side A: It’s Been So Long ; Side B: Goody-Goody |
||||
Goodman, Benny and His Orchestra (RCA Victor 20-2407-B) Side A: Roll ‘Em ; Side B: I’ve Found A New Baby |
||||
Goodman, Benny and His Orchestra (Victor 25355) Side A: I’ve Found A New Baby ; Side B: Swingtime In the Rockies |
||||
Goodman, Benny and His Orchestra (Columbia 36843) Side A: It’s Only a Paper Moon ; Side B: I’m Gonna Love That Guy |
||||
Goodman, Benny and His Orchestra (Columbia 36955) Side A: It’s The Talk Of The Town ; Side B: Swing Angel |
||||
Goodman, Benny and His Orchestra (Columbia 2892-D) Side A: Junk Man ; Side B: Ol’ Pappy |
||||
Goodman, Benny and His Orchestra (Victor 26110-A) Side A: Kinda Lonesome-Fox Trot ; Side B: I Must See Annie Tonight |
||||
Goodman, Benny and His Orchestra (Columbia 39564) Side A: King Porter Stomp ; Side B: Farewell Blues |
||||
Goodman, Benny and His Orchestra (Victor 25090) Side A: King Porter-Fox Trot ; Side B: Sometimes I’m Happy. Note: |
||||
Goodman, Benny and His Orchestra (Okeh 6580) Side A: The Lamp Of Memory ; Side B: When The Roses Bloom Again |
||||
Goodman, Benny and His Orchestra (Victor 25726-A) Side A: Life Goes To A Party ; Side B: If Dreams Come True |
||||
Goodman, Benny and His Orchestra (Victor 25717-A) Side A: Loch Lomond-Fox Trot ; Side B: Camel Hop |
||||
Goodman, Benny and His Orchestra (Capital 374) Side A: Lonely Moments ; Side B: Whistle Blues |
||||
Goodman, Benny and His Orchestra/ Benny Goodman Trio (Victor 25406) Side A: Love Me Or Leave Me-Fox Trot ; Side B: Exactly |
||||
Goodman, Benny and His Orchestra (Victor 25880) Side A: My Melancholy Baby ; Side B: Wrapping It Up |
||||
Goodman, Benny and His Orchestra (Columbia 36874) Side A: My Guys Come Back ; Side B: Symphony |
||||
Goodman, Benny and His Orchestra (Victor 25621-A) Side A: Peekin’-Fox Trot ; Side B: Can’t We Be Friends-Fox Trot |
||||
Goodman, Benny and His Orchestra (Columbia 37077) Side A: Pity The Poor Lobster ; Side B: Love Doesn’t Grow On Trees |
||||
Goodman, Benny and His Orchestra (Columbia 37001) Side A: Put That Kiss Back Where You Found It ; Side B: My Blue Heaven |
||||
Goodman, Benny and His Orchestra (Columbia 36988) Side A: Rattle And Roll ; Side B: On The Alamo |
||||
Goodman, Benny and His Orchestra (Bluebird 10680) Side A: Remember ; Side B: Blue Skies |
||||
Goodman, Benny and His Orchestra/ Benny Goodman Quartet (Columbia 36684) Side A: Solo Flight ; Side B: The World Is Waiting |
||||
Goodman, Benny and His Orchestra (Victor 25497-A) Side A: Somebody Loves Me ; Side B: Jam Session |
||||
Goodman, Benny and His Orchestra (Okeh 6534) Side A: Someone’s Rocking My Dream Boat ; Side B: You Don’t Know What Love Is |
||||
Goodman, Benny and His Orchestra (Victor 25411) Side A: St. Luis Blues ; Side B: Clarinet Marmalade |
||||
Goodman, Benny and His Orchestra / Tommy Dorsey and His Orchestra (Victor 25320-A) Side A: Star Dust ; Side B: Star Dust |
||||
Goodman, Benny and His Orchestra (Victor 25521-A) Side A: Stompin’ At The Savoy ; Side B: Vibraphone Blues |
||||
Goodman, Benny and His Orchestra (Victor 25247-A) Side A: Stompin’ At The Savoy ; Side B: Breakin’ In A Pair Of Shoes |
||||
Goodman, Benny and His Orchestra (Columbia 36790) Side A: Sweetheart Of All My Dreams ; Side B: Ev’ry time |
||||
Goodman, Benny and His Orchestra (Victor 26099-A) Side A: This Can’t Be Love ; Side B: Sing For your Supper |
||||
Goodman, Benny and His Orchestra (Victor 26107-A) Side A: Topsy ; Side B: Smoke House |
||||
Goodman, Benny and His Orchestra (Capitol 15409) Side A: Undercurrent Blues ; Side B: Ma Belle Marguerite |
||||
Goodman, Benny and His Orchestra (Victor 26021-A) Side A: When I Go Dreamin’ ; Side B: Blue Interlude |
||||
Goodman, Benny and His Orchestra (Victor 26263) Side A: You And Your Love ; Side B: Who’ll Buy My Bublitchiki? |
||||
78s. H |
||||
Halfway House Dance Orchestra (Columbia 1263) Side A: When I’m Blue ; Side B: I Want Somebody To Love |
||||
Hall, Adelaide (Brunswick 4031) Side A: Baby ; Side B: I Must Have That Man |
||||
Hall, Adelaide (London 289) Side A: Nobody Knows De Trouble I’ve Seen ; Side B: Swing Low, Sweet Chariot |
||||
Hall, Al (Quintet) (Wax 101) Side A: Blues In My Heart ; Side B: Rose Of The Rio Grande |
||||
Harlem Hamfats (Decca 7326) Side A: Empty Bed Blues ; Side B: We’re Gonna Pitch A Boogie Woogie |
||||
Hamm, Fred and His Orchestra (Victor 19672) Side A: Stomp Off Lets Go ; Side B: Flag That Train |
||||
Hampton Institute Quartet (Musicraft 233) Side A: I Want To Be Ready ; Side B: Ole-Time Religion |
||||
Hampton, Lionel and His Orchestra (Decca 18880) Side A: Air Mail Special-Part 1 ; Side B: Air Mail Special-Concluded |
||||
Hampton, Lionel and His Septet (Decca 23792) Side A: Blow Top Blues ; Side B: Robbins In Your Hair |
||||
Hampton, Lionel and His Orchestra (Victor 25586) Side A: China Stomp ; Side B: Rhythm, Rhythm |
||||
Hampton, Lionel and His Orchestra (Decca 18394) Side A: Flying Home ; Side B: In The Bag |
||||
Hampton, Lionel and His Orchestra (Decca 23639) Side A: Flyin’ Home # 2 ; Side B: Punch And Judy |
||||
Hampton, Lionel and His Orchestra (Victor 26447) Side A: Four Of the Five Times ; Side B: I’ve Found A New Baby |
||||
Hampton, Lionel and His Orchestra (Decca 18613) Side A: Hamps’ Boogie Woogie ; Side B: Chop-Chop |
||||
Hampton, Lionel and His Orchestra (Decca 18830) Side A: Hamp’s Salty Blues ; Side B: Chord-A-Re-Bop |
||||
Hampton, Lionel and His Orchestra (Decca 24505) Side A: Hawk’s Nest ; Side B: Goldwyn’s Stomp |
||||
Hampton, Lionel and His Orchestra (Victor 26423) Side A: The Heebie Jeebies Are Rockin’ The Town ; Side B: Gin For Christmas |
||||
Hampton, Lionel and His Orchestra (Decca 18754) Side A: Hey! Ba-Ba-Re-Bop ; Side B: Slide, Hamp, Slide |
||||
Hampton, Lionel and His Orchestra (Decca 24513) Side A: How High Is The Moon ; Side B: Ribs In Hot Sauce |
||||
Hampton, Lionel and His Orchestra (Victor 25535) Side A: Jivin’ The Vibes ; Side B: Stomp |
||||
Hampton, Lionel and His Orchestra (MGM 11227) Side A: Kingfish ; Side B: Don’t Flee The Scene Salty |
||||
Hampton, Lionel and His Orchestra (Decca 18669) Side A: Loose Wig ; Side B: Over Time |
||||
Hampton, Lionel and His Orchestra (Victor 26304) Side A: Memories Of You ; Side B: Jumpin’ Jive |
||||
Hampton, Lionel and His Orchestra (Decca 23696) Side A: The Pencil Broke ; Side B: Tempo’s Birthday |
||||
Hampton, Lionel and His Orchestra (Decca 24992) Side A: Turkey Hop-Part One ; Side B: Turkey Hop-Part Two |
||||
Hampton, Lionel and His Orchestra (Victor 26233) Side A: Wizzin’ The Wizz ; Side B: Denison Swing |
||||
Handy, W. C. and Roy Eldridge (Philharmonic FR-81) Side A: St. Louis Blues ; Side B: High Society. Note: W. C. Handy on side |
||||
Handy’s Orchestra (Columbia A2421) Side A: Fuzzy Wuzzy Rag ; Side B: The Snaky Blues |
||||
Handy’s Orchestra of Memphis (Columbia A2419) Side A: That “Jazz” Dance ; Side B: Livery Stable Blues |
||||
Happy Six (Columbia A2949) Side A: Dance-O-Mania ; Side B: Slow And Easy |
||||
Harding, Roger (Victor 3452) Side A: A Coon In Love ; Side B: N/A |
||||
Harmonians, The (Velvet Tone 2034) Side A: I’m A Dreamer, Aren’t We all |
||||
Harmonians, The/ W.M.C.A. Broadcasters (Velvet Tone1234) Side A: That’s Annabelle ; Side B: My Cutey’s Due At Two-To-Two To-Day |
||||
Harris, Bill and his New Music (Keynote 634) Side A: Everything Happens To Me ; Side B: Frustration |
||||
Harris, Bill and his Septet (Keynote 618) Side A: Means To Me ; Side B: Cross Country |
||||
Harris, Bill and Septet (Keynote 626) Side A: She’s Funny That Way ; Side B: Characteristically B.H. |
||||
Harris, Marrion (Brunswick 2458) Side A: Someone Else Walked Right In ; Side B: Dirty Hands, Dirty Face |
||||
Harris, Marrion (Brunswick 2836) Side A: No One ; Side B: When You And I Were Seventeen |
||||
Harris, Marrion (Brunswick 2651) Side A: I Can’t Get The One I Want ; Side B: There’ll Be Some Changes Made |
||||
Harris, Marrion (Brunswick 2410) Side A: Runnin’ Wild ; Side B: You’ve Got To See Mama Every Night |
||||
Harris, Sister with Nubian Five (Pathe Actuelle 020951) Side A: Laughin’ Cryin’ Blues ; Side B: Beale Street Mama |
||||
Harris, Wynonie (Kinig 4461) Side A: Confessin’ The Blues ; Side B: Bloodshot Eyes |
||||
Harris, Wynonie “Mr. Blues” (Aladdin 196) Side A: Ghost Of Chance ; Side B: Big City Blues |
||||
Harris, Wynonie (King 4210) Side A: Good Rockin’ Tonight ; Side B: Good Morning Mr. Blues |
||||
Harris, Wynonie “Blues” (Apollo 363) Side A: Here Comes The Blues ; Side B: She’s Gone With The Wind |
||||
Harris, Wynonie (King 4276) Side A: I Feel That Old Age Coming On ; Side B: Grandma Plays The Numbers |
||||
Harris, Wynonie (King 4226) Side A: Lollipop Mama ; Side B: Blow Your Brains Out |
||||
Harris, Wynonie (King 4292) Side A: She Just Won’t Sell No More ; Side B: Drinkin’ Wine, Spo-Dee-O-Dee |
||||
Harris, Wynonie “Blues” (Bullet 252) Side A: My Baby’s Barrel House ; Side B: Drunken By Myself |
||||
Harris, Wynonie (King 4685) Side A: Quiet Whiskey ; Side B: Down Boy Down |
||||
Harris, Wynonie (King 4202) Side A: Rose Get Your Clothes ; Side B: Wynonie’s Boogie |
||||
Harris, Wynonie (King 4378) Side A: Stormy Night blues ; Side B: Good Morning Judge |
||||
Hart, Clyde (and his band) (Continental 6013) Side A: What’s The Matter Now? ; Side B: That’s All The Blues |
||||
Harvey, Bill / Marie Adams (Peacock 1583) Side A: My Search Is Over ; Side B: I’m Gonna Play The Honky Tonks |
||||
Hawkins, Erskine and his Orchestra (RCA Victor 20-1977) Side A: After Hours ; Side B: It’s Full Or It Ain’t No Good |
||||
Hawkins, Erskine and his Orchestra (Bluebird 10019) Side A: Because Of You ; Side B: Do You Wanna Jump, Children? |
||||
Hawkins, Erskine and his Orchestra (Bluebird 30-0819) Side A: Cherry ; Side B: Country Boy |
||||
Hawkins, Erskine and his Orchestra (Bluebird 30-0813) Side A: Don’t Cry baby ; Side B: Bear-Mash Blues |
||||
Hawkins, Erskine and his Orchestra (Bluebird 10409) Side A: Gin Mill Speacial ; Side B: Tuxedo Junction |
||||
Hawkins, Erskine and his Orchestra (Bluebird 11277) Side A: Hey Doc! ; Side B: Someone’s Rocking My Dream Boat |
||||
Hawkins, Erskine and his Orchestra (RCA Victor 20-2169) Side A: I Had A Good Cry ; Side B: Hawk’s Boogie |
||||
Hawkins, Erskine and his Orchestra (Bluebird 10565) Side A: I Hadn’t anyone Till You ; Side B: Baltimore Bounce |
||||
Hawkins, Erskine and his Orchestra (Bluebird B-10790) Side A: Junction Blues ; Side B: Ashes In The Tray |
||||
Hawkins, Erskine and his Orchestra (Bluebird B-11049) Side A: Keep Cool Fool ; Side B: No Use Sqauwkin’ |
||||
Hawkins, Erskine and his Orchestra (Victor 20-1777) Side A: Let’s Have Fun Tonight ; Side B: Good Dip |
||||
Hawkins, Erskine and his Orchestra (Bluebird B-10292) Side A: No Soap ; Side B: Swingin’ On Lenox Avenue. Note: feat. Julius |
||||
Hawkins, Erskine and his Orchestra (Victor 20-1723) Side A: Prove It By The things You Do ; Side B: Drifting Along |
||||
Hawkins, Erskine and his Orchestra (Victor 20-1639) Side A: Remember ; Side B: Tippin’ In |
||||
Hawkins, Erskine and his Orchestra (Bluebird B-11485) Side A: Wrap Your Troubles In Dreams ; Side B: So Long, Shorty |
||||
Hawkins, Erskine and his Orchestra (Victor 20-2284) Side A: Tippin’ In ; Side B: I’ve Got A right TO Cry |
||||
Hawkins, Screamin’ Jay (Okeh 7084) Side A: You Made Me Love you ; Side B: Darling, Please Give Me |
||||
Hawkins, Screamin’ Jay (Okeh 7072) Side A: Little Demon ; Side B: I Put A Spell On you |
||||
Hegamin, Lucille (Cameo 701) Side A: Alabamy Bound ; Side B: Everytime I Pick A Sweety |
||||
Hegamin, Lucille and her Jazz Artists (Banner 1014) Side A: Arkansas Blues ; Side B: Jazz Me Blues |
||||
Hegamin, Lucille and her Blue Flame Syncopators (Cameo 270) Side A: Beale St. Mama ; Side B: Aggravatin’ Papa |
||||
Hegamin, Lucille and her Blue Flame Syncopators (Cameo 270) Side A: Beale St. Mama ; Side B: Aggravatin’ Papa |
||||
Hegamin, Lucille and the Dixie Daises (Cameo 415) Side A: Cold Cold Winter Blues ; Side B: Dina |
||||
Hegamin, Lucille (Cameo 624) Side A: Hard-hearted Hannah ; Side B: Easy Goin’ Mamma |
||||
Hegamin, Lucille (Cameo 625) Side A: Hard-hearted Hannah ; Side B: Easy Goin’ Mamma |
||||
Hegamin, Lucille and her Bang Up Six From Georgia (Muse 254) Side A: I’ve Got What It Takes But It Breaks My Heart To Give |
||||
Hegamin, Lucille and the Dixie Daises (Cameo 613) Side A: If You’ll Come Back ; Side B: I Threw A Good Man Over For You |
||||
Hegamin, Lucille and her Blue Flame Syncopators (Cameo 287) Side A: Papa Papa ; Side B: He May Be Your Man |
||||
Hegamin, Lucille and her Blue Flame Syncopators (Cameo 287) Side A: Papa Papa ; Side B: He May Be Your Man |
||||
Hegamin, Lucille and her Blue Flame Syncopators (Regal 9344) Side A: I’ve Got To Cool My Doggies Now ; Side B: Send Back My |
||||
Hegamin, Lucille (Cameo 407) Side A: Some Early Morning ; Side B: Land Of Cotton Blues |
||||
Hegamin, Lucille and the Dixie Daises (Cameo 461) Side A: If You Don’t Give Me What I Want ; Side B: You May Be Fast ”But” |
||||
Henderson, Fletcher and his Orchestra (Triangle 11247) Side A: Beale Street Mama ; Side B: Don’t Think You’ll Be Missed |
||||
Henderson, Fletcher and his Orchestra (Columbia 209-D) Side A: He’s The Hottest Man In Town ; Side B: I Never Care About To-Morrow |
||||
Henderson, Fletcher and his Orchestra (Vocalion 14926) Side A: Words ; Side B: Copenhagen |
||||
Henderson, Horace and his Orchestra (Jamboree 908) Side A: Deed I Do ; Side B: Smack’s Blues |
||||
Henderson, Horace and his Orchestra (Decca 18172) Side A: Happy Feet ; Side B: Ol’ Man River |
||||
Henderson, Horace and his Orchestra (Decca 18171) Side A: Minnie The Moocher’s Wedding Day ; Side B: I’m Rhythm Crazy Now |
||||
Henderson, Rosa (Vocalion 14635) Side A: Down South Blues ; Side B: Where (Can That Somebody Be) |
||||
Henderson, Rosa (Perfect 129) Side A: Black Snake Moan ; Side B: Fortune Teller Blues |
||||
Henderson, Rosa (Vocalion 15044) Side A: Get It Fixed ; Side B: Poplar Bluff Blues |
||||
Henderson, Rosa with Fletcher Henderson (Columbia A-3958) Side A: I Need You ; Side B: Afternoon Blues |
||||
Henderson, Rosa with Fletcher Henderson (Vocalion 14652) Side A: If You Don’t Give Me What I Want ; Side B: So Long To You |
||||
Henderson, Rosa with Fletcher Henderson (Vocalion 14653) Side A: If You Don’t Give Me What I Want ; Side B: So Long To You |
||||
Henderson, Rosa (Victor 19084) Side A: I’m Broke Fooling With You ; Side B: Good Woman’s blues |
||||
Herman, Woody and his Orchestra (Decca 18346) Side A: Amen ; Side B: Deliver Me To Tennessee |
||||
Herman, Woody and The New Third Herd (Mars 900) Side A: Beau Jazz ; Side B: Moten Stomp |
||||
Herman, Woody and his Orchestra (Decca 3380) Side A: Bessie’s Blues ; Side B: Music By The Moon |
||||
Herman, Woody and his Orchestra (Decca 3972) Side A: Bishop Blues ; Side B: Woodsheddin’ With Woody |
||||
Herman, Woody and his Orchestra (Decca 3643) Side A: Blue Flame ; Side B: Fur Trappers’ Ball |
||||
Herman, Woody and his Orchestra (MGM 11154) Side A: Blue Flame ; Side B: New Golden Wedding |
||||
Herman, Woody and his Orchestra (Decca 2508) Side A: Blues Upstairs ; Side B: Blues Downstairs |
||||
Herman, Woody and his Orchestra (Decca 3501) Side A: Blues On Parade ; Side B: Peach Tree Street |
||||
Herman, Woody and his Orchestra (MGM 10975) Side A: By George ; Side B: It Isn’t Easy |
||||
Herman, Woody and his Orchestra (Decca 3500) Side A: Caliope Blues ; Side B: Dupree Blues |
||||
Herman, Woody and his Orchestra (Decca 1839) Side A: Saving Myself For You ; Side B: Carolina In The Morning |
||||
Herman, Woody and his Orchestra (Decca 2629) Side A: Dallas Blues ; Side B: River Bed Blues |
||||
Herman, Woody and his Orchestra (Decca 18578) Side A: Do Nothin’ Till You Hear From Me ; Side B: By The River Of The Roses |
||||
Herman, Woody and his Orchestra (Decca 4076) Side A: Don’t Be Blue ; Side B: Three Ways To Smoke A Pipe |
||||
Herman, Woody and his Orchestra (Decca 18544) Side A: Down Under ; Side B: Ten Day Furlough |
||||
Herman, Woody and his Orchestra (Columbia 36909) Side A: Everbody Knew But Me ; Side B: Let It Snow! Let It Snow! Let It Snow! |
||||
Herman, Woody and his Orchestra (Decca 3693) Side A: Everything Happens To Me ; Side B: Sleepy Serenade |
||||
Herman, Woody and his Orchestra (Columbia 38369) Side A: Everywhere ; Side B: The Goof And I |
||||
Herman, Woody and his Woodchoppers (Columbia 37059) Side A: Fan It ; Side B: Blowin’ Up A Storm |
||||
Herman, Woody and his Orchestra (Decca 2582) Side A: Casbah Blues ; Side B: Farewell Blues |
||||
Herman, Woody and his Orchestra (Decca 3436) Side A: Five O’Clock Whistle ; Side B: Golden Wedding |
||||
Herman, Woody and The New Third Herd (Mars 600) Side A: Buck Dance ; Side B: A Fool In Love |
||||
Herman, Woody and his Orchestra (Columbia 38304) Side A: Four Brothers ; Side B: No Time |
||||
Herman, Woody and his Orchestra (Columbia 37227) Side A: Four Men On A Horse ; Side B: Last Weekend |
||||
Herman, Woody and his Orchestra (Decca 18526) Side A: Four Or Five Time ; Side B: Hot Chestnuts |
||||
Herman, Woody and his Orchestra (Mars 1003) Side A: Four Others ; Side B: Sorry ‘Bout The Whole Darned Thing |
||||
Herman, Woody and his Orchestra (Decca 3427) Side A: Frenesi ; Side B: A Song Of The Old Hawaii |
||||
Herman, Woody and his Orchestra (Decca 3187) Side A: Get Your Boots Laced Papa Part 1 ; Side B: Get Your Boots Laced Papa |
||||
Herman, Woody and his Orchestra (Columbia 36789) Side A: Caldonia ; Side B: Happiness Is A Thing Called Joe |
||||
Herman, Woody and his Orchestra (Capitol 57-772) Side A: I’ll Be Glad When You’re Dead ; Side B: Rhapsody In Wood |
||||
Herman, Woody and his Orchestra (Columbia 36897) Side A: I’ve Got The World On A String ; Side B: Love Me |
||||
Herman, Woody and his Orchestra (Capitol 15365) Side A: Lemon Drop ; Side B: I Ain’t Gonna Wait Too Long |
||||
Herman, Woody and his Orchestra (Coral 60066) Side A: I Ain’t Got Nothin’ But The Blues ; Side B: It Must Be Jelly ‘Cause |
||||
Herman, Woody and his Orchestra (MGM 11008) Side A: I Can See You ; Side B: Leo The Liom |
||||
Herman, Woody and his Orchestra (Capitol 15427) Side A: I Got It Bad (And That Ain’t Good) ; Side B: That’s Right |
||||
Herman, Woody and his Orchestra (MGM 10916) Side A: I Left My Hat In Haiti ; Side B: Here Come The Blues |
||||
Herman, Woody and his Orchestra (Columbia 36785) Side A: Laura ; Side B: I Wonder |
||||
Herman, Woody and his Orchestra (Columbia 38047) Side A: If Anybody Can Steal My Baby ; Side B: I Told Ya I Love Ya, Now Get |
||||
Herman, Woody and his Orchestra (Columbia 37160) Side A: If It’s Love You Want ; Side B: Wrap Your Troubles In Dreams |
||||
Herman, Woody (Columbia 37329) Side A: Ivy ; Side B: That’s My Desire |
||||
Herman, Woody and his Orchestra (Columbia 38213) Side A: I’ve Got News For You ; Side B: Keen and Peachy |
||||
Herman, Woody and his Orchestra (Capitol 57-616) Side A: Early Autumn ; Side B: Keeper of the Flame |
||||
Herman, Woody and his Orchestra (Decca 18619) Side A: Let Me Love You Tonight ; Side B: What Dat Up Dere? |
||||
Herman, Woody and his Orchestra (Columbia 36995) Side A: Linger In My Arms A Little Longer, Baby ; Side B: Mabel! Mabel! |
||||
Herman, Woody and his Orchestra (Decca 18603) Side A: Milkman, Keep Those Bottles Quiet! ; Side B: Irresistable Blues |
||||
Herman, Woody and his Orchestra (Capitol 57-682) Side A: The Crickets ; Side B: More Moon |
||||
Herman, Woody and his Orchestra (Decca 1079) Side A: Mr. Ghost Goes To Town ; Side B: Better Get Off Your High Horse |
||||
Herman, Woody and his Orchestra (Decca 18577) Side A: The Music Stopped ; Side B: I Couldn’t Sleep A Wink Last Night |
||||
Herman, Woody and his Orchestra (Capitol 1272) Side A: Johannesburg ; Side B: The Nearness Of You |
||||
Herman, Woody and his Woodchoppers (Columbia 37228) Side A: Nero’s Conception ; Side B: Igor |
||||
Herman, Woody and his Orchestra (Decca 3889) Side A: Night Watchman ; Side B: Hey Doc |
||||
Herman, Woody and his Orchestra (MGM 10929) Side A: Ninety-Nine Guys ; Side B: Searching |
||||
Herman, Woody (Columbia 37289) Side A: Across The Alley From The Alamo ; Side B: No Greater Love . Note: feat. The Four Chips |
||||
Herman, Woody and his Orchestra (Capitol 837) Side A: Not Really The Blues ; Side B: Detour Ahead |
||||
Herman, Woody and his Orchestra (Decca 2993) Side A: On The Isle Of May ; Side B: East Side Kick |
||||
Herman, Woody and his Orchestra (Columbia 36803) Side A: Out Of This World ; Side B: Apple Honey |
||||
Herman, Woody and his Orchestra (Capitol 1170) Side A: Sonny Speaks ; Side B: Pennes From Heaven |
||||
Herman, Woody and his Orchestra (Coral 60001) Side A: Please Don’t Say “No” ; Side B: Basie’s Basement |
||||
Herman, Woody and his Orchestra (Columbia 36861) Side A: Put That Ring On My Finger ; Side B: Bijou |
||||
Herman, Woody and his Orchestra (Columbia 37162) Side A: Romance In The Dark ; Side B: Uncle Remus Said |
||||
Herman, Woody and his Orchestra (Columbia 37197) Side A: Sidewalks Of Cuba ; Side B: Stars Fell On Alabama |
||||
Herman, Woody and his Orchestra (Decca 4372) Side A: The Singing Sands Of Alamosa ; Side B: Gotta Get To St. Joe |
||||
Herman, Woody and his Woodchoppers (Columbia 37226) Side A: Somebody, Sweetheart ; Side B: I Surrender, Dear |
||||
Herman, Woody and his Woodchoppers (Columbia 37229) Side A: Steps ; Side B: Pam |
||||
Herman, Woody and his Woodchoppers (Decca 4176) Side A: A String Of Pearls ; Side B: Las Chiapanecas |
||||
Herman, Woody and his Orchestra (Columbia 36985) Side A: The Good Earth ; Side B: Surrender |
||||
Herman, Woody and his Orchestra (Capitol 57-720) Side A: Tenderly ; Side B: Jamaica Rhumba |
||||
Herman, Woody and his Orchestra (Decca 3454) Side A: There I Go ; Side B: Beat Me Daddy, Eight To A Bar |
||||
Herman, Woody and his Orchestra (Decca 4030) Side A: This Time The Dreams On Me ; Side B: Blues In The Night |
||||
Herman, Woody and his Woodchoppers (Decca 4293) Side A: Too Late ; Side B: Fort Worth Jail |
||||
Herman, Woody and his Orchestra (Decca 1801) Side A: Laughing Boy Blues ; Side B: Twin City Blues |
||||
Herman, Woody and his Orchestra (Columbia 36936) Side A: Welcome To My Dream ; Side B: It’s Anybody’s Spring |
||||
Herman, Woody and his Orchestra (Capitol 1215) Side A: When It Rains It Pours ; Side B: Starlight Souvenirs |
||||
Herman, Woody and his Orchestra (Columbia 36949) Side A: Wild Root ; Side B: Atlanta, G.A. |
||||
Herman, Woody and his Orchestra (Decca 2440) Side A: Woodchoppers Ball ; Side B: Big-Wig In The Wigwam |
||||
Herman, Woody and his Orchestra (Columbia 37238) Side A: Woodchoppers Ball ; Side B: With Someone New |
||||
Herman, Woody and his Orchestra (Capitol 1215) Side A: Muskrat Ramble ; Side B: Woodchoppers Mambo |
||||
Herman, Woody and his Orchestra (Columbia 36870) Side A: Gee, It’s Good To Hold You ; Side B: Your Father’s Mustache |
||||
Heywood, Eddie and his Orchestra (Commodore 7523) Side A: Carry Me Back To Old Virginny ; Side B: Blue Lou. Note: Instrumental |
||||
Heywood, Eddie and his Orchestra (Commodore 578) Side A: Deed I Do ; Side B: Just You, Just Me |
||||
Heywood, Eddie and his Orchestra (Commodore 582) Side A: Indiana ; Side B: Lover Man |
||||
Heywood, Eddie and his Orchestra (Commodore 577) Side A: Love Me Or Leave Me ; Side B: I Can’t Believe Your Love With Me |
||||
Heywood, Eddie and his Orchestra (Commodore 554) Side A: T’Aint Me ; Side B: Save Your Sorrow |
||||
Heywood, Eddie and his Orchestra (Decca 23677) Side A: You Made Me Love you ; Side B: Heywood Blues |
||||
Hicks, Edna (Brunswick 2463) Side A: Down Hearted Blues ; Side B: Gulf Coast Blues |
||||
Hicks, Edna (Victor 19083) Side A: I’m Goin’ Away ; Side B: You Always Messin’ Round With My Man |
||||
Hicks, Edna (Victor 19084) Side A: I’m Goin’ Away ; Side B: You Always Messin’ Round With My Man |
||||
Hinds, Earl and his Orchestra (Bluebird 11308) Side A: It Had To be You-Fox Trot ; Side B: Yellow Fire-Fox Trot |
||||
Hinds, Earl and his Orchestra (Bluebird 11126) Side A: Jersey Bounce ; Side B: Sally Won’t You Come Back |
||||
Hodes, Art and his Orchestra (Decca 18438) Side A: Get Happy ; Side B: Indiana |
||||
Hogg, Smokey (Modern Hollywood 20-667) Side A: I’m Gonna Find Your Trick ; Side B: Who’s Heah |
||||
Hogg, Smokey (Modern Hollywood 896) Side A: Too Late Old Man ; Side B: River Hip Mama |
||||
Hokum Boys (Paramount 12821) Side A: Ain’t Goin’ That Way ; Side B: You Can’t Get Enough Of That Stuff |
||||
Holiday, Billie and her Orchestra (Clef Records 89108) Side A: If The Moon Turns Green ; Side B: Autumn In New York |
||||
Holiday, Billie (Aladdin 3102) Side A: Rocky Mountain Blues ; Side B: Blue Turning Grey After You |
||||
Whiteman, Paul and his Orchestra (Capitol 116) Side A: You Were Never Lovelier ; Side B: Trav’lin’ Light |
||||
Holiday, Billie and her Orchestra (Vocalion 4457) Side A: The Very Thought of You ; Side B: I Can’t Get Started |
||||
Hollywood Huskers (Capitol 40022) Side A: Happy Blues ; Side B: Them There Eyes |
||||
Honeyboy (Specialty 476) Side A: Bloodstains On The Wall ; Side B: My Time Ain’t Long |
||||
Honolulu Serenaders (Victor 21120) Side A: Honolulu Stomp ; Side B: Mele Of Hawaii |
||||
Hooker, John Lee (Sensation 21) Side A: Burnin’ Hell ; Side B: Miss Sadie Mae |
||||
Hooker, John Lee (Modern Hollywood 948) Side A: Half A Stranger ; Side B: Shake, Holler, And Run |
||||
Hooker, John Lee (Modern Hollywood 931) Side A: Jump Me ; Side B: I Wonder Little Darling |
||||
Hooker, John Lee (Vee-Jay 255) Side A: Little Wheel ; Side B: Rosie Mae |
||||
Hooker, John Lee (Vee-Jay 164) Side A: Mambo Chillun ; Side B: Time Is Marching |
||||
[Hooker, John Lee] Texas Slim (King 4323) Side A: Nightmare Blues ; Side B: I’m Gonna Kill That Woman | ||||
Hooker, John Lee (Modern Hollywood 958) Side A: Taxi Driver ; Side B: You Receive Me |
||||
Hopkins, Lightin’ (Modern Hollywood 20-543) Side A: Shining Moon ; Side B: Ida May |
||||
Howell, Peg Leg (Columbia 148236) Side A: Boke And Hungry Blues ; Side B: Rolling Mill Blues |
||||
Huey, Richard and his Sundown Singers (Decca 8656) Side A: Hurry Sundown ; Side B: Blues Boogie Woogie |
||||
Hughes, Phil and his High Hatters/Stillman’s Orioles (Perfect 14624) Side A: Georgianna ; Side B: Tonight’s My Night With |
||||
Hunt, Pee-Wee and his Orchestra (Capitol 57-673) Side A: The Charleston ; Side B: Youthful Fountain |
||||
Hunt, Pee-Wee and his Orchestra (Capitol 2442) Side A: OH! ; Side B: San |
||||
Hunt, Pee-Wee and his Orchestra (Capitol 15105) Side A: Twelfth Street Rag ; Side B: Somebody Else Not Me |
||||
Hunter, Alberta (Juke Box 511) Side A: Don’t Want No Man That’s Lazy ; Side B: Your Bread May Be Good But It Ain’t As Good |
||||
Hunter, Alberta (Okeh ) Side A: Empty Cellar Blues ; Side B: I Don’t Want It All |
||||
Hunter, Alberta and Elkins-Payne Jubilee Quartet (Paramount 12093) Side A: Old Fashioned Love ; Side B: If The Rest Of The |
||||
Hurley, Clyde and his Orchestra (Keynote 633) Side A: Out Of Nowhere ; Side B: On The Trail |
||||
Hylton, Jack and his Orchestra (Decca 190) Side A: St. Louis Blues ; Side B: Hylton Stomp |
||||
78s. I-J |
||||
Ingle, Red and the Natural Seven (Capitol 15045) Side A: Cigareetes, Whuskey, And, Wild, Wild Women ; Side B: Pearly Maude |
||||
Ingle, Red and the Natural Seven (Capitol 15046) Side A: Temptation ; Side B: I Love You For Sentimental Reasons |
||||
Iturbi, Jose (Victor 10-1127) Side A: Boogie Woogie Etude ; Side B: Blues |
||||
Jackson, Bull Moose and his Buffalo Bearcats (King 4230 ) Side A: I Can’t Go Without You ; Side B: Fare Thee Well, Deacon |
||||
Jackson, Bull Moose and his Buffalo Bearcats (King 4305) Side A: Houston Texas Gal ; Side B: Come Back To Me |
||||
Jackson, Charlie (Paramount 12366) Side A: The Judge Cliff Davis Blues ; Side B: Mumsy Mumsy Blues |
||||
Jackson, Chubby and his Orchestra (Columbia 38451) Side A: Father Knickerbocker ; Side B: Godchild |
||||
Jackson, Chubby and his Knights (Century 1506) Side A: A Knight In The Village Part 3 ; Side B: A Knight In The Village Part |
||||
Jackson, Chubby and his Orchestra (MGM 10354) Side A: “Mom” Jackson ; Side B: Follow The Leader |
||||
Jackson, Chubby Septet (Keynote 616) Side A: Northwest Passage ; Side B: Cryin Sands |
||||
Jackson, Lil’ Son (Imperial 5113) Side A: Peace Breaking People ; Side B: Rockin’ and Rollin’ |
||||
Jackson, Mahalia (Apollo 245) Side A: Bless This House ; Side B: Lords Prayer |
||||
Jackson, Mahalia (Apollo 273) Side A: I’m Goin Down To The River ; Side B: Do You Know Him? |
||||
Jackson, Mahalia (Apollo 178) Side A: What Could I Do ; Side B: Even Me |
||||
Jackson, Mahalia (Coral 65001) Side A: God’s Gonna Separate The Wheat From The Tares ; Side B: Keep Me Everyday |
||||
Jackson, Mahalia (Apollo 286) Side A: I’m On My Way ; Side B: My Story |
||||
Jackson, Mahalia (Apollo 278) Side A: I Wonder If I Will Ever Rest ; Side B: Come To Jesus |
||||
Jackson, Mahalia (Apollo 262) Side A: In The Upper Room Part 1 ; Side B: In The Upper Room Part 2 |
||||
Jackson, Mahalia (Apollo 246) Side A: It Is No Secret ; Side B: His Eye Is On The Sparrow |
||||
Jackson, Mahalia (Apollo 313) Side A: Nobody Knows The Trouble I’ve Seen ; Side B: Didn’t It Rain |
||||
Jackson, Mahalia (Apollo 235) Side A: Silent Night ; Side B: Go Tell It On The Mountain |
||||
Jackson, Mahalia (Apollo194) Side A: Amazing Grace ; Side B: Tired |
||||
Jacobson, Bud (Jungle Kings) (Century 4015) Side A: Clarinet Marmalade ; Side B: Laughing At You |
||||
Jacobson, Bud (Jungle Kings) (Signature 904) Side A: Laughing At You ; Side B: I Can’t Believe |
||||
James, Elmore (Meteor 5000) Side A: I Believe ; Side B: I Held My Baby Last Night |
||||
James, Harry and his Orchestra (Philharmonic 69-A) Side A: Alice Blue Gown -Fox Trot ; Side B: Exactly Like You-Fox Trot |
||||
James, Harry and his Orchestra (Columbia 36500) Side A: All For Love ; Side B: Blues In The Night |
||||
James, Harry and his Orchestra (Columbia 35316) Side A: Avalon ; Side B: Ciribiribin |
||||
James, Harry and his Orchestra (Columbia 36478) Side A: I Don’t Want To Walk Without You-Fox Trot ; Side B: B-19-Fox Trot |
||||
James, Harry and the Boogie Woogie (Columbia 35958) Side A: Boo-Woo-Fox Trot ; Side B: Woo-Woo-Fox Trot |
||||
James, Harry and his Orchestra (Columbia 35340) Side A: Concerto For Trumpet ; Side B: I’m inThe Market For You |
||||
James, Harry and his Orchestra (Columbia 37144) Side A: Concerto For Trumpet ; Side B: Flight Of The Bumble Bee |
||||
James, Harry and his Orchestra (Columbia 36996) Side A: Easy ; Side B: Friar Rock |
||||
James, Harry and his Orchestra (Columbia 36545) Side A: Easter Parade ; Side B: Crazy Rhythm |
||||
James, Harry and his Orchestra (Columbia 36004) Side A: The Flight Of the Bumble Bee ; Side B: The Carnival Of Venice |
||||
James, Harry and his Orchestra (Columbia 35587) Side A: Flash ; Side B: All Or nothing At All. Note: feat. Frank Sinatra |
||||
James, Harry and his Orchestra (Elite 5034) Side A: Headin’ For Hallelujah-Fox Trot ; Side B: Maybe-Fox Trot |
||||
James, Harry and his Orchestra (Columbia 35227) Side A: Here Comes The Night ; Side B: Feet Draggin Blues |
||||
James, Harry and his Orchestra (Philharmonic 71-A) Side A: Hodge Podge-Fox Trot ; Side B: Four or Five Times-Fox Trot |
||||
James, Harry and his Orchestra (Columbia 39582) Side A: How Dry I Am Blues ; Side B: Don’t Be That Way |
||||
James, Harry and his Orchestra (Columbia 36623) Side A: I Cried For You ; Side B: Let Me Up |
||||
James, Harry and his Orchestra (Columbia 37305) Side A: I Tipped My Hat ; Side B: Heartaches |
||||
James, Harry and his Orchestra (Columbia 36833) Side A: I’ll Buy That Dream ; Side B: Memphis In June |
||||
James, Harry and his Orchestra (Columbia 36698) Side A: I’ll Get By ; Side B: Flatbush Flannigan |
||||
James, Harry and his Orchestra (Columbia 36758) Side A: I’m Beginning to See the Light ; Side B: The Love I Long For |
||||
James, Harry and his Orchestra (Columbia 36677) Side A: James Session ; Side B: I Heard You Cry Last Night |
||||
James, Harry and his Orchestra (Columbia 36190) Side A: Jeffries Blues ; Side B: Sharpasa Tack |
||||
James, Harry and his Orchestra (Columbia 36683) Side A: Jump Town ; Side B: Cherry |
||||
James, Harry and his Orchestra (Columbia 37264) Side A: Keb-Lah ; Side B: You’ll Never Know |
||||
James, Harry and his Orchestra (Columbia 37218) Side A: The Man With The Horn ; Side B: Jalousie |
||||
James, Harry and his Orchestra (Columbia 36713) Side A: Memphis Blues ; Side B: Sleepy Time Gal |
||||
James, Harry and his Orchestra (Columbia 36599) Side A: The Mole ; Side B: But Not For Me |
||||
James, Harry and his Orchestra (Columbia 35932) Side A: Montevideo ; Side B: Music Makers |
||||
James, Harry and his Orchestra (Columbia 36668) Side A: Moonlight Becomes You ; Side B: I’ve Heard That Song Before |
||||
James, Harry and his Orchestra (Columbia 37351) Side A: Molten Swing-Beginning ; Side B: Molten Swing-Conclusion |
||||
James, Harry and his Orchestra (Columbia 36434) Side A: My Melancholy Baby ; Side B: My Silent Love |
||||
James, Harry and his Orchestra (Columbia 36887) Side A: 9:20 Speacial -Fox Trot ; Side B: Ain’t Misbehavin’-Fox Trot |
||||
James, Harry and his Orchestra (Columbia 36412) Side A: Nobody Knows The Trouble I’ve Seen ; Side B: You’ve Changed-Fox Trot |
||||
James, Harry and his Orchestra (Columbia 36023) Side A: Ol’ Man River ; Side B: Answer Man |
||||
James, Harry and his Orchestra (Columbia 36024) Side A: One Dozen Roses ; Side B: Your Too Good For Good For Nothing Me |
||||
James, Harry and his Orchestra (Columbia 37142) Side A: One O’Clock Jump-Fox Trot ; Side B: Two O’Clock Jump-Fox Trot |
||||
James, Harry and his Orchestra (Columbia 36672) Side A: Prince Charming ; Side B: Velvet Moon |
||||
James, Harry and his Orchestra (Philharmonic 70A) Side A: The Sheik of Araby ; Side B: It’s The Last Time I’ll Fall In Love |
||||
James, Harry and his Orchestra (Columbia 36533) Side A: Skylark ; Side B: The Clipper |
||||
James, Harry and his Orchestra (Columbia 36549) Side A: Sleepy Lagoon ; Side B: Trumpet Blues |
||||
James, Harry and his Orchestra (Columbia 36466) Side A: The Devil Sat Down And Cried ; Side B: Wait Till The Sun Shines, Nellie |
||||
James, Harry and his Orchestra (Columbia 36867) Side A: Waiting For The Train To Come In ; Side B: I Can’T Begin To Tell You |
||||
James, Harry and his Orchestra (Columbia 37301) Side A: What Am I Gonna Do About You ; Side B: I Can’t Get up The Nerve To |
||||
James, Harry and his Orchestra (Columbia 36579) Side A: When You’re A Long, Long Way From Home Strictly Instrumental |
||||
James, Harry and his Orchestra (Columbia 36773) Side A: When Your Lover Has Gone ; Side B: I’m Confessin’ |
||||
James, Harry and his Orchestra (Columbia 36973) Side A: Who’s Sorry Now ; Side B: I Didn’t Mean A Word I Said |
||||
James, Harry and his Orchestra (Columbia 36246) Side A: Yes Indeed ; Side B: It’s So Peaceful In The Country |
||||
James, Harry and his Orchestra (Columbia 36296) Side A: You Made Me Love you ; Side B: A Singer Kissed An Angel |
||||
Janis, Elsie (Victor 60091) Side A: Fo’ de Law’d’s Sake Play a Waltz |
||||
Jaxon, Frankie (Decca 7638A) Side A: Fan It Boogie Woogie ; Side B: Don’t Pan Me |
||||
Jazz At The Philharmonic (Disc 6024) Side A: Blues, Pt. 1 ; Side B: Blues, Pt. 2 |
||||
Jenkinis and Jenkins (Columbia 14040-D) Side A: Hen Pecked Man ; Side B: Mouth Organ Blues |
||||
John, Little Willie (King 4935) Side A: Fever ; Side B: Letter From My Darling |
||||
Johnny Ace (Duke 136) Side A: Pledging My Love ; Side B: No Money. Note: Performed with Johnny Board’s Orch. |
||||
Johnson, Blind Willie (British Rhythm Society 24) Side A: The Rain Don’t Fall On Me ; Side B: Trouble Will Soon Be Over |
||||
Johnson, Blind Willie (Columbia 14582-D) Side A: Soul Of A Man ; Side B: Church, I’m Fully Saved To-Day |
||||
Johnson, Buddy and his Band (Decca 8546) Side A: Boogie Woogie’s Mother-In-Law ; Side B: I’d Be Ever So Grateful |
||||
Johnson, Buddy and his Orchestra (Decca 27330) Side A: I Cry ; Side B: Satisfy My soul |
||||
Johnson, Buddy and his Orchestra (Decca 24996) Side A: Keep Me Close To You ; Side B: You Got To Walk The Chalk Line |
||||
Johnson, Easy Papa (Melotone 12086) Side A: Cotton Seed Blues ; Side B: No Good Woman blues |
||||
Johnson, Fannie (Cameo 1158) Side A: Black Snake Blues ; Side B: Soul and Body |
||||
Johnson, Hall (Choir) (Victor 4460) Side A: 1. Joshua Fit De Battle of Jericho 2. Walk Together Chillun ; Side B: Bye and |
||||
Johnson, Jimmy (Orchestra) (Vocalion 4768) Side A: Harlem Woogie ; Side B: After Tonight |
||||
Johnson, Joshua (Decca 48027) Side A: Gypsy Blues ; Side B: When The Morning Glories Wake Up In the Morning |
||||
Johnson, Lem (Decca 48063) Side A: Going Down Slow ; Side B: Candy Blues |
||||
Johnson, Lonnie (Okeh 8898) Side A: Beautiful But Dumb ; Side B: From A Wash Woman On Up |
||||
Johnson, Lonnie Duo (Disc 6065) Side A: Blues For Everybody ; Side B: Blues In My Soul |
||||
Johnson, Lonnie (King 4336) Side A: Blues Stay Away From Me ; Side B: Confused |
||||
Johnson, Lonnie (Disc 6064) Side A: Drifting Along Blues ; Side B: I Love Again |
||||
Johnson, Lonnie (Bluebird 34-0708) Side A: Fly Right, Baby ; Side B: Ramblers Blues |
||||
Johnson, Lonnie (Bluebird B-9006) Side A: He’s A Jelly-Roll Baker ; Side B: When You Feel Low Down |
||||
Johnson, Lonnie (King 4212) Side A: I Am So Glad ; Side B: Working Man’s Blues |
||||
Johnson, Lonnie (King 4297) Side A: I Found A Dream ; Side B: You Take Romance |
||||
Johnson, Lonnie Duo (Disc 6062) Side A: Keep What You Got ; Side B: Why I Love You |
||||
Johnson, Lonnie (Okeh 8282) Side A: Love Story Blues ; Side B: Very Lonesome Blues |
||||
Johnson, Lonnie (King 4411) Side A: Nothin’ Clickin’ Chicken ; Side B: I’m So Crazy For Love |
||||
Johnson, Lonnie (King 4245) Side A: Pleasing You ; Side B: Feel So Lonesome |
||||
Johnson, Lonnie (King 4317) Side A: She’s So Sweet ; Side B: Don’t Play Bad With My Love |
||||
Johnson, Lonnie (King 4263) Side A: So Tired ; Side B: Tell Me Little Woman . Note: Acc. By John Davis |
||||
Johnson, Lonnie (Disc 6063) Side A: Solid Blues ; Side B: Rocks In My Bed |
||||
Johnson, Lonnie (King 4201) Side A: Tomorrow Night ; Side B: What About A Woman |
||||
Johnson, Lonnie and Spencer Williams/Victoria Spivey (Harmony 1087) Side A: It Feels So Good ; Side B: Furniture Man Blues |
||||
Johnson, Marvin and his Orchestra (Capitol 15407) Side A: Amnesia ; Side B: Hey Lawdy Mama |
||||
Johnson, Pete (Band) (Decca 18121) Side A: 627 Stomp ; Side B: Piney Brown Blues |
||||
Johnson, Pete and Albert Ammons (Victor 27505) Side A: Boogie Woogie Man ; Side B: Walkin’ The Boogie |
||||
Johnson, Pete and Albert Ammons (Victor 27504) Side A: Cuttin’ The Boogie ; Side B: Barrel House Boogie |
||||
Johnson, Pete and Albert Ammons (Victor 27507) Side A: Foot Pedal Boogie ; Side B: Movin’ The Boogie |
||||
Johnson, Pete All Stars & Turner, Joe (National 9010) Side A: S.K. Blues, Pt. 1 ; Side B: S.K. Blues, Pt. 2 |
||||
Johnson, Pete and Albert Ammons (RCA Victor 27506) Side A: Sixth Avenue Express ; Side B: Pine Creek |
||||
Jones, Calvert (Coral 65056) Side A: Tra-La-La ; Side B: Two Timin’ Woman |
||||
Jones, Isham (Orchestra) (Brunswick 2557) Side A: You’re In Kentucky Sure As You’re Born ; Side B: Hula Lou |
||||
Jones, Jonah and his Orchestra (Keynote 614 ) Side A: Just Like A Butterfly ; Side B: Lust For Licks |
||||
Jones, Karl (Mercury 2002) Side A: Mitzy ; Side B: Trouble In Mind |
||||
Jones, Louella-Higgins, Billy/ Julia Moody (Regal 9749) Side A: Sweet Mandy ; Side B: Mad Mama’s Blues |
||||
Jones, Maggie-Henderson’s Hot Six (Columbia 14074) Side A: Cheaton’ On Me ; Side B: Mamma (Won’t you Come And Ma-Ma-Ma) |
||||
Joplin, Scott (Jazz Classics 534 ) Side A: Original Rags ; Side B: The Entertainer |
||||
Jordan, Louis (Decca 24155) Side A: Look Out ; Side B: Early In The Mornin’ |
||||
Jordan, Louis and his Tympany Five (Decca 23610) Side A: That Chick’s Too Young To Fry ; Side B: Choo Choo Ch’ Boogie |
||||
Jordan, Louis (Decca 18818) Side A: Beware ; Side B: Don’t Let The Sun Catch You Cryin’ |
||||
Jordan, Louis and his Tympany Five (Decca 27114) Side A: Blue Light Boogie-Part One ; Side B: Blue Light Boogie-Part Two |
||||
Jordan, Louis and his Tympany Five (Decca 8645) Side A: What’s The Use Of Getting Sober ; Side B: The Chicks I Pick Are Slender |
||||
Jordan, Louis and his Tympany Five (Decca 18734) Side A: Don’t Worry ‘Bout That Mule ; Side B: Buzz Me |
||||
Jordan, Louis and his Tympany Five (Decca 27260) Side A: You Will Always Have A Friend ; Side B: I Can’t Give You Anything |
||||
Jordan, Louis and his Tympany Five (Decca 24815) Side A: I Know What I’ve Got ; Side B: School Days |
||||
Jordan, Louis and his Tympany Five (Decca 27129) Side A: I Want A Roof Over My Head ; Side B: Show Me How |
||||
Jordan, Louis and his Tympany Five (Decca 8593) Side A: Knock Me A Kiss ; Side B: I’m Gonna Move To The Outskirts Of Town |
||||
Jordan, Louis and his Tympany Five (Decca 8500) Side A: Pompton Turnpike ; Side B: Do You Call That A Buddy |
||||
Jordan, Louis and his Tympany Five (Decca 24877) Side A: Push Ka Pee Shee Pie ; Side B: Hungry Man |
||||
Jordan, Louis and his Tympany Five (Decca 24448) Side A: Run Joe ; Side B: All For The Love Of Lil |
||||
Jordan, Louis and his Tympany Five (Aladdin 3223) Side A: Dad Gum Ya Hide, Boy ; Side B: Whiskey Do Your Stuff |
||||
78s. K |
||||
Kahn, Art and his Orchestra (Columbia 769-D) Side A: I Ain’t Got Nobody ; Side B: Hoodle Dee Doo Dee Doodoo |
||||
Kaufman, Whitey (Original Pennsylvania Serenaders)/ S.S. Leviathan Orchestra (Victor 19127 ) Side A: Henpecked Blues-Fox Trot |
||||
Kazee, Buell / Bascom Lamar Lunsford (Brunswick 80089) Side A: Lady Gay ; Side B: The Derby Ram |
||||
Kelley, Walter C. (Victor 45255) Side A: Darky Stories ; Side B: Irish Stories |
||||
Kenton, Stan (Orchestra)/ Eddie Miller’s Orchestra (Capitol 10040) Side A: Balboa Bash ; Side B: Our Monday Date |
||||
King, B.B. (Kent 301) Side A: You Know I Go For You ; Side B: Why Do Everything Happen To Me |
||||
King, B.B. “Blues Boy” (and his Orchestra) (RPM 459) Side A: Dark Is The Night (Part I) ; Side B: Dark Is The Night (Part |
||||
King, B.B. “Blues Boy” and “The Kings Men”/B.B. “Blues Boy” King and his Orchestra (RPM 421) Side A: Sneakin’ Around ; Side |
||||
King, B.B. “Blues Boy” (RPM 435) Side A: Talkin’ The Blues ; Side B: Boogie Rock |
||||
King Oliver’s Jazz Band (British Rhythm Society 2) Side A: Where Did You Stay Last Night? ; Side B: Dippermouth Blues |
||||
Kirk, Andy and his Clouds of Joy (Decca 18123) Side A: The Count ; Side B: Twelfth Street Rag |
||||
Kirk, Andy and his Twelve Clouds of Joy (Decca 853) Side A: Give Her A Pint ; Side B: Moten Swing |
||||
Kirk, Andy and his Twelve Clouds of Joy (Decca 744) Side A: I’se A Muggin’ ; Side B: All The Jive Is Gone |
||||
Kirk, Andy and his Clouds of Joy (Decca 2915) Side A: I Don’t Stand A Ghost Of A Chance ; Side B: Big Jim Blues |
||||
Kirk, Andy and his Clouds of Joy (Decca 2217) Side A: I Won’t Tell A Soul ; Side B: Toadie Toddle |
||||
Kirk, Andy and his Orchestra (Decca 23959) Side A: Lovella ; Side B: Now You Tell Me |
||||
Kirk, Andy and his Clouds of Joy (Decca 4381) Side A: Worried Life Blues ; Side B: Boogie Woogie Cocktail |
||||
Kirk, Andy and his Clouds of Joy (Decca 1303) Side A: Worried Over You ; Side B: Wednesday Night Hop |
||||
Knight, Marie and the South Winds (Decca 28545) Side A: Get Away Jordan ; Side B: Jesus Walk With Me |
||||
Knight, Marie (Decca 48308) Side A: God Spoke to Me ; Side B: Calvary |
||||
Knight, Marie with the Anita Kerr Sisters (Decca 28138) Side A: He’s My Light ; Side B: Church In The Wildwood |
||||
Knight, Marie (Decca 28339) Side A: It’s Worth It ; Side B: Hold On |
||||
Knight, Marie (Decca 48298) Side A: On My Appointed Time ; Side B: I Just Keep From Crying Sometimes |
||||
Knight, Marie (Decca 48219) Side A: Satisfied With Jesus ; Side B: The Old Rugged Cross |
||||
Knight, Marie (Decca 48285) Side A: Sit Down Servant ; Side B: Does Jesus Care |
||||
Knight, Marie with Leroy Kirkland and his Orchestra (Decca 48327) Side A: What More Can I Do ; Side B: Trouble In Mind |
||||
Krupa, Gene and his Orchestra (Okeh 5627) Side A: Blue Rhythm Fantasy Pt. 1 ; Side B: Blue Rhythm Fantasy Pt. 2 |
||||
Krupa, Gene Jazz Trio (Columbia 38214) Side A: Body And Soul ; Side B: Stompin At the Savoy |
||||
Krupa, Gene and his Orchestra (Columbia 36726) Side A: Bolero At The Savoy ; Side B: Side By Side |
||||
Krupa, Gene Band (Columbia 36986) Side A: Boogie Blues ; Side B: Lover |
||||
Krupa, Gene and his Orchestra (Columbia 38382) Side A: Calling Doctor Gillsepie ; Side B: Up An Atom |
||||
Krupa, Gene Sextet (Mercury 89057) Side A: Coronation Hop ; Side B: Paradise |
||||
Krupa, Gene and his Orchestra (Columbia 36802) Side A: Leave Us Leap ; Side B: Dark Eyes |
||||
Krupa, Gene and his Orchestra (Columbia 37589) Side A: Disc Jockey Jump ; Side B: Gene’s Boogie |
||||
Krupa, Gene and his Orchestra (Columbia 37531) Side A: Drum Boogie ; Side B: Leave Us Leap |
||||
Krupa, Gene and his Orchestra (Brunswick 8139) Side A: Fare Thee Well, Annie Laurie ; Side B: Prelude To A Stomp |
||||
Krupa, Gene and his Orchestra (Columbia 35262) Side A: On The Beam ; Side B: Hodge Podge |
||||
Krupa, Gene and his Orchestra (Okeh 6046) Side A: How ‘Bout That Mess ; Side B: Drum Boogie |
||||
Krupa, Gene and his Orchestra (Columbia 38345) Side A: Tea For Two ; Side B: How High the Moon |
||||
Krupa, Gene and his Orchestra (Columbia 35324) Side A: Drummin’ Man ; Side B: I’d Love To Call You My Sweetheart |
||||
Krupa, Gene and his Orchestra (Columbia 37209) Side A: It’s A Good Day ; Side B: The Slow Mosquita |
||||
Krupa, Gene and his Orchestra (Okeh 6506) Side A: Thanks For The Boogie Ride ; Side B: Keep ‘Em Flying |
||||
Krupa, Gene and his Orchestra (Okeh 6278) Side A: Kick It-Fox Trot ; Side B: After You’ve Gone-Fox Trot |
||||
Krupa, Gene and his Orchestra (Columbia 37532) Side A: Drummin’ Man ; Side B: Let Me Off Uptown |
||||
Krupa, Gene and his Orchestra (Okeh 6695) Side A: Massachusetts-Fox Trot ; Side B: “Murder”, He Says-Fox Trot |
||||
Krupa, Gene and his Orchestra (Columbia 37224) Side A: Opus No. 1-Fox Trot ; Side B: Valse Triste-Fox Trot |
||||
Krupa, Gene and his Orchestra (Columbia 37968) Side A: Please Don’t Play Number Six Tonight-Fox Trot ; Side B: I May Be Wrong-Fox |
||||
Krupa, Gene and his Orchestra (Columbia 35454) Side A: Sierra Sue-Fox Trot ; Side B: Tiger Rag-Fox Trot |
||||
Krupa, Gene and his Orchestra (Columbia 38520) Side A: Swiss Lullaby-(Waltz-Fox Trot) ; Side B: Gallopine Comedians |
||||
Krupa, Gene and his Orchestra (Columbia 37533) Side A: That’s What You Think ; Side B: Knock Me A Kiss-Fox Trot |
||||
Krupa, Gene and his Orchestra (Okeh 6021) Side A: There’ll Be Some Changes Made-Fox Trot ; Side B: These Things You Left Me-Fox |
||||
Krupa, Gene and his Orchestra (Okeh 6352) Side A: Tunin’ Up ; Side B: Rockin’ Chair |
||||
Krupa, Gene and his Orchestra (Columbia 36819) Side A: What’s This?-Fox Trot ; Side B: That Drummers Band-Fox Trot |
||||
Krupa, Gene and his Orchestra (Okeh 6106) Side A: Wire Brush Stomp-Fox Trot ; Side B: Hamtramck-Fox Trot |
||||
Krupa, Gene and his Orchestra (Columbia 36931) Side A: Yesterdays-Fox Trot ; Side B: Hop, Skip, And Jump (Honey, Hurry Hurry |
||||
Kyser, Kay and his Orchestra (Silvertone 536) Side A: Ma, She’s Making Eyes At Me-Fox Trot ; Side B: Tie Me To Your Apron |
||||
78s. L |
||||
Ladd’s Black Ace’s (Gennett 4938) Side A: Sister Kate ; Side B: You Can Have Him, I Don’t Want Him |
||||
Ladner, Tommy and his Orchestra (Bluebird B-10086) Side A: Weary Blues ; Side B: Ja-Da |
||||
Ladner, Tommy and his Orchestra (Bluebird B-10089) Side A: When You And I Were Young, Maggie ; Side B: Really The Blues |
||||
LaMare, Nappy (Band) (Capitol 10025) Side A: High Society ; Side B: At the Jazz Band Ball |
||||
LaMare, Nappy (Levee Loungers) (Capitol 15050) Side A: South Rampart Street Parade ; Side B: Mama Inez |
||||
Lambert, Dave (Capitol 57-60001) Side A: Hawaiian War Chant ; Side B: Always |
||||
Lambert, Dave (Capitol 57-60014) Side A: When The Red, Red, Robin Comes Bob, Bob, Bobbin’ Along ; Side B: Beban Cubop |
||||
Lambert, Donald (Bluebird B-11053) Side A: Anitra’s Dance ; Side B: Eligie |
||||
Lambert, Donald (Bluebird B-11250) Side A: Pilgrim’s Chorus ; Side B: Sextette |
||||
Lang, Eddie -Joe Venuti (and their All Star Orchestra) (Brunswick 80077) Side A: Farewell Blues ; Side B: After You’ve Gone |
||||
Lanin, Sam (Dance Orchestra) (Banner 1471) Side A: Everybody Loves My Baby ; Side B: Goo Goo! Goodnight Dear |
||||
Lanin, Sam (Orchestra) (Banner 1204) Side A: Louisville Lou ; Side B: My Old Ramshackle Shack |
||||
Lauder, Sir Harry (Victor 45205) Side A: I’ve Something In The Bottle For The Morning ; Side B: Same As His Father Was Before |
||||
Lauder, Sir Harry (Victor 45195) Side A: In The Rotary ; Side B: Mr. John Mackay |
||||
Lee, Julia and her Boy Friends (Capitol 956) Side A: Do You Want It? ; Side B: Decent Woman Blues |
||||
Lee, Julia and her Boy Friends (Capitol 40056) Side A: My Sin ; Side B: Doubtful Blues |
||||
Lee, Julia and her Boy Friends (Capitol 15367) Side A: I Didn’t Like It The First Time ; Side B: Sit Down and Drink It Over |
||||
Lee, Julia and her Boy Friends (Capitol 320) Side A: Julia’s Blues ; Side B: When A Woman Loves A Man |
||||
Lee, Julia and her Boy Friends (Capitol 40082) Side A: King Size Papa ; Side B: When You’re Smiling |
||||
Lee, Julia and her Boy Friends (Capitol 1370) Side A: Lies ; Side B: Gotta Gimme Whatcha Got |
||||
Lee, Julia and Tommy Douglas’ Orchestra/ Lee, Julia and Instrumental Trio (Mercury 8013) Side A: Lotus Blossom ; Side B: Dream |
||||
Lee, Julia and her Boy Friends (Capitol 340) Side A: Oh, Marie! ; Side B: On My Way Out |
||||
Lee, Julia and her Boy Friends (Capitol 15060) Side A: That’s What I Like ; Side B: Crazy World |
||||
Lee, Julia and her Boy Friends (Capitol 57-70031) Side A: Oh, Chuck It ; Side B: You Ain’t Got No More |
||||
Lee, Julia and her Boy Friends (Capitol 379) Side A: Young Girl’s Blues ; Side B: I’ll Get Along Somehow |
||||
Lee, Peggy (Capitol 218) Side A: Waitin’ for the Train to Come In ; Side B: I’m Glad I Waited for You. Note: Performed with |
||||
Lee, Peggy (Capitol 236) Side A: I Can See it Your Way ; Side B: I Don’t Know Enough About You. Note: Performed with Dave |
||||
Lee, Peggy (Capitol 263) Side A: Linger In My Arms A Little Longer, Baby ; Side B: Baby You can Count on Me. Note: (Broken) |
||||
Lee, Peggy with Dave Barbour and his Orchestra (Capitol 419) Side A: Ain’tcha Ever Comin’ Back ; Side B: Chi-Baba Chi-Baba |
||||
Lee, Peggy with Dave Barbour and his Orchestra (Capitol 15151) Side A: Don’t Smoke In Bed ; Side B: Everbody Loves Somebody |
||||
Lee, Peggy with Dave Barbour and his Orchestra (Capitol 343) Side A: Everything’s Movin’ Too Fast ; Side B: It’s Loving Time |
||||
Lee, Peggy with Jack Marshall’s Music (Capitol 3998) Side A: Fever ; Side B: You Don’t Know |
||||
Lee, Peggy with Dave Barbour and his Orchestra (Capitol 322) Side A: He’s Just My Kind ; Side B: It’s A Good Day |
||||
Lee, Peggy with Dave Barbour and his Orchestra (Capitol 15009) Side A: Golden Earrings ; Side B: I’ll Dance At Your Wedding |
||||
Lee, Peggy with Dave Barbour and his Orchestra (Capitol 15232) Side A: So Dear To My Heart ; Side B: Love Your Spell Is Everywhere |
||||
Lee, Peggy with Dave Barbour and The Brazilians (Capitol 15022) Side A: Manana ; Side B: All Dressed Up With A Broken Heart |
||||
Lee, Peggy with Dave Barbour and his Orchestra (Capitol 15048) Side A: Laroo Laroo Lili Bolero ; Side B: Talking to Myself |
||||
Lee, Peggy with Frank DeVol and his Orchestra (Capitol 15001) Side A: There’ll Be Some Changes Made ; Side B: A Nightingale |
||||
Lee, Peggy with Orchestra (Capitol 197) Side A: What More Can A Woman Do? ; Side B: You Was Right, Baby |
||||
Leighton, Bernie (Keynote 644) Side A: Moten Swing ; Side B: Have You Met Miss Jones |
||||
Leighton, Bernie (Keynote 643) Side A: Things Are Lookin Up ; Side B: Beyond The Moon |
||||
Le Maire-Rex Van, George (Victor 21054) Side A: The Black Jacks-Part 1 ; Side B: The Black Jacks-Part 2 |
||||
Leroy’s Buddy (Decca 7690) Side A: Cheatin’ Blues ; Side B: New So Much |
||||
Leroy’s Buddy (Decca 7724) Side A: Evil Yalla Woman ; Side B: It’s Too Late Now |
||||
Levee Loungers (Perfect 14926) Side A: My Melancholy Baby ; Side B: Lovely Little Silhouette |
||||
Lewis, Meade Lux – Pete Johnson, Albert Ammons (Columbia 35960) Side A: Boogie Woogie Prayer-Part 1 ; Side B: Boogie Woogie |
||||
Lewis, Meade Lux (Asch 352-1) Side A: Boogie Tidal ; Side B: Yancey’s Pride |
||||
Lewis, Meade Lux (Asch 352-2) Side A: Glendale Glide ; Side B: Danapas Parade |
||||
Liggins, Jimmie (Specialty 470) Side A: Drunk ; Side B: I’ll Never Let You Go |
||||
Liggins, Jimmie and his Honeydrippers (Exclusive 207) Side A: The Honeydrippers-Part 1 ; Side B: The Honeydrippers-Part 2 |
||||
Liggins, Joe and his Honeydrippers (Specialty 338) Side A: I’ve Got A Right To Cry ; Side B: The Honeydripper |
||||
Liggins, Joe and his Honeydrippers (Exclusive 207) Side A: Lovers Lament ; Side B: Miss Betty’s Blues |
||||
Liggins, Joe and his Honeydrippers (Specialty 413) Side A: So Alone ; Side B: Oh, How I Miss You |
||||
Ligget, Larry (Chess 1570) Side A: Junior’s Mambo ; Side B: Jumping at the Woodside Mambo |
||||
Little Esther and the Robins Johnny Otis Quintete/Leon Sims with Otis, Johnny (Orchestra) (Savoy 731) Side A: Double Crossing |
||||
Little Jazz and his Trumpet Ensemble (Keynote 608) Side A: I Want To Be Happy ; Side B: Fiesta In Brass |
||||
Little Jazz and his Trumpet Ensemble (Keynote 607) Side A: St. Louis Blues ; Side B: Don’t Be That Way |
||||
Little Ramblers, The (Columbia 217) Side A: Deep Sea Blues ; Side B: I’m Satisfied Beside That Sweetie O’Mine |
||||
Little Richard (Specialty 579) Side A: Ready Teddy ; Side B: Rip It Up |
||||
Little Richard (Specialty 584) Side A: She’s Got It ; Side B: Heeby-Jeebles |
||||
Lomax, Bess (Disc 607-3) Side A: Buffalo Gal ; Side B: Careless Love |
||||
Little Esther with Mel Walker (Savoy 735) Side A: Mistrustin’ Blues ; Side B: Misery |
||||
Little Esther with Mel Walker (Savoy 735) Side A: Mistrustin’ Blues ; Side B: Misery |
||||
Lonesome Sundown (Excello 2132) Side A: I’m A Mojo Man ; Side B: Lonely Lonely Me |
||||
Long, Wesley (Paramount 12932) Side A: Nobody’s Sweetheart Now ; Side B: Down On The Farm |
||||
Lopez, Vincent (and his Suave Swing Orchestra) (Bluebird 10283) Side A: Dark Eyes ; Side B: Swingin With The Goons |
||||
Louisiana Five (Columbia A 2768) Side A: The Alcoholic Blues ; Side B: Kansas City Blues |
||||
Lown, Bert and his Orchestra (Bluebird 5100) Side A: Charlie’s Home-Fox Trot ; Side B: Black Panther-One Step |
||||
Lown, Bert and his Hotel Biltmore Orchestra (Columbia 2292-D) Side A: Maybe It’s Love ; Side B: I’ll Be Blues, Just Thinking |
||||
Lunceford, Jimmie and his Orchestra (Decca 18594) Side A: Back Door Stuff-Part 1 ; Side B: Back Door Stuff-Part 2 |
||||
Lunceford, Jimmie and his Orchestra (Decca 415) Side A: Rain ; Side B: Because You’re You |
||||
Lunceford, Jimmie and his Orchestra (Vocallion 4667) Side A: Blue Blazes ; Side B: Baby, Won’t You Please Come Home |
||||
Lunceford, Jimmie and his Orchestra (Decca 4125) Side A: Blues In The Night-Part 1 ; Side B: Blues In The Night-Part 2 |
||||
Lunceford, Jimmie and his Orchestra (Decca 3807) Side A: Chocolate ; Side B: Battle Axe |
||||
Lunceford, Jimmie and his Orchestra (Columbia 36054) Side A: Dinah-Part 1 ; Side B: Dinah-Part 2 |
||||
Lunceford, Jimmie and his Orchestra (Columbia 35484) Side A: Easter Parade ; Side B: I’m All Alone With You |
||||
Lunceford, Jimmie and his Orchestra (Decca 18534) Side A: Easy Street ; Side B: You’re Always In My Dreams |
||||
Lunceford, Jimmie and his Orchestra (Decca 1340) Side A: For Dancers Only ; Side B: Coquette |
||||
Lunceford, Jimmie and his Orchestra (Decca 765) Side A: Hittin’ The Bottle ; Side B: Dream Of You |
||||
Lunceford, Jimmie and his Orchestra (Decca 23451) Side A: The Honeydripper ; Side B: Baby, Are You Kiddin’? |
||||
Lunceford, Jimmie and his Orchestra (Decca 18324) Side A: I’m Gonna Move to the Outskirts of Town-Part 1 ; Side B: I’m Gonna |
||||
Lunceford, Jimmie and his Orchestra (Decca 682) Side A: I’m Nuts About Screwy Music ; Side B: I’m Walking Through Heaven With |
||||
Lunceford, Jimmie and his Orchestra (Columbia 35510) Side A: I Got It ; Side B: What’s Your Story Morning Glory |
||||
Lunceford, Jimmie and his Orchestra (Columbia 35453) Side A: I Wanna Hear Swing Songs ; Side B: Sonata Pathetique |
||||
Lunceford, Jimmie and his Orchestra (Decca 18504) Side A: It Had To Be You ; Side B: Keep Smilin’, Keep Laughin’, Be Happy |
||||
Lunceford, Jimmie and his Orchestra (Decca 18463) Side A: Knock Me A Kiss ; Side B: Strictly Instrumental |
||||
Lunceford, Jimmie and his Orchestra (Decca 1617) Side A: Margie ; Side B: Like A Ship At Sea |
||||
Lunceford, Jimmie and his Orchestra (Columbia 35567) Side A: Monotony In Four Flats ; Side B: I Ain’t Gonna Study War No More |
||||
Lunceford, Jimmie and his Orchestra (Decca 131) Side A: Mood Indigo ; Side B: Rose Room |
||||
Lunceford, Jimmie and his Orchestra (Decca 1808) Side A: My Melancholy Baby ; Side B: By The River Sainte Marie |
||||
Lunceford, Jimmie and his Orchestra (Decca 908) Side A: Organ Grinders Swing ; Side B: Sleepy Time Gal |
||||
Lunceford, Jimmie and his Orchestra (Decca 1355) Side A: Posin’ ; Side B: Honey Keep Your Mind On Me |
||||
Lunceford, Jimmie and his Orchestra (Vocallion 5430) Side A: Pretty Eyes ; Side B: It’s Time To Jump and Shout |
||||
Lunceford, Jimmie and his Orchestra (Columbia 35782) Side A: Red Wagon ; Side B: You Ain’t Nowhere |
||||
Lunceford, Jimmie and his Orchestra (Decca 503) Side A: Four Or Five Times ; Side B: Runnin’ Wild |
||||
Lunceford, Jimmie and his Orchestra (Decca 1035) Side A: Running A Temperature ; Side B: My Last Affair |
||||
Lunceford, Jimmie and his Orchestra (Decca 369) Side A: Rhythm Is Our Business ; Side B: Stardust |
||||
Lunceford, Jimmie and his Orchestra (Vocallion 4887) Side A: Time’s A Wastin’ ; Side B: Well All Right Then |
||||
Lunceford, Jimmie and his Orchestra (Decca 3718) Side A: Twenty Four Robbers ; Side B: I Had A Premonition |
||||
Lunceford, Jimmie and his Orchestra (Vocallion 5033) Side A: You Let Me Down ; Side B: I Want The Waiter |
||||
Lutcher, Nelly and her Rhythm (Capitol 15148) Side A: Cool Water ; Side B: Lake Charles Boogie |
||||
Lutcher, Nelly and her Rhythm (Capitol Americana 40063) Side A: Do You, Or Don’t You Love Me? ; Side B: The Song Is Ended |
||||
Lutcher, Nelly and her Rhythm (Capitol Americana 40017) Side A: He’s A Real Gone Guy ; Side B: Let Me Love You Tonight |
||||
Lutcher, Nelly and her Rhythm (Capitol Americana 40002) Side A: Hurry On Down ; Side B: The Lady’s In Love With You |
||||
Lutcher, Nelly and her Rhythm (Capitol 15032) Side A: The Pig Latin Songs ; Side B: Fine Brown Frame |
||||
Lutcher, Nelly and her Rhythm (Capitol 10109) Side A: Reaching For the Moon ; Side B: There’s Another Mule In Your Stall |
||||
Lutcher, Nelly and her Rhythm (Capitol Americana 40042) Side A: My Mother’s Eyes ; Side B: You Better Watch Yourself, Bub |
||||
78s. M |
||||
Mabon, Willie and his Combo (Chess 1531) Side A: I Don’t Know ; Side B: Worry Blues |
||||
Maggart, Bob and Ray Bauduc/ Bob Crosby and His Orchestra (Decca 25117) Side A: Big Noise From Winnetka ; Side B: Bob Crosby |
||||
Manning, Leola (Vocalion 1446) Side A: He Cares For Me ; Side B: He Fans Me |
||||
Mannone, Wingy and his Orchestra (Bluebird 7197) Side A: Everything You Said Came True ; Side B: Getting Some Fun Out Of Life |
||||
Mannone, Wingy and his Orchestra (Bluebird 7621) Side A: The Flat Foot Floogee-Fox Trot ; Side B: Martha-Fox Trot |
||||
Mannone, Wingy and his Orchestra (Ara 143) Side A: General Jumped At Down ; Side B: Big Fat Ma, Skinny Pa |
||||
Mannone, Wingy and his Orchestra (Capitol B442) Side A: Hello Baby ; Side B: Box Car Blues |
||||
Mannone, Wingy and his Orchestra (Ara 145) Side A: If I Could Be With You One Hour Tonight ; Side B: Tin Roof Blues |
||||
Mannone, Wingy and his Orchestra (Bluebird 30-0801) Side A: My Honey’s Lovin’ Arms ; Side B: When My Sugar Walks Down the |
||||
Mannone, Wingy and his Orchestra (Bluebird B-11298) Side A: Ochi Chornya-Fox Trot ; Side B: The Boogie Beat’ll Getcha-F.T. |
||||
Mannone, Wingy and his Orchestra (Bluebird B-10604) Side A: South With The Border-Fox Trot ; Side B: Put On Your Old Grey |
||||
Mannone, Wingy and his Orchestra (Bluebird B-11107) Side A: Stop The War-Fox Trot ; Side B: Mama’s Gone, Good Bye-Fox Trot |
||||
Markham, “Pigmeat” Alamo (Blue Note 509) Side A: See See Rider ; Side B: You’ve Been A Good Old Wagon |
||||
Marsala, Joe and his Delta Six (Decca 18111) Side A: Twelve Bar Stampede ; Side B: Feather Bed Lament |
||||
Martin, Sara (Okeh 8041) Side A: Sugar Blues ; Side B: Achin’ Hearted Blues |
||||
Martin, Sara (Okeh 8146) Side A: Every Woman Needs A Man ; Side B: Got To Leave My Home Blues |
||||
Martin, Sara/ Fats Waller (Okeh 8045) Side A: Let Go Round Blues ; Side B: Mama’s Got The Blues |
||||
Martin, Sara (Okeh 8104) Side A: Roamin’ Blues ; Side B: I’ve Got To Go and Leave My Daddy Behind |
||||
Martin, Sara-Clarence Williams (Okeh 8108) Side A: Squabbling Blues ; Side B: I’m Cert’ny Gonna See ‘Bout That |
||||
Martin, Sara (Okeh 8041) Side A: Sugar Blues ; Side B: Achin’ Hearted Blues |
||||
Martin, Sara (Okeh 8043) Side A: You Got Ev’ry Thing A Sweet Mama Needs But Me ; Side B: Tain’t Nobody’s Business If I Do |
||||
Martin, Sara (Okeh 8154) Side A: Too Late Now To Get Your Baby ; Side B: He’s Never Gonna Throw Me Down |
||||
Marvin, Johnny (Victor 20731) Side A: Magnolia ; Side B: Ain’t That A Grand And Glorious Feeling |
||||
Marvin, Johnny (Victor 20893) Side A: Marvelous ; Side B: It All Belongs To Me |
||||
Mayflower Serenaders and Joe Candullo Orchestra (Perfect 14625) Side A: Valencia ; Side B: Betty. Note: Mayflower Serenaders |
||||
McClennan, Tommy (Bluebird 37-0716) Side A: I Love My Baby ; Side B: Shake It Up And Go |
||||
[McCoy] Big Joe and his Washboard Band (Okeh 6141) Side A: If You Take Me Back ; Side B: I Love You Baby | ||||
McGhee, Brownie (Disc 6059 ) Side A: Go On Blues ; Side B: The Way I Feel |
||||
McGhee, Brownie and Sonny Terry (Savoy 5533) Side A: Knockabout Blues ; Side B: That’s The Stuff |
||||
McKinley, Ray and his Orchestra (RCA Victor 20-2736) Side A: Airizay ; Side B: Cincinnati |
||||
McKinley, Ray and his Orchestra (Majestic 7211) Side A: That’s Where I Came In ; Side B: Howdy Friends |
||||
McKinley, Ray and his Orchestra (RCA Victor 20-3436) Side A: I’m Not Too Sure Of My L’Amour ; Side B: I Wanna Be Loved |
||||
McKinley, Ray and his Orchestra (Majestic 7184) Side A: In The Land Of The Buffalo Nickel ; Side B: Sand Storm |
||||
McKinley, Ray and his Orchestra (Majestic 7223) Side A: Ivy ; Side B: Meet Me At No Special Place |
||||
McKinley, Ray and his Orchestra (Majestic 1187) Side A: Mint Julep ; Side B: Lazy Bones |
||||
McKinley, Ray and his Orchestra (Majestic 7201) Side A: That Little Dream Got Nowhere ; Side B: Hangover Square |
||||
McKinley, Ray’s Jazz Band (Decca 1019) Side A: Love In The First Degree ; Side B: New Orleans Parade |
||||
McKinley, Ray and his Orchestra (RCA Victor 20-3377) Side A: The Missouri Walking Preacher ; Side B: Similau |
||||
McKinley, Ray and Some of the Boys (RCA Victor 20-2913) Side A: You Came A Long Way ; Side B: For Heavens Sake |
||||
McPartland, Jimmy and his Orchestra (Decca 18042) Side A: China Boy ; Side B: Jazz Me Blues |
||||
McPartland, Jimmy and his Sextet (Unison 501) Side A: The Daughter of Sister Kate ; Side B: In A Mist |
||||
McPartland, Jimmy and his Orchestra (Decca 18441) Side A: Original Dixieland and One Step ; Side B: I’m All Bound ‘Round With |
||||
McPartland, Jimmy and his Orchestra (Decca 3363) Side A: Panama ; Side B: Eccentric |
||||
McShann, Jay (Kansas City Stompers) (Capitol Criterion 10039) Side A: On The Sunny Side of the Street ; Side B: Moten Swing |
||||
McPartland, Jimmy and his Orchestra (Decca 18043) Side A: Sugar ; Side B: The World Is Waiting For the Sunrise |
||||
McShann, Jay (Kansas City Stompers) (Capitol 10030) Side A: Come On Over To My House ; Side B: Trouble In Mind |
||||
[McShann, Jay] Witherspoon, Jimmy with Jay McShann and His Jazz-Men (Philo 108) Side A: Confessing The Blues ; Side B: Walking | ||||
Melrose, Frank (Brunswick 80031) Side A: Pass The Jug ; Side B: Jelly Roll Stomp |
||||
Memphis Jimmy/Tampa Red (RCA Victor 34-0748) Side A: Drifting ; Side B: I Can’t Get Along With You |
||||
Memphis Minnie (Vocalion 1476) Side A: Bumble Bee ; Side B: I’m Talking About You |
||||
Memphis Minnie Duo (Okeh 6707) Side A: Looking The World Over ; Side B: Black Rat Swing |
||||
Minnie Duo (Okeh 6733) Side A: When You Love Me ; Side B: Love Come And Go |
||||
Memphis Slim and his House Rockers (Miracle M-125) Side A: Messin Around ; Side B: Midnight Jump |
||||
[Merriweather,] Big Maceo (Bluebird 34-0703) Side A: Anytime For You ; Side B: Since You Been Gone | ||||
[Merriweather,] Big Maceo (Bluebird 34-0743) Side A: Chicago Breakdown ; Side B: Wintertime Blues | ||||
[Merriweather,] Big Maceo (Specialty 320) Side A: Do You Remember? ; Side B: Big City Blues | ||||
[Merriweather,] Big Maceo (RCA Victor 20-2028) Side A: Maceo’s 32-20 ; Side B: Texas Stomp | ||||
Metronome All Star Band (Victor 27314) Side A: Bugle Call Rag-Fox Trot ; Side B: One O’Clock Jump-Fox Trot |
||||
Metronome All Star Band (Capitol 15039) Side A: Leap Here ; Side B: Metronome Riff |
||||
Meyers, Hazel (Vocalion A-14709) Side A: Awful Moanin’ Blues ; Side B: He’s Never Gonna Throw Me Down |
||||
Mezzrow, Milton “Mezz” and his Orchestra (Bluebird B-10085) Side A: Comin’ On With The Come On-Pt. 1 ; Side B: Comin’ On With |
||||
Mezzrow-Ladnier Quintet (Bluebird B-10090) Side A: Everybody Loves My Baby ; Side B: Ain’t Gonna Give Nobody None Of My Jelly-Roll |
||||
Milburn, Amos (Aladdin 3032) Side A: Roomin’ House Boogie ; Side B: Empty Arm Blues |
||||
Milburn, Amos (Aladdin 3043) Side A: Tell Me How Long Has The Train Been Gone? ; Side B: I’m Just A Fool In Love |
||||
Miles, Lizzie (Columbia A-3897) Side A: Haitian Blues ; Side B: Sweet Smellin’ Mama |
||||
Miles, Lizzie (Brunswick 2462) Side A: My Pillow and Me ; Side B: Black Man |
||||
Miles, Lizzie (Brunswick 2462) Side A: My Pillow and Me ; Side B: Black Man |
||||
Miller, Eddie and his Orchestra (Capitol 170) Side A: Yesterdays ; Side B: Stomp, Mr. Henry Lee |
||||
Miller, Glen and his Orchestra (RCA Victor 20-1564) Side A: American Patrol ; Side B: Song of the Volga Boatmen |
||||
Miller, Glen and his Orchestra (Bluebird B-10982) Side A: Anvil Chorus-Part 1-Fox Trot ; Side B: Anvil Chorus-Part 1-Fox Trot |
||||
Miller, Glen and his Orchestra (Bluebird B-11429) Side A: At The Presidents Birthday Ball ; Side B: Angels Of Mercy . Note: |
||||
Miller, Glen and his Orchestra (Victor 20-1536) Side A: Blue Rain ; Side B: Caribbean Clipper |
||||
Miller, Glen and his Orchestra (Bluebird B-10372) Side A: Blue Orchids-Fox Trot ; Side B: Baby Me-Fox Trot |
||||
Miller, Glen and his Orchestra (Bluebird B-10520) Side A: Careless-Fox Trot ; Side B: Vagabond Dreams |
||||
Miller, Glen and his Orchestra (Bluebird B-11382) Side A: Day Dreaming-Fox Trot ; Side B: A String Of Pearls-Fox Trot |
||||
Miller, Glen and his Orchestra (RCA Victor 20-2497) Side A: A Girl That I Remember ; Side B: Sunrise Symphony |
||||
Miller, Glen and his Orchestra (RCA Victor 20-1922) Side A: Give Me Five Minutes More ; Side B: Texas Tex |
||||
Miller, Glen and his Orchestra (Victor 20-1922) Side A: Helpless-Fox Trot ; Side B: When Johnny Comes Marching Home |
||||
Miller, Glen and his Orchestra (Victor 20-1563) Side A: Here We Go Again-Fox Trot ; Side B: Long Time No See Baby |
||||
Miller, Glen and his Orchestra (Bluebird B-11230) Side A: I Know Why-Fox Trot ; Side B: Chattanagooga Choo Choo-Fox Trot |
||||
Miller, Glen and his Orchestra (Bluebird B-10553) Side A: In An Old Dutch Garden-Fox Trot ; Side B: Starlit Hour-Fox Trot |
||||
Miller, Glen and his Orchestra (Bluebird B-10416) Side A: In The Mood ; Side B: I Want To Be Happy |
||||
Miller, Glen and his Orchestra (RCA Victor 20-1835) Side A: It Couldn’t Be True! ; Side B: One More Tomorrow |
||||
Miller, Glen and his Orchestra (Victor 20-1546) Side A: It Must Be Jelly ; Side B: Rainbow Rhapsody |
||||
Miller, Glen and his Orchestra (Bluebird B-11079) Side A: It’s Always You-Fox Trot ; Side B: Ida! Sweet As Apple Cider-Fox |
||||
Miller, Glen and his Orchestra (His Masters Voice B.D. 5612) Side A: Imagination-Fox Trot ; Side B: Star Dust |
||||
Miller, Glen and his Orchestra (RCA Victor 20-2510) Side A: Jingle Bells ; Side B: Ida! Sweet As Apple Cider |
||||
Miller, Glen and his Orchestra (Victor 20-1509) Side A: Juke Box Saturday Night-Fox Trot ; Side B: Sleep Town Train-Fox Trot |
||||
Miller, Glen and his Orchestra (Victor 27934) Side A: Kalamazoo-Fox Trot ; Side B: At Last-Fox Trot |
||||
Miller, Glen and his Orchestra (Bluebird B-10286) Side A: Little Brown Jug-Fox Trot ; Side B: Pavanne-Fox Trot |
||||
Miller, Glen and his Orchestra (Bluebird B-11069) Side A: A Little Old Church In England ; Side B: When That Man Is Dead And |
||||
Miller, Glen and his Orchestra (RCA Victor 20-2411) Side A: Missouri Waltz ; Side B: Pavanne |
||||
Miller, Glen and his Orchestra (Bluebird B-11401) Side A: Moonlight Cocktail ; Side B: Happy In Love |
||||
Miller, Glen and his Orchestra (Bluebird B-11480) Side A: On The Old Assembly Line ; Side B: When Johnny Comes Marching Home |
||||
Miller, Glen and his Orchestra (RCA Victor 20-2340) Side A: On Wisconsin ; Side B: Victory March |
||||
Miller, Glen and his Orchestra (Bluebird B-11110) Side A: The One I Love ; Side B: Sun Valley Jump |
||||
Miller, Glen and his Orchestra (Bluebird B-10366) Side A: Over The Rainbow ; Side B: Ding-Dong! The Witch Is Dead |
||||
Miller, Glen and his Orchestra (Victor 20-1529) Side A: Rhapsody In Blue ; Side B: Along The Sante Fe Trail |
||||
Miller, Glen and his Orchestra (Bluebird B-10740) Side A: Slow Freight ; Side B: Bugle Call Rag |
||||
Miller, Glen and his Orchestra (Bluebird B-11029) Side A: Song Of The Volga Boatmen ; Side B: Chapel In The Valley |
||||
Miller, Glen and his Orchestra (RCA Victor 20-1567) Side A: Star Dust ; Side B: Pennsylvania Six-Five Thousand |
||||
Miller, Glen and his Orchestra (Bluebird B-10214) Side A: Sunrise Serenade ; Side B: Moonlight Serenade |
||||
Miller, Glen and his Orchestra (Victor 27879) Side A: Sweet Eloise ; Side B: Sleep Song |
||||
Miller, Glen and his Orchestra (Victor 20-2337) Side A: The Sweetheart Of Sigma Chi ; Side B: Washington and Lee Swing |
||||
Miller, Glen and his Orchestra (RCA Victor 20-1834) Side A: Swing Low Sweet Chariot ; Side B: I’m Heading For California |
||||
Miller, Glen and his Orchestra (Bluebird B-10612) Side A: Tuxedo Junction ; Side B: Danny Boy |
||||
Miller, Glen and his Orchestra (Bluebird B-10388) Side A: Twilight Interlude ; Side B: Glenn Island Special |
||||
Miller, Glen and his Orchestra (Bluebird B-11438) Side A: When The Roses Bloom Again ; Side B: Always In My Heart |
||||
Miller, Glen and his Orchestra (RCA Victor 20-1951) Side A: The Wood Chuck Song ; Side B: Passe |
||||
Miller, Glen and his Orchestra (Victor 27933) Side A: Yesterday’s Gardenias ; Side B: The Humming-Bird |
||||
Millinder, Lucky (Decca 18529) Side A: Are You Ready ; Side B: Apollo Jump |
||||
Millinder, Lucky and his Orchestra (Decca 18779) Side A: Darlin’ ; Side B: All The Time |
||||
Millinder, Lucky and his Orchestra (Decca 18609) Side A: Hurry, Hurry ; Side B: I Can’t See For Lookin’ |
||||
Millinder, Lucky and his Orchestra (Decca 18496) Side A: When The Lights Go On Again ; Side B: That’s All |
||||
Milton, Roy and his Solid Senders (Jukebox 503) Side A: Milton’s Boogie ; Side B: Groovy Blues |
||||
Milton, Roy and his Solid Senders (Milton, Roy 102) Side A: Red Light ; Side B: It Never Should Have Been This Way |
||||
Milton, Roy and his Solid Senders (Specialty 504) Side A: R.M. Blues ; Side B: Rhythm Cocktail |
||||
Mississippi Sheiks (Okeh 8784) Side A: Sitting On Top Of The World ; Side B: Lonely One In This Town |
||||
Mole, Miff (Band) (Premium 853) Side A: High Society ; Side B: Light As A Feather |
||||
Montgomery, Little Brother (Bluebird 6916) Side A: Out West Blues ; Side B: Leaving Town Blues |
||||
Montgomery, Little Brother (Bluebird 6917) Side A: Shreveport Farewell ; Side B: Crescent City Blues |
||||
Montgomery, Little Brother (Quintet) (Century 4010) Side A: Woman That I Love ; Side B: Swinin’ With Lee |
||||
Moore, Alice with Ike Rodgers (Paramount 14301) Side A: Black and Evil Blues ; Side B: Broadway Street Woman Blues |
||||
Moore, Alice (Paramount 12973) Side A: Cold Iron Walls ; Side B: Have Money Blues |
||||
Mouth, Gatemouth (National 4004) Side A: Bum Dee Dah Ra Dee ; Side B: Walking My Blues Away |
||||
Moore, Johnny (Three Blazers) (Exclusive 243) Side A: Better Watch What You Do ; Side B: I Love To Make Love To You |
||||
Moore, Johnny (Three Blazers) (Exclusive 240) Side A: New Orleans Blues ; Side B: I Surrender Dear |
||||
Moore, Monette with Swing Shop Boys (Decca 7161) Side A: Rhythm For Sale ; Side B: Two Old Maids In A Folding Bed |
||||
Moore, Sam (Victor 18849) Side A: Dream Kiss ; Side B: Laughing Rag |
||||
Morgan, Helen (Victor 27684) Side A: More Than You Know ; Side B: Give Me A Heart To Sing To |
||||
Morris, Clara (Bluebird B-8700) Side A: I’m Blue, Daddy ; Side B: I Stagger In My Sleep |
||||
Morrow, Buddy and his Orchestra (Victor 20-5295) Side A: I Wonder Why ; Side B: Heap Big Beat |
||||
Morse, Ella Mae and her Boogie Woogie Seven Stan Kenton and his Orchestra (Capitol 20129) Side A: A Little Further Down The |
||||
Morse, Miss Lee and her Blue Grass Boys (Silvertone 1301) Side A: Everybody Loves My Baby ; Side B: Better Shoot Straight |
||||
Morse, Lee (Blue Grass Boys/Sam Lanin Orchestra) (Perfect 14726) Side A: Look Up and Smile ; Side B: Sunday |
||||
Morton, Jelly Roll with Johnny Dunn and his Band (Hot Jazz Club of America 75) Side A: Buffalo Blues ; Side B: Sergeant Dunn’s |
||||
Morton, Jelly Roll Seven (General Tavern Tunes 1704) Side A: Good Old New York ; Side B: Big Lip Blues |
||||
Morton, Jelly Roll (Victor 20772) Side A: Hyena Stomp ; Side B: Billy Goat Stomp |
||||
Morton, Jelly Roll (Hot Jazz Club of America 35) Side A: Load Of Coal ; Side B: Mississippi Mildred |
||||
Morton, Jelly Roll (Bluebird B-8302) Side A: Strokin’ Away ; Side B: Low Gravy |
||||
Morton, Jelly Roll (General 1703) Side A: Sweet Substitute ; Side B: Panama |
||||
Morton, Jelly Roll (Reissue 8) Side A: Wolverine Blues ; Side B: My Gal |
||||
Morton, Tommy (Grangers) (Perfect 14729) Side A: Baby Mine Jazz ; Side B: Hello Bluebird |
||||
Mosely, Snub (Decca 7728) Side A: Swing with Mose ; Side B: The Man with the Funny Little Horn |
||||
Moss, Teddy (Varsity 6065) Side A: Heart Breaker Blues ; Side B: Rocky Luck Blues |
||||
Moten, Bennie (Kansas City Orchestra) (Bluebird 6431) Side A: It’s Hard To Laugh or Smile ; Side B: Hot Town |
||||
Moten, Bennie (Kansas City Orchestra) (Bluebird 6638) Side A: Mary Lee ; Side B: Tough Breaks |
||||
Moten, Bennie (Kansas City Orchestra) (Victor 20995) Side A: Moten Stomp ; Side B: Clifford Haye’s Louisville Stompers |
||||
Moten, Bennie (Kansas City Orchestra) (Okeh 8184) Side A: Tulsa Blues ; Side B: Goofy Dust |
||||
Mound City Blue Blowers (Brunswick 2581) Side A: Arkansas Blues ; Side B: Blue Blues |
||||
Mound City Blue Blowers (Decca 1274 ) Side A: High Society Blues ; Side B: Muskrat Ramble |
||||
Mound City Blue Blowers (Brunswick 2602) Side A: San ; Side B: Red Hot |
||||
Muddy Waters (Chess 1571) Side A: Just Make Love To Me ; Side B: Oh! Yea |
||||
Murphy, Rose (Majestic 1219) Side A: Time On My Hands ; Side B: Wishing |
||||
Murray, Dudley (Victor 16821) Side A: The Whistling Coon ; Side B: The King Of Rags |
||||
Music of Equitorial Africa (Ethnic Folkways Library 15) Side A: 1. Babinga Pygmy Chorus 2. Babinga Dance ; Side B: 1. Kouyou |
||||
78s. N |
||||
NML Dance Orchestra (NML 1208) Side A: Sometimes I’m Happy ; Side B: How Can A Girl Like You Like Me |
||||
Negro Folk Music of Alabama Vol. 1, Secular (Ethnic Folkways Library 1483) Side A: 1. Mama’s Goin’ To Buy Him A Little Lap |
||||
Negro Folk Music of Alabama Vol. 1, Secular (Ethnic Folkways Library 1484) Side A: Field Calls ; Side B: Brer Rabbit and the |
||||
Negro Folk Music of Alabama Vol. 1, Secular (Ethnic Folkways Library 1482) Side A: 1. Kansas City Blues 2. Salty Dog Blues |
||||
Negro Folk Music of Alabama Vol. 2, Religious (Ethnic Folkways Library 1488) Side A: Prayer ; Side B: 1. Prayer Meeting 2. |
||||
New Dixie Demons (Deca 5253) Side A: It Ain’t Right ; Side B: Za-Zoo-Za |
||||
New Orleans Blackbirds (Bluebird B-6611) Side A: Baby ; Side B: Red Head |
||||
New Synco Jazz Band (Perfect 14092) Side A: Aggravatin’ Papa ; Side B: You’ve Got To See Mama Ev’ry Night |
||||
New Synco Jazz Band (Perfect 14178) Side A: Somebody’s Wrong ; Side B: House of David Blues |
||||
Nichols, Red and his Five Pennies (Jump 21) Side A: Battle Hymn-Pt. 1 ; Side B: Battle Hymn-Pt. 2 |
||||
Nichols, Red and his Five Pennies (Brunswick 6160) Side A: Fan It ; Side B: How Long |
||||
Nichols, Red and his Five Pennies (Brunswick 6814) Side A: Washboard Blues ; Side B: That’s No Bargain |
||||
Nick and his Creole Serenaders (Circle 1018) Side A: Mo Pas Lemme Cas ; Side B: Sale Dame |
||||
Night Club Orchestra, The (Harmony 102) Side A: Flamin’ Mamie ; Side B: Behind The Clouds |
||||
Noone, Jimmie and his Orchestra (Vocallion 2779) Side A: Apex Blues ; Side B: My Daddy Rocks Me |
||||
Noone, Jimmie and his Orchestra (Decca 18095) Side A: Key Stone Blues ; Side B: New Orleans Hop Scop Blues |
||||
Nora and Delle and their Ham Trio (Decca 7852) Side A: Army Camp Blues ; Side B: Get Away From My Window |
||||
Norfolk Jazz Quartette (Okeh 4318) Side A: Jelly Roll Blues ; Side B: Southern Jack |
||||
78s. O |
||||
Okeh Syncopators (Okeh 40072) Side A: Nobody’s Sweetheart ; Side B: Why Don’t Ya Kiss That Girl? |
||||
[Oliver, King] King Oliver’s Jazz Band (British Rhythm Society 2) Side A: Where Did You Stay Last Night? ; Side B: Dippermouth Blues |
||||
Oliver, Sy and his Orchestra (Decca 27094) Side A: Wagon Wheels ; Side B: I Ain’t Got Nobody |
||||
Oliver, Sy and his Orchestra (Decca 27185) Side A: Organ Grinders Swing ; Side B: I Can’t Give You Anything But Love, Baby |
||||
Olsen, George And His Music (Victor 19419) Side A: My Papa Doesn’t Two-time No Time ; Side B: Superstitious Blues |
||||
Onivas, D. and Orchestra (Perfect 14272) Side A: Doodle-Doo-Doo ; Side B: Big Boy |
||||
Original Dixieland Five (Victor 25524) Side A: Tiger Rag ; Side B: Skelton Jangle |
||||
Original Dixieland Jazz Band (Victor 18457) Side A: At The Jazz Band Ball ; Side B: Ostrich Walk |
||||
Original Dixieland Jazz Band (Victor 18850) Side A: Bow Wow Blues ; Side B: Railroad Blues |
||||
Original Dixieland Jazz Band (Victor 18722) Side A: Broadway Rose ; Side B: Sweet Mama |
||||
Original Dixieland Jazz Band (Victor 18798) Side A: Dangerous Blues ; Side B: Royal Garden Blues |
||||
Original Dixieland Jazz Band (Victor 18255) Side A: Dixie Jazz Band One-Step ; Side B: Lively Stable Blues |
||||
Original Dixieland Jazz Band (Victor 18564) Side A: Fidgety Feet ; Side B: Lazy Daddy |
||||
Original Dixieland Jazz Band (Victor 18729) Side A: Home Again Blues ; Side B: Crazy Blues |
||||
Original Dixieland Jazz Band (Victor 18717) Side A: Margie ; Side B: Palesteena |
||||
Original Dixieland Jazz Band (Victor 18772) Side A: St. Louis Blues ; Side B: Jazz Me Blues |
||||
Original Memphis Five (Banner 1132) Side A: Bee’s Knees ; Side B: Stop Your Kiddin |
||||
Original Memphis Five (Victor 19170) Side A: I’ve Got A Song For Sale ; Side B: Tin Roof Blues |
||||
Original Memphis Five (Perfect 14121) Side A: That Red Head Gal ; Side B: I Never Miss The Sunshine |
||||
Original Memphis Five (Columbia 155-D) Side A: It Ain’t Gonna Rain No Mo’ ; Side B: Red Hot Mamma |
||||
Original Pennsylvania Serenaders (Victor 19049) Side A: You Tell Her-I Shudder ; Side B: That Red Head Gal |
||||
Original Six (Okeh 4774) Side A: He May Be Your Man (But He Comes to See Me Sometimes) ; Side B: Whoa, Tillie, Take Your Time! |
||||
Oriole Orchestra (Brunswick 2473) Side A: South Sea Eyes ; Side B: Slow Poke |
||||
Ory, Kid (Creole Jazz Band) (Crescent 4) Side A: 1919 ; Side B: Down Home Rag |
||||
Ory, Kid (Creole Jazz Band) (Crescent 5) Side A: Careless Love ; Side B: Do What Ory Say? |
||||
Ory, Kid (Creole Jazz Band) (Decca 25134) Side A: High Society ; Side B: Blanche Touquotoux |
||||
Ory, Kid (Creole Jazz Band) (Crescent 3) Side A: Maryland ; Side B: Oh Didn’t He Ramble |
||||
Ory, Kid (Creole Jazz Band) (Crescent 6) Side A: Original Dixieland One Step ; Side B: Ory’s Creole Trombone |
||||
Ory, Kid (Creole Jazz Band) (Crescent 1) Side A: South ; Side B: Creole Songs |
||||
Ossman, Vess L. (Victor 16779) Side A: Buffalo Rag (Turpin) ; Side B: Barnyard Serenade |
||||
Ossman, Vess L. (Victor 1291) Side A: Creole Belles |
||||
Ossman, Vess L. (Victor 16092) Side A: A Gay Gossoon ; Side B: St. Louis Tickle |
||||
Ossman, Vess L. (Cort Record 282) Side A: Maple Leaf Rag ; Side B: Red Pepper Rag |
||||
Ossman, Vess L. (Columbia Record A937) Side A: St. Louis Tickle ; Side B: Silver Bell |
||||
Ossman, Vess L. (Victor Monarch Record 151 ) Side A: The Stars and Stripes Forever |
||||
Ossman, Vess L. (Victor 16390) Side A: Turkey In The Straw Medley ; Side B: Auld Lang Syne |
||||
Ossman-Dudley Trio (Victor 4659) Side A: Koontown Kaffe Klatsch |
||||
Otis, Johnny (Orchestra)/Little Esther And Junior with Otis, Johnny (Orchestra) (Savoy 824) Side A: Chittlin’ Switch ; Side |
||||
Otis, Johnny (Orchestra) (Regent 1036) Side A: I Dream ; Side B: Hangover Blues |
||||
78s. P |
||||
Page, Hot Lips and His Orchestra (Continental 6003) Side A: Big “D’ Blues ; Side B: It Ain’t Like That |
||||
Page, Hot Lips Hot Seven (Savoy 605) Side A: I Keep Rollin’ On ; Side B: Dance Of The Tambourine |
||||
Page, “Lips” and his Band (Apollo 1041) Side A: Open The Door, Richard ; Side B: Texas and Pacific |
||||
Page, Oran “Hot Lips ” and his Band (Decca 18124) Side A: South ; Side B: Lafayette |
||||
Page, Hot Lips and His Orchestra (Continental 6017) Side A: They Raided The Joint ; Side B: Florida Blues |
||||
Paige, Jewel and her Brown Brownies (Decca 7863) Side A: I Ain’t Gonna Give Nobody None O’ This Jelly Roll ; Side B: Give |
||||
Patricola, Isabelle (Vocalion 14676) Side A: If I Can’t Get The Sweetie I Want ; Side B: Mama Goes Where Papa Goes |
||||
Peabody, Eddie (Domino 0150) Side A: Sextette From “Lucia” ; Side B: Poet and Peasant Overture |
||||
Penny, Dr. Clarence (Victor 17694) Side A: Indianola Patrol-One Step ; Side B: Toots |
||||
Perkins, Carl (Sun 234) Side A: Blue Suede Shoes ; Side B: Honey, Don’t! |
||||
Phelps, Norman (Decca 5237) Side A: Talkin’ Bout You ; Side B: Nobody’s Business But My Own |
||||
Phillips, Washington (Columbia 14333-D ) Side A: Denomination Blues-Part 1 ; Side B: Denomination Blues-Part 2 |
||||
Pigmeat Pete and Catjuice Charlie (Columbia 14513-D ) Side A: Old Age Is Creeping Upon You ; Side B: Our Family Doctor |
||||
Pollack, Ben and his Park Central Orchestra (Victor 21743) Side A: She’s One Sweet Show Girl ; Side B: Buy, Buy For Baby |
||||
Pollack, Ben and his Park Central Orchestra (Decca 2057) Side A: After You’ve Gone ; Side B: Looking At The World Thru Rose |
||||
Pollack, Ben Orchestra (Hit of the Week 1026) Side A: I’m Folowing You |
||||
Pollack, Ben Orchestra (Decca 1476) Side A: Have You Ever Been In Heaven? ; Side B: Mama I Wanna Make Rhythm |
||||
Pollack, Ben Orchestra (Decca 1488) Side A: The Snake Charmer ; Side B: I’m In My Glory |
||||
Powell, Mel (Capitol 15056) Side A: Anything Goes ; Side B: That Old Black Magic |
||||
Powell, Mel and his Orchestra (Commodore 543) Side A: When Did You Leave Heaven? ; Side B: Blue Skies |
||||
Powell, Mel and his Orchestra (Commodore 544) Side A: The World Is Waiting for the Sunrise ; Side B: Mood At Twilight |
||||
Powell, Teddy and his Orchestra (Decca 3383) Side A: Indian Boogie Woogie ; Side B: Teddy Bear Boogie . Note: feat. Tommy |
||||
Powers, Ollie (Orchestra) (American Music 7) Side A: Play That Thing ; Side B: Blues For Rampart St. |
||||
Preacher Rollo and the Five Saints (MGM 30691) Side A: Blues My Naughty Sweetie Gives To Me ; Side B: Jelly Roll |
||||
Preacher Stevens and his Orchestra (RPM 414) Side A: So Far Away ; Side B: Whoopin’ And Hollerin’ |
||||
Price, Jessy and his Blues Band (Capitol 391) Side A: Big Town Blues ; Side B: You Can’t Take It With You |
||||
Price, Jessy and his Blues Band (Capitol 326) Side A: Sweet Man Blues ; Side B: Sleepy Baby Blues |
||||
Price, Jessy and his Blues Band (Capitol 40014) Side A: That’s The Way She Feels ; Side B: Blue Book Boogie |
||||
Price, Sam and his Texas Blusicians (Decca 8575) Side A: Do You Dig My Jive ; Side B: Boogie Woogie Moan |
||||
Prince’s Band (Columbia A2327) Side A: Beale Street Blues ; Side B: Lilly Of The Valley |
||||
Prince’s Band (Columbia A1307) Side A: Too Much Mustard ; Side B: On The Mississippi |
||||
Prince’s Orchestra, The (Columbia a1784) Side A: A Hunt In the Black Forrest ; Side B: Nigger in the Barnyard |
||||
Professor Longhair and his New Orleans Boys (Atlantic 906) Side A: Prof. Longhair Blues ; Side B: Walk Your Blues Away |
||||
Professor Longhair and his Blues Scholars (Atlantic 1020) Side A: Tipitina ; Side B: In The Light |
||||
Profit, Clarence (Trio) (Decca 8527) Side A: Dark Eyes ; Side B: Azure |
||||
Pryor, Arthur (Band) (Victor 5684) Side A: Frozen Bill (Pryor) |
||||
Pryor, Arthur (Band) (Victor 16043) Side A: That Rag ; Side B: “Real Swing” March |
||||
Pryor, Arthur (Band) (Victor 17380) Side A: The Whisper and His Dog ; Side B: The Warbler’s Serenade |
||||
Pryor, Martha (Perfect 12113) Side A: Waitin’ Around ; Side B: I’m Goin South |
||||
78s. Q-R |
||||
Quintet Of The Hot Club Of France (Decca 41010) Side A: Belleville ; Side B: Liza |
||||
Raderman’s Roysterers/The Manhattan Dance Makers (Harmony 25-H) Side A: Want A Little Lovin’ ; Side B: Brown Eyes-Why Are |
||||
Raderman’s Roysterers/The Manhattan Dance Makers (Harmony 25-H) Side A: Want A Little Lovin’ ; Side B: Brown Eyes-Why Are |
||||
Rainey, “Ma” and her Georgia Band (Paramount 2) Side A: New Bo-Weavil Blues ; Side B: Moonshine Blues |
||||
Rainey, “Ma” and her Georgia Band (Paramount 12311) Side A: Rough and Tumble Blues ; Side B: Memphis Bound Blues |
||||
Rainey, “Ma” and her Georgia Band (Paramount 3) Side A: Slow Driving Blues ; Side B: Gone Daddy Gone |
||||
Rainey, “Ma” (American Music 6) Side A: Those Dogs Of Mine ; Side B: Lucky Rock Blues |
||||
Ravens, The (National 9035) Side A: Ol’ Man River ; Side B: Would You Believe Me |
||||
Ravens, The (National 9085) Side A: There’s Nothing Like A Woman In Love ; Side B: Careless Love |
||||
Red and his Washboard Band (Vocalion 3965) Side A: Prowling Groundhog No. 2 ; Side B: Don’t Tear My Clothes No. 3 |
||||
Red Norvo’s Nine (Capitol 15253) Side A: Bop ; Side B: I’ll Follow You |
||||
Red Norvo’s Nine (Capitol 15083) Side A: Under A Blanket Of Blue ; Side B: Holly Ridge Drive |
||||
Reed, Jimmy (Vee Jay 226) Side A: You’ve Got Me Dizzy ; Side B: Honey, Don’t Let Me Go |
||||
Reser, Harry (Syncopators) (Columbia 1761) Side A: I’m Wild About Horns On Automobiles ; Side B: Kansas City Kitty |
||||
Rhodes, Todd (Orchestra) (Vita-coustic 1001) Side A: Bell-Boy Boogie ; Side B: Flying Disc . Note: Damaged |
||||
Rich, Fred and his Hotel Astor Orchestra (Harmony 119-H) Side A: Poor Papa ; Side B: Bell Hoppin’ Blues |
||||
Rich, Fred (Radio Orchestra) (Hit of the Week K1) Side A: It’s The Girl |
||||
Richardson, Mabel-Mike Jackson (Victor 20181) Side A: Just Too Bad ; Side B: I’m Gonna Kill Myself |
||||
Ring, Blanche (Victor 60032) Side A: Come, Josephine, In My Flying Machine |
||||
Roberts, Lucky (Cirlce 1027) Side A: Pork and Beans ; Side B: Music Box Rag |
||||
Robeson, Paul (Columbia 17381) Side A: John Henry ; Side B: Water Boy |
||||
Robinson, Willard and his Orchestra (Perfect 14908) Side A: I Feel Head Over Heels In Love ; Side B: When The Morning Glories |
||||
Rodgers, Ike (Duo) (Century 3003) Side A: It Hurts So Good ; Side B: Screenin’ The Blues |
||||
Rodgers, Jimmie (Victor 21142) Side A: Blue Yodel ; Side B: Away Out On The Mountain |
||||
Rogers, Will (Victor 45347) Side A: A New Slant On War ; Side B: Timely Topics |
||||
Rollini, Adrian and his Orchestra/Bud Freeman and the Summa Cum Laude Orchestra (Decca 3525 ) Side A: Somebody Loves Me ; |
||||
Rollini, Adrian (Decca 1132) Side A: Vibrollini ; Side B: Jitters |
||||
Rosenkrantz, Timmy and his Band (Continental 6012) Side A: Bouncy ; Side B: Blue At Dawn |
||||
Ross, “Black Face” Eddie (Victor 18815) Side A: Ross’s Dog Trot ; Side B: Ross’ Reel |
||||
Ross, “Black Face” Eddie (Victor 18926) Side A: Ross’ Double Shuffle ; Side B: Ross’ Juba |
||||
Ross, “Black Face” Eddie (Victor 19213) Side A: Ross’ Ju Ju Man ; Side B: Ross’ Florida Cracker |
||||
Russin, Babe (Quartet) (Keynote 630 ) Side A: Like Someone In Love ; Side B: All The Things You Are |
||||
78s. S |
||||
Socarras and his Orchestra (RCA Victor 20-5992) Side A: Mood Indigo ; Side B: I’ve Got My Love to Keep Me Warm |
||||
Salt and Pepper (Cameo 1151) Side A: Holdin’ the Sack ; Side B: Doodle-Doo-Doo |
||||
Sammy Sampson (Big Bill Broonzy) (Perfect 186) Side A: Meanist Kind of Blues ; Side B: I Got The Blues For My Baby |
||||
Sandhills Sixteen (Victor 20903) Side A: Shine On Me ; Side B: What Sort O’Robes Do De Angels Wear? |
||||
Saunders, Red and his Orchestra (Okeh 6862) Side A: Hambone ; Side B: Boot ‘Em Up |
||||
Doc Sausage and his Mad Lads (Regal 3251) Side A: You Got Me Cryin ; Side B: Rag Mop |
||||
Sauter-Finegan Orchestra (Victor 20-4927) Side A: April In Paris ; Side B: Moonlight On The Ganges |
||||
Sauter-Finegan Orchestra (Victor 20-4866) Side A: Doodletown Fifers ; Side B: Azure-Te (Paris Blues) |
||||
Sauter-Finegan Orchestra (RCA Victor 20-5359) Side A: The Moon Is Blue ; Side B: “O” (Oh!) |
||||
Sauter-Finegan Orchestra (RCA Victor 20-5166) Side A: Stop Beatin’ Round The Mulberry Bush ; Side B: Tweedle Dee and Tweedle |
||||
Sauter-Finegan Orchestra (RCA Victor 20-4867) Side A: Stop! Sit Down! Relax! Think! ; Side B: Rain |
||||
Sauter-Finegan Orchestra (RCA Victor 20-5307) Side A: Time To Dream ; Side B: The Honey Jump |
||||
Savitt, Jan and his Top Hatters (Bluebird B-10005) Side A: Quaker City Jazz ; Side B: Sugar Foot Stomp |
||||
Savitt, Jan and his Top Hatters (Bluebird B-7733) Side A: That’s A Plenty ; Side B: Futuristic Shuffle |
||||
Savoy Bearcats (Victor 20460) Side A: Stampede ; Side B: Hot Notes |
||||
Scarce Crow, The (Varsity 6024) Side A: Easy Creeping Mama ; Side B: Shake My Tree |
||||
Scott, Hazel (Decca 18342) Side A: Dark Eyes ; Side B: Hallelujah! |
||||
Scott, Hazel (Signature 15025) Side A: A Rainy Night In G ; Side B: How High the Moon |
||||
Scott, Tony and his Down Beat Club Street (Gotham 105) Side A: All Too Soon ; Side B: Ten Lessons With Timothy |
||||
Seeley, Blossom and Benny Fields (Decca 28359) Side A: Jealous ; Side B: Dixie Dreams |
||||
Senter, Boyd (Perfect 14517) Side A: Shake Your Dogs ; Side B: Wake ‘Em Up |
||||
Senter, Boyd and his Senterpedes (Okeh 41059) Side A: Somebody’s Wrong ; Side B: Enale Blues |
||||
Shavers, Charley and his All American Five (Keynote K-619) Side A: My Man ; Side B: El Salon de Gutbucket |
||||
Shaw, Artie and his Orchestra (RCA Victor 26542) Side A: Adios,Mariquita Linda ; Side B: Frenesi |
||||
Shaw, Artie and his Orchestra (Bluebird 7759) Side A: Any Old Time ; Side B: Back Bay Shuffle |
||||
Shaw, Artie and his Orchestra (Victor 20-1696) Side A: Bedford Drive ; Side B: Tabu |
||||
Shaw, Artie and his Orchestra (Victor 27411) Side A: Blues-Part 1 ; Side B: Blues-Part 2 |
||||
Shaw, Art and his New Music (Vocalion 4401) Side A: The Blues-A ; Side B: The Blues-B |
||||
Shaw, Artie and his Orchestra (Victor 27609) Side A: This Time The Dreams On Me ; Side B: Blues In The Night |
||||
Shaw, Artie and his Orchestra (Victor 27335) Side A: Dancing In The Dark ; Side B: Smoke Gets In Your Eyes |
||||
Shaw, Artie and his Orchestra (Victor 27548) Side A: Dancing In The Dark ; Side B: Traffic Jam |
||||
Shaw, Artie and his Orchestra (Bluebird B-10178) Side A: Deep Purple ; Side B: Pastel Blue |
||||
Shaw, Artie and his Orchestra (Bluebird B-10134) Side A: Delightful Delirium ; Side B: I Want My Share Of Love |
||||
Shaw, Artie and his Orchestra (Victor 26563) Side A: Point Fall Asleep ; Side B: Gloomy Sunday |
||||
Shaw, Artie and his Orchestra (Muisccraft 389) Side A: Get Out Of Town ; Side B: Night and Day |
||||
Shaw, Artie and his Gramercy Five (Victor 20-1800) Side A: Hop, Skip and Jump ; Side B: Mysterioso |
||||
Shaw, Artie and his Orchestra (Victor 20-1638) Side A: I’ll Never Be The Same ; Side B: S Wonderful |
||||
Shaw, Artie and his Orchestra (Bluebird B-10188) Side A: I’m In Love With the Honorable Mr. So and So ; Side B: Prosschai |
||||
Shaw, Artie and his Orchestra (Victor 27719) Side A: I Ask The Stars ; Side B: Take Your Shoes Off Baby |
||||
Shaw, Artie and his Orchestra (RCA Victor 20-1933) Side A: I Could Write A Book ; Side B: A Foggy Day |
||||
Shaw, Artie and his Orchestra (Victor 20-1934) Side A: I Cover The Waterfront ; Side B: Marinela |
||||
Shaw, Artie and his Orchestra (Bluebird B-10307) Side A: I Poured My Heart Into A Song ; Side B: When Winter Comes |
||||
Shaw, Artie and his Orchestra (Bluebird B-7746) Side A: Indian Love Call ; Side B: Begin The Beguine |
||||
Shaw, Artie and his Orchestra (RCA Victor 20-1932) Side A: Kasbah ; Side B: Lament |
||||
Shaw, Artie and his New Music (Vocalion 4438) Side A: Let ‘Er Go ; Side B: I’ll Be With You In Apple Blossom Time |
||||
Shaw, Artie and his Orchestra (Victor 20-1934) Side A: Make Love To Me ; Side B: Solid Sam |
||||
Shaw, Artie and his Orchestra (Bluebird B-10128) Side A: The Man I Love ; Side B: Vilia |
||||
Shaw, Artie and his Orchestra (Victor 27405) Side A: Moonglow ; Side B: My Blue Heaven |
||||
Shaw, Artie and his Orchestra (Victor 27549) Side A: Moonglow ; Side B: Serenade To A Savage |
||||
Shaw, Artie and his Orchestra (Bluebird B-7875) Side A: Nightmare ; Side B: Non-Stop Flight |
||||
Shaw, Artie and his Orchestra (Bluebird B-10430) Side A: Oh Lady Be Good ; Side B: I Surender Dear |
||||
Shaw, Artie and his Orchestra (Bluebird B-10202) Side A: One Night Stand ; Side B: One Foot In The Grave |
||||
Shaw, Artie and his Orchestra (Victor 27343) Side A: Pyramid ; Side B: This Is Romance |
||||
Shaw, Artie and his Gramercy Five (RCA Victor 20-1929) Side A: Scuttle Butt ; Side B: The Gentle Grifter |
||||
Shaw, Artie and his Gramercy Five (Victor 20-1668) Side A: September Song ; Side B: Little Jazz |
||||
Shaw, Artie and his Orchestra (Harmony 1016) Side A: Sobbin’ Blues ; Side B: Copenhagen |
||||
Shaw, Artie and his Orchestra (Bluebird B-10054) Side A: Softly, As In A Morning ; Side B: Copenhagen |
||||
Shaw, Artie and his Orchestra (Victor 27230) Side A: Star Dust ; Side B: Temptation |
||||
Shaw, Artie and his Orchestra (Bluebird B-10127) Side A: Zigneuner ; Side B: Supper Time |
||||
Sherwood, Bobby and Billy Butterfield’s Orchestra (Capitol 10037) Side A: In the Dark ; Side B: Oh Lady Be Good. Note: Bobby |
||||
Sherwood, Bobbie and his Orchestra (Capitol 1539) Side A: The Elk’s Parade ; Side B: Sherwoods Forest |
||||
Sherwood, Bobbie and his Orchestra (Capitol 231) Side A: Snap Your Fingers ; Side B: Cotton Trail |
||||
Sherwood, Bobbie and his Orchestra (Capitol 161) Side A: Swingin’ At The Semloh ; Side B: Arkanas |
||||
Short, Albert E. and his Tivoli Syncopaters (Vocalion 14600) Side A: Long Lost Mamma ; Side B: Sobbing Blues |
||||
Short, Albert E. and his Tivoli Syncopaters (Vocalion 14554) Side A: Wolverine Blues ; Side B: Liza |
||||
Singleton, Zutty (Band) (Capitol 10023) Side A: Crawfish Blues ; Side B: Cajun Love Song |
||||
Singleton, Zutty and his Orchestra (Decca 25102) Side A: King Porter Stomp ; Side B: Shim-Me-Sha-Wabble |
||||
Sissle, Noble-Eubie Blake (Victor 19086) Side A: Down Hearted Blues ; Side B: Waitin’ for the Eveniin’ Mail |
||||
Sissle, Noble-Eubie Blake (Victor 19494) Side A: Manda ; Side B: Dixie Moon |
||||
Sissle, Noble-Eubie Blake (Victor 19253) Side A: Old Fashioned Love ; Side B: Sweet Henry |
||||
Slack, Freddy and his Orchestra (Capitol 172) Side A: Small Batch O’ Nod ; Side B: Cuban Sugar Milk |
||||
Slim and Slam (Vocalion 4021) Side A: Flat Fleet Floogie ; Side B: Chinatown, My Chinatown |
||||
Slim and Slam (Vocalion 4346) Side A: Jump Session ; Side B: Vol Vist Du Gaily Star |
||||
Slim and Slam (Vocalion 4225) Side A: Tutti-Fruiti ; Side B: Look-A-There |
||||
Smith, Bessie and Her Down Home Trio (Columbia A-3877) Side A: Aggravatin’ Papa ; Side B: Beale Street Mama |
||||
Smith, Bessie (Columbia A-3936) Side A: Bleeding Heart Blues ; Side B: Midnight Blues |
||||
Smith, Bessie (Columbia 14083-) Side A: Careless Love Blues ; Side B: He’s Gone Blues |
||||
Smith, Bessie (Columbia A-3844) Side A: Down Hearted Blues ; Side B: Gulf Coast Blues |
||||
Smith, Bessie (Jazz Classics 522) Side A: Foolish Man Blues ; Side B: Dyin’ By The Hour |
||||
Smith, Bessie (Columbia 14010) Side A: Haunted House Blues ; Side B: Eavesdroppers Blues |
||||
Smith, Bessie (Temple 522 ) Side A: Hustlin’ Dan ; Side B: Black Mountain Blues |
||||
Smith, Bessie (Columbia 14427) Side A: I’m Wild About That Thing ; Side B: You’ve Got To Give Me Some |
||||
Smith, Bessie (Columbia A-3942) Side A: If You Don’t Know ; Side B: Nobody In Town Can Bake A Sweet Jelly Roll Like Mine |
||||
Smith, Bessie (Columbia A-4001) Side A: Jailhouse Blues ; Side B: Graveyard Dream Blues |
||||
Smith, Bessie (Columbia A-3888) Side A: Oh Daddy Blues ; Side B: Baby Won’t You Please Come Home |
||||
Smith, Bessie (Columbia 14115) Side A: Red Mountain Blues ; Side B: I’ve Been Mistreated And I Don’t Like It |
||||
Smith, Bessie (Columbia 37576) Side A: See If I’ll Care ; Side B: Baby Have Pity On Me |
||||
Smith, Bessie (Columbia 14020) Side A: Sorrowful Blues ; Side B: Rocking Chair Blues |
||||
Smith, Bessie (Circle 1016) Side A: St. Louis Blues Pt. 1 ; Side B: St. Louis Blues Pt. 2 |
||||
Smith, Bessie (Circle 1017) Side A: St. Louis Blues Pt. 3 ; Side B: St. Louis Blues Pt. 4 |
||||
Smith, Bessie (Columbia 14020) Side A: Workhouse Blues ; Side B: House Rent Blues |
||||
Smith, Clara (Columbia 3966) Side A: All Night Blues ; Side B: Play It |
||||
Smith, Clara and her Jazz Babies (Columbia 14192) Side A: Cheatin Daddy ; Side B: You Don’t Know Who’s Shakin Your Tree |
||||
Smith, Clara (Columbia 14026) Side A: Good Looking Papa Blues ; Side B: Don’t Advertise Your Man |
||||
Smith, Clara (Columbia 4000) Side A: I Never Miss The Sunshine ; Side B: Awful Moanin’ Blues |
||||
Smith, Clara (Columbia 3961) Side A: Kind Lovin’ Blues ; Side B: Down South Blues |
||||
Smith, Clara (Columbia 14294) Side A: Race Track Blues ; Side B: Jelly Bean Blues |
||||
Smith, Clara (Columbia 14019) Side A: West Indies Blues ; Side B: The Clearing House Blues |
||||
Smith, Clementine (Pathe Actuelle 032067) Side A: Hard Luck Blues ; Side B: Strange Man |
||||
Smith, Effie (Gem 7 ) Side A: Effie’s Blues ; Side B: I’m In The Groove Tonight |
||||
Smith, Joseph C. (Orchestra) (Victor 18618A ) Side A: Tulip Time ; Side B: Yellow Dog Blues |
||||
Smith, Mamie and her Jazz Hounds (Okeh 4169) Side A: Crazy Blues ; Side B: It’s Right Here For You |
||||
Smith, Mamie and her Jazz Hounds (Okeh 4170) Side A: Crazy Blues ; Side B: It’s Right Here For You |
||||
Smith, Mamie and her Jazz Band (Okeh 4351) Side A: Dangerous Blues ; Side B: What Have I Done |
||||
Smith, Mamie and her Jazz Hounds (Okeh 4631) Side A: Dem Knock Out Blues ; Side B: Mean Daddy Blues |
||||
Smith, Mamie and her Jazz Hounds (Okeh 4856) Side A: Frankie Blues ; Side B: Mean Man |
||||
Smith, Mamie and her Jazz Hounds (Okeh 4253) Side A: Lovin’ Sam From Alabama ; Side B: Don’t Care Blues |
||||
Smith, Mamie and her Jazz Hounds (Okeh 4228) Side A: Mem’ries Of You Mammy ; Side B: If You Don’t Want Me Blues |
||||
Smith, Mamie and her Jazz Hounds (Okeh 4194) Side A: Road is Rocky, The ; Side B: Fare Thee Well Honey Blues |
||||
Smith, Mamie and her Jazz Hounds (Okeh 4781) Side A: You’ve Got To See Mamma Ev’ry Night ; Side B: I’m Gonna Get You |
||||
Smith, Ruby with Gene (Honeybear) Sedric and his Orchestra (RCA Victor 20-2152) Side A: Port Wine Blues ; Side B: You Satisfy |
||||
Smith, Stuff and His Onyx Club Boys (Decca 1287) Side A: Where is the Sun? ; Side B: Upstairs |
||||
Smith, Tab (Septette) (Apollo 364) Side A: Blues Around the Clock P.1 ; Side B: Blues Around the Clock P.2 |
||||
Smith, William and Versey Smith (Paramount 12505) Side A: Everybody Help the Boys Come Home ; Side B: When That Great Ship |
||||
Smith, Willie Quintet (Mercury 8901) Side A: Not So Bop Blues ; Side B: Tea For Two |
||||
Smith, Willie (The Lion) (Decca 2269) Side A: Passionette ; Side B: Morning Air |
||||
Smith, Willie (The Lion) (Decca 1366) Side A: Peace Brother Peace ; Side B: Knock Whoop |
||||
Smith, Willie (The Lion) and His Cubs (Decca 7074) Side A: Streamline Gal ; Side B: Harlem Boys |
||||
Smith, Willie (The Lion) and His Cubs (Decca 7090) Side A: Swing, Brother, Swing ; Side B: Echo of Spring |
||||
Smokey Joe (Sun 228) Side A: Signifying Monkey, The ; Side B: Listen To Me Baby |
||||
Sonny Boy and Lonnie (Continental C-6054) Side A: Big Headed Woman ; Side B: I’ll Water You Every Day |
||||
South, Eddie and His Alabamians (RCA Victor 21151) Side A: By The Waters of Minnetonka ; Side B: La Rosita |
||||
Southampton Society Orchestra (Perfect 14482) Side A: So That’s the Kind of a Girl That You Are ; Side B: Loud Speakin’ Papa |
||||
Southern Sons (Bluebird 34-0712) Side A: I Want Two Wings ; Side B: Lord Have Mercy |
||||
Southern Tones (Duke 205) Side A: It Must Be Jesus ; Side B: The Dying Sinner |
||||
Southland Six, The (Vocalion 14476) Side A: Runnin’ Wild ; Side B: Ivy (Cling To Me) |
||||
Speciale, Mike and His Orchestra (Perfect 14536) Side A: I Love My Baby ; Side B: Don’t Wake Me Up |
||||
Sweet Pease Spivey and Dot Scott’s Rhythm Dukes (Decca 7204) Side A: Double Dozens (You Dirty No Gooder) ; Side B: Grievin’ |
||||
Spivey, Victoria and Johnson, Lonnie (Okeh 8652) Side A: Furniture Man Blues P.1 ; Side B: Furniture Man Blues P.2 |
||||
St. Louis Jimmy (Bluebird 34-0718) Side A: Back On My Feet Again ; Side B: Nothing But Blues |
||||
St. Louis Jimmy (Victor 20-2650) Side A: Dog House Blues ; Side B: Bad Condition |
||||
St. Louis Jimmy and His Band (Duke D-110) Side A: Drinkin’ Woman ; Side B: Why Work |
||||
Stafford, Jo with Lambert, Dave and his Vocal Choir With Paul Weston and His Orchestra (Capitol 57-604) Side A: Jolly Joe |
||||
Stafford, Mary and Her Jazz Band (Columbia A3365) Side A: Crazy Blues ; Side B: Royal Garden Blues |
||||
Stafford, Mary and Her Jazz Band (Columbia A3390) Side A: Down Where They Play The Blues ; Side B: I’m Gonna Jazz My Way Right |
||||
Stewart, Rex and His 52nd Street Stompers (Variety VA 664) Side A: Swing Baby Swing ; Side B: Sugar Hill Shim Sham |
||||
Stoll, George And His Orchestra (Decca 976 ) Side A: The Girl Friend ; Side B: Swanee |
||||
Stone, Eddie and His Orchestra (Vocalion 3555) Side A: Satan Takes a Holiday ; Side B: A Study In Brown |
||||
Stoneman, Ernest (Victor 20672) Side A: The Poor Tramp ; Side B: The Fate of Talmage Osborne |
||||
Sunkist Serenaders (Everybodys 1069) Side A: I’ve Always Got the Blues ; Side B: Sonya |
||||
Sutton, Ralph (Down Home 10) Side A: The Cascades ; Side B: Grace and Beauty |
||||
Sutton, Ralph (Down Home 7) Side A: Cataract Rag ; Side B: Villain, The |
||||
Sweatman, Wibur Original Jazz Band (Columbia A2994) Side A: But ; Side B: Think of Me Little Daddy |
||||
Sweatman, Wibur Original Jazz Band (Columbia A2663) Side A: Dallas Blues ; Side B: Has Anybody Seen My Corinne |
||||
Sweatman, Wibur Original Jazz Band (Columbia A2596) Side A: The Darktown Strutters’ Ball ; Side B: Good-Bye Alexander. Note: |
||||
Sweatman, Wibur Original Jazz Band (Columbia A2548) Side A: Ev’rybody’s Crazy ‘Bout the Doggone Blues But I’m Happy ; Side |
||||
Sweatman, Wibur Original Jazz Band (Columbia A2721) Side A: That’s Got ‘Em ; Side B: A Good Man is Hard to Find |
||||
Sweatman, Wibur Original Jazz Band (Columbia A2752) Side A: Lucille ; Side B: I’ll Say She Does |
||||
Sweatman, Wibur Original Jazz Band (Columbia A2611) Side A: Oh! You La! La! ; Side B: Indianola. Note: “Wilber” Misspelled |
||||
Sweatman, Wibur Original Jazz Band (Columbia A2707) Side A: Rainy Day Blues ; Side B: La-Da! (Ja-Da, Ja-Da, Jing, Jing, Jing) |
||||
Sweatman, Wibur Original Jazz Band (Columbia A2682) Side A: Ring Tail Blues ; Side B: Bluin’ The Blues |
||||
Sweethearts of Rhythm (RCA Victor 40-0146) Side A: Vi Vigor ; Side B: Don’t Get It Twisted |
||||
Sykes, Roosevelt (The Honey Dripper) (Decca 7833) Side A: 47th Street Jive ; Side B: My Supply Woman Blues |
||||
Sykes, Roosevelt and his Piano (Bluebird 34-0737) Side A: The Honeydripper ; Side B: High Price Blues |
||||
Sykes, Roosevelt (The Honey Dripper) (Okeh 06542) Side A: Let The Black Have His Way ; Side B: Third Degree Blues |
||||
Sykes, Roosevelt (The Honey Dripper) (Decca 7612) Side A: Papa Low ; Side B: Shoe Shiner’s Moan |
||||
Sykes, Roosevelt and his Original Honey Drippers (RCA Victor 20-3014) Side A: Time Wasted On You ; Side B: High As a Georgia |
||||
Sykes, Roosevelt and his Original Honey Drippers (RCA Victor 20-1906) Side A: That’s My Gal ; Side B: Sunny Road |
||||
78s. T |
||||
Tampa Blue Jazz Band (Okeh 4773) Side A: Four O’Clock Blues ; Side B: Loose Feet |
||||
Tampa Red (Bluebird 34-0740) Side A: Better Let My Gal Alone ; Side B: Mercy Mama |
||||
Tampa Red (RCA Victor 20-2432) Side A: Corrine Blues ; Side B: New Bad Luck Blues |
||||
Tampa Red (Bluebird 34-0700) Side A: Let Me Play With Your Poodle ; Side B: My First Love Blues. Note: Broken |
||||
Tampa Red (Bluebird B-6498) Side A: She Don’t Know My Mind P.2 ; Side B: Think You Need a Shot |
||||
Tampa Red (Bluebird B-9024) Side A: She Want To Sell My Monkey ; Side B: Mean And Evil Woman. Note: Cracked |
||||
Tampa Red (Bluebird B-6578) Side A: That’s The Way I Do ; Side B: The Operator Special |
||||
Tampa Red (RCA Victor 22-0035) Side A: When Things Go Wrong With You ; Side B: Come On, If You’re Coming |
||||
Tarheel Slim (Fury 1016) Side A: Wildcat Tamer ; Side B: Number 9 Train |
||||
Taskiana Four (Victor 20183) Side A: I Shall Not Be Moved ; Side B: Join That Band |
||||
Taskiana Four (Victor 20185) Side A: Then He Brought Joy To My Soul ; Side B: Lead Kindly Light |
||||
Tatum, Art (Decca 1373) Side A: Anything For You ; Side B: Liza |
||||
Tatum, Art (Decca 8502) Side A: Begin The Beguine ; Side B: Rosetta |
||||
Tatum, Art (Decca 18049) Side A: Elégie ; Side B: Humoresque |
||||
Tatum, Art (Asch 356-1) Side A: Fine and Dandy ; Side B: It Had To Be You |
||||
Tatum, Art (Asch 356-2) Side A: Ja Da ; Side B: Where Or When |
||||
Tatum, Art (Decca 18051) Side A: Lullaby of the Leaves ; Side B: Tiger Rag |
||||
Tatum, Art (Decca 8577) Side A: Rock Me Mama ; Side B: Lucille |
||||
Tatum, Art (Asch 356-3) Side A: Sweet & Lovely ; Side B: Danny Boy |
||||
Tatum, Art (Decca 18050) Side A: Sweet Lorraine ; Side B: Get Happy |
||||
Taylor, Billy (Big Eight) (Keynote K-615) Side A: Night Wind ; Side B: Carney-Val In Rhythm |
||||
Taylor, Eva (Okeh 8145) Side A: Ghost of the Blues ; Side B: When You’re Tired of Me (Just Let Me Know) |
||||
Taylor, Eva (Okeh 4740) Side A: I Wish I Could Shimmy Like My Sister Kate ; Side B: Baby Won’t You Please Come Home |
||||
Teagarden, Jack and His Orchestra (Philharmonic FR-83) Side A: The Blues ; Side B: If I Could Be With You |
||||
Teagarden, Jack (Big Eight) (RCA Victor 40-0138) Side A: Say It Simple ; Side B: A Jam Session At Victor |
||||
Tennessee Tooters, The (Vocalion 15004) Side A: Those Panama Mamas ; Side B: Red Hot Henry Brown |
||||
Temple, Johnny (Decca 7547) Side A: Big Leg Woman ; Side B: Between Midnight and Dawn |
||||
Temple, Johnny and Harlem Hamfats (Decca 7385) Side A: Gimme Some of That Yum Yum Yum ; Side B: Hoodoo Women |
||||
Ten Cats and a Mouse (Capitol 15015) Side A: Ja-Da ; Side B: Three-Thirsty Jump |
||||
Terry, Sonny (Hootin) and his Night Owls (Red Robin R-3014) Side A: Harmonica Hop ; Side B: Doggin’ My Heart Around |
||||
Terry, Sonny Trio (Gramercy G-1004) Side A: Hootin’ Blues ; Side B: Dangerous Woman |
||||
Terry, Sonny (Capitol Americana 1296) Side A: Whoopin’ the Blues ; Side B: All Alone Blues |
||||
Texas Blues Destroyers (Perfect 14341) Side A: Lenox Avenue Shuffle ; Side B: Down in the Mouth Blues |
||||
Texas Slim [Hooker, John Lee] (King 4323) Side A: Nightmare Blues ; Side B: I’m Gonna Kill That Woman |
||||
Tharpe, Sister Rosetta and Knight, Marie (Decca 73989) Side A: Didn’t It Rain ; Side B: Stretch Out |
||||
Tharpe, Sister Rosetta and Price, Sam Trio (Decca 73274) Side A: Don’t Take Everybody To Be Your Friend ; Side B: When I Move |
||||
Tharpe, Sister Rosetta (Decca 48021) Side A: Forgive Me Lord and Try Me One More Time ; Side B: Jesus Taught Me How To Smile |
||||
Tharpe, Sister Rosetta (Decca 48022) Side A: God Don’t Like It ; Side B: What Is the Soul of Man |
||||
Tharpe, Sister Rosetta and Knight, Marie (Decca 28509) Side A: I’m Bound For Higher Grounds ; Side B: There is a Highway to |
||||
Tharpe, Sister Rosetta (Decca 2328) Side A: I Looked Down the Line (And I Wondered) ; Side B: God Don’t Like It |
||||
Tharpe, Sister Rosetta and Knight, Marie with Price, Sam Trio (Decca 48209) Side A: I Want Jesus To Walk Around My Bedside |
||||
Tharpe, Sister Rosetta (Decca 8594) Side A: Just a Closer Walk With Thee ; Side B: I’m In His Care |
||||
Tharpe, Sister Rosetta (Decca 48023) Side A: Let That Liar Alone ; Side B: What’s the News |
||||
Tharpe, Sister Rosetta (Decca 2503) Side A: My Man and I ; Side B: That’s All |
||||
Tharpe, Sister Rosetta (Decca 48024) Side A: Nobody Knows Nobody Cares ; Side B: The Devil Has Thrown Him Down |
||||
Tharpe, Sister Rosetta and Knight, Marie with Price, Sam Trio (Decca 74154) Side A: Up Above My Head, I Hear Music In The |
||||
Thomas, Joe and His Orchestra (Keynote K-642) Side A: Black Butterfly ; Side B: You Can Depend On Me |
||||
Thomas, Rufus “Hound Dog” Jr. (Sun 181) Side A: Bear Cat ; Side B: Walking in the Rain |
||||
Thornton, Willie Mae “Big Mama” with the Johnny Otis Band (Peacock 1632) Side A: I’ve Searched the Whole World Over ; Side |
||||
Thornton, Willie Mae “Big Mama” with Kansas City Bill & Orchestra (Peacock 1612) Side A: Night Mare ; Side B: Hound Dog |
||||
Three Deuces, The (Commodore 537) Side A: Last Time I Saw Chicago, The ; Side B: Deuces Wild |
||||
Three Deuces, The (Commodore 539) Side A: Jig Walk ; Side B: About Face |
||||
Three Keys, The (Vocalion 2523) Side A: Heebie Jeebies ; Side B: Song of the Islands |
||||
Tristano, Lennie Trio (Keynote 680) Side A: I Surrender Dear ; Side B: Coolin’ Off With Ulanov |
||||
Trumbauer, Frankie & His Orchestra With Bix (Okeh 40772) Side A: Clarinet Marmalade ; Side B: Singin’ the Blues |
||||
Trumbauer, Frank & His Orchestra (Brunswick 6912) Side A: Break It Down ; Side B: China Boy |
||||
Trumbauer, Frankie & His Orchestra (Okeh 41268) Side A: Shivery Stomp ; Side B: Reaching For Some-One |
||||
Tucker, Sophie with Ted Shapiro and His Orchestra (Columbia 4962) Side A: My Yiddishe Momme – P.1 ; Side B: My Yiddishe Momme |
||||
Tucker, Sophie (Okeh 4839) Side A: Old King Tut ; Side B: Papa Better Watch Your Step |
||||
Turner, Big Joe (Decca 7827) Side A: Careless Love ; Side B: Jumpin’ Down Blues |
||||
Turner, Joe (National 9100) Side A: Hollywood Bed ; Side B: New Oo-Wee Baby Blues |
||||
Turner, Joe (National 4009) Side A: Mad Blues ; Side B: Sunday Morning Blues |
||||
Turner, Lavinia and Her Band (Actuelle 020544) Side A: How Many Times ; Side B: Can’t Get Lovin’ Blues |
||||
Tuskegee Institute Singers (Victor 17688) Side A: Go Down Moses ; Side B: I Want to Be Like Jesus |
||||
Tuskegee Institute Singers (Victor 17663) Side A: Good News ; Side B: Live a-Humble |
||||
Tuskegee Institute Singers (Victor 18075) Side A: The Old Time Religion ; Side B: Heaven Song; Inchin’ Along |
||||
Tuskegee Institute Singers (Victor 18237) Side A: Roll, Jordan Roll; I Want God’s Heaven to be Mine ; Side B: Nobody Knows |
||||
Tuskegee Institute Singers (Victor, 17890) Side A: Swing Low, Sweet Chariot ; Side B: Steal Away |
||||
78s. V |
||||
Valentines, The (Old Town 1009) Side A: Summer Love ; Side B: Tonight Kathleen |
||||
Vallier, Geneva (Cash 1009) Side A: Geneva’s Blues ; Side B: You Said You Had a Woman |
||||
Van Brunt, Walter (Victor 16862) Side A: Give Your Smiles to All the Boys but Keep Your Heart for Me ; Side B: Rag Pickings |
||||
Van Eps, Fred (Columbia A1417) Side A: Junk Man Rag ; Side B: Morse Medley |
||||
Van Eps, Fred (Pathé Actuelle 021088) Side A: The Oriole ; Side B: Grace and Beauty |
||||
Varsity Seven, The (Varsity 8173) Side A: How Long, How Long Blues ; Side B: Pom Pom |
||||
Vaughan, Sarah (Columbia 39207) Side A: Ave Maria ; Side B: City Called Heaven |
||||
Vaughan, Sarah with Dizzy Gillespie and his Orchestra (Continental 6031) Side A: East of the Sun ; Side B: Interlude |
||||
Vaughan, Sarah with George Treadwell’s Orchestra (Musicraft 494) Side A: Everything I Have is Yours ; Side B: Body and Soul |
||||
Vaughan, Sarah with Dizzy Gillespie and his All Star Quintet (Musicraft 499) Side A: Lover Man ; Side B: I’m Through With |
||||
Vaughan, Sarah with Dizzy Gillespie and his Orchestra (Continental 6024) Side A: Mean To Me ; Side B: Signing Off |
||||
Vaughan, Sarah (Musicraft 567) Side A: Nature Boy ; Side B: I’m Glad There Is You |
||||
Vaughan, Sarah (Mercury 70727) Side A: Never ; Side B: C’est La Vie |
||||
Vaughan, Sarah (Mercury 71085) Side A: April Give Me One More Day ; Side B: Poor Butterfly |
||||
Vaughan, Sarah (Musicraft 504) Side A: Tenderly ; Side B: Don’t Blame Me |
||||
Vaughan, Sarah and Billy Eckstine (MGM 10690) Side A: You’re All I Need ; Side B: Dedicated To You. Note: Billy Eckstine Billed |
||||
Vaughan, Sarah and John Kirby and his Orchestra (Crown CR-109) Side A: You Go To My Head ; Side B: It Might As Well Be Spring. |
||||
Venuti, Joe and His New Yorkers (Okeh 41192) Side A: That’s The Good Old Sunny South ; Side B: Weary River |
||||
Victor Military Band (Victor 17764) Side A: I Want to Go to Tokio ; Side B: Blame it on the Blues |
||||
Victor Military Band (Victor 18203) Side A: Listen to This ; Side B: Brown Skin |
||||
Victor Military Band (Victor 17619) Side A: Memphis Blues, The ; Side B: Rag-a-Muffin Rag |
||||
Victor Military Band (Victor 18174) Side A: Nigger Blues ; Side B: Joe Turner Blues |
||||
Victor Military Band (Victor 17044) Side A: Ragtime Violin ; Side B: Surprise Medley Overture |
||||
Victor Military Band (Victor 17138) Side A: Round the World Selection ; Side B: Red Rose Rag. The |
||||
Victor Military Band (Victor 175485) Side A: Sympathy Waltz ; Side B: Swanee Ripples Rag |
||||
Victor Military Band (Victor 17292) Side A: Gertrude Hoffmann Glide ; Side B: Too Much Mustard |
||||
Victor Mixed Chorus (Victor 26546) Side A: Song Hits of the 20th Century ; Side B: Song Hits of the 20th Century |
||||
Vinson, Eddie and His Orchestra (Mercury 8028) Side A: Kidney Stew Blues ; Side B: Old Maid Boogie |
||||
Vinson, Eddie “Cleanhead” (King 4396) Side A: Queen Bee Blues ; Side B: Jump and Grunt |
||||
Voorhees, Don and his Earl Carroll’s Vanities Orchestra (Columbia 1078) Side A: Fantasy On St. Louis Blues P.1 ; Side B: Fantasy |
||||
Voorhees, Don and His Orchestra (Perfect 1478) Side A: The Sphinx ; Side B: Some Day |
||||
78s. W |
||||
WMCA Broadcasters (a-side) & The Dixie Stompers (b-side) (Harmony 283-H) Side A: All Alone Monday (from “The Ramblers”) ; |
||||
Walker, Kirby (De Luxe 1011) Side A: She Ain’t No Saint ; Side B: When My Love Comes Tumbling Down |
||||
Wallace, Sippie (Okeh 8439) Side A: I’m a Mighty Tight Woman ; Side B: Bedroom Blues |
||||
Wallace, Wesley (Jazz Information 3) Side A: No. 29 ; Side B: Jab Blues. Note: Originally Recorded as Paramount 13141 |
||||
Waller, “Fats” and his Rhythm (Bluebird B-11569) Side A: By The Light of the Silvery Moon ; Side B: Swing Out to Victory |
||||
Waller, “Fats” and his Rhythm (Bluebird B-11262) Side A: Come and Get It ; Side B: Chant of the Groove |
||||
Waller, “Fats” and his Rhythm (His Master’s Voice 5040) Side A: Dinah ; Side B: When Somebody Thinks You’re Wonderful |
||||
Waller, “Fats” and his Rhythm (Bluebird B-10858) Side A: “Fats” Waller’s Original E Flat Blues ; Side B: Swinga-Dilla Street |
||||
Waller, “Fats” and his Rhythm (Bluebird B-10288) Side A: Georgia Rockin’ Chair ; Side B: Ain’t Misbehavin’ |
||||
Waller, “Fats” and his Rhythm (Victor 24826) Side A: Honeysuckle Rose ; Side B: Breakin’ the Ice |
||||
Waller, “Fats” and his Rhythm (Victor 24737) Side A: How Can You Face Me? ; Side B: Sweetie Pie |
||||
Waller, “Fats” and his Rhythm (Victor 26002) Side A: If I Were You ; Side B: The Wide Open Places |
||||
Waller, “Fats” and his Rhythm (Victor 25342) Side A: It’s a Sin to Tell a Lie ; Side B: Big Chief De Sota |
||||
Waller, “Fats” and his Rhythm (Victor 20-2639) Side A: The Jitterbug Waltz ; Side B: Abdullah |
||||
Waller, “Fats” and his Rhythm (Bluebird B-10136) Side A: Last Night a Miracle Happened ; Side B: Kiss Me With Your Eyes |
||||
Waller, “Fats” and his Rhythm (The Masters Voice 5229) Side A: The Love Bug Will Bite You ; Side B: Boo Hoo |
||||
Waller, “Fats” and his Rhythm (Victor 25536) Side A: The Meanest Things You Ever Did Was Kiss Me ; Side B: Bach Up To Me |
||||
Waller, “Fats” and his Rhythm (Les Amis de “Fats” 1) Side A: Midnight Blues ; Side B: Cottage in the Rain |
||||
Waller, “Fats” and his Rhythm (Bluebird B-10892) Side A: My Mommie Sent Me to the Store ; Side B: Dry Bones |
||||
Waller, “Fats” and his Rhythm (Victor 20-1595) Side A: Oh! Frenchy ; Side B: It’s a Sin to Tell a Lie |
||||
Waller, “Fats” (Victor 27765) Side A: Rockin’ Chair ; Side B: Georgia On My Mind |
||||
Waller, “Fats” and his Rhythm (Bluebird B-11296) Side A: Sad Sap Sucker Am I ; Side B: Rump Steak Serenade |
||||
Waller, “Fats” and his Rhythm (His Master’s Voice 1218) Side A: Shortnin’ Bread ; Side B: My Very Good Friend the Milkman |
||||
Waller, “Fats” and his Rhythm (Victor 24708) Side A: Then I’ll Be Tired of You ; Side B: Have a Little Dream On Me |
||||
Waller, “Fats” and his Rhythm (Victor 20-2216) Side A: There’ll Be Some Changes Made ; Side B: You Stayed Away Too Long |
||||
Waller, “Fats” and his Rhythm (Victor 25762) Side A: Why Do Hawaiians Sing Aloha ; Side B: My Window Faces the South |
||||
Waller, “Fats” and his Rhythm (Bluebird 30084) Side A: Your Socks Don’t Match ; Side B: Up Jumped You With Love |
||||
Walker, T-Bone (Capitol 15033) Side A: I Got a Break, Baby ; Side B: Mean Old World |
||||
Washboard Sam and his Washboard Band (Bluebird B-7001) Side A: Back Door ; Side B: We Gonna Move |
||||
Washboard Sam and his Washboard Band (RCA Victor 20-2789) Side A: Gonna Hit the Highway ; Side B: River Hip Mama |
||||
Washboard Sam and his Washboard Band (Bluebird B-7328) Side A: Ladies’ Man ; Side B: Beer Garden Blues |
||||
Washboard Wonders, The (Paradox 2) Side A: Don’t Forget to Mess Around ; Side B: Bordello Days |
||||
Washington, Dinah (Mercury 70175) Side A: Lean Baby ; Side B: Never, Never |
||||
Washington, Sister Ernestine B. (Disc 6038) Side A: Does Jesus Care ; Side B: The Lord Will Make a Way Somehow |
||||
Washington, Sister Ernestine B. (Disc 6039) Side A: Where Could I Go But To The Lord ; Side B: God’s Amazing Grace |
||||
Waterford, Crown Prince (Capitol 40132) Side A: L.A. Blues ; Side B: Strange Woman’s Boogie |
||||
Waterford, Crown Prince (Capitol Americana 40074) Side A: Move Your Hand, Baby ; Side B: Weeping Willow Blues |
||||
Waters, Ethel and Her Ebony Four (Columbia 14093) Side A: Go Back Where You Stayed Last Night ; Side B: Down Home Blues |
||||
Waters, Ethel and her Jazz Masters (Black Swan 2038) Side A: Dying With the Blues ; Side B: Kiss Your Pretty Baby Nice |
||||
Waters, Ethel and Cordy Williams’ Jazz Masters (Black Swan 2010) Side A: Down Home Blues ; Side B: Oh Daddy |
||||
Waters, Ethel (Columbia 14458) Side A: Long Lean Lanky Mama ; Side B: Better Keep Your Eye On Your Man. Note: Side B Not Playable |
||||
Waters, Ethel and Her Ebony Four (Columbia 14116) Side A: No Man’s Mamma ; Side B: Shake That Thing |
||||
Waters, Ethel (Columbia 14365) Side A: Organ Grinder Blues ; Side B: West End Blues |
||||
Waters, Ethel (Columbia 1871) Side A: Second Handed Man ; Side B: True Blue Lou |
||||
Waters, Ethel and Her Jazz Masters (Black Swan 14120) Side A: That Da Da Strain ; Side B: Georgia Blues |
||||
Waters, Ethel (Columbia 1933) Side A: Waiting at the End of the Road ; Side B: Trav’lin’ All Alone |
||||
Waters, Ethel (Columbia 2184) Side A: (What Did I Do To Be So) Black and Blue ; Side B: Porgy |
||||
Watson, El and Cooksey (Victor 21440) Side A: El Watson’s Fox Chase ; Side B: One Stock Blues |
||||
Webb, Chick (Decca 1840) Side A: A-Tisket A-Tasket ; Side B: Liza |
||||
Webb, Chick (Decca 2105) Side A: F.D.R. Jones ; Side B: I Love Each Move You Make |
||||
Webb, Chick (Decca 2231) Side A: Gotta Pebble In My Shoe ; Side B: Who Ya Hunchin’ |
||||
Webb, Chick (Decca 1899) Side A: I’m Just a Jitterbug ; Side B: Azure |
||||
Webb, Chick (Decca 1681) Side A: I Got a Guy ; Side B: Harlem Congo |
||||
Webb, Chick (Decca 1716) Side A: If Dreams Come True ; Side B: Squeeze Me |
||||
Webb, Chick (Decca 2556) Side A: Little White Lies ; Side B: One Side of Me |
||||
Webb, Chick (Decca 1356) Side A: Love is the Thing So They Say ; Side B: That Naughty Waltz |
||||
Webb, Chick (Decca 1586) Side A: Rock It For Me ; Side B: Strictly Jive |
||||
Webb, Chick (Decca 1273) Side A: Rusty Hinge ; Side B: Cryin’ Mood |
||||
Webb, Chick (Decca 2323) Side A: Undecided ; Side B: In The Groove At The Grove |
||||
Webb, Chick (Decca 2021) Side A: Wacky Dust ; Side B: Spinnin’ The Webb |
||||
Webster, Ben Sextet (Mercury 8265) Side A: Randle’s Island ; Side B: You’re My Thrill |
||||
Wettling, George and Chicago Rhythm Kings (Decca 18044) Side A: Bugle Call Rag ; Side B: Sister Kate |
||||
Wheaton, “Little David” (Capitol 40009) Side A: I Just Couldn’t Help It ; Side B: There’s All Kinds of Women |
||||
Wheatstraw, Peetie (Decca 7589) Side A: Possum Den Blues ; Side B: Road Tramp Blues |
||||
Wheatstraw, Peetie (Vocalion 04592) Side A: Sleepless Nights’ Blues ; Side B: C and A Blues |
||||
Whidby, Lula (Black Swan 2005) Side A: Home Again Blues ; Side B: Strut Miss Lizzie |
||||
White, Frances of Rock and White (Victor 45137) Side A: M-i-s-s-i-s-s-i-p-p-i ; Side B: Six Time Six is Thirty-Six |
||||
White, Georgia (Decca 7841) Side A: Come Around to My House ; Side B: Mama Knows What Papa Wants When Papa’s Feeling Blue |
||||
White, Georgia (Decca 7269) Side A: Dan The Back Door Man ; Side B: Sinking Sun Blues |
||||
White, Georgia (Decca 7534) Side A: Dead Man’s Blues ; Side B: Love Sick Blues |
||||
White, Georgia (Decca 7608) Side A: Fire In The Mountain ; Side B: When The Red Sun Turns to Gray (I’ll Be Back) |
||||
White, Georgia (Decca 7652) Side A: How Do You Think I Feel ; Side B: Do It Again |
||||
White, Georgia (Decca 7192) Side A: I’ll Keep Sittin’ On It (If I Can’t Sell It) ; Side B: Trouble In Mind |
||||
White, Georgia (Decca 7192) Side A: I’ll Keep Sittin’ On It (If I Can’t Sell It) ; Side B: Trouble In Mind |
||||
White, Georgia (Decca 7199) Side A: I Just Want Your Stingaree ; Side B: Black Rider |
||||
White, Georgia (Decca 7174) Side A: Rattlesnakin’ Daddy ; Side B: There Ain’t Gonna Be No Doggone Afterwhile |
||||
White, Georgia (Decca 7277) Side A: You Don’t Know My Mind ; Side B: Walking The Street |
||||
White, Josh (Apollo 157) Side A: Apples, Peaches, and Cherries ; Side B: The Man Who Couldn’t Walk Around |
||||
White, Josh (Musicraft 249) Side A: Hard Time Blues ; Side B: Monday, Tuesday, Wednesday |
||||
White, Josh (Decca 73128) Side A: I Left a Good Deal in Mobile ; Side B: Did You Ever Love a Woman |
||||
White, Josh (Keynote K-543) Side A: Riddle Song ; Side B: Whatcha Goin’ To Do |
||||
White, Josh (Decca 23654) Side A: Sometime ; Side B: Strange Fruit |
||||
White, Josh (Asch 358-3) Side A: Trouble ; Side B: Jerry |
||||
Whoopee Makers (Perfect 15104) Side A: Misty Mornin’ ; Side B: Hottentot. Note: (crack with tape) |
||||
Wilber, Bob (Commodore 584) Side A: Wild Cat Blues ; Side B: Blues For Fowler. Note: Performed with his Wild Cats |
||||
Wilber, Bob (Commodore 583) Side A: Willie The Weeper ; Side B: Mabel’s Dream. Note: Performed with his Wild Cats |
||||
Wilcox, Adam (a-side) and Williams, Joe (b-side) (Bluebird B-5930) Side A: Policy Blues ; Side B: Providence Help The Poor |
||||
Williams, Clarence (Vocalion 3195) Side A: This Is My Sunday Off ; Side B: Let Every Day Be Mother’s Day. Note: Performed |
||||
Williams, Clarence (Clarence Williams Blue Five) (Okeh 4925) Side A: Kansas City Man Blues ; Side B: Wild Cat Blues. Note: |
||||
Williams, Cootie (Capitol 266) Side A: When My Baby Left Me ; Side B: Echoes Of Harlem. Note: Performed with his orchestra |
||||
Williams, Cootie (Capitol 289) Side A: Wrong Neighborhood ; Side B: Let’s Do The Whole Thing Or Nothing At All. Note: Performed |
||||
Williams, Fess (Victor 38095) Side A: Musical Campmeeting- Fox Trot ; Side B: Buttons. Note: Performed with his Royal Flush |
||||
Williams, Fess (Brunswick 3589) Side A: Ozark Blues ; Side B: Alligator Crawl. Note: Performed with his Royal Flush Orchestra |
||||
Williams, Fess (Victor 38062) Side A: Sell It- Fox Trot ; Side B: Betsy Brown. Note: Performed with his Royal Flush Orchestra |
||||
Williams, George (Columbia A3974) Side A: Satisfied Blues ; Side B: Double Crossin’ Daddy. Note: Performed with Bessie Brown |
||||
Williams, George (Columbia 414078-D) Side A: What Makes Papa Hate Mama So? ; Side B: Oh! Dark Gal. Note: Performed with Lemuel |
||||
Williams, Jabo (American Music 8) Side A: Jab Blues ; Side B: Pratt City Blues |
||||
Williams, Joe (Clef 89419) Side A: Every Day ; Side B: Every Day (Part II). Note: Performed with Count Basie and his Orchestra |
||||
Williams, Joe (Cincinnati 2300) Side A: ‘Round The Clock Blues Part I ; Side B: Round The Clock Blues Part II. Note: Performed |
||||
Williams, Joe (Bluebird 34-0739) Side A: Somebody’s Been Worrying ; Side B: Vitamin A. Note: Harris note: $15- 25, 1945 |
||||
Williams, L. C. (Dot 1052) Side A: You Never Miss The Water ; Side B: Trying, Trying |
||||
Williams, Leona (Columbia A3713) Side A: I Wish I Could Shimmy Like My Sisiter Kate ; Side B: If You Don’t Believe I Love |
||||
Williams, Leona (Columbia A3599) Side A: Achin’ Hearted Blues ; Side B: Struttin’ Blues. Note: Performed with Her Dixie Band |
||||
Williams, Leona (Columbia A3696) Side A: Sugar Blues ; Side B: The Meanest Man In The World (Milady’s Blues)and Her Dixie |
||||
Williams, Mary (Decca 1021) Side A: Isabelle ; Side B: Corny Rhythm |
||||
Williams, “Rubberlegs” (Savoy 5516) Side A: Bring It On Home ; Side B: Deep Sea Blues. Note: Performed with Herbie Fields |
||||
Williams, “Rubberlegs” (Haven 1000) Side A: Going Back To Washington Corner 7th and “T” ; Side B: Did You Ever Set Thinkin’?. |
||||
Williamson, “Sonny Boy” (Bluebird 34-0713) Side A: Decoration Day Blues No. 2 ; Side B: Love Me, Baby. Note: Harris note: |
||||
Williamson, “Sonny Boy” (RCS Victor 20-2521) Side A: Lacey Belle ; Side B: Polly Put Your Kettle On |
||||
Williamson, “Sonny Boy” (RCA Victor 20-2369) Side A: Mellow Chick Swing ; Side B: G. M. & O. Blues |
||||
Williamson, “Sonny Boy” (Trumpet No.166) Side A: Mighty Long Time ; Side B: Nine Below Zero. Note: a-side: his Harmonica & |
||||
Williamson, “Sonny Boy” (Trumpet No.168) Side A: Stop Now Baby ; Side B: Mr. Down Child. Note: his Harmonica and House Rockers |
||||
Williamson, “Sonny Boy” (RCA Victor 20-2056) Side A: Shake The Boogie ; Side B: Mean Old Highway |
||||
Williamson, “Sonny Boy” (RCA Victor 20-2056) Side A: Shake The Boogie ; Side B: Mean Old Highway. Note: Victor Records cover |
||||
Williamson, “Sonny Boy” (Bluebird 34-0722) Side A: Win The War Blues ; Side B: Check Up On My Baby- Blues . Note: (chipped) |
||||
Williamson, “Sonny Boy” (RCA Victor 20-1875) Side A: You’re An Old Lady ; Side B: Early In The Morning. Note: Tampa Red, guitar; |
||||
Williamson, “Sonny Boy” (Checker 834) Side A: Let Me Explain ; Side B: Your Imagination |
||||
Wills, Nat M. (Victor 17894) Side A: Parody on Eight Familiar Songs ; Side B: A Father of 36. Note: Harris note: 1916, NL |
||||
Wilson, Dooley (Decca 40006) Side A: As Time Goes By ; Side B: Knock On Wood |
||||
Wilson, Edith (Columbia A3559) Side A: Wicked Blues ; Side B: Birmingham Blues. Note: Performed with the Original Jazz Hounds |
||||
Wilson, Edith (Columbia A3746) Side A: Evil Blues ; Side B: Pensacola Blues. Note: Performed with Johnny Dunn’s Original Jazz |
||||
Wilson, Edith (Columbia A3746) Side A: Evil Blues ; Side B: Pensacola Blues. Note: Performed with Johnny Dunn’s Original Jazz |
||||
Wilson, Edith (Columbia A3787) Side A: Dixie Blues ; Side B: He Used To Be Your Man But He’s My Man Now. Note: Performed with |
||||
Wilson, Edith (Columbia A3537) Side A: I Don’t Want Nobody Blues ; Side B: The West Texas Blues. Note: Performed with Johnny |
||||
Wilson, Edith (Columbia 41066-D) Side A: It’s Gonna Be A Cold, Cold Winter ; Side B: There’ll Be Some Changes Made. Note: |
||||
Wilson, Edith (Columbia A3506) Side A: Old Time Blues from “Put and Take” ; Side B: Frankie. Note: Performed with Johnny Dunn’s |
||||
Wilson, Edith (Columbia A3634) Side A: Mammy, I’m Thinking Of You ; Side B: Take It ‘Cause It’s All Yours. Note: Performed |
||||
Wilson, Lena (Brunswick 2464-A) Side A: Bleeding Hearted Blues ; Side B: Chirpin’ The Blues. Note: piano by Porter Grainger |
||||
Wilson, Lena (Pathe/ Actuelle 020910) Side A: Memphis Tennessee ; Side B: He Used To Be Your Man But He’s My Man Now. Note: |
||||
Williams, Leona (Columbia A3642) Side A: It Makes No Difference Now ; Side B: Got To Cool My Doggies Now (Sweet N’ Pretty |
||||
Wisdom Sisters, The (Columbia 15093-D) Side A: Amazing Grace ; Side B: Sitting At The Feet of Jesus |
||||
Witherspoon, Jimmy with Jay McShann and His Jazz-Men (Philo 108) Side A: Confessing The Blues ; Side B: Walking |
||||
78s. Y |
||||
Yancey, Jimmy (Victor 26590) Side A: Five O’Clock Blues ; Side B: Tell ‘Em About Me |
||||
Yancey, Jimmy (Parlophone R2959) Side A: I Received A Letter ; Side B: East St. Louis Blues. Note: Performed with Faber Smith |
||||
Yancey, Jimmy (Victor 26591) Side A: The Mellow Blues ; Side B: Slow And Easy Blues |
||||
Yancey, Jimmy (Victor 26589) Side A: State Street Special ; Side B: Yancey Stomp |
||||
Yancey, Jimmy (Victor 27238) Side A: Yancey’s Bugle Call- Fox Trot ; Side B: 35th And Dearborn- Fox Trot |
||||
Yas Yas Girl, The (Vocalion 04455) Side A: Don’t You Make Me High ; Side B: Love With A Feeling. Note: real name Merline Johnson |
||||
Yas Yas Girl, The (Vocalion 03638) Side A: Blues Everywhere ; Side B: I’d Rather Drink Muddy Water, No. 2 |
||||
Yas Yas Girl, The (Vocalion 05337) Side A: I’ll Try to Forget ; Side B: Want to Woogie Some More |
||||
|
||||
Series II. Sheet Music |
||||
Sheet Music. # |
||||
“12th Street Rag” by Euday L. Bowman; J. W. Jenkins Son’s Music Co. (Kansas City). Cover:photo of a Caucasian male saxophonist |
||||
“12th Street Rag” by Euday L. Bowman; J. W. Jenkins Son’s Music Co. (Kansas City). Cover:drawing of a Caucasian couple dancing |
||||
Sheet Music. A |
||||
“After I’ve Called You Sweetheart (How Can I Call You Friend)” by Bernie Grossman (w) and Little Jack Little (m); Milton Weil |
||||
“After the War is Over (Will there Be Any ‘Home Sweet Home’)” by E.J. Pourmon (w) and Joseph Woodruff (m); Joe Morris Music |
||||
“Alabama Barbecue” by Benny Davis and J. Fred Coots; Mills Music (New York). Cover: collage drawing of African Americans engaged |
||||
“Alabama Lullaby” by Cal DeVoll; Leo Feist (New York). Cover: drawing of exotic birds singing; description reads “a unique |
||||
“Alabama Lullaby” by Cal DeVoll; Leo Feist Inc. (New York). Cover:Art deco scene with Birds (see #158) 1919 |
||||
“Alabamy Bound” music by Ray Henderson; words by B.G. De Sylva and Bud Green. Cover: pink and purple; no graphic |
||||
“Alexander’s back From Dixie (With His Ragtime Band)” by Lew Colwell (w) and Pete Wendling (m); Lee S. Roberts (Chicago). |
||||
“Alexander’s Band is Back in Dixieland” by Jack Yellen (w) and Albert Gumble (m); Jerome H. Remick & Co. (New York – Detroit) |
||||
“Alexander’s Ragtime Band” by Irving Berlin; ABC Music Corporation (New York). Cover:drawing of a band performing in a park |
||||
“Alexander Don’t You Love Your Baby No More?” by Andrew B. Sterling (w) and Harry von Tilzer (m); Harry von Tilzer Music Publishing |
||||
“Alexander’s Ragtime Band” by Irving Berlin (w/m); Ted Snyder Co. (New York). Cover: drawing of a band performing in a park |
||||
“Alexanders Back from Dixie! (with His Ragtime Band)” by Lew Colwell (w) and Pete Wendling (m); Lee S. Roberts publisher (Chicago). |
||||
“All By Myself” words by Irving Berlin”. Cover: drawing of a woman reading a book near the window |
||||
“All Coons Look Alike to Me” by Ernest Hogan (w/m); M. Witmark & Sons (London, Toronto). Cover: caricature drawings of various |
||||
“Along the Rocky Road to Dublin” music by Bert Grant; words by Joe Young. Cover: photograph of singer Blanche Ring |
||||
“Among My Souvenirs” music by Horatio Nicholls; words by Edgar Leslie. Cover: drawing of a chest filled with letters and a |
||||
[Any Place…] “St. Louis Woman” “Any place I hang my Hat is Home” by Johnny Mercer (w) and Harold Arlen (m); De Sylvia, Brown & Henderson (New York)” [Digital Copy], 1946 |
||||
“Any Rags” by Thos. S. Allen (w/m); George M. Krey Co. (Boston). Cover:drawing of African American calling out the title, |
||||
“Anything is Nice if it Comes from Dixieland” by Grant Clarke, Geo. W. Meyer, and Milton Ager; Leo Feist (New York). Cover: |
||||
“Anything Is Nice If It Comes From Dixieland” words by Grant Clarke, George W. Meyer, and Milton Ager. Cover: drawing of an |
||||
“At Mammy’s Fireside” by Ballard MacDonald (w) and Harry Carroll (m); Shapiro Bernstein & Co. (New York). Cover:drawing of |
||||
“At the Coffee Cooler’s Tea” by Alex Sullivan and Harry de Costa; M. Witmark & Sons (New York, Chicago). Cover: drawing of |
||||
“At the Shim-Me-Sha-Wabblers’ Ball” by Geo. A. Lewis (w/m); Frank K. Root & Co. (Chicago, New York). Cover:drawing of African |
||||
“Ain’t that Just Like a Woman” by Claude Demitrius and Fleecie Moore; Preview Music Company (New York). Cover:photo of Louis |
||||
“At Least You Could Say Hello” by Dick Robertson, Charles J. McCarthy, and Sammy Mysels; Leo Feist (New York)” |
||||
“At the High Brown Babies’ Ball” by Benny Davis, Sid Erdman, and Ernie Erdman; Leo Feist (New York). Cover: drawing of a well-dressed |
||||
“Auf Wiedersehn but not goodbye” by Louis Weslyn (w) and Fred W. Vanderpool (m); A.J. Stasny Music, Inc. (New York). Cover:painting |
||||
“Aunt Hagar’s Blues” [New Revised Edition] by W. C. Handy; Richmond-Robbins Music Publishers (New York). Cover:photo of Isham |
||||
Sheet Music. B |
||||
“Back, Back, Back to Baltimore” by Harry Williams (w) and Egbert Van Alstyne (m); Shapiro, Remick and Company (New York). |
||||
“Banjo-Pickaninnies” by T. Robin MacLachlan; Harold Flammer (New York). Cover: drawing of two rural African American boys |
||||
“Banjo-Pickaninnies” by T. Robin MacLachlan; Harold Flammer, Inc. (New York). Cover:description reads: “A Descriptive Piano |
||||
“A Banjo Song” by Howard Weeden (w) and Sidney Homer (m); G. Schirmer, Inc. (New York). Cover:from a series called “Bandanna |
||||
“A Banjo Song” by Howard Weeden (w) and Sidney Homer (m); G. Schirmer (London – New York). Cover: part of a series called |
||||
“Banjoing the Polly Wolly Doodle” by Milo Giovanni; Harold Flammer (New York). Cover: drawing of an African American male |
||||
“Because the Fortune Teller Told Me” by Howard & Emmerson, and Maurice J. Steinberg; T. B. Harms & Co. (New York). Cover:drawing |
||||
“Before the World Began” by Andrew B. Sterling (w) and Alfred Solman (m); Joe Morris Music Co. (New York) |
||||
“The Belle of Georgia” by Wm. S. Glynn; Wm. J. Lefavour (Salem). Cover: drawing of an African American couple, dressed in |
||||
“Ben Hur March” by E.T. Paull; E.T. Paull Music (New York). Cover:drawing of a Chariot race at the Hippodrome (Circus maximus, |
||||
“Ben Hur March” by E.T. Paull; E.T. Paull Music (New York). Cover:drawing of a Chariot race at the Hippodrome (Circus maximus, |
||||
“The Big Swamp Bogie Man” by Earle C. Jones (w) and George W. Meyer (m); Jos. W. Stern & Co. (New York). Cover: “The World |
||||
“Bill Bailey, Won’t You Please —- Come Home?” by Hughie Cannon (w/m); Howley, Haviland & Dresser (New York, Chicago). Cover: |
||||
“Black Wasp Rag (A Stinger)” by H. A. Fischler; Vandersloot Music (Williamsport, PA). Cover:drawing of an African American |
||||
“The Blacksmith Blues” by Jack Holmes (w/m); Hill and Range Songs, Inc. (Beverly Hills). Cover:photo of singer Ella Mae Morse [Digital Copy], 1950/52 |
||||
“Blame it on the Two Black Crows” by Haven Gillespie (w) and Harry Harris (m); Milton Weil Music Co. (Chicago). Cover:drawing |
||||
“Blue Boogie” by John W. Schaum; Belwin (New York). Cover:caricature of an African American male face |
||||
“Bob White (Whatcha Gonna Swing Tonight?)” by Johnny Mercer (w) and Bernie Hanighen (m); Remick Music Corporation (New York). |
||||
“Boogie Woogie” by Clarence “Pine Top” Smith; Melrose Music (New York). Cover:drawing of an African American female dancing [Digital Copy], 1929/37 |
||||
“A Bow of Blue” by Maurice J. Steinberg (w) and Max Dreyfus (m); T.B. Harms and Co. Cover:drawing of a young lady taking a [Digital Copy], 1900 |
||||
“Brass Band Ephraham Jones” by Joe Goodwin (w) and Geo. W. Meyer (m); Leo. Feist (New York). Cover: drawing of “Ephraham Jones” |
||||
“Break the News to Mother” by Chas K. Harris; Chas K. Harris (New York — Chicago). Cover:photo of a mortally wounded soldier |
||||
“Bring Back My Blushing Rose” by Gene Buck (w) and Rudolf Friml (m); Harms, Inc. (New York). Cover:drawing of a woman with |
||||
“The Bugaboo Man” by R. A. Barnet (w) and J. E. Nicol (m); Arthur W. Tams (New York). Cover: drawing of a Caucasian woman |
||||
“The Bull-Frog Blues” by Tom Brown and Guy Shrigley; Will Rossiter (Chicago). Cover:drawing of a crying bullfrog; two photo [Digital Copy], 1916 |
||||
“A Bunch of Blues” collection of “The Weary Blues,” “String Beans Blues,”and “The Long Lost Blues” by H. Alf. Kelley and J. |
||||
“The Burning of Rome” by E.T. Paull; E.T. Paull (New York). Cover: drawing of the city of Rome burning; description reads: |
||||
” by the Campfire” by Percy Wenrich; Leo Feist (New York). Cover:drawing of an African American male playing a banjo |
||||
” by the Light of the Jungle Moon” by Powell I. Ford (w) and J.C. Atkinson (m); Jerome H. Remick and Co. (New York). Cover:drawing |
||||
” bye Bye Birdie” by Lee Adams (w) and Charles Strouse (m); Edwin H. Morris and Co., Inc. (New York). Cover:shows a listing |
||||
” bye Bye Blues” by Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray; Irving Berlin, Inc. (New York). Cover:photo of |
||||
Sheet Music. C |
||||
“Call Me Darling” by Bert Reisfeld, Mart Fryberg, and Rolf Marbot, orig. German text (Sag mir Darling) translated by Dorothy |
||||
“The Captive Lion’s Flight”(La fuite du Lion captif) by S. Mazurette; Hamilton S. Gordon (New York). Cover: drawing of a Lion |
||||
“Carelessly” by Charles and Nick Kenny (w) and Norman Ellis (m); Irving Berlin Inc. (New York). Cover:photo of Red Nichols [Digital Copy], 1936 |
||||
“Carry Me Back to Old Virginny” by James Bland (w/m), revised and edited by Harold Potter; Morris Music (Philadelphia). Cover:drawing |
||||
“Carry Me Back to Old Virginny” by James A. Bland (w/m); Boston-Oliver Ditson Company (New York, Chicago). Cover: drawing |
||||
“Champagne Charlie is My Name” by George Cooper (w) and Alfred Lee (m); Wm. Hall & Son (New York). Cover: “sung by the San |
||||
“Carry My Back to Old Virginny” by James A. Bland; Oliver Ditson Company (Boston). Cover: drawing of an African American family |
||||
“Celebratin’ Day In Tennessee” by Lew Brown (w) and Jack Glogau (m); Leo Feist, Inc. (New York). Cover:drawing of a floral |
||||
“Celestial Voices” by Rose Morris; F.B. Haviland (New York) – Cover Only. Cover:drawing of Angels |
||||
“The Chicago Express” by Percy Wenrich; McKinley Music Co., (Chicago — New York). Cover:drawing of a train |
||||
“Chicken Reel” by Jos. Mittenthal (w) and Jos. M. Daly (m); Daly Music Publisher (Boston). Cover: drawing of African Americans, |
||||
“Chlo-e (Song of the Swamp)” by Gus Kahn (w) and Neil Mor?t (m); Villa Mor?t (San Francisco). Cover:drawing of a swamp; photo |
||||
“Chloe Song” by Harry B. Smith (w) and Reginald DeKoven (m); Edward Schuberth & Co. (New York?). Cover: photo of Miss Anna |
||||
“Coal Black Mammy” by Laddie Cliff (w) and Ivy St. Helier (m); Leo Feist (New York). Cover: drawing of a peaceful scene with |
||||
“Coal Black Mammy” by Laddie Cliff (w) and Ivy St. Helier (m); Leo Feist, Inc. (New York). Cover:illustration of a peaceful |
||||
“Come Rain or Come Shine” by Johnny Mercer (w) and Harold Arlen (m); A-M Music Corporation (New York). Cover:drawing of a |
||||
“Comin’ Thro’ The Rye” arranged by J. Parry; no publication information given. Promotional Copy. Cover:a drawing of a woman |
||||
“Coon Coon Coon” by Gene Jefferson (w) and Leo Friedman (m); Sol Bloom (Chicago). Cover: drawing of three African American |
||||
“Corn Pone Shuffle” by Stanford King; Harold Flammer (New York). Cover:drawing of a rural African American male dancing |
||||
“Cotton Bolls” by Chas. Hunter; O. K. Houck Piano Co. (Memphis – Little Rock). Cover: drawing of two smiling African Americans |
||||
“Cotton Hollow Harmony” by Chas. A. Mason (w) and Richard A. Whiting (m); Jerome H. Remick & Co. (Detroit, New York). Cover:drawing |
||||
“Creole Bells” by J. Bodewalt Lampe; Whitney – Warner Publishing Cp. (Detroit). Cover:drawing of a garland and bells with |
||||
“Crossing the Ferry” by Bobby Newcomb; Jno. L. Peters, New York |
||||
“Cry Baby Blues” by Joe Young and Sam M. Lewis (w) and Geo. W. Meyer (m); Irving Berlin, Inc. (New York)” |
||||
“Cynthia Sue” by the Christy Minstrels” (w/m); C. Holt, Jr. (New York). Cover:drawing of the Christy Minstrels performing, |
||||
Sheet Music. D |
||||
“Dan Dan Danuel” by Ed. Rogers (w/m); F. B. Haviland Co. (New York). Cover: drawing of an African American male wearing a |
||||
“The Dance of the Grizzly Bear” by Irving Berlin (w) and George Botsford (m); Ted Snyder Co. (New York). Cover:drawing of |
||||
“Dancing Down in Dixieland” by Abe Olman and Irving Bibo; Forster Music Publishing (Chicago). Cover: drawing of an elegant |
||||
“Dancing the Jelly Roll” by Nat Vincent (w) and Herman Paley (m); Jerome H. Remick & Co. (New York, Detroit). Cover: drawing |
||||
“(Ta De Da Da De Dum) Dangerous Blues” by Anna Welker Brown (w) and Billie Brown (m); J. W. Jenkins Sons (Kansas City). Cover: |
||||
“Darkey’s Dream” by G. L. Lansing; McKinley Music Co. (Chicago). Cover: description reads “characteristic dance. Grade 3. |
||||
“Darktown Barbacue” by Will Marion Cook (w/m); John H. Cook Publishing Co. (New York). Cover:drawing of a bull’s head with |
||||
“The Darktown Poker Club” by Jean Havez (w) and Bert Williams and Will H. Vodery (m); Remick Music Corporation (New York)” [Digital Copy], 1914 |
||||
“The Darktown Strutters’ Ball” by Shelton Brooks; Leo Feist, Inc. (New York). Cover: caricature drawing of African American |
||||
“The Darktown Strutters’ Ball” by Shelton Brooks; Leo Feist, Inc. (New York) |
||||
“Dar’s Somethin’ About Yer I Like” by John T. Kelly (w/m); Weber Fields & Stromberg (New York). Cover: drawing of an African |
||||
“De Wes’ Wind Blows from de Wes'” by Larry E. Johnson (w/m); T. S. Denison & Co. (Chicago). Cover: description reads “exclusive |
||||
“The Dixie Volunteers” music by Harry Ruby; words by Edgar Leslie |
||||
“The Do I or Don’t I Blues (The Undecided Blues)” by Elsie Janis (w/m); Irving Berlin, Inc. (New York). Cover: “featured by |
||||
“Do Not Forget the Old Days” by Jean C. Havez (w/m); Lew Dockstader Pub. Co. (New York). Cover: photos of Lew Dockstader, |
||||
“Do You Remember?.” by F.E. Weatherly (w) and H.J. Wrightson; The B.F. Wood Music Co (Boston). Cover: text reads: “song with |
||||
“Doan Ye Cry, Ma Honey” by Albert W. Noll; Oliver Ditson Co. (Boston). Cover: text reads: “Songs in Negro Dialect” |
||||
“Doan Ye Cry Ma Honey” by Albert W. Noll (w/m); Oliver Ditson Company (Boston, New York). Cover: description reads “darky |
||||
“Dolores” by Frank Loesser (w) and Louis Alter (m); Paramount (New York). Cover:photo of Tommy Dorsey and his orchestra |
||||
“Don’t Be Angry with Me Darling” by W.L. Gardner (w) and H.P. Danks (m); Charles W. Harris (New York) |
||||
“Don’t Be Too Sure” by Hal Billings (w) and Henry R. Cohen (m); Ell and Ell Publishing Co. (Los Angeles). [Cover Only]. Cover: |
||||
“Don’t Take away those Blues” by Joe McKiernan and Norman Spencer; Jerome H. Remick & Co. (New York – Detroit). Cover:drawing |
||||
“Don’t You Remember” or “Ben Bolt” by Thomas Dunn English (w) and Nelson Kneass (m); Dana T. Bennett Co. (New York). Cover: |
||||
“Down Among the Sheltering Palms” music by Abe Olman; words by James Brockman. Cover: Drawing of palm trees and a steam ship; |
||||
“Down in Jungle Town” by Edward Madden (w) and Theodore Morse (m); F. B. Haviland Pub. Co. (New York). Cover: colorful drawing |
||||
“Down in Jungletown” by Edward Madden (w) and Theodore Morse (m); F.B. Haviland (New York). Cover:drawing of thatched buildings |
||||
“Down in the Deep, Let Me Sleep When I Die” by W. L. Titus (w) and H. W. Petrie (m); Albright Music Co. (Chicago). Cover: |
||||
“Down on de Banks ob de Mississippi Ribber” by R. A. Browne (w) and Chas. Coleman (m); Frank Tousey’s Publishing House (New |
||||
“Down Souf in Alabama” by B. H. Janssen; M. D. Janssen & Co. (New York). Cover:drawing of a well-dressed African American |
||||
“Down South” by W. H. Myddleton; Jos. W. Stern & Co. (London). Cover: caricature drawings of four scenes labeled “Big Boot |
||||
“Down Where the Cotton Blossoms Grow” by Andrew B. Sterling (w) and Harry Von Tilzer (m); Shapiro, Remick and Co. (New York). |
||||
“Down Where the Swanee River Flows” by Chas. McCarron and Chas. S. Alberte (w) and Albert Von Tilzer (m); Broadway Music Corp. |
||||
“Dream Daddy” by Louis Herscher (w) and George Keefer (m); Joe Morris Music Co. (New York). Cover: photo of “The Benson Orchestra |
||||
“Dreaming” by Archibald Joyce; Leo Feist, Inc. (New York). Cover:Drawing of a woman with flowers; text reads: “Valse Boston” [Digital Copy], 1911 |
||||
“Dreaming Love of You” by Chas. K. Harris; Chas. K. Harris (New York — Chicago). Cover:drawing of a woman surrounded by flowers [Digital Copy], 1905 |
||||
“Dreamy Melody” by Ted Koehler, Frank Magine, and C. Naset; Jerome H. Remick & Co. (New York – Detroit). Cover: photo of “Art |
||||
Sheet Music. E-F |
||||
“Echoes From Old Mobile” by Walter E. Petry; The S. Brainards Sons Co. (New York — Chicago). Cover:Photo of a young boy leaning |
||||
“Eili Eili” by Jacob Koppell Sandler; Robbins Music Inc. (New York) |
||||
“Eli Green’s Cake Walk” by Dave Reed Jr. (w) and Sadie Koninsky (m); Jos. W. Stern & Co. (New York). Cover:drawing of a well |
||||
“Ev’ry Little Bit Helps” by George Whiting (w) and Fred Fischer (m); Harry von Tilzer Music Publishing Co. (New York). Cover: |
||||
“Evah Dahkey is a King” by E. P. Moran & Paul Laurence Dunbar (w) and John H. Cook (m); Harry Von Tilzer Music Pub. Co. (Chicago). |
||||
“Everybody Works but Father” by Jean Havez; Held & Hager Co. (New York). Cover:photos of Lew Dockstader – one in blackface [Digital Copy], 1905 |
||||
“Everybody’s Doin’ It Now” by Irving Berlin; Ted Snyder Co (New York). Cover:drawing of a dancing couple; photo inset of Master |
||||
“Exactly Like You” by Dorothy Fields (w) and Jimmy McHugh (m); Shapiro, Bernstein, and Co., Inc. (New York). Cover: text reads: |
||||
“Fade Away, I’m Waitin’ Fo’ Mah Man” by Frank Abbott (w) and Ben. M. Jerome (m); Howley, Haviland & Dresser (New York). Cover: |
||||
“Fantasia – Variations” by W.C. Polla; Vandersloot Music Publishing Co. (Williamsport, PA). Cover:drawing of trees |
||||
“Les Filles De Cadix (The Maids of Cadiz)” by Alfred De Musset (w) and Leo Delibes (m); Robbins Music Corporation (New York). |
||||
“The Finger Wrecker” by Bert Dixon; Jack Mills Inc. (New York). Cover: description reads “novelty piano solo” |
||||
“First Heart Throbs” by Richard Eilenberg; DeLuxe Music Co. (New York). Cover:drawing of a girl and a boy sitting in the garden, |
||||
“For Me and My Gal” by Edgar Leslie and E. Ray Goetz (w) and Geo. W. Meyer (m); Waterson, Berlin & Snyder Co. (New York). |
||||
“For You” by Al Dubin (w) and Joe Burke (m); M. Whitmark and Sons (New York). Cover:drawing of a woman serenaded by her admirer [Digital Copy], 1930 |
||||
“Forbidden Love” by Jack Elliott and Harold Spina; Mogull Music Corp. (New York). Cover:photo of Vic Damone |
||||
Sheet Music. G |
||||
“The Gaby Glide” by Harry Pilcer (w) and Louis A. Hirsch (m); Shapiro Music Publishing (New York). Cover:photo of a Caucasian |
||||
“A Girlie Was Just Made To Love” by Joe Goodwin (w) and George W. Meyer (m); F.B. Haviland (New York). Cover:portrait of a |
||||
“The Glory of Love” by Billy Hill; Peter Maurice Music Co. (New York). Cover:photo of singer Tommy Brookins |
||||
“Go Back Where You Stayed Last Night” by Ethel Waters and Sidney Easton; Triangle Music Pub. Co. (New York). Cover:photo of |
||||
“Good-Bye Broadway, Hello France” by C. Francis Reisner and Benny Davis (w) and Billy Baskette (m); Leo Feist, Inc. (New York). |
||||
“Good-bye Mister Greenback” by Thos. S. Allen (w/m); Walter Jacobs (Boston). Cover: drawing of a cigar smoking African American |
||||
“Good-Bye Mr. Ragtime (Since the Merry Widow Waltz has Come to Town)” by Wm. Jerome (w) and Jean Schwartz (m); Cohan & Harris |
||||
“Good Evenin'” by Paul Laurence Dunbar (w) and Will Marion Cook (m); Harry Von Tilzer Music Publishing Co. (New York). Cover: |
||||
“Good Morning Carrie!” by R. C. McPherson (w) and Smith & Bowman (m); Windsor Music Co. (Chicago, New York). Cover:caricature |
||||
“Gotta be This or That” by Sunny Skylar (w/m); Harms Incorporated (New York). Cover:photo of Benny Goodman |
||||
“The Great Waltz” by Oscar Hammerstein II (w) and Johann Strauss II (m); Leo Feist, Inc. (New York). Cover:photo of Miliza |
||||
“Greeting to the Yellow and Blue” by John Emil Wimmerstedt; John E. Wimmerstedt (Brooklyn, NY). Cover:drawing of the Swedish |
||||
“Gwine to Heaben Some Day” by Speed Langworthy (w) and Vernon Richner (m); T. S. Denison & Company (Chicago)” “Description |
||||
Sheet Music. H |
||||
“Hannah’s Promenade” by J. H. Ellis; [no publisher information]. Cover: description reads “cake-walk” |
||||
“Happy Days in Georgia” by Chas Kuebler; Brehm Bros. (Erie, PA). Cover: drawing of an African American male performing on |
||||
“Happy Hannah” by Theo. Havemeyer; McKinley Music Co. (Chicago, New York). Cover: caricature of four African Americans, drawn |
||||
“Happy Little Nigs” by George Elliott; W. J. Dyer & Bro. (Saint Paul, Minnesota). Cover: drawing of young African Americans |
||||
“Happy Rag” by R. G. Gradi; Ajax Music Co. (Chicago, Illinois). Cover:caricature of an African American male playing a five-string |
||||
“Harlem Rhythm Dance” by Clarence Williams (w) and Andy Razaf (m); Clarence Williams Music Publishing Co. (New York). Cover:photo |
||||
“He Told Me So” by Emily T. Charles (w) and J.W. Schoff (m); John F. Ellis and Co (Washington D.C.). Cover: text reads “Dedicated |
||||
“He’s A Rag Picker” by Irving Berlin; Waterson, Berlin, and Snyder, and Co. (New York). Cover:drawing of a man playing piano; |
||||
“He’s a Rag Picker” by Irving Berlin; Waterson, Berlin & Snyder Co. (New York). Cover: drawing of a Caucasian male playing |
||||
“Hesitation Blues (Oh! Baby, Must I Hesitate?)” by Scott Middleton and Billy Smythe; Billy Smythe Music Co. (Louisville, KY). |
||||
“Hear the Pickaninny Band” by Billy J. Vanderveer (w) and Seymour Furth (m); Joe Morris Music Co. (New York). Cover:caricature |
||||
“Higgledy-Piggledy” by Edgar Smith (w) and Maurice Levi (m); Chas. K. Harris (New York). Cover:photo of woman in hat with |
||||
“High Yellow Cake Walk and Two-Step” by F. Henri Klickmann; Frank K. Root & Co. (Chicago, New York). Cover:drawing of a well-dressed |
||||
“Hit the Deck”music by Vincent Youmans; words by Leo Robinson and Clifford Grey; New York: Harms Inc.. Cover: description |
||||
“Home Sickness Blues” by Cliff Hess (w/m); Waterson, Berlin & Snyder Co. (New York). Cover:drawing of a pleasant home surrounded |
||||
“Home Sweet Home” arranged by G.J. Webb; no publication information given. Promotional Copy. Cover: drawing of a woman playing |
||||
“Homesick Blues” by Cliff Hess; Waterson, Berlin, and Snyder Co. (New York). Cover:idyllic drawing of a house and birds on |
||||
“Honey You’re the Warmest Gal In Town” by Irving Jones (w/m); F. A. Mills (New York). Cover: photo of “Mr. J. Flatow and Miss |
||||
“The Horse Trot” by Uriel Davis; Jerome H. Remick and Co. (New York — Detroit). Cover:drawing of a Caucasian couple dancing |
||||
“Horses” by Richard A. Whiting and Byron Gay; Leo. Feist (New York). Cover: drawing of three horses with riders in a race; |
||||
[Hot Lips] “(When he Plays Jazz he’s Got -) Hot Lips” by Henry Busse, Henry Lange and Lou Davis; Leo. Feist (New York). Cover: drawing of an African American male playing trumpet; description reads “a blues fox trot song” (2 versions)” [Digital Copy], 1922 |
||||
“Hot Lips” by Henry Busse, Henry Lange, and Lou Davis; Leo. Feist (New York). Cover: photo of Henry Busse holding a trumpet; |
||||
“A Hot Time in Monkey Town” by Edward Madden (w) and Percy Wenrich (m); Jerome Remick and Co. (New York — Detroit) |
||||
“How’d You Like To Be My Daddy” by Joe Young and Sam M. Lewis (w) and Ted Snyder (m); Waterson, Berlin, and Snyder Co. (New |
||||
“Hunky-Dory” by Abe Holzmann; Leo Feist (New York). Cover: three photos of four African Americans (two men and two women); |
||||
Sheet Music. I |
||||
“I Ain’t Got No Happy Home to Leave” by J. Fred Helf (w/m); Feist & Frankenthaler (New York). Cover: “Supplement to the New |
||||
“I Ain’t’en Got’en No Time to Have the Blues” by Andrew B. Sterling (w) and Harry von Tilzer (m); Harry von Tilzer Music Publishing |
||||
“I Didn’t Raise My Boy to be a Soldier” by Alfred Bryan (w) and Al. Piantadosi (m); Leo. Feist (New York). Cover: drawing |
||||
“I Don’t Care What You Used To Be (I Know What You Are Today)” by Al Dubin and Jimmy McHugh; Jakc Mills, Inc. (New York). |
||||
“I Feel You Near Me” by Joseph McCarthy (w) and James Hanley (m); Red Star Music Company (New York). Cover:photo of John McCormack |
||||
“I Have Got the Blues To Day!” by Sarah M. Graham (w) and Mary E. Thompson (m); Gustave Blessner . “[This is a photocopy of |
||||
“I Just Met The Fellow Who Married The Girl That I Was Going To Get” by Jos. McCarthy (w) and Al. Piantadosi (m); Leo Feist |
||||
“I Love Dat Man” by Dan Packard (w) and E. J. Simnes (m); Mill Bros. (New York). Cover: photo of Miss Alice Atherton, a Caucasian |
||||
“I Love Her Oh! Oh! Oh!” by Joe McCarthy and E.P. Morgan (w) and James V. Monaco (m); Broadway Music Corp. (New York). Cover:drawing |
||||
[I Love the Name…]”(Some One Waits, and that is Why) I Love the Name of Dixie” by Jack Frost (w) and E. Clinton Keithley (m); Frank K. Root & Co. (Chicago – New York). Cover:African Americans picking cotton [Digital Copy], 1915 |
||||
“I Want My Lulu” by Lew. Dockstader (w) and Karl St. Clair (m); W. B. Gray & Co. (New York). Cover: photo of Lew. Dockstader |
||||
“I Want To Go Back To Michigan (Down On The Farm)” by Irving Berlin; Waterson, Berlin and Snyder Co. (New York). Cover:drawing |
||||
“I Want Yer Ma Honey” by Fay Templeton (w/m); T. B. Harms & Co. (New York). Cover: Description reads “An Ethiopian Oddity” [Digital Copy], 1895 |
||||
“I Wish I Could Shimmy Like My Sister Kate” by A. J. Piron (w/m); Clarence Williams Publishing Co. (New York). Cover: photo |
||||
“I Wonder Whom I’ll Marry” by C.M.S. McLellan (w) and Ivan Caryll (m); Chappell and Co. Ltd. (New York). Cover: text reads |
||||
“I Wouldn’t Trade The Silver In My Mother’s Hair (For All the Gold in the World)” by Little Jack Little and J. Fred Coots; |
||||
“If We Can’t Be The Same Old Sweethearts We’ll Just Be The Same Old Friends” by Joe McCarthy (w) and Jimmie V. Monaco (m); |
||||
“If You Had The World and All Its Gold” by Bartley Costello and Harry Edelheit (w) and Albert Piantadosi (m); Al. Piantadosi |
||||
“I’m A Real Kind Mama (Lookin’ For A Lovin’ Man)” by Roger Graham (w) and Maceo Pinkard (m); Frank K. Root and Co. (Chicago |
||||
“I’m Drifting Back to Dreamland” by Florence Charlesworth and Charles Harrison (w) and Jack Sadler (m); Ted Browne Music Co. |
||||
“I’m Gonna Bring a Watermelon to my Girl To-Night” by Billy Rose (w) and Con Conrad (m); B. Feldman & Co. (London). Cover:drawing |
||||
“I’m Just Wild about Harry” by Noble Sissle and Eubie Blake; M. Witmark & Sons (New York). Cover: drawing of a well dressed |
||||
“I’m Just Wild about Harry” by Noble Sissle and Eubie Blake; M. Witmark & Sons (New York). Cover:drawings of various people’s |
||||
“I’m Saving Up the Means to Get to New Orleans” by Howard Johnson and Harry de Costa; Leo. Feist (New York). Cover: drawing |
||||
“I’m Sorry I Made You Cry” by N.J. Clesi; Leo Feist (New York). Cover:drawing of a Caucasian couple, locked in an embrace” [Digital Copy], 1918 |
||||
“Impecunious Davis” by Kerry Mills; F. A. Mills (New York). Cover: caricature of an African American male reclining against |
||||
“In a Southern Cabin” by Ella Ketterer; Theodore Presser (Philadelphia) |
||||
“In Dear Old Tennessee” by Olive L. Frields (w) and Harry L. Newman (m); Shapiro Music Publisher (New York). Cover:drawing |
||||
“In the Evening by the Moonlight” by James Bland; Calumet Music (Chicago). Cover:drawing of musicians playing under the moonlight [Digital Copy], 1937 |
||||
“In the Evening By the Moonlight” by James Bland; Calumet Music Co. (Chicago). Cover:drawing of an African American man playing |
||||
“In The Garden” by Archie Fletcher (w) and Arthur Lang (m); Joe Morris Music Company (New York). Cover:photo of John Bunny [Digital Copy], 1914 |
||||
“In the Heart of the City (That Has No Heart)” by Thos. S. Allen (w) and Joseph M. Daly (m); Daly Music Publisher (Boston). |
||||
“The Invitation Rag” by Les Copland; Jerome H. Remick (New York – Detroit). Cover Only. Cover:photo of Les Copeland |
||||
“Ireland Must Be Heaven, For My Mother Came From There” by Joe McCarthy, Howard Johnson, and Fred Fisher; Leo Feist Inc. (New |
||||
“Is You is, or is You Ain’t (Ma’ Baby)” by Billy Austin and Louis Jordan; Leeds Music (New York). Cover: “from the Universal |
||||
“The Island of Roses and Love” by Earle G. Jones (w) and Neil Morfet (m); Jerome H. Remick and Co. (New York). Cover:Photo |
||||
“Isle D’Amour” by Earl Carroll (w) and Leo. Edwards (m); Leo Feist (New York). Cover:Photo of Jose Collins |
||||
“It Ain’t Necessarily So” by DuBose Heyward (w) and George Gershwin (m); Gershwin Publishing Corp. (New York). Cover:drawing |
||||
“It Takes a Long Tall Brown-skin Gal to Make a Preacher Lay His Bible Down” by Marshall Walker (w) and Will E. Skidmore (m); |
||||
“It’s Anybody’s Spring” by Johnny Burke (w) and James Van Heusen (m); Burke and Van Heusen, Inc. (New York). Cover:Mountains |
||||
“I’ve Said My Last Farewell (Toot-Toot-Good-Bye)” by Ed. Rose (w) and Fred Fischer (m); Helf & Hager Co. (New York). Cover: |
||||
“I’ve Got de Blues” by Smith & Bowman; Lyceum Publ. Co. . [photocopy of the music; cover is a photo of the “Versatile Trio,” |
||||
“I’ve Got My Habits On” by Chris. Smith and Bob Schafer (w) and Jimmie Durante (m); Goodman & Rose Inc. (New York). Cover:drawing |
||||
“I’ve Got the Texas Blues” by Alice Canterbury; Canterbury Publications (Los Angeles). Cover:photo of Irving Siegel playing |
||||
Sheet Music. J |
||||
“Jazz Baby” by Blanche Merrill (w) and M. K. Jerome (m); Waterson, Berlin & Snyder (New York). Cover:drawing of well-dressed |
||||
“Jazz Baby” by Blanche Merrill (w) and M.K. Jerome (m); Waterson, Berlin, and Snyder Co. (New York). Cover:drawing of Caucasian |
||||
“Jazzin’ the Blues Away” by Jeff Branen (w) and Dick Heinrich (m); A. J. Stasny Music Co. (New York – Cleveland). Cover:drawings |
||||
“Jealous” by Tommie Malie and Dick Finch (w) and Jack Little (m); Henry Waterson Inc. (New York). Cover:drawing of a woman |
||||
“Jolly Darkies” by Karl Bechter; Allan & Co. (Melbourne – Sydney). Cover: drawing of African American men performing music, |
||||
“Juba” by R. Nathaniel Dett; Clayton F. Summy Co. (Chicago). Cover: description reads “dance from the suite “In the Bottoms” |
||||
“Jubilee March” by Samuel D. Brown (w/m), arranged by E. Durand; J.R. Bell (Leavenworth, Kansas). Cover:four caricature drawings |
||||
“Just a Cottage Small (By a Waterfall)” by B.G. DeSylva (w) and James F. Hanley (m); Harms Incorporated (New York). Cover:photo |
||||
“Just a Gigolo (Sch?ner Gigolo)” by Julius Brammer (w) and Leonello Casucci (m), translated by Irving Caesar; De Sylva, Brown, |
||||
“Just for To-Night” by Frank O. French (w/m); M. Witmark & Sons (New York – Chicago). Cover: photo of “Jos. E. Blamphin the |
||||
“Just Friends” by Sam M. Lewis (w) and John Klenner (m); Robbins Music Corporation (New York). Cover: photo of “Red” McKenzie” [Digital Copy], 1931 |
||||
Sheet Music. K |
||||
“The Kangaroo Hop” by Melville Morris; Jerome H. Remick and Co. (New York — Detroit). Cover:a Caucasian couple dancing under |
||||
“Keep Smiling At Trouble (Trouble’s a Bubble)” by Al Jolson and B.G. De Sylva (w) and Lewis Gensler (m); Harms Incorporated |
||||
“Keep Your eye On The Girlie You Love” by Howard Johnson and Alex Gerber (w) and Ira Schuster (m); Leo Feist, Inc. (New York). |
||||
“Kentucky Dream” by Agnetta Floris (w) and S.R. Henry and D. Onivas (m), translated by Frank H. Warden; Jos. W. Stern and |
||||
“Kerry Mills Barn Dance” by Kerry Mills; F.A. Mills (New York). Cover: drawing of Caucasian couples dancing in a barn |
||||
“Kiss and Make Up” by Ned Miller (w) and Al Bogate and Carl Hoefle (m); Leo Feist Inc. (New York). Cover:drawing of a Caucasian |
||||
“Kiss Waltz” by Al Dubin (w) and Joe Burke (m); M. Whitmark and Sons (New York). Cover:photo of Grant Withers and Sue Carol |
||||
Sheet Music. L |
||||
“La Veeda” by Nat. Vincent (w) and John Alden (m); Jerome H. Remick and Co. (New York). Cover: drawing of a woman dancing |
||||
“The Last Round-Up” by Billy Hill; Shapiro, Bernstein and Co. (New York). Cover:silhouette drawing of a cowboy on his horse; |
||||
“The Laughing Little Red-Head Coon” by Ellis G. Berg (w/m); Harry Tillmann & Co. (New York). Cover: drawing of a red-headed |
||||
“A Li’l’ Coon’s Dilemma” by Enid Hey (w) and Pauline Winslow (m); Muse Publishing Co. (Brooklyn). Cover: drawing of a frightened |
||||
“The Lighthouse Song” by Allen Lowe (w) and Charles Denn?e (m); Arthur P. Schmidt. Cover:drawing of a ship and a Lighthouse [Digital Copy], 1902 |
||||
“Limehouse Blues” by Douglas Furber (w) and Philip Braham (m); Harms Incorporated (New York)” |
||||
“Listen to that Jungle Band” by Al. Bryan (w) and Kendis & Paley (m); Shapiro (New York). Cover: drawing of a monkey conducting |
||||
“Listen To That Jungle Band” by Al. Bryan (w) and Kendis and Paley (m); Shapiro Music Publisher (New York). Cover:exotic animals |
||||
“Little Alabama Coon” by Hattie Starr; Willis Woodward & Co. (New York). Cover:photo of singer Miss Frankie M. Raymond |
||||
“Little Alabama Coon” by Hattie Starr (w/m); Edward B. Marks Music Co. (New York)” |
||||
“A Little Bit O’ Honey” by W. G. Wilson (w) and Carrie Jacobs-Bond (m); Carrie Jacobs-Bond & Son (Hollywood). Cover:painting |
||||
“Little Grey Home In The West” by D. Eardley-Wilmot (w) and Hermann L?hr (m); Chappell and Co. Ltd. (New York) |
||||
[Little House] “(There’s a Light That’s Burning in the Window of) The Little House Upon the Hill” by Ballard Macdonald, Joe Goodwin, and Harry Puck; Shapiro, Bernstein, and Co. (New York). Cover:drawing of an elderly lady sitting on a bench near a dog – a house is centered in the background; photo inset of Ward and Delmore [Digital Copy], 1914 |
||||
“Little Puff of Smoke, Good Night” by R. W. Lardner (w) and G. Harris (Doc’) White (m); Victor Kremer Co. (Chicago – New York). |
||||
“Little Yaller Boy” by Hugh Morton (w) and Gustave Kerker (m); T. B. Harms (New York). Cover: “Musical Supplement of the New |
||||
“Liza Smile! Smile! Smile!” by James M. Reilly (w) and Arthur Gillespie (m); Reilly and Co. (Albany, New York). Cover:photo |
||||
“Love and Glory” by Lee Orean Smith; Leo Feist Inc. (New York)” Cover:a drawing of patriotic scene of knights in armor and |
||||
“The Love Nest” by Otto Harbach and Frank Mandel (w) and Louis A. Hirsch (m); Victoria Publishing Corp. (New York) |
||||
“Love Will Find a Way” by Noble Sissle and Eubie Blake; M. Witmark & Sons (New York)” |
||||
Sheet Music. M |
||||
“Ma Ebony Belle” by Ed. Gardenier (w) and Maurice Levi (m); Rogers Bros. (New York). Cover: photos of Gus Rogers, Max Rogers, |
||||
“Ma Lady Lu” by Chas. W Doty (w) and Edwin S. Brill (m); Chas. B. Ward Music Publishing Co. (New York). Cover: photo of Greg |
||||
“Ma Lady Lu” by Chas. W. Doty (w) and Edwin S. Brill (m); Harry Von Tilzer Music Publishing Co. (New York). Cover:photo of |
||||
“Magnetic Rag” by Scott Joplin; Jack Mills Inc. (New York). Cover: description reads “novelty piano solo” |
||||
“Mammy Blossom’s ‘Possum Party” by Arthur Fields (w) and Theodore Morse (m); Leo. Feist (New York). Cover: drawing of rural |
||||
“Mammy Blossom’s ‘Possum Party” by Arthur Fields (w) and Theodore Morse (m); Leo Feist, Inc. (New York). Cover:drawing of |
||||
“Mammy Jinny’s Jubilee” by L. Wolfe Gilbert (w) and Lewis F. Muir (m); F.A. Mills (New York). Cover: drawing of a large crowd |
||||
“Manny Jinny’s Jubilee” by L. Wolfe Gilbert (w) and Lewis F. Muir (m); F. A. Mills (New York). Cover: drawing of a large crowd |
||||
“Mammy O’ Mine” by Wm. Tracy (w) and Maceo Pinkard (m); Shapiro Bernstein and Co. (New York). Cover:a photo of an elderly |
||||
“Mammy’s Little Coal Black Rose” by Raymond Egan (w) and Richard A. Whiting (m); Jerome H. Remick & Co. (New York – Detroit). |
||||
“Mammy’s Little Pumpkin Colored Coons” by; Hillman & Perrin M. Witmark & Sons (New York – Chicago). Cover: drawing of an African |
||||
“Mammy’s Lullaby” by J. Will Callahan (w) and Lee S. Roberts (m); Forster Music Publisher (Chicago). Cover: drawing of sunset |
||||
“Mammy’s Lullaby” by Lee. S. Roberts; Forster Music Publisher Inc (Chicago). Cover: drawing of an evening scene with a little |
||||
“Mammy’s Lullaby” by Al Cameron and Julius Seidor (w) and Pete Bontsema, Julius Peto, and Marty Jacobi (m); Milton Weil Music |
||||
“Mammy’s Shufflin’ Dance” by L. Wolfe Gilbert (w) and Melville J. Gideon (m); Will Rossiter (Chicago). 5 Identical Copies. |
||||
“Mammy’s Shufflin’ Dance” by L. Wolfe Gilbert (w) and Melville J. Gideon (m); Will Rossiter (Chicago). Cover:photo of the |
||||
“Mammy’s Song” by Laura Spencer Porter (w) and Harriet Ware (m); John Church Company (Cincinnati – New York). Cover:drawing |
||||
“Mandy Lane” by Wm. McKenna; Jerome H. Remick & Co. (New York – Detroit). Cover:drawing of a well dressed African American |
||||
“Mandy’s Ragtime Waltz” by J. S. Zamecnik; Sam Fox (Cleveland). Cover:drawing of an African American couple waltzing |
||||
“Maple Leaf Rag” by Scott Joplin; John Stark & Son (St. Louis)” |
||||
“Marie” by Irving Berlin; Irving Berlin Inc. (New York). Cover:photo of Vilma Banky |
||||
“Marta, Rambling Rose of the Wildwood” by L. Wolfe Gilbert (w) and Moises Simons (m); Edward B. Marks Music (New York). Cover:photo |
||||
“Maudie” by George M. Cohan; George M. Cohan (New York). Cover: photo of Miss Josephine Cohan; “Music Supplement of the New |
||||
“May Irwin’s New Coon Song Hits” – “Mister Johnson Turn Me Loose” by Ben. Harney and “All Coons Look Alike to Me” by Ernest |
||||
“Maybe” by Allan Flynn and Frank Madden; Robbins Music Corporation (New York). Cover:photo of Phil Regan |
||||
“Me Too (Ho-Ho! Ha-Ha!)” by Harry Woods, Charles Tobias, and Al. Sherman; Shapiro, Bernstein, and Co. (New York). Cover:drawing [Digital Copy], 1926 |
||||
“The Melody That Made You Mine” by Cliff Friend (w) and W.C. Polla (m); Shapiro, Bernstein, and co. (New York). Cover:photo |
||||
“Memories of France” by Al Dubin (w) and J. Russel Robinson (m); Waterson, Berlin, and Snyder Co. (New York). Cover:drawing |
||||
“The Memphis Blues” by W. C. Handy; Joe Morris Music Co. (New York). Cover: photo of a Caucasian fiddle player (possibly Waiman); |
||||
“Mid the Fields of Snowy Cotton (‘Round My Dear Old Southern Home)” by Otto & John Heinzman; Weser Bros. (New York). Cover:drawing |
||||
“Midnight Schottisch” by Francis H. Brown; Firth, Pond, and Co. (New York). Cover:dancing people at a ball |
||||
“The Midnight Waltz” by Gus Kahn (w) and Walter Donaldson (m); Leo. Feist (New York). Cover: drawing of Caucasian couples |
||||
“The Minstrel Boy” by Harry Rowe Shelley; Wm. A. Pond & Co. (New York) |
||||
“The Minstrel Man” by Bernice Frost; The Boston Music Co. (Boston). Cover:drawing of a man in blackface ( see 442) |
||||
“The Minstrel Man” by Bernice Frost; The Boston Music co. (Boston). Cover:drawing of a comedian made up in blackface |
||||
“Minstrel Melodies”arranged by Eduard Holst; Thos. Goggan & Bro. (Galveston, TX). Description: Solo piano composition based |
||||
“Miss Caroline” by Thos. S. Allen; O. E. Story (Boston). Cover: drawing of an African American male singing and playing a |
||||
“The Mississippi Side-Step” by Leo. E. Berliner; Leo. E. Berliner & Co. (New York). Cover: drawing of well-dressed African |
||||
“Mississippi Mud” by Harry Barris (w/m); Shapiro, Bernstein & Co. (New York). Cover:photo of a Caucasian male playing violin [Digital Copy], 1927 |
||||
“Mister Morton, Stop Your Coutrin'” by Charles Horwitz (w) and Frederick V. Bowers (m); Sol Bloom (Chicago). Cover:drawing |
||||
“Money” by Walter Stephens (w) and Wm. F. Braun (m); Frank K. Root & Co. (New York). Cover: drawing of an African American |
||||
“The Moon Shines on the Moonshine” by Francis De Witt (w) and Robert Hood Bowers (m); Shapiro, Bernstein & Co. (New York). |
||||
“Moonbeams on the Lake” by W.F. Sudds; W.F. Shaw. Cover: drawing of a moonlit scene of a lake and mansion; Description reads |
||||
“A Moonlight Meander” by S. M. Roberts; Eclipse Publishing Co. (Philadelphia, PA). Cover: drawing of an African American couple |
||||
“Moving Day in Jungle Town” by Harry B. Smith (w) and Maurice Levi (m); Jerome H. Remick and Co. (New York). Cover:drawing |
||||
“My Blue Heaven” by George Whiting (w) and Walter Donaldson (m); Leo Feist Inc. (New York). Cover:a drawing of a small house |
||||
“My Creole Sue” by Gussie L. Davis; Hamilton S. Gordon (New York). Cover:photo of Chase E. Foreman |
||||
“My Creole Sue” by Gussie Davis; Hamilton S. Gordon. Cover: photo of two Caucasian male performers in blackface, one is dressed |
||||
“My Dear One” by Will A. Heelan (w) and Sigfrid Stenhammer (m); Shapiro, Bernstein, and Von Tilzer. (New York). Cover:drawing |
||||
“My Department Store Girl” by Dick Thomas; Hylands, Spencer, and Yeager, Co. (New York). Cover:drawing of a well-dressed woman [Digital Copy], 1900 |
||||
“My Dusky Queen” by Jack Fay (w) and J.B. Oliver (m); Sol Bloom. Cover: drawing of a woman playing banjo; photo inset of Bonita; |
||||
“My Gee-Gee From the Fiji Isles” by Lew Brown (w) and Albert von tilzer (m); Broadway Music Corp. (New York). Cover: drawing |
||||
“My Georgia Lady Love” by Andrew B. Sterling (w) and Howard and Emerson (m); T.B. Harms and co. (New York). Cover:drawing |
||||
“My Honey Lou” by Thurland Chattaway; F. B. Haviland Publishing Co. (New York). Cover: drawing of an African American couple |
||||
“My Honolulu Lady” by Lee Johnson; The Zeno Mauvais Music Company (San Francisco). Cover: “the latest coon conquest” |
||||
“My Kid” by Al Dubin, Jimmy McHugh, and Irwin Dash; Jack Mills Inc. (New York). Cover:drawing of a young boy (little Jimmie |
||||
“My Lovely Susey Saul” by Charlie C. Converse; Horace Waters (New York). Cover: “As Sung at Christy’s American Opera House” [Digital Copy], 1854 |
||||
“My Mammy Knows” by Harry DeCosta and M. K. Jerome; Waterson, Berlin & Snyder Co. (New York)” |
||||
“My Mother’s Eyes” by L. Wolfe Gilbert (w) and Abel Baer (m); Leo Feist Inc. (New York). Cover Only. Cover:Photo of George |
||||
“My! My!” by Frank Loesser (w) and Jimmy McHugh (m); Famous Music Corporation (New York) |
||||
“My Old Kentucky Home” by Stephen c. Foster; De Luxe Music Co. (New York). Cover:drawing of a cottage and a blooming garden [Digital Copy], 1905 |
||||
“My Ole Home in Alabama ‘fo’ de War” by H. P. Danks; G. D. Russell & Co. (Boston). Cover: drawing of a poor African American |
||||
“My Prayer” by Jimmy Kennedy (w) and Georges Boulanger (m); Shapiro, Bernstein & Co. (New York). Cover:photo of Jimmy Dorsey [Digital Copy], 1939 |
||||
“My Pretty Yaller Gal” by Thomas Vaughn (w/m); Jaques & Brother (New York). Cover:beautiful drawing of the Christy’s Minstrels |
||||
“My Sister Julie” by Charley Case (w/m); Charley Case. Cover: photo of Charley Case, a Caucasian male in blackface; “Musical |
||||
“My, What A Funny Little World This Is!” by Lewis and Bennett; Jos. W. Stern and Co. (New York). Cover:a contemplative man |
||||
Sheet Music. N |
||||
“Napoleon’s Last Charge” by Edw. Ellis; E.T. Paull Music Co. (New York). Cover:battle field and the tricolor flag 1910 |
||||
“The Nation’s Song” by Prof. J.M. Munyon, L.L.D.; M.D. Swisher (Philadelphia). Cover:scenes of patriotic drawings, in the |
||||
“Never Forget the Dear Ones” by Wurzel; C. Sheard (London). Cover: “Christy’s Minstrels’ Popular Songs for the Piano-Forte, |
||||
“The Night Is Young and You’re So Beautiful” by Billy Rose and Irving Kahal (w) and Dana Suesse (m); Words and Music Inc. |
||||
“No Wonder I’m Happy (My Baby’s In Love With Me” by Benny Davis and Harry Akst; Jerome H. Remick and Co. (New York).(2 copies). |
||||
“Nobody has More Trouble than Me” by James Burris (w) and Chris Smith (m); Jos. W. Stern & Co. (New York). Cover: drawing [Digital Copy], 1905 |
||||
“Nola” by Felix Arndt; Sam Fox Pub. Co. (Cleveland – New York). Cover:a drawing of a woman’s Portrait (silhouette) in a oval |
||||
“Now That I Have You” by Harrison, Cato, and Wilhite (w) and Rubinoff (m); Harry Bloom Inc. (New York). Cover:a tree and on |
||||
Sheet Music. O |
||||
“The Oceana Roll” by Denni, Boynton, and Grant; Arranged by Ribe Danmark; Jerome H. Remick and Co. (New York). Cover:Introducing |
||||
“Of How That Woman Could Cook” by Gus Kahn (w) and Grace Le Boy (m); Jerome H. Remick and Co. (New York – Detroit). Cover:a |
||||
“Oh Dem Golden Slippers”arranged by Nick Manoloff; Calumet Music Co. (Chicago). Cover: drawing of an African American male |
||||
“Oh Dem Golden Slippers” by James A. Bland; Mills Music Inc. (New York)” |
||||
“Oh How I Miss You Tonight” by Benny David, Mark Fisher, and Joe Burke; Irving Berlin Inc. (New York). Cover:a drawing of |
||||
“Oh! Oh! Miss Phoebe” by Andrew B. Sterling (w) and Harry von Tilzer (m); Shapiro, Bernstein, & von Tilzer (New York). Cover: |
||||
“Old Black Joe” by Stephen Foster, transcribed for piano by Eben H. Bailey; Wm. A. Pond & Co. (New York)” |
||||
“Old Black Joe” by Stephen Foster, arranged by J. W. Turner; Hitchcock and McCargo Publishing, Co. (New York). Cover: “Foster’s |
||||
“Old Black Joe” by Stephen Foster, arranged by Louis A. Drumheller; Eclipse Publishing Co. (Philadelphia). Cover:drawing of |
||||
“Old Black Joe” by Stephen Foster; DeLuxe Music Co. (New York). Cover: drawing of an African American male, eyes staring upward” [Digital Copy], Undated |
||||
“Old Black Joe” by Stephen C. Foster; Calumet Music Co. (Chicago). Cover: drawing of an elderly African American male; photo |
||||
“Old Folks at Home” by Stephen C. Foster; National Music Co. (Chicago). Cover: text at top reads “Way down upon de Swanee |
||||
“Old Folks at Home” by Stephen Foster, variations by Louis Drumheller; Eclipse Publishing Co. (Philadelphia). Cover:drawing |
||||
“Old Folks At Home” by Louis A. Drumheller; Joseph Morris (Philadelphia). Cover:a drawing of an old African American couple |
||||
“Old Man Jazz” by Gene Quaw; Jos. W. Stern & Co. (New York). Cover: drawing of silhouetted musicians; description reads “an |
||||
“Old Pal (Why Didn’t You Answer Me? )” by Sam M. Lewis and Joe Young (w) and M.K. Jerome (m); Waterson, Berlin, and Snyder |
||||
“The Old Piano Roll Blues” by Cy Coben; Leeds Music Corporation (New York – Chicago) |
||||
“Old Virginia Shore” by J. High Stauffer (w/m); John Church Co. (Chicago). Cover: description reads “plantation song & chorus” [Digital Copy], 1886 |
||||
“On A Clear Day (You Can See Forever)” by Alan Jay Lerner (w) and Burton Lane (m); Chappell and Co. (New York). Cover:Blue |
||||
“Once In A While” by Maude Clark Hough (w) and Laurence Bolton (m); Thos, Goggan, and Bros. (Dallas). Cover:n/graph. Bolton |
||||
“Only A Smile” by Eldred Edson (w) and J.S. Zamecnik; Sam Fox Pub. Co. (Cleveland – New York). Cover:a drawing of a woman’s |
||||
“Our Land of Dreams” by Clifton Crawford; Clifton Crawford. Cover:photo of Clifton Crawford |
||||
“Over There” by George M. Cohan; Leo Feist Inc. (New York). Cover:a drawing of four soldiers singing and one of them is playing |
||||
Sheet Music. P |
||||
“The Pal That I Loved Stole The Gal That I Loved” by Harry Pease and Ed. G. Nelson; Leo Feist Inc. (New York). Cover:a drawing |
||||
“Pal Of My Cradle Days” by Marshall Montgomery (w) and Al Piantadosi (m); Leo Feist Inc. (New York). Cover:a drawing of a |
||||
“Paper Doll” by Johnny S. Black; Edward B. Marks Music Corporation (New York). Cover: drawing of a paper doll; photo of the |
||||
“Patrol Comique” by Thomas Hindley; New York Music Publishing Co. (New York). Cover:caricature of three African Americans |
||||
“Peaceful Henry” by Harry Kelly; Whitney-Warner Pub. Co. (Detroit – New York). Cover: description reads “a slow drag” |
||||
“Peg O’ My Heart” by Alfred Bryan (w) and Fred Fisher(m); Leo Feist, Inc. (New York). Cover:a photo of Miss Laurette Taylor [Digital Copy], 1913 |
||||
“The Perfect Song” by Clarence Lucas (w) and Joseph Carl Breil (m); Chappell – Harms Inc. (New York). Cover:a photo of two |
||||
“The Perfect Song” by Clarence Lucas (w) and Joseph Carl Breil (m); Chappell-Harms Inc. (New York). Cover: photos of Amos |
||||
“Pick Me Up and Lay Me Down in Dear Old Dixieland” by Bert Kalmar and Harry Ruby; Waterson, Berlin & Snyder Co. (New York). |
||||
“Pickaninnies’ Jubilee” by Fred H. Day; White-Smith Music Publishing Co. (Boston – New York). Cover: description reads “Schottische |
||||
“Pickaninny Blues” by Harold G. Frost (w) and F. Henri Klickman (m); McKinley Music Co. (Chicago – New York). Cover: drawing |
||||
“The Pickaninny’s Paradise” by Sam Ehrlich (w) and Nat. Osborne (m); Harry von Tilzer Music Publishing Co. (New York – Chicago). [Digital Copy], 1918 |
||||
“The Pickaninny’s Paradise” by Sam Ehrlich (w) and Nat. Osborne (m); Harry von Tilzer Music Publishing Co. (New York – Chicago). [Digital Copy], 1918 |
||||
“The Pickaninnys Paradise” by Sam Ehrlich (w) and Nat. Osbourne (m); Harry Von Tilzer Music Publishing Co. (New York). Cover:a |
||||
“Pine Apple Rag” by Joe Snyder (w) and Scott Joplin (m); Seminary Music Co. (New York). Cover:drawing of a pineapple |
||||
“Plantation Airs”arranged by Robert A. Keiser; Conservatory Publication Society (New York). Cover:rural African Americans |
||||
“Play that Barber Shop Chord” by Wm. Tracey (w) and Lewis F. Muir (m); J. Fred Helf Company (New York). Cover:photo of singer |
||||
“Play That Barber Shop Chord” by Wm. Tracy (w) and Lewis F. Muir (m); J. Fred Hele Company (New York). Cover:a photo of a |
||||
“Please Don’t Jazz My Mammy’s Lullaby” by John E. Broderick (w/m); Jerome H. Remick & Co. (New York – Detroit). Cover: drawing |
||||
“Please Don’t Talk About Me When I’m Gonemusic by Sam A. Stept; words by Sidney Clare |
||||
“Policy Sam” by Joseph Gioscia; T. B. Harms & Co. (New York). Cover: description reads “cake walk & two step” |
||||
“A Pretty Girl Is Like A Melody” by Irving Berlin; Irving Berlin Inc. (New York). Cover:a drawing of a Chorus Girl |
||||
“Pretty Little Rainbow” by Robert Levinson (w) and Vincent C. Plunkett (m); Joe Morris Music Co. (New York). Cover:a drawing |
||||
“Prohibition Blues” by Al. Sweet (w/m); M. Witmark & Sons (New York – Chicago). Cover:caricature of an exasperated African |
||||
“Put Me Wise” by Hughie Cannon (w/m); F. A. Mills (New York). Cover:caricature of an African American male’s face; photo inset |
||||
Sheet Music. Q-R |
||||
“Queen of the Ragtime” by Harry Powers; Belcher & Sons (Detroit). Cover: description reads “a syncopated two step” |
||||
“The Radium Dance” by Jean Schwartz; Jerome H. Remick and Co. (New York). Cover:a drawing of (5) Clowns Silhouettes |
||||
“The Ragtime Violin” by Irving Berlin; Ted Snyder Co. (New York). Cover:drawing of a Caucasian male playing a violin; photo |
||||
“Ragged Rachel” by Dorothy Miller Dunlap; Theodore Presser Co. (Philadelphia). Cover:drawing of an African American girl dancing; |
||||
“The Rainy Day” by Henry Wadsworth Longfellow (w) and William R. Dempster; O. Ditson and Co. (Boston). Cover:n/graph. |
||||
“Rastus on Parade” by Kerry Mills; F. A. Mills (New York). Cover: description reads “characteristic two-step march for piano” [Digital Copy], 1895 |
||||
“Rattle ‘Em Bones” by Fred Rose (w/m); T. S. Denison & Company (Chicago) |
||||
“Red Lips Kiss My Blues Away” by Alfred Bryan, James V. Monaco, and Pete Wendling; Henry Waterson, Inc. (New York). Cover: |
||||
“The Red Mill” by Henry Blossom (w) and Victor Herbert (m); M. Whitmark and Sons (New York – Chicago);. Cover:a drawing of |
||||
“Remus Takes the Cake” by Jacob Henry Ellis; Willis Woodward & Co. (New York). Cover: drawing of an African American male |
||||
“Rhyth-Mania” by Ted Koehler (w) and Harold Arlen (m); Mills Music (New York). Cover: caricature drawings of well-dressed |
||||
“River, Stay ‘way from My Door” by Mort Dixon (w) and Harry Woods (m); Shapiro, Bernstein, & Co. (New York). Cover: drawing |
||||
“Rock-a-bye Lullabye Mammy” by Grant Clarke (w) and Walter Donaldson (m); Irving Berlin, Inc. (New York) |
||||
“Rockin’ in de Win'”[of the Southern Dialect Songs series] by W. H. Neidlinger; Theodore Presser Co. (Philadelphia)” “Description: |
||||
“Rodolph Valentino Blues” by Jack Frost (w/m); Jack Mills (New York). Cover:photo of Rodolph Valentino |
||||
“Roll Them Roly Boly Eyes” by Eddie Leonard; Harry Von Tilzer Music Publishing Corp. (New York). Cover:a photo of a man |
||||
“Rosa Lee” by the Ethiopian Serenaders (w/m); William Hall & Son (New York). Cover: drawing of the Ethiopian Serenaders performing; |
||||
“Rose of Washington Square” by Ballard Macdonald (w) and James F. Hanley (m); Shapiro, Bernstein, and Co. (New York). Cover:photo |
||||
“Roses of Beautiful Memories” by Geo. B. Pitman (w) and Geo. B. Pitman and Fred’k G. Chiswell (m). Garton Brothers (Boston). |
||||
“Rufe Johnson’s Harmony Band” by Shelton Brooks and Maurice Abrahams; Maurice Abrahams Music Co. (New York). Cover:photo of |
||||
“Rufus, Don’t Tease Me” by George Totten Smith (w) and Harry von Tilzer (m); Shapiro, Bernstein, & von Tilzer (New York – |
||||
“Runnin’ Wild!” by Joe Grey and Leo Wood (w) and A. Harrington Gibbs (m); Leo. Feist (New York). Cover:drawing of a running |
||||
“Runnin’ Wild” by Joe Grey and Leo Wood (w) and A. Harrington Harris (m); Leo Feist Inc. (New York), [Back page missing]. |
||||
Sheet Music. S |
||||
“Saint Louis Blues” by W. C. Handy (w/m); Handy Brothers Music Co. (New York). Cover:photo of Rudy Vall?e |
||||
“Saint Louis Blues” by W. C. Handy (w/m); Handy Brothers Music Co. (New York). Cover:photo of clarinetist Ted Lewis |
||||
“Saint Louis Blues” by W. C. Handy (w/m); Handy Brothers Music Co. (New York). Cover: photo of Nat “King” Cole and his band” [Digital Copy], 1914/1942 |
||||
“Saint Louis Blues” by W. C. Handy (w/m); Handy Brothers Music Co. (New York). 1914/1942 |
||||
“The Saint Louis Blues” by W.C. Handy; Handy Bros. Music Co. Inc. (New York). Cover:a drawing of a city at the sunset; photo |
||||
“Sam, the Old Accordion Man” by Walter Donaldson (w/m); Leo. Feist (New York). Cover: drawing of an African American male |
||||
“Sam’s Laugh” by Ed. O’Connor; Chas I. Davis Music Publisher (Detroit). Cover: drawing of a portly African American male engaged |
||||
“Say A Little Prayer For Me” by Joseph George Gilbert (w) and Horatio Nicholls (m); M. Whitmark and Sons (New York). Cover:a |
||||
“Shake Rattle and Roll” by Charles Calhoun; Progressive Music Co. (New York). Cover:photo of Joe Turner |
||||
“Shame on You” by Chris Smith and John Larkins; Jos. W. Stern & Co. (New York). Cover:drawing of an African American preacher |
||||
“Short’nin’ Bread”arranged by Fred K. Huffer; Calumet Music Co. (Chicago). Cover: drawing of an African American woman holding |
||||
“Short’nin’ Bread”edited by Clement Wood (w) and Jacques Wolfe (m); Harold Flammer Incorporated. Cover:drawing of an African |
||||
“Shut Tight Dose Winkin’ Blinkin’ Eyes” by Thomas Curtis Clark; The Thompson Music Co. (Chicago). Cover:A southern lullaby, |
||||
“Silver Sleigh Bells” by E.T. Paull; E.T. Paull Music Co. (New York). Cover:a drawing of carriage and a garland of Christmas |
||||
“Simple Confession” by F. Thome; M.D. Swisher (Philadelphia). Cover:a drawing of little girl whispering in a little boy’s |
||||
“Sing Again that Sweet Refrain” by Jussie L. Davis (w/m); Calumet Music Co. (Chicago). Cover:drawing of an African American |
||||
“Sing and Old-Fashioned Coon Song” by Kathleen Wooffitt (w) and Phyllis Mayhead (m); Cecil Lennox Ltd. (London). Cover:drawing |
||||
“Sing Me a Song of the South” by George A. Norton (w) and James W. Casey (m); M. Witmark & Sons (New York – Chicago). Cover: |
||||
“Sleepy Hollow” by Jack Norworth; Whitney Warner Pub. Co. (Detroit). Cover:night and moonlight |
||||
“A Slippery Place” by P. M. Hacker, arranged by J. Bodewalt Lampe; Jerome H. Remick & Co. (New York – Detroit). Cover: caricature |
||||
“The Smiler” by Percy Wenrich; Arnett Delonais Co. (Chicago). Cover: caricature of an African American male stealing a watermelon, |
||||
“Smilin’ Through” by Arthur A. Penn; M. Witmark and Sons (New York). Cover:photo of a woman in a fancy-dress Ball, Norma Talmadge” [Digital Copy], 1919 |
||||
“Smoky Mokes” by A. Holzmann; Feist and Frankenthaler (New York). Cover: photo of four African American boys dressed in suits; |
||||
“Snap it Up!” by Frederick G. Johnson; Frederick G. Johnson Publisher (Wilkes-Barre, PA). [Missing inner pages]. Cover: caricatures [Digital Copy], 1929 |
||||
“So Long Mary” by Geo. M Cohan; F.A. Mills (New York). Cover:photo of a maid |
||||
“Song of the Day” by Jack Yellen (w) and Milton Ager(m); Ager, Yellen, and Bornstein, Inc. (New York). Cover:naked women |
||||
“Soothing” by Ted Fiorito and Eddie Storman; Shapiro, Bernstein & Co. (New York). Cover:photo of the Oriole Terrace Orchestra |
||||
“Southern Gals” by Jack Yellen (w) and Albert Gumble (m); Jerome H. Remick (Detroit – New York). Cover:a drawing of a woman |
||||
“A Southern Shuffle” by Louise Black; Schroeder & Gunther, Inc. (New York). Cover:drawing of an African American male and |
||||
“The Spaniard that Blighted My Life” by Billy Merson; T.B. Harms, Francis, Day and Hunter (New York). Cover:a photo of Al |
||||
“Springtime of Youth” by Walter Rolfe; Maurice Richmond Music Co. (New York). Cover:a photo of a young lady with a basket |
||||
“Stay in Your Own Back Yard” by Karl Kennett (w) and Lyn Udall (m); M. Witmark & Sons (New York). Cover: description reads |
||||
“Stormy Weather” by Ted Koehler and Harold Arlen; Mills Music Inc. (New York) |
||||
“Summertime” by DuBose Heyward (w) and George Gershwin (m); Gershwin Publishing Corp. (New York). Cover:drawing of an African |
||||
“Susannah from Savannah” by George Evans, arranged by Theo. Northrup; Sol Bloom (Chicago – New York). Cover:drawing of a Caucasian |
||||
“St. Louis Blues” by W. C. Handy (w/m); Handy Brothers Music Co. (New York). Cover:photo inset of W. C. Handy playing trumpet [Digital Copy], 1914/1942 |
||||
“St. Louis Blues” by W. C. Handy (w/m); Handy Brothers Music Co. (New York). Cover:photo inset of Marion Harris |
||||
“St. Louis Tickle” by Barney & Seymour; Harold Rossiter Music Co. (Chicago). Cover:caricature of an African American male |
||||
“St. Louis Woman” “Any place I hang my Hat is Home” by Johnny Mercer (w) and Harold Arlen (m); De Sylvia, Brown & Henderson |
||||
“St. Patricks Day is a Bad Day for Coons” by Irving Jones; Sol Bloom (New York). Cover: photo of Lew Dockstader in blackface; |
||||
“Swanee” by I. Caesar (w) and George Gershwin (m); T.B. Harms and Francis, Day and Hunter. (New York).. Cover Only |
||||
“Swanee River Moon” by H. Pitman Clark; Leo Feist Inc. (New York). Cover:moon trees and the river |
||||
“Sweet Lullabys” by Arn? Emerson; Melody Shop (Williamsport, PA). Cover:drawing of an African American woman rocking a Caucasian |
||||
“Sweet Mamma (Papa’s Getting Mad)” by Fred Rose, George A. Little, and Peter L. Frost; Jack Mills Inc. (New York). Cover: |
||||
“Sweet Memories of Dixie”published by Laurence C. Jones (Piney Woods, MS). Cover:drawing of an African American couple in |
||||
“Sweet Norine” by Gussie L. Davis; Feist and Frankenwhaler (New York). Cover:a drawing of a mother and a baby |
||||
“The Sweetest Girl of All” by John A. Hensmen (w) and Otto M. Hensmen (m); Weser Bros. (New York). Cover:a drawing of a woman |
||||
“The Sweetheart of Sigma Chi” by Byron D. Stokes (w) and F. Dudleigh Vernor; Richard E. Vernor Publishing Co. (Albion, Michigan). |
||||
“Sweetheart Song” by Lettie Gould (w) and Jerome Heller (m); Church, Paxson and Co. (New York). Cover:a photo of a woman. [Digital Copy], 1916 |
||||
“Sweetness (Honey Suckle of Mine)” by Eddie Leonard and Jack Stern; Chas. K. Harris (New York – Chicago). Cover:photo of a |
||||
“Swing Low, Sweet Chariot”arranged by F. Henri Klickmann; Mills Music Inc. (New York). Cover: description reads “negro spiritual” [Digital Copy], 1926 |
||||
Sheet Music. T |
||||
“(Ta De Da Da De Dum) Dangerous Blues” by Anna Welker Brown (w) and Billie Brown (m); J. W. Jenkins Sons (Kansas City). Cover: |
||||
“‘Tain’t No Sin (to Dance around in Your Bones)” by Edgar Leslie (w) and Walter Donaldson (m); Walter Donaldson, Douglas & |
||||
“Take ’em to the Door (that’s all there is, there ain’t no more) Blues” by Billy Rose and Benny Davis (w) and Ray Henderson |
||||
“Take Me Back To Dixie” by Chas. Shackford; Jerome H. Remick and Co. (New York – Detroit). Cover:a botanical illustration |
||||
“Take Me to that Swanee Shore” by L. Wolfe Gilbert (w) and Lewis F. Muir (m); F.A. Mills Inc. (New York). Cover:a profile |
||||
“Take Me to the Land of Jazz” by Bert Kalmar and Edgar Leslie (w) and Pete Wendling (m); Waterson, Berlin, and Snyder Co. |
||||
“Take Me to the Land of Jazz” by Bert Kalmar and Edgar Leslie (w) and Pete Wendling (m); Waterson, Berlin, Snyder and Co. |
||||
“Take Your Girlie To The Movies (If You Can’t Make Love At Home)” by Edgar Leslie and Bert Kalmar (w) and Pete Wendling (m); |
||||
“Tears from My Inkwell” by Mort Dixon (w) and Harry Warren (m); M. Witmark & Sons (New York). Cover:photo of Red Norvo |
||||
“Tears of Love” by Frank K. Warren (w) and S.R. Henry (m); Jos. W. Stern and Co. (New York). Cover:a photo of a woman |
||||
“Thanks for Ev’rything” by Mack Gordon and Harry Revel; Robbins Music Corporation (New York). Cover:Sung by Tony Martin and |
||||
“That Alabama Jazbo Band” by W. Benton Overstreet; Will Rossiter (Chicago). Cover:caricature of an African American band; |
||||
“That Baboon Baby Dance” by Dave Oppenheim (w) and Joe Cooper (m); Shapiro Music Publishing Co. (New York). Cover:a drawing |
||||
“That Draggy-Rag” by Leora Ladocia Theberge (w) and Fred Theberge (m); Frank Harding (New York). Cover: photo of Bert Gibbons, |
||||
“That is a Habit I Never Had” by Walter Wilson (w/m); Howley, Dresser Co. (New York). Cover: drawing of a portly African American |
||||
“That Mellow Melody” by Sam M. Lewis (w) and George W. Meyer (m); George W. Meyer Music Co. (New York). Cover:a photo of Bell |
||||
“That Mysterious Rag” by Berlin & Snyder; Ted Snyder Co. (New York). Cover: drawing of a Caucasian female playing piano, while |
||||
“That Night In Araby” by Billy Rose (w) and Ted Snyder (m); Henry Waterson Inc. (New York). Cover:a photo of Rudolph Valentino [Digital Copy], 1926 |
||||
“That’s a Lot of Bunk” by Al Wilson, James A. Brennan, and Mack Henshaw; Edward B. Marks Music Co. (New York). Cover: photo |
||||
[That’s the Song…] “(The Song That I Heard In My Childhood) That’s The Song For Me” by Joe Goodwin (w) and Nat Osborne (m); Shapiro, Bernstein and Co. (New York). Cover:a photo of a mother and her child, floral illustration” [Digital Copy], 1915 |
||||
“That’s Where My Money Goes” by Walter Daniels (w) and R. P. Lilly (m); Joe Morris Music Co. (New York). Cover: drawing of [Digital Copy], 1900 |
||||
“That’s Why Darkies Were Born” by Lew Brown and Ray Henderson; De Sylva, Brown and Henderson (New York). Cover: “from George |
||||
“There ain’t No Use to Keep on Hanging Around” by Irving Jones (w/m); Feist and Frankenthaler (New York). Cover: drawing of |
||||
“There’ll be Some Changes Made” by Billy Higgins (w) and W. Benton Overstreet (m); Edward B. Marks Music Co. (New York). Cover: |
||||
“There’ll Be Some Changes Made” by Billy Higgins (w) and W. Benton Overstreet (m); Edw. B. Marks Music Co. (New York). Cover:Genuine |
||||
“There’s A Broken Heart For Every Light On Broadway” by Howard Johnson (w) and Fred Fischer (m); Leo Feist Inc. (New York). |
||||
“There’s A Girl in the Heart of Maryland (With a Heart that Belongs to Me)” by Ballard Macdonald (w) and Harry Carroll (m); [Digital Copy], 1913 |
||||
“There’s A lot of Blue-Eyed-Marys down in Maryland” by Jack Yellen and Milton Ager (w) and Geo. W. Meyer (m); Leo Fiest Inc. |
||||
“There’s A New Star in Heaven Tonight” by J. Keirn Brennan, Irving Mills, and Jimmy McHugh; Jack Mills Inc (New York). Cover:a |
||||
“There’s Everything Nice About You” by Alfred Bryan and Arthur Terker (w) and Pete Wendling (m); Henry Waterson Inc. (New |
||||
“There’s Nobody Else But You” by L. Wolfe Gilbert; L. Wolfe Gilbert Music Corporation (New York). Cover:a photo of Vincent |
||||
“There’s Nothing In the World Like Love” by Henriette Blanke-Belcher (w) and Edward Madden (m); Jerome H. Remick and Co. (New [Digital Copy], 1908 |
||||
“They Made It Twice As Nice As Paradise and They Called It Dixieland” by Raymond Egan (w) and Richard A. Whiting (m). Jerome |
||||
“They Made it Twice as Nice as Paradise and They Called it Dixieland” by Raymond Egan (w) and Richard A. Whiting (m); Jerome |
||||
“The Third Degree” by Theo. Bendix; Theo Bendix Music Pub. (New York). Cover:photo of tree persons in the living room, two |
||||
“This is Heaven” by Jack Yellen (w) and Harry Akst (m); Ager, Yellen, and Bornstein, Inc. (New York). Cover:a photo of Vilma |
||||
“Three Little Words” by Bert Kalmar and Harry Ruby; Harms Incorporated (New York). Cover: drawing of Amos ‘n’ Andy; “featured |
||||
“Three Negro Poems” by Clement Wood (w) and Jacques Wolfe (m); G. Schirmer, Inc. (New York). Cover:abstract drawing of African |
||||
“Tickled to Death” by Chas. Hunter; Chas. K. Harris (New York – Chicago). Cover: photograph of three African American boys |
||||
“Tie a Little String Around Your Finger (So You’ll Remember Me)” by Seymour Simons; M. Whitmark and Sons (New York). Cover:drawing |
||||
“Tie Me To Your Apron Strings Again” by Joe Goodwin (w) and Larry Shay (m); Milton Weil Music Co. (Chicago). Cover:drawing |
||||
“Till The Sands of the Desert Grow Cold” by Geo. Graff Jr. (w) and Ernest R. Ball (m); M. Whitmark and Sons (New York). Cover:n. |
||||
“To the Sun” by David W. Guion; G. Schirmer (New York). Cover:part of a series titled Five Imaginary Early Louisiana Songs |
||||
“Tomorrow” by Walter Hirsch (w) and H. Leopold Spitalny and Monte Wilhite (m); Forster Music Publisher Inc. (Chicago). Cover:a |
||||
“Tobasco” by Chas. L. Johnson; Jerome H. Remick & Co. (Detroit – New York). Cover: drawing of African American couples, dressed |
||||
“Topsy’s in Town” by Warner Crosby; Arthur W. Tams (New York). Cover: drawing of a well-dressed African American woman; description |
||||
“Trees” by Joyce Kilmer (w) and Oscar Rasbach (m). G. Schirmer Inc. (New York). Cover:drawing of trees |
||||
“The Triumphant Banner” by E.T. Paull; E.T. Paull Music Co. (New York). Cover:a drawing of the American flag and emblem |
||||
“Truckin'” by Ted Koehler (w) and Rube Bloom (m); Mills Music (New York) |
||||
“Turkey in the Straw” by Leo Wood (w) and Otto Bonnell (m); Leo. Feist (New York). Cover: drawing of an African American male [Digital Copy], 1920 |
||||
“Turkey in the Straw” arranged by Calvin Grooms; Century Music Publishing Co. (New York). Cover: caricature of two African |
||||
Sheet Music. U-V |
||||
“Uncle Tom’s Cabin” Songster Book; Howley, Haviland, and Dresser (New York). Cover:photo of African American couples performing [Digital Copy], Undated |
||||
“Uncle Tom’s Lament for Eva” by I. B. Woodbury; Oliver Ditson (New York). Cover: “He strikes his harp immortal. To Eva’s gentle |
||||
“Underneath the Harlem Moon” by Mack Gordon (w) and Harry Revel (m); De Sylva, Brown and Henderson (New York) |
||||
“The Violin My Great Grand-Daddy Made” by Roger Lewis (w) and Ernie Erdman (m); Leo Feist Inc. (New York). Cover:a drawing |
||||
“A Vision of Paradise” by Arthur Tredelyan; T.B. Harms and Co. (New York). Cover:a drawing of a woman playing Piano |
||||
“The Voodoo Man” by Williams & Walker; Hurtig & Seamon (New York). Cover: photos of African American performers Williams & |
||||
Sheet Music. W |
||||
“Wagon Wheels” by Billy Hill (w) and Peter De Rose (m); Shapiro, Bernstein and Co. (New York). Cover:a photo of Everett Marshall [Digital Copy], 1934 |
||||
“Wanted” by Jack Fulton and Lois Steele; M. Whitmark and Sons (New York). Cover:a man’s and a woman’s silhouette; a photo |
||||
“War Babies” by Ballard Macdonald and Edward Madden (w) and James F. Hanley(m); Shapiro, Bernstein and Co. (New York). Cover:an |
||||
“Waitin’ for the Evenin’ Mail (Sittin’ on the Inside, Lookin’ at the Outside)” by Billy Baskette; Waterson, Berlin & Snyder |
||||
“Waiting for the Robert E. Lee” by L. Wolfe Gilbert (w) and Lewis F. Muir (m); F. A. Mills (New York). Cover:drawing of silhouette |
||||
“Wang-Wang-Blues” by Gus. Mueller, “Buster” Johnson, and Henry Busse; Leo. Feist Inc. (New York). Cover:photograph of Van |
||||
“Water Boy” arranged by Avery Robinson; Winthrop Rogers, Ltd. Cover: description reads “a negro convict song” |
||||
“Way Down in Birmingham” by Erwin F. and Jacob L. Kleine (w) and Harold Dixon (m); Dixon-Lane Pub. Co. (Chicago – St. Louis). |
||||
“We’ll Meet Again” by William T. Francis; Arthur M. Tams (New York). Cover:a drawing of a women playing panpipe |
||||
“What a Wonderful World” by George David Weiss and Bob Thiele; Music of the Times Publishing Co. (New York). Cover:photograph |
||||
“What Good Am I Without You” by Milton Ager; Ager, Yellen, and Bornstein Inc. (New York). Cover:river bank with trees and |
||||
“What Yer Can’t Get Yer Got to do Without” by N. D. McDonnell (w) and John F. Rourke (m); Henry Krey Music Co. (Boston). Cover:drawing |
||||
“What You Goin’ to do when the Rent Comes ‘Round? (Rufus Rastus Johnson Brown) by Andrew B. Sterling (w) and Harry von Tilzer [Digital Copy], 1905 |
||||
“What You Goin’ To Do When the Rent Comes ‘Round? (Rufus Rastas Johnson Brown)” by Andrew B. Sterling (w) and Harry Von Tilzer |
||||
“What’s The Use?” by Isham Jones and Charles Newman; Leo Feist Inc (New York). Cover:a drawing of a woman; a photo inset of |
||||
“When Alexander Takes His Ragtime Band to France” by Alfred Bryan, Cliff Hess, and Edgar Leslie; Waterson, Berlin, & Snyder |
||||
“When Chloe Sings a Song” by Harry B. Smith (w) and John Stromberg (m); Weber, Fields & Stromberg (New York). Cover:drawing |
||||
“When Day Is Done” by B.G. De Sylva (w) Dr. Robert Katscher (m); Harms Inc. (New York). Cover:a drawing of woman’s portrait [Digital Copy], 1926 |
||||
“When I Dream of Old Erin (I’m Dreaming of You)” by Marvin Lee (w) and Leo Friedman (m); Harry Williams Music Co. (New York). |
||||
“When I Lost You” by Irving Berlin; Waterson, Berlin, and Snyder Co. (New York). Cover:a photo of Hugo L. Oliver |
||||
“When I Was A Dreamer” by Little and Lewis (w) and Egbert Van Alstyne (m); Jerome H. Remick (New York – Detroit). Cover:no. |
||||
“When It’s Apple Blossom Time In Normandy” by Mellor Gifford and Trevor; Jerome H. Remick (New York – Detroit). Cover:a photo |
||||
“When it’s Cotton Pickin’ Time in Alabam'” by Harry Tobias (w/m); Harry Tobias Music Publisher (New York). Cover: drawing |
||||
“When it’s Cotton Pickin’ Time in Tennessee” by Jack Caddigan (w) and James A. Brennan (m); Daly Music Publisher (Boston – |
||||
“When it’s Night Time Down in Dixieland” by Irving Berlin; Waterson, Berlin, & Snyder (New York). Cover: drawing of rural |
||||
“When It’s Night Time Down In Dixieland” by Irving Berlin; Waterson, Berlin, and Snyder Co. (New York). 2 Identical Copies. |
||||
“When It’s Sleepy Time Down South” by Leon Ren?, Otis Ren?, and Clarence Muse; Freed and Powers (New York). Cover:photograph |
||||
“When Old Bill Bailey Plays the Ukalele” by Chas. McCarron and Nat Vincent; Broadway Music Corporation (New York). Cover:a |
||||
“When Old Bill Bailey Plays the Ukalele [sic]” by Chas. McCarron and Nat. Vincent; Broadway Music Corporation (New York). |
||||
“When The Black Sheep Returns to the Fold” by Irving Berlin; Waterson, Berlin, and Snyder and Co. (New York). Cover:a photo |
||||
“When the Boys from Dixie Eat the Melon on the Rhine” by Alfred Bryan (w) and Ernest Breuer (m); Richmond Publisher (New York). |
||||
“When The Harvest Moon Is Shining” by Andrew B. Sterling (w) and Harry Von Tilzer (m); Harry Von Tilzer Music Publishing Corp. |
||||
“When the Last Rose of Summer Was In Bloom” by Kendis and Brockman; Kendis, Brockman Music Pub. Corp. (New York). Cover:a |
||||
“When The Leaves Are Brown and Gold” by Maurice Jacobs and Harry Robinson (w) and Nat. Osborne (m); American Music Co. (New |
||||
“When the Robert E. Lee Arrives in Old Tennessee (All the Way from Gay Paree)” by J. Keirn Brennan (w) and Paul Cunningham |
||||
“When the Steamboats on the Swanee Whistle Rag-Time” by Jack Caddigan (w) and Jam. Brennan (m); O. E. Story (Boston). Cover:drawing |
||||
“When The Sun Bids The Moon Goodnight” by Little Jack Little, Dave Oppenheim, and Ira Schuster; Leo Feist Inc. (New York). |
||||
“When the Wandering Boy Comes Home” by Little Jack Little, Dave Oppenheim, and Ira Schuster; Robbins Music Corporation (New |
||||
“When Uncle Joe Plays a Rag on His Old Banjo” by D. A. Esrom (w) and Theodore Morse (m); Theodore Morse Music Co. (New York)” |
||||
“When You Come Back” by George M. Cohan; M. Whitmark and Sons (New York). Cover:a photo of George M. Cohan |
||||
“When You Come Back” to Georgia” by Geo. Herrmann; Chas. B. Ward Music Publishing Co. (New York). Cover:a drawing of women |
||||
“When You’re Away” by Henry Blossom (w) and Victor Herbert (m); M. Whitmark and Sons (New York). Cover:Floral Illustration; |
||||
“When You’re With Somebody Else” by L. Wolfe. Gilbert (w) and Ruth Etting and Abel Baer (m); Leo Feist Inc. (New York). Cover:n. |
||||
“Whisperings of Love” by C. Kinnel; Eclipse Publishing Co. (Philadelphia). Cover:a drawing of a woman in a long dress in a |
||||
“Whistling Rufus” by Kerry Mills; F.A. Mills Music Publisher (New York – Chicago). Cover:a drawing of an African American |
||||
“Who Knows?” by Paul Laurence Dunbar (w) and Ernest R. Ball (m); M. Whitmark and Sons (New York). Cover:n. Illustr.; Sung |
||||
“Why Adam Sinned” by Alex Rogers (w/m); The Gotham-Attucks Music Co. (New York). Cover: drawing of a serpent tempting a bust |
||||
“Why Don’t You Get a Lady of Your Own” by Williams and Walker; Jos. W. Stern & Co. (New York). Cover: caricature of an African |
||||
“Why Should I Cry Over You” by Ned Miller and Chester Cohn; Leo Feist Inc. (New York). Cover:a photo of Belle Baker |
||||
“Wid a Banjo on my Knee” by Kenneth Bradford; Oliver Ditson Co. (Philadelphia, PA). Cover:drawing of an African American male |
||||
“Will You Love Me Darling when I’m Old?” by Arthur Lamb (w) and Fred V. Bowers (m); Jos. W. Stern & Co. (New York). Cover: |
||||
“Without a Song” by William Rose and Edward Eliscu (w) and Vincent Youmans (m); Miller Music (New York). Cover:drawing of |
||||
“Woodland Echoes” by Addison P. Wyman; McKinley Music Co. (Chicago – New York). Cover:a drawing of a river flowing in the |
||||
“Worryin’ Blues” by Gus Kahn (w) and Phil Spitalny and Stubby Gordon (m); Sam Fox Pub. Co. (Cleveland – New York). Cover:caricature |
||||
Sheet Music. Y-Z |
||||
“Yaaka Hula Hickey Dula (Hawaiian Love Song)” by E. Ray Goetz, Joe Young, and Pete Wendling; Waterson, Berlin & Snyder Co. |
||||
“You Can Have Ev’ry Light On Broadway Give Me That One Little Light At Home” by Benny Davis (w) and Seymour Simmons (m); Irving [Digital Copy], 1922 |
||||
“You Can Have It, I Don’t Want It” by May Hill, Clarence Williams, and Armand J. Piron; Frank K. Root & Co. (Chicago – New |
||||
“You Know You Belong To Someone Else (So Why Don’t You Leave Me Alone)” by Eugene West (w) and James V. Monaco (m); Irving |
||||
“(You May be Fast ‘but’) Your Mamma’s Gonna Slow You Down” by Gil Wells (w) and Buddy Cooper (m); Stark & Cowan (New York). |
||||
“You’ll Have To Transfer” by Abe Holzman; Feist & Frankenthaler (New York). Cover:a drawing of a lady coming down the stairs |
||||
“You’re Gwine to Get Somethin’ What You Don’t Expect” by Vincent Bryan (w) and Bert Williams (m); Leo Feist Publisher (New |
||||
“You’se Just a Little Nigger, Still Youse Mine, All Mine” by Paul Dresser (w/m); Howley, Haviland & Dresser (New York). Cover: |
||||
“Your Land and My Land” by Dorothy Donnelly (w) and Sigmund Romberg (m); Harms Inc. (New York). Cover: A musical Romance based |
||||
“Ziegfeld Follies 1918” by Gene Buck (w) and Dave Stamper (m); T.B. Harms (New York). Cover:photo collage of twenty Ziegfeld |
||||
“Zip Coon”; J. L. Hewitt & Co. (New York). Cover: drawing of an African American male dressed in fine clothing; text reads: |
||||
“The Zinga Zula Man” by Edward Madden (w) and Ben M. Jerome and Louis A. Hirsch (m); Chas. K. Harris (New York – Chicago). |
||||
|
||||
Series III. PhotographsScope and Contents noteThe photographs in this series have been digitized and are available in the |
||||
Photographs. A |
||||
Adams, John (B&W). Headshot of John Tyler Adams – wearing glasses, has moustache, circa 1950’s/1960’s Courtesy Cadence Magazine |
||||
Adams, Woodrow (B&W). Head to waist photo, Standing in front of microphone with arms crossed, unknown person in back, courtesy |
||||
Agee, Raymond (B&W). Photo of Raymond Agee sitting at a table with Johnny Otis (L) and Frank Zappa ® – wall of LPs in the |
||||
Alexander, Dave (B&W). Arhoolie Records promotional glossy of Dave Alexander in dark turtleneck and jeans, playing piano, |
||||
Alexander, Alger “Texas (B&W). Dark portrait photo of Texas Alexander, seated, circa 1930’s/40’s, courtesy |
||||
Allison, Luther (B&W). Reprint of a Delmark Records promo photo of Luther Allison in concert, playing his guitar, circa 1960’s/early |
||||
Anderson, Pink (B&W). Pink Anderson wearing white shirt, hat, and glasses, outside, looking to his right, circa 1960’s/early |
||||
Armstrong, Howard (B&W). Headshot of Howard Armstrong wearing his headband and beads around his neck. (4×5.5) |
||||
Arnold, Billy Boy (B&W). Reprint of Vee Jay Records promo portrait photo of Billy Boy Arnold, circa 1950’s/early 60’s, courtesy Living Blues Magazine for |
||||
Austin, Claire (B&W). Concert photo of Claire Austin, singing with unknown trumpeter and clarinetist in background, circa |
||||
Photographs. B |
||||
Baker, McHousten “Mickey” (B&W). Upper body shot of Mickey Baker in cap and sunglasses, circa early 1970’s, courtesy |
||||
Bankston, Dick (B&W). Shot of Dick Bankston seated on a porch looking to his right, wearing white shirt and dark flat-crowned |
||||
Barker, Louisa “Blue Lu” (B&W). Portrait shot of Louisa Barker in striped dress smiling, courtesy Frank Driggs for |
||||
Barker, Louisa “Blue Lu” (B&W). Head shot of Louisa Barker singing at the New Orleans Jazz & Heritage Festival, courtesy Norbert |
||||
Bell, Brenda (B&W). Promotional head shot of Brenda, circa 1980’s (8×10) |
||||
Bell, Brenda (B&W). Promotional head shot of Brenda, circa 1980’s, signed (8×10) |
||||
Bell, Brenda (Color). Snapshot of Brenda Bell sitting on a brown leather couch, arms crossed, ca.1980’s (3-1/2×5) |
||||
Bell, Carey (B&W). Photo of Carey Bell blowing his harp into a microphone in concert, circa 1970’s, courtesy |
||||
Bernhardt, Clyde (pre WW II) (B&W). Photo of Clyde standing with his trombone in front of a bandstand and in front of a Jay |
||||
Bernhardt, Clyde (pre WW II) (B&W). Clyde posing in suit and hat, hands crossed on a cane in front, “while appearing with |
||||
Bernhardt, Clyde (pre WW II) (B&W). Clyde on far left, holding trombone with Ira Coffey and his Walkathonians, 1933 (4×5) |
||||
Bernhardt, Clyde (pre WW II) (B&W). Clyde promo shot, holding trombone, leaning on piano next to microphone, , Photographer: |
||||
Bernhardt, Clyde (pre WW II) (B&W). Clyde promo shot, holding trombone, leaning on piano next to microphone, , Photographer: |
||||
Bernhardt, Clyde (pre WW II) (B&W). Clyde promo shot, holding trombone up to mouth, next to piano, 1934 (8×10) |
||||
Bernhardt, Clyde (pre WW II) (B&W). Floating head of Clyde Bernhardt (newspaper clipping on flip side), circa 1940’s (2-1/4×3-3/4) |
||||
Bernhardt, Clyde (pre WW II) (B&W). Clyde on far left, holding trombone with Ira Coffey and his Walkathonians, 1933 (7-1/2×5-1/4) |
||||
Bernhardt, Clyde (pre WW II) (B&W). Group photo entitled, “Banquet given in honor of the Edgar Hayes Orchestra by the Finnish |
||||
Bernhardt, Clyde (pre WW II) (B&W). Band onstange photo entitled, “This picture of Edgar Hayes and his Orchestra, was taken |
||||
Bernhardt, Clyde (pre WW II) (B&W). Group photo with caption on back, “The W.E. Tebbett Walkathon, Central Airport, Camden, |
||||
Bernhardt, Clyde (pre WW II) (B&W). Group photo with caption on back,”This photo was mad Halloween night 1933 in Camden, NJ.” |
||||
Bernhardt, Clyde (pre WW II) (B&W). Band photo, “Grears Mid-Nite Ramblers/Charles C. Grear Lead of Band/This photo was made |
||||
Bernhardt, Clyde (pre WW II) (B&W). Band photo, “King Oliver and His Creole Jazz Band” – band is standing around a mass of |
||||
Bernhardt, Clyde (pre WW II) (B&W). Clyde on far left, holding trombone with Ira Coffey and his Walkathonians (8×10) |
||||
Bernhardt, Clyde (pre WW II) (B&W). Band photo, “King Oliver and His Harlem Syncopators…” – Clyde on far left, holding trombone, March 1931 (8×10) |
||||
Bernhardt, Clyde (pre WW II) (B&W). Band photo, “King Oliver and His Harlem Syncopators…” – Clyde on far left, holding trombone, March 1931 (8×10) |
||||
Bernhardt, Clyde (pre WW II) (B&W). Band photo of Edgar Hayes Band’s arrival in Stockholm, Sweden – Clyde can be partly seen, |
||||
Bernhardt, Clyde (pre WW II) (B&W). Band photo, “Grears Mid-Nite Ramblers” it goes on to list the band members, including |
||||
Bernhardt, Clyde (pre WW II) (B&W). Band photo, “Tillie and her Toilers at the State Theater, Harrisburg, PA” gathered around |
||||
Bernhardt, Clyde (pre WW II) (B&W). Band photo, “Tillie and her Toilers at the State Theater, Harrisburg, PA” gathered around |
||||
Bernhardt, Clyde (pre WW II) (B&W). Photo reprint of a newspaper clipping for the Club Plantation, St. Louis, MO – Clyde on |
||||
Bernhardt, Clyde (pre WW II) (B&W). Photo reprint of a newspaper clipping for Luis Russell Orchestra tour, Clyde Bernhardt |
||||
Bernhardt, Clyde (pre WW II) (B&W). Photo reprint of a newspaper clipping for the Club Plantation, St. Louis, MO – Clyde on |
||||
Bernhardt, Clyde (pre WW II) (B&W). Photo of Edgar Hayes Band in concert at the Apollo Theatre, NYC – Clyde featured in front |
||||
Bernhardt, Clyde (pre WW II) (B&W). Photo of Edgar Hayes Band in concert at the Apollo Theatre, NYC – Clyde featured blowing |
||||
Bernhardt, Clyde (pre WW II) (B&W). Photo of Edgar Hayes Band in concert at the Apollo Theatre, NYC – Clyde featured in front |
||||
Bernhardt, Clyde (pre WW II) (B&W). Clyde posing in suit and hat, hands crossed on a cane in front, “while appearing with |
||||
Bernhardt, Clyde (pre WW II) (B&W). Photo of Clyde standing with his trombone in front of a bandstand and in front of a Jay |
||||
Bernhardt, Clyde (pre WW II) (B&W). Publicity shot of Clyde sitting on a piano bench, legs crossed holding his trombone, courtesy |
||||
Bernhardt, Clyde (pre WW II) (B&W). Whitman Sisters Company, at the Dunbar Theater in Philadelphia, PA, 27 December 1928. |
||||
Bernhardt, Clyde (pre WW II) (B&W). King Oliver and his Creole Jazz Band, Clyde on the far left holding his trombone, April 1931 (8×10) |
||||
Bernhardt, Clyde (pre WW II) (B&W). Clyde Bernhardt publicity photo – “Blues Singer and Trombonist / Recording Artist / Discovered |
||||
Bernhardt, Clyde (negative). Negative of Clyde standing with his trombone in front of a bandstand and in front of a Jay McShann |
||||
Bernhardt, Clyde (negative). Negative of tree that Bernhardt’s father died sitting under in New London, NC, courtesy Henry |
||||
Bernhardt, Clyde (negative). 2 Negatives of a concert program (?) from the Edgar Hayes band’s concert in Finland, Clyde’s |
||||
Bernhardt, Clyde (negative). Clyde posing in suit and hat, hands crossed on a cane in front, “while appearing with the Whitman |
||||
Bernhardt, Clyde (negative). Clyde on far left, holding trombone with Ira Coffey and his Walkathonians, 1933 (4×5) |
||||
Bernhardt, Clyde (negative strip). Clyde with various people in the mid-1970’s (5/8×4-3/8) |
||||
Bernhardt, Clyde (post WWII) (B&W). “The Musicraft recording session in the WOR Studios, New York City, NY” Clyde playing |
||||
Bernhardt, Clyde (post WWII) (B&W). “The Musicraft recording session in the WOR Studios, New York City, NY” Clyde singing, |
||||
Bernhardt, Clyde (post WWII) (B&W). “Portrait by Burbank” of Clyde in a white dinner jacket, standing, holding his trombone, 1964 (3-1/2×5) |
||||
Bernhardt, Clyde (post WWII) (B&W). Photo of Clyde signing an autograph for a girl outside, according to the caption on the |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde (L) reading a piece of paper in the DJ booth, as NYC DJ Fred Robbins (R) of WOV |
||||
Bernhardt, Clyde (post WWII) (B&W). New York City DJ, Fred Robbins (R) points to the design on Babs Gonzales’s (L) shirt in |
||||
Bernhardt, Clyde (post WWII) (B&W). Fred Robbins (R) doing some kind of funky move. Babs Gonzales (L) is laughing hard and |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde Bernhardt wearing a leisure suit and looking happy holding his trombone in New York |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde Bernhardt wearing a leisure suit and looking happy holding his trombone in New York |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde Bernhardt wearing a leisure suit and looking happy holding his trombone in New York |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde wearing a leisure suit looking up and to his left as if wishing on a star, also |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde wearing a leisure suit looking up and to his left as if wishing on a star, also |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde wearing a leisure suit looking up and to his left as if wishing on a star, also |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde wearing his leisure suit, left foot on a chair, trombone down by his right side |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde standing, leaning a little to his left, wearing his leisure suit, holding his trombone |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde standing, foot on a little black box, leaning on his trombone case covered in stickers |
||||
Bernhardt, Clyde (post WWII) (B&W). #1 in a series of 10 sheets of mini-photos all taken of Clyde in various positions in |
||||
Bernhardt, Clyde (post WWII) (B&W). #2 in a series of 10 sheets of mini-photos all taken of Clyde in various positions in |
||||
Bernhardt, Clyde (post WWII) (B&W). #3 in a series of 10 sheets of mini-photos all taken of Clyde in various positions in |
||||
Bernhardt, Clyde (post WWII) (B&W). #4 in a series of 10 sheets of mini-photos all taken of Clyde in various positions in |
||||
Bernhardt, Clyde (post WWII) (B&W). #5 in a series of 10 sheets of mini-photos all taken of Clyde in various positions in |
||||
Bernhardt, Clyde (post WWII) (B&W). #6 in a series of 10 sheets of mini-photos all taken of Clyde in various positions in |
||||
Bernhardt, Clyde (post WWII) (B&W). #7 in a series of 10 sheets of mini-photos all taken of Clyde in various positions in |
||||
Bernhardt, Clyde (post WWII) (B&W). #8 in a series of 10 sheets of mini-photos all taken of Clyde in various positions in |
||||
Bernhardt, Clyde (post WWII) (B&W). #9 in a series of 10 sheets of mini-photos all taken of Clyde in various positions in |
||||
Bernhardt, Clyde (post WWII) (B&W). #10 in a series of 10 sheets of mini-photos all taken of Clyde in various positions in |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde onstage in concert, blowing his trombone in front of Floyd Turnham (middle) and |
||||
Bernhardt, Clyde (post WWII) (Color). Clyde onstage in concert, playing trombone in front of a singing Deborah Woodson in |
||||
Bernhardt, Clyde (post WWII) (Color). Clyde onstage in concert, playing trombone in front of a singing Deborah Woodson in |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde holding his trombone, wearing a safari-looking coat and scarf/ascot, one foot on |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde holding his trombone in his left hand, wearing a safari-looking coat and scarf/ascot, |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo montage of Clyde in various positions and outfits with his trombone, circa |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo montage of Clyde in various positions and outfits with his trombone. (8×10) |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde wearing white jacket, trombone up to his lips, 12 May 1967 (8×10) |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde wearing charcoal suit, sitting in chair, legs crossed, left hand |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde wearing white jacket, seated on stool, holding trombone in front |
||||
Bernhardt, Clyde (post WWII) (B&W). Photo reprint of newspaper clipping from “The Afro-American” with headline, “Personalities |
||||
Bernhardt, Clyde (post WWII) (B&W). Photo reprint of newspaper clipping from “The Afro-American” with headline, “Personalities |
||||
Bernhardt, Clyde (post WWII) (B&W). Photo of Clyde Bernhardt and His Harlem Blues and Jazz Band at the Pizza Express Jazz |
||||
Bernhardt, Clyde (post WWII) (B&W). Photo montage of Clyde and various colleague in concert at the Royal Theatre in Baltimore, |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde promo record ad – “New…Hot Jazz on Sonora Records” – floating head of Clyde on |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde promo record ad – “New…Hot Jazz on Sonora Records” – floating head of Clyde on |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde B. onstage montage photo w/ Luis Russell’s Orchestra at the Royal Theatre in Baltimore, |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde B. wearing white jacket and black tie, arms crossed in New York, |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity montage photo of Clyde playing and singin with various musicians on his “working |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of a well-dressed Clyde, seated, legs crossed holding his trombone, NYC, 18 September 1946 (8×10) |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity montage photo of Clyde playing and singin with various musicians on his “working |
||||
Bernhardt, Clyde (post WWII) (B&W). Photo montage of Clyde B. and the Harlem Blues and Jazz Band playing on television in |
||||
Bernhardt, Clyde (post WWII) (B&W). Photo montage of Clyde B. and the Harlem Blues and Jazz Band playing on television in |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde in a plaid jacket, smiling, holding his trombone, 15 July 1982 (8×10) |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde in a plaid jacket, smiling, holding his trombone, 15 July 1982 (8×10) |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde in a plaid jacket, trombone to his lips, 15 July 1982 (8×10) |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde in a light jacket, big-knotted striped tie, holding his trombone, |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde in a light jacket, big-knotted striped tie, holding his trombone, |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde (far L) holding his trombone with fellow jazz musicians and Senator S.I. Hayakawa |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde (far L) holding his trombone with fellow jazz musicians and Senator S.I. Hayakawa |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde in line at the White House, shaking President Reagan’s hand, 25 September 1982 (8×10) |
||||
Bernhardt, Clyde (post WWII) (B&W). Close-up photo of Clyde shaking President Reagan’s hand at the White House – photo signed |
||||
Bernhardt, Clyde (post WWII) (B&W). Sheldon Harris has his arm around Clyde Bernhardt – they are wearing overcoats and standing |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde Bernhardt (front center) with his Harlem Blues and Jazz Band at a private party |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde B. (holding trombone) in the Recording Studio in NYC after a session with various |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde Bernhardt (far L) with the Harlem Blues & Jazz Band (after a concert) in the home |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde seated in Princess White’s lap, holding his trombone after a recording session in |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde in the recording studio, holding his trombone, standing next to Princess White – |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde (bottom R) w/ Barry Martyn (white guy) & his Legends of Jazz, Helsinki, Finland, |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde (bottom R) w/ Barry Martyn (white guy) & his Legends of Jazz, Helsinki, Finland, |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde (top L) playing trombone w/ Legends of Jazz – Deborah Watson in front, singing. |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde (top L) playing trombone w/ Legends of Jazz – Deborah Watson in front, singing. |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde playing trombone and playing around with Deborah Watson. Photographer: Mel Howard (8×10) |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde playing trombone and playing around with Deborah Watson. Photographer: Mel Howard (8×10) |
||||
Bernhardt, Clyde (post WWII) (B&W). Photo montage of Clyde B. and the Harlem Blues and Jazz Band playing on television in |
||||
Bernhardt, Clyde (post WWII) (B&W). Clyde onstage in concert, blowing his trombone in front of Floyd Turnham (middle) and |
||||
Bernhardt, Clyde (post WWII) (Color). Clyde onstage in concert, playing trombone in front of a singing Deborah Woodson in |
||||
Bernhardt, Clyde (post WWII) (Color). Clyde onstage in concert, playing trombone in front of a singing Deborah Woodson in |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde as “Ed Barron” – standing in a light suit, legs apart, arms spread, |
||||
Bernhardt, Clyde (post WWII) (B&W). Montage of 5 mini publicity photos of Clyde as “Ed Barron”in different poses in NYC (8×10) |
||||
Bernhardt, Clyde (post WWII) (B&W). Montage of 5 mini publicity photos of Clyde as “Ed Barron”in different poses in NYC (8×10) |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde as “Ed Barron” – close-up, sitting in a light suit, holding trombone, |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde as “Ed Barron” – close-up, sitting in a light suit, holding trombone, |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde as “Ed Barron” – close-up, sitting in a light suit, holding trombone, |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo of Clyde as “Ed Barron” – close-up, sitting in a light suit, holding trombone, |
||||
Bernhardt, Clyde (post WWII) (B&W). Photo of newspaper clipping, “1000 Anos de Jazz” from Mexico City – “Deborah Woodson sings |
||||
Bernhardt, Clyde (post WWII) (B&W). Photo of newspaper clipping, “1000 Anos de Jazz” from Mexico City – “Deborah Woodson sings |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo, “1000 years of Jazz” – close-up of Clyde playing to Deborah Woodson. |
||||
Bernhardt, Clyde (post WWII) (B&W). Publicity photo, “1000 Years of Jazz” – two tap dancers wearing pork-pie white hats, white |
||||
Bernhardt, Clyde (post WWII) (B&W). 1000 years of jazz, onstage music and dance routine – men in white suits dancing in front |
||||
Bernhardt, Clyde (post WWII) (B&W). 1000 years of jazz, onstage music and dance routine – men in black suits playing instruments. |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde sitting in a barber’s chair in a barber’s shop, legs crossed, circa |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde holding his trombone with arm around a bald man (Fess Williams?) seated |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde with some undisclosed ladies, one of which is Princess White, the |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde (holding trombone) with group of musicians after a recording session |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde (on the right, burgundy coat/bow tie, arm around lady in blue and |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde (far right), George Hillman (middle), and Lon Chaney (left) all standing |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde (middle) standing in between George Hillman (left) and Lon Chaney |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde sitting in a barber’s chair in his own barber suit, wearing a black |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde (head and shoulders) in close foreground. Behind him are his brother, |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde, holding his trombone, hand on the shoulder of Larry Lucie with unknown |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde sitting at a table in between Mr. R.H. Horton and Mrs. Jean Wade on |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde wearing a red suit, seated amongst colleagues on the 2nd Sunday of |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde playing trombone onstage between unknown musicians at the Pizza Express |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde wearing light colored suit in back behind unknown friends at the Pizza |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde (far right) wearing a black trenchcoat and brown hat with black band |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde playing trombone onstage with a group of unknown musicians in front |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde singing (left) with man in plaid coat blowing trumpet, bassist thumping, |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde (sunglasses) and friends seated around a table with drinks outdoors |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde playing t-bone (right) in front of bald bass player onstage at Jazz |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde playing t-bone (left) next to trumpeter and sax player onstage at |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde (right) playing trombone onstage next to a lady singing and a fellow |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde (kneeling, far left) with a group of people outside, next to a brick |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde standing, arms crossed, at the Friendly Fifty Club Dinner Dance, 2nd |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Princess White (in purple) singing onstage with Clyde playing trombone in |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde (middle) standing with two people on each side. The people are George |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde (front, right) holding his t-bone, wearing a burgundy jacket in the |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde, holding t-bone, sitting on Princess White’s lap in Warp Recording |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde (left) sitting on couch with Viola Wells and Sheldon Harris. (3.5×3.5) |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde standing in front of a window, shade drawn. He has a drink in one |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde standing in front of a window, looking to his left, holding a drink |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde, left – wearing black trenchcoat and pinched-crown hat with black |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde, right – wearing black trenchcoat and pinched-crown hat with black |
||||
Bernhardt, Clyde (post WWII) (Color). Snapshot of Clyde with his arm around Edith Wilson, backstage at Nassau Community College, |
||||
Bernhardt, Clyde (post WWII) (B&W). Photo of Clyde holding his trombone, standing next to Louis Nelson somewhere in England. (4 1/8×5 5/16) |
||||
Bernhardt, Clyde (post WWII) (B&W). Promotional postcard of Clyde as “Ed Barron, Rhythm and Blues Stylist / Recording Artist |
||||
Bernhardt, Clyde (post WWII) (B&W). Promotional postcard of Clyde as “Ed Barron, Rhythm and Blues Stylist / Recording Artist |
||||
Bernhardt, Clyde (B&W). Photo of downtown Albermarle, NC circa 1915, where Clyde used to shine shoes as a small boy. Photo |
||||
Bernhardt, Clyde (B&W). Photo of the tree Clyde’s father died under sitting in a rocking chair in New London, NC on October |
||||
Bernhardt, Clyde (B&W). Photo of Falls Road in Badin, NC circa 1919 when Clyde used to deliver telegrams for Western Union. (5×7) |
||||
Bernhardt, Clyde (B&W). Ethel Cummings and Ray Minker group wedding photo take at W.E. Tebbett’s Walkathon in Camden, NJ, 14 November 1933 (8×10) |
||||
Bernhardt, Clyde (B&W). Honey Brown’s Orchestra at the Bamboo Inn, NYC in 1929, just prior to Clyde joining the band, 1929 (4-1/4×5 7/8) |
||||
Bernhardt, Clyde (Color). Three snapshots of Clyde glued to a piece of construction paper. The top one is of Clyde wearing |
||||
Bernhardt, Clyde (B&W). Group photo of Clyde with his brothers and sisters and their husbands and wives, taken at a family |
||||
Bernhardt, Clyde (B&W). Blurry, skewed photo of Clyde’s childhood home in Richfield, NC. Taken in 1964 by Bernhardt, 1964 (8×10) |
||||
Bernhardt, Clyde (B&W). Promotional photo of the saxohpone section of The Sunset Royals Orchestra, circa 1940’s/50’s. (8×10) |
||||
Bernhardt, Clyde (B&W). Slightly blurry photo of some of Clyde’s cousins: Johnny Eady (l), Geraldine Leftwick (mi), and William |
||||
Bernhardt, Clyde (B&W). Portrait photo of Luis Russell, light suit, flower in lapel, smiling – taken in the mid 1940’s. (8×10) |
||||
Bernhardt, Clyde (B&W). Haynes Alvis (friend of Clyde’s) enjoying a drink at the home of Dr. Albert Vollmer, Larchont, NY. |
||||
Bernhardt, Clyde (B&W). Jay Cole (l) and Albert Vollmer ® “discussing our recording session at Warp Studios, NYC” – courtesy |
||||
Bernhardt, Clyde (B&W). Reprint of a publicity photo of and signed by Lil Green, addressed to Clyde, circa 1940’s. (8×10) |
||||
Bernhardt, Clyde (B&W). Reprint of a publicity photo of and signed by Dorothy Donegan, to Clyde. circa 1940’s (8×10) |
||||
Bernhardt, Clyde (B&W). Publicity shot of Princess White, NYC 1975. Courtesy of Sheldon Harris, 1975 (8×10) |
||||
Bernhardt, Clyde (B&W). Reprint of a concert photo of and signed by Gene Ramey, unfortunately, there are several musicians |
||||
Bernhardt, Clyde (B&W). Photo of Clyde Bernhardt’s birth house in Gold Hill, NC. (8×10) |
||||
Bernhardt, Clyde (B&W). Signed photo of Jimmy Butts singing and playing bass, circa 1960’s/70’s. (5 1/8×7 5/16) |
||||
Bernhardt, Clyde (B&W). Signed portrait photo of Clara Eaton wearing a lovely corsage, taken in Montreal, Canada, 1953 (5×7-1/8) |
||||
Bernhardt, Clyde (B&W). Photo of downtown Albermarle, NC circa 1915, where Clyde used to shine shoes as a small boy. Courtesy |
||||
Bernhardt, Clyde (B&W). View of aluminium plant from across Lake Badin, NC – early 20th century (5×7) |
||||
Bernhardt, Clyde (Color). Snapshot of home of Mr. & Mrs. Rufus Kluttz in Rockwell, NC – helped raise Clyde after his father |
||||
Bernhardt, Clyde (B&W). Photo of the tree Clyde’s father died under sitting in a rocking chair in New London, NC on October |
||||
Bernhardt, Clyde (B&W). Photo of the tree Clyde’s father died under sitting in a rocking chair in New London, NC on October |
||||
Bernhardt, Clyde (B&W). Portrait photo of Clyde’s cousin, Mary Harper, taken in 1954, 1954 (3.5×5) |
||||
Bernhardt, Clyde (Color). Snapshot of the Saint John Baptist Church Clyde attended between 1905 and 1916, located just ouside |
||||
Bernhardt, Clyde (B&W). Snapshot of the Saint John Baptist Church Clyde attended between 1905 and 1916, located just ouside |
||||
Bernhardt, Clyde (Color). Snapshot of the run-down house of Robert and Lucy Melchor. Lucy was a distant cousin to Clyde. As |
||||
Bernhardt, Clyde (Color). Snapshot of the run-down house of Robert and Lucy Melchor. Lucy was a distant cousin to Clyde. As |
||||
Bernhardt, Clyde (B&W). Portrait of Clyde’s niece, Vivian Starks, taken in Newark, NJ, 1959 (5×7) |
||||
Bernhardt, Clyde (B&W). Outside snapshot of Edgar Hayes band program from Finland from late 1930’s (4×5) |
||||
Bernhardt, Clyde (B&W). Inside snapshot of Edgar Hayes band program from Finland in the late 1930’s (4×5) |
||||
Bernhardt, Clyde (Color). Skewed snapshot of Princess White and her daughter, Thelma, taken by Clyde, 20 October 1974 (4-3/4×3-1/2) |
||||
Berry, Chuck (B&W). Chess Records publicity photo of Berry with guitar, circa 1950’s for |
||||
Berry, Chuck (negative). Negative of Chess Records publicity photo of Berry with guitar, circa 1950’s for |
||||
Billy and Lillie (B&W). Promo card of Billy (Ford) (holding a trumpet) and Lillie (Bryant) “are both from New York where they |
||||
Blackwell, Scrapper (B&W). Photo of Scrapper Blackwell sitting with legs crossed, playing guitar, courtesy Frank Driggs for Blues Who’s Who (7.5×9.5) |
||||
Blake, Eubie (B&W). Eubie Blake sitting in an ornate, high-backed chair, right hand aside of his face (8×10) |
||||
Bland, Bobby “Blue” (B&W). Head shot of Bobby “Blue” Bland in a tux, circa 1950’s-60’s (3.5×5) |
||||
Bland, Bobby “Blue” (B&W). ABC/Dunhill Records publicity photo of Bobby “Blue” Bland, head shot, he’s looking down. circa |
||||
Blanks, Birleanna (B&W). Portrait of Banks dressed in light flower dress for |
||||
Blanks, Birleanna (B&W). Portrait of Banks with Hilda Perlina and Amanda Randolph all in dresses and smiling (8×10) |
||||
Blaylock, Travis “Harmonica Slim” (B&W). Flying Dutchman publicity photo of Harmonica Slim, close-up, singing (8×10) |
||||
Blesh, Rudi (B&W). Rudi Blesh (left) and Sheldon Harris (right) enjoying themselves at a Record Research Meeting at Rutgers |
||||
Bloomfield, Mike (B&W). Candid close-up shot of Mike Bloomfied courtesy of Tom Mazzolini for |
||||
Blue, Joe “Little” (B&W). Head and shoulders shot of Little Joe Blue at American Blues Legends, Hamburg, June 1975 by Norbert |
||||
Blue, Joe “Little” (B&W). Little Joe Blue onstage playing his electric guitar and singing. Stars dot the backdrop. Courtesy |
||||
Bogan, Lucille (B&W). Reprint of Lucille Bogan publicity photo from 1920’s/30’s. (5×7) |
||||
Bogan, Ted (B&W). Ted Bogan playing guitar outside. By Jeff Titon, courtesy Univ. of Illinois Press (3.5×5) |
||||
Bogan, Ted (B&W). Ted Bogan onstage performing, behind the mic, in front of a bass player, by and courtesy of Pete Lowry (4×5) |
||||
Bonner, Juke Boy (B&W). Arhoolie promotional photo of Juke Boy Bonner wearing turtleneck and harmonica holder, playing guitar |
||||
Bonner, Juke Boy (B&W). Arhoolie promotional photo of Juke Boy Bonner wearing turtleneck and harmonica holder, playing guitar |
||||
Bookbinder, Roy (B&W). Snapshot of Roy Bookbinder singing and playing into mic onstage, circa 1970’s for |
||||
Bookbinder, Roy (B&W). Flying Fish promotional photo of Roy Bookbinder in light straw hat and multi-patterned short sleeve |
||||
Bookbinder, Roy (B&W). Flying Fish promotional photo of Roy Bookbinder in light straw hat and multi-patterned short sleeve |
||||
Booker, James (B&W). James Booker performing onstage at the 1975 New Orleans Jazz and Heritage Festival (April 25) for |
||||
Boyd, Eddie (B&W). Eddie Boyd portrait shot – arms crossed, wearing striped suit (4×5) |
||||
Boyd, Eddie (B&W). upper body shot of Eddie Boyd, smiling wearing dark suit, for |
||||
Bracey, Ishmon (B&W). Portrait photo of Ishmon Bracey for |
||||
Bracey, Ishmon (negative). negative of Ishmon Bracey’s portrait from unidentified book (2.5×4) |
||||
Branch, Billy (B&W). upper body close-up of Bill Branch playing harmonica in Berlin for |
||||
Brim, Grace (B&W). Grace Brim sitting (informal), wearing white tanktop, looking to the right – for |
||||
Brim, John (B&W). Close-up head shot of John Brim for |
||||
Brooks, Lonnie (B&W). Promotional photo of Lonnie Brooks seated, holding guitar, wearing suit for |
||||
Broonzy, Bill (B&W). Promotional shot of Big Bill seated on a piano bench, holding guitar, legs crossed, wearing dark suit |
||||
Broonzy, Bill (B&W). Group promo photo of Big Bill (right, holding guitar), Little Bill Gaither (left, holding guitar), and |
||||
Brown, Ada (B&W). Publicity shot of Ada Brown in stage dress with a look of joy on her face, courtesy Frank Driggs Collection |
||||
Brown, Andrew (B&W). Andrew Brown singing and playing guitar onstage in front of a mic courtesy |
||||
Brown, Bessie (negative). promotional. Bessie Brown facing George Williams for |
||||
Brown, Bessie (B&W). Bessie Brown (right) facing George Williams (left) in promotional photo for |
||||
Brown, Bessie (B&W). low-quality photo (from unidentified book) headshot of Bessie Brown, courtesy Sheldon Harris (4.5×9) |
||||
Brown, Buster (1) (B&W). promo shot of Buster Brown holding harmonica for |
||||
Brown, Buster (1) (negative). negative of page from |
||||
Brown, Buster (2) (color). snapshot of tap-dancing legend Buster Brown in white suit, performing at Essex City College in |
||||
Buster, Brown (2) (color). snapshot of tap-dancing legend Buster Brown in white suit, performing at Essex City College in |
||||
Brown, Charles (B&W). Aladdin Records promo photo of Charles Brown in light suit, leaning on piano, circa 1940’s for |
||||
Brown, Charles (color). snapshot of Charles Brown, holding a drink, smiling; a copy of |
||||
Brown, Charles (color). snapshot of Sheldon Harris and part of Charles Brown’s face – taken at Tramps in NYC, 2 April 1982 (4×5) |
||||
Brown, Charles (color). snapshot of Charles Brown, right hand raised, index finger extended as if correcting someone off camera |
||||
Brown, Charles (color). snapshot of Charles Brown with Joe Palldino – taken at Tramps in NYC, 2 April 1982 (4×5) |
||||
Brown, Charles (Color). snapshot of Charles Brown with Sheldon Harris at Tramps in NYC, 2 April 1982 (4×5) |
||||
Brown, Charles (negatives). 2 small negatives of snapshots from Tramps in NYC, 2 April 1982 (-) |
||||
Brown, Clarence “Gatemouth” (B&W). photo of Gatemouth Brown in cowboy hat and western shirt, circa 1970’s, courtesy |
||||
Brown, Dusty (B&W). “star” promotional photo of Dusty Brown in white tux for |
||||
Brown, Ida (B&W). low-quality reprint of the only known photo of Ida Brown, full body shot, hands on hips for |
||||
Brown, John (B&W). John Brown seated in a living room of some kind, holding his guitar, a microphone stands in front, courtesy |
||||
Brown, Lillian (B&W). exceprt of a publicity photo of Lillian Brown in drag (wearing top hat and black tux) for |
||||
Brown, Lillian (negative). Lillian Brown in drag, courtesy of Sheldon Harris (4×5) |
||||
Brown, Olive (B&W). Olive Brown wearing black bowler hat, singing into mic as unidentified trumpeter plays in background, |
||||
Brown, Olive (B&W). Photo sheet of Olive Brown studio recording session with unidentified musicians. Photographer: Wally Lubzik (8×10 (fragmented)) |
||||
Brown, Olive (B&W). Photo sheet of Olive Brown studio recording session with unidentified musicians. Photographer: Wally Lubzik (8×10 (fragmented)) |
||||
Brown, Olive (B&W). Photo sheet of Olive Brown studio recording session with unidentified musicians. Photographer: Wally Lubzik (5-1/4×10) |
||||
Brown, Olive (B&W). Photo strip of Olive Brown studio recording session with unidentified musicians. Photographer: Wally Lubzik (2-3/4×10) |
||||
Brown, Robert (B&W). RCA publicity photo of Washboard Sam sitting on wooden crate, holding his washboard (8×10) |
||||
Brown, Roy (B&W). ABC publicity photo of Roy Brown singing soulfully in the studio, courtesy of Sheldon Harris for |
||||
Brown, Walter (B&W). Publicity upper-body photo of Walter Brown in black tux, smiling, arms crossed, courtesy Frank Driggs |
||||
Bryant, Beulah (color). snapshot of Beulah Bryant singing at the |
||||
Bryant, Beulah (color). snapshot of Beulah Bryant in black dress and multi-colored scarf singing into a double microphone |
||||
Bryant, Beulah (Color). snapshot of Beulah Bryant looking to the right of the camera with bearded man in background at Dan |
||||
Bryant, Beulah (Color). snapshot of Beulah Bryant singing into the left microphone at the Dan Lynch Club, NYC, December 1981 (4×5) |
||||
Bryant, Beulah (Color). Side snapshot of Beulah and with unidentified backing band at the Dan Lynch Club, NYC, December 1981 (4×5) |
||||
Bryant, Beulah (Color). Snapshot taken from bar of Beulah singing at the Dan Lynch Club, NYC, December 1981 (4×5) |
||||
Bryant, Beulah (Color). Snapshot of Beulah singing into the left microphone at Dan Lynch Club, unidentified drummer in the |
||||
Bryant, Beulah (B&W). Beulah Bryant publicity photo. She’s holding a tambourine in her right hand and using her left to emphasize |
||||
Bryant, Beulah (B&W). Beulah Bryant publicity photo – she’s resting her chin on crossed hands and is smiling. Concert posters |
||||
Bryant, Beulah (B&W). Beulah Bryant publicity photo – she’s resting her chin on crossed hands and is smiling. Concert posters |
||||
Bryant, Beulah (B&W). Beulah Bryant wearing a hat, whistle around her neck, and floral dress while belting out a song in an |
||||
Bryant, Beulah (B&W). Beulah Bryant singing to an audience in an undisclosed bookstore in a photo who’s light/dark contrast |
||||
Bryant, Beulah (B&W). Beulah Bryant looking to her right as a bookstore audience smiles at her. She is wearing a hat and a |
||||
Bubbles, John W. (B&W). Vee-Jay publicity headshot of John W. Bubbles wearing a light-colored bowler hat with a gleeful look |
||||
Buford, George “Mojo” (B&W). Mojo onstage playing harp into the mic – he’s draped in harmonicas. Taken at Montreux Jazz Festival, |
||||
Buford, George “Mojo” (B&W). Buford playing harp into microphone, wearing dark shirt and harmonica holsters for |
||||
Bunn, Alden “Tarheel Slim” (B&W). Head and shoulder profile shot of Tarheel Slim laughing into a microphone for |
||||
Bunn, Alden “Tarheel Slim” (B&W). Head shot of Tarheel Slim in front of a microphone, looking down. Photographer: Pete Lowry (4×5) |
||||
Burnett, Chester (Howlin Wolf) (B&W). Howlin’ Wolf in white shirt, dark slacks, glasses is leaning on a guitar and smiling (4×5) |
||||
Burnett, Chester (Howlin Wolf) (B&W). An older, gray haired Howlin’ Wolf gazing out into space next to a microphone – for Blues Who’s Who by Doug Fulton, courtesy |
||||
Burnett, Chester (Howlin Wolf) (B&W). Howlin’ Wolf with his cap on backwards, holding a mic and singing intensely into it. |
||||
Burns, Eddie “Guitar” (B&W). Upper-body of Eddie Burns playing guitar by Pete Lowry. Photographer: Pete Lowry (4×5) |
||||
Burns, Eddie “Guitar” (B&W). Head and shoulders of Eddie Burns, looking to his right – Taken at American Blues Legens, Hamburg,, |
||||
Burris, J.C. (B&W). Close-up of J.C. Burris laughing hard in front of a wood panelled wall by Jon Sievert, courtesy |
||||
Butler, George “Wild Child” (B&W). George “Wild Child” Butler wearing a dark suit, seated in front of a white wall for |
||||
Butler, Jerry (B&W). Early promo headshot of Abner Recording Artist, Jerry Butler…the Iceman! (8×10) |
||||
Byrd, Ray “Professor Longhair” (B&W). An older Professor Longhair in darkglasses (piano keys reflected in glasses) looking |
||||
Photographs. C |
||||
Campbell, Little Milton (B&W). Reprint of Stax Little Milton publicity photo – Milton’s holding onto a chain and looking to |
||||
Cannon, Gus (B&W). An elderly Gus Cannon being presented with an award by two white gentlemen in tuxedos for |
||||
Cannon’s Jug Stompers (B&W). A group photo of Cannon’s Jug Stompers: Gus Cannon (L), Ashley Tompson (Center), Noah Lewis (Right), |
||||
Cannon’s Jug Stompers (negative). A group photo of Cannon’s Jug Stompers: Gus Cannon (L), Ashley Tompson (Center), Noah Lewis |
||||
Carr, Georgia (B&W). Promo photo of Georgia Carr, full body in slacks, hands behind her back, looking sultry… (8×10) |
||||
Carr, Georgia (B&W). Georgia Carr in white fur and dangly ear rings, giving the camera that come hither look… (8×10) |
||||
Carr, Leroy (B&W). Publicity photo of Leroy Carr at the piano for |
||||
Carroll, Jeanne (Color). Snapshot of Sheldon Harris in between Jeanne Carroll (Left) and Brenda Bell (right), c. 1984 (4.5×3.5) |
||||
Carroll, Jeanne (Color). Snapshot of Jeanne Carroll (left) seated next to Brenda Bell (right) (4.5×3.5) |
||||
Carroll, Jeanne (Color). Snapshot of Len Kunstadt in between and arms around Brenda Bell (left) and Jean Carroll (right) (4.5×3.5) |
||||
Carroll, Jeanne (Color). Snapshot of Sheldon Harris in between Jeanne Carroll (right) and Brenda Bell (left), c. 1984 (4.5×3.5) |
||||
Carroll, Jeanne (Color). Snapshot of Sheldon Harris with his arm around Jeanne Carroll (4.5×3.5) |
||||
Carroll, Jeanne (Color). Snapshot of Jeanne Carroll in between Len Kunstadt (left) and Sheldon Harris (right) (4.5×3.5) |
||||
Carroll, Jeanne (B&W). Early publicity photo of Jeanne Carroll with her chin resting on her fist for |
||||
Carter, Joe (B&W). Joe Carter in dark shirt and sport jacket playing guitar in front of a microphone. He looks satisfied. |
||||
Charity, Pernell (B&W). Pernell Charity playing his guitar with a downward look and a pursed brow, leaning against a Mercury |
||||
Charles, Ray (B&W). Publicity photo of Ray Charles. He’s dressed in a white tuxedo and playing the piano. Courtesy of Sheldon |
||||
Chapman, Fannie Bell (B&W). Photo of Fannie Bell Chapman dressed in white, looking up, left arm outstretched, in the midst |
||||
Chatmon, Peter (Memphis Slim) (Color). Snapshot of Sheldon Harris with his arm around Memphis Slim at Sweet Basil in NYC, May 1983 (4.5×3.5) |
||||
Chatmon, Peter (Memphis Slim) (Color). Snapshot of Memphis Slim seated at Sweet Basil in NYC with unidentified man seated |
||||
Chatmon, Peter (Memphis Slim) (color). Snapshot of Memphis Slim seated at Sweet Basil in NYC with unidentified man seated |
||||
Chatmon, Peter (Memphis Slim) (color). Snapshot of Memphis Slim seated at Sweet Basil in NYC with unidentified man seated |
||||
Chatmon, Peter (Memphis Slim) (color). Snapshot of Sheldon Harris with his arm around Memphis Slim at Sweet Basil in NYC, May 1983 (4.5×3.4) |
||||
Chatmon, Peter (Memphis Slim) (B&W). Older photo of Mempis Slim in front of a piano, next to a microphone. He’s turning towards |
||||
Chatmon, Sam (B&W). An old Sam Chatmon lost in thought. Taken by Jim O’Neal, courtesy |
||||
Chenier, Clifton (B&W). Arhoolie promotional photo of Clifton sing and playing his accordion in the heat of musical passion, |
||||
Chenier, Clifton (B&W). Arhoolie promotional photo of Clifton Chenier playing accordion and singing in concert somewhere unknown, |
||||
Chenier, Clifton (B&W). Arhoolie promotional photo of Clifton smiling, wearing his accordion, taken by Howard Brainen. Photographer: |
||||
Chenier, Clifton (B&W). Arhoolie promotional photo of Clifton smiling, wearing his accordion, wearing a headband, taken by |
||||
Chenier, Clifton (B&W). Arhoolie promotional photo of Clifton in a plaid suit, legs crossed, left hand in the air with his |
||||
Clayton, Peter (B&W). Portrait of Peter Clayton in a black suit, hat with brim upturned, and white rimmed stage glasses. He |
||||
Clearwater, Eddie (B&W). Eddie Clearwater (center) onstage with Jerry Portnoy (left) and Melvin Taylor (right) at the Chicago |
||||
Clearwater, Eddie (B&W). Older Clear-Tone Records promotional shot of Eddie Clearwater with a guitar behind his head, courtesy |
||||
Collins, Albert (B&W). Albert Collins (from the waist up) playing guitar. For |
||||
Collins, Bo (B&W). Mr. Bo Collins (from the waist up) playing guitar. For |
||||
Cook, Ann (B&W). Photo of Ann Cook, hands by her sides, wearing a floral dress and looking proud. Taken in New Orleans, July |
||||
Cook, Ann (B&W). Close-up & cropped photo of Ann Cook in floral dress, looking proud. New Orleans, July 1949 (5×7) |
||||
Cook, Ann (negative). Ann Cook, New Orleans, July 1949 (4×5) |
||||
Corley, Dewey (B&W). Dewey Corley onstage amidst microphones, playing the washtub bass, taken by Jim O’Neal. Courtesy of |
||||
Cotton, James (B&W). Captioned publicity photo of James Cotton kneeling on a brick sidewalk with a brick wall behind…he’s |
||||
Cotton, James (B&W). Starloft promotional headshot of a smiling, freckle-faced James Cotton holding a harmonica close to his |
||||
Cotton, James (B&W). Starloft promotional headshot of a smiling, freckle-faced James Cotton holding a harmonica close to his |
||||
Cotton, James (B&W). Starloft promotional photo of James Cotton wearing a white t-shirt and smiling like somebody who just |
||||
Cotton, James (B&W). Starloft promotional photo of James Cotton wearing a white t-shirt and smiling like somebody who just |
||||
Council, Floyd (B&W). Photo of Floyd Council, close-up, wearing a short-brimmed hat, big smile, and a crazy look in his eyes. |
||||
Council, Floyd (B&W). Floyd Council seated, playing guitar, looking down. Photographer: Peter Lowry (2.25×3.25) |
||||
Courtney, Thomas (B&W). Tom Courtney (left) wearing a dark hat, playing guitar, seated next to an unidentified fellow guitarist. |
||||
Cox, Ida (B&W). Ida Cox with her back to a brick wall, staring off to the left. Taken at the Oshkosh Theater, circa 1950. |
||||
Cray, Robert (B&W). Head and shoulders photo of Robert Cray in a polyester shirt, looking to the left. Taken by Tom Mazzolini. |
||||
Crayton, Pee Wee (B&W). Pee Wee Crayton (right) with two unidentified people, photo taken by Norbert Hess. Used courtesy of Living Blues for |
||||
Crudup, Arthur (B&W). Photo of an older Arthur Crudup in the studio. He is seated in front of a mic, holding his guitar. Photo |
||||
Crudup, Arthur (B&W). Photo of a young Arthur Crudup (possibly a publicity shot). He is seated in front of a mic, wearing |
||||
Cryor, Jesse (B&W). Promo photo headshot of Jesse Cryor, “comedy, song stylist” (8×10) |
||||
Photographs. D |
||||
Daddy Stovepipe (B&W). Publicity photo of Daddy Stovepipe in a dark suit and top hat, sitting on a stool with his guitar and |
||||
The Dandridge Sisters (B&W). Duplicate, reprint promo photo of The Dandridge Sisters in NYC 1939. Top: Vivian Dandridge. Left: |
||||
Dane, Barbara (B&W). Intimate close-up photo of Barbara Dane’s face inches away from Irwin Silber’s face. Taken in 1964 by |
||||
Dane, Barbara (B&W). Publicity photo of Barbara Dane seated, looking down, holding her guitar across her lap as if ready to |
||||
Dane, Barbara (B&W). Barbara Dane dressed in black, singing in front of a microphone. Taken by Carolyn Mugar. Used courtesy |
||||
Darby, Ike (B&W). Portrait photo of “Big” Ike Darby. He’s wearing tinted glasses and lots of polyester. Used in |
||||
Darby, Theodore (B&W). Teddy Darby stands outside under the awning of a shack of sorts. His right hand rests on the back of |
||||
Davis, Blind John (B&W). Alligator publicity photo of Blind John Davis at the keys. Used in |
||||
Davis, Blind John (Color). Enlarged snapshot of Sheldon Harris with his arm around Blind John Davis. They’re both wearing |
||||
Davis, Blind John (Color). Snapshot of the upper half of Blind John Davis in front of a microphone, head turned to his left, 1985 (4.5×3.5) |
||||
Davis, Blind John (Color). Snapshot of Blind John Davis, seated, holding a cigarette. There is a wood panelled wall behind |
||||
Davis, Blind John (Color). Snapshot of Blind John Davis seated behind the piano, head held high, 1985 (4.5 x.3.5) |
||||
Davis, Blind John (color). Snapshot of Blind John Davis taken from his right side. He is playing and singing, with his head |
||||
Davis, Blind John (color). Snapshot of Sheldon Harris with his arm around Blind John Davis, 1985 (4.5×3.5) |
||||
Davis, Blind John (Color). Snapshot of Sheldon Harris with his arm around Blind John Davis. Davis is smiling, 1985 (4.5×3.5) |
||||
Davis, Blind John (Color). Snapshot of Sheldon Harris with his arm around Blind John Davis. Harris is smiling, 1985 (4.5×3.5) |
||||
Davis, Blind John (Color). Snapshot of Blind John Davis smoking a cigarette, 1985 (4.5×3.5) |
||||
Davis, Gary (B&W). photo of Gary Davis playing guitar behind 3 microphones – taken in Jersey, C.I, Great Britain, , Photographer: |
||||
Davis, Larry (B&W). Publicity photo of Larry Davis holding his guitar, wearing a dark jacket, and white turtle-neck. Used |
||||
Davis, Larry (negative). Negative of the Larry Davis photo mentioned above. (4×5) |
||||
Davis, Walter (B&W). upper body shot of Walter Davis weariung a striped 3-piece suit, flower in his lapel, left hand in his |
||||
Dawkins, Jimmy (B&W). Delmark publicity photo of Jimmy Dawkins – he’s wearing a striped shirt, holding his guitar, and looking |
||||
Delta Rhythm Boys (B&W). Promo card of The Delta Rhythm Boys (5 members), they’re all smiling, fake signed, “Cordially” (3.5×5.5) |
||||
Diddley, Bo (B&W). Bo Diddley rocking out on guitar – wearing a white top and black slacks. (8×10) |
||||
Diddley, Bo (B&W). Bo Diddley rocking out on guitar – wearing a white top and black slacks. (8×10) |
||||
Dixon, Floyd (B&W). Upper body photo of Floyd Dixon smiling slightly. Taken by Norbert Hess on May 23, 1978 in Berlin. Used |
||||
Dixon, Willie (B&W). Early publicity photo of The Big Three Trio: Willie Dixon (top), Leonard Castor (middle), Ollie Crawford |
||||
Dixon, Willie (Color). Poloroid snapshot of Willie Dixon and Sheldon Harris sitting together in the Bottom Line, NYC 1980 |
||||
Dixon, Willie (negative). above mentioned polaroid of Willie and Sheldon, 1980 (4×5) |
||||
Domino, Fats (B&W). Early and famous ABC publicity photo of Fats Domino, arms crossed on piano. Used in |
||||
Dorsey, Thomas (B&W). Reprint of a portrait photo of an older Thomas A. Dorsey, used in |
||||
Douglas, K.C. (B&W). Reprint of K.C. Douglas holding his guitar, standing in front of a wood scrap pile. Taken by Tom Mazzolini, |
||||
Douglas, Lizzie (Memphis Minnie) (B&W). Famous Memphis Minnie publicity photo. She’s sitting in front of a microphone holding |
||||
Douglas, Lizzie (Memphis Minnie) (B&W). Portrait of an older Memphis Minnie seated in a white dress wearing heart-shaped necklace |
||||
Dunbar, Scott (B&W). Photo of Scott Dunbar in white hat, playing guitar. Taken in Lake Mary, Mississippi by Bill Ferris in |
||||
Dunn, Roy (B&W). Head and shoulders photo of Roy Dunn (in landscape orientation). He’s wearing coat and tie. Was used in |
||||
Dunn, Roy (B&W). Roy Dunn seated on steps, wearing suit and tie, holding his guitar. Taken by Tom Hill. Photographer: Tom |
||||
Dupree, Champion Jack (B&W). Champion Jack in a black beret, smiling. He’s standing next to an unidentified fellow in a flowered |
||||
Dupree, Champion Jack (Color). Snapshot of Sheldon Harris with his arm around Champion Jack, in the horizontal format, 1982 (3.5×4.5) |
||||
Dupree, Champion Jack (Color). Snapshot of Champion Jack (L), Sheldon Harris (center), Joe Pauldino (right), and Brenda Bell |
||||
Dupree, Champion Jack (Color). Snapshot of Champion Jack(front right), Brenda Bell (front left), Sheldon Harris (top left), |
||||
Dupree, Champion Jack (Color). Snapshot of Champion Jack (right) and Sheldon Harris (left). Sheldon’s arm is around Jack. |
||||
Durham, Eddy (Color). Snapshot of Eddy Durham, trombone-left standing next to Shelton Gary, drums-right at |
||||
Photographs. E |
||||
Eaglin, Fird “Snooks” (B&W). Photo of Snooks Eaglin seated outside playing guitar in a wooden chair at the New Orleans Jazz |
||||
Easton, Amos “Bumble Bee Slim” (B&W). Intimate portrait photo of Amos Easton and Georgia White seated on a bench. Used in Blues Who’s Who courtesy of Frank Driggs collection. (8×10) |
||||
Edwards, Charles (B&W). Concert photo of Charles “Good Rockin” Edwards (center) sing with his right hand pointed up. Louis |
||||
Edwards, Frank (B&W). Photo of Frank Edwards playing guitar with a harmonica around his neck. Taken by George Mitchell & used |
||||
Edwards, Frank (B&W). Frank Edwards about to play the harmonica around his neck. Photographer: George Mitchell (3.5×5) |
||||
Edwards, David “Honeyboy” (B&W). Close-up headshot of Honeyboy Edwards. Taken by Jim O’Neal and used in |
||||
Edwards, Susie (B&W). Old publicity photo of Butterbeans & Susie (Jody & Susie Edwards). Susie is about to give Butterbeans |
||||
Ellington, Duke (B&W). Sheldon Harris (far left) standing next to three unidentified men. Duke Ellington is seated in front |
||||
Ellington, Duke (B&W). Sheldon Harris stands across from Ellington. They look on as an unidentified man plays organ, 21953 (8×10) |
||||
Ellington, Duke (B&W). Ellington plays organ as Harris and unidentified friend look on, 21953 (8×10) |
||||
Ellington, Duke (B&W). Ellington (right) is conversing with Sheldon Harris (left), both are smiling, 21953 (8×10) |
||||
Ellington, Duke (B&W). Ellington (right) is conversing with Sheldon Harris (left), both are smiling, 21953 (8×10) |
||||
Ellington, Duke (B&W). Sheldon Harris (left) smiles while Ellington (right) laughs, 21953 (8×10) |
||||
Ellis, Wilbert “Big Chief” (B&W). snapshot of Big Chief Ellis in a plaid jacket. He’s looking to his right and smiling. Photographer: |
||||
Ellis, Wilbert “Big Chief” (B&W). Head and shoulder photo of Big Chief Ellis. Used in |
||||
Ellis, Wilbert “Big Chief” (B&W). Photo of Big Chief Ellis with his eyes closed, singing into a microphone. Photographer: |
||||
Ellis, Wilbert “Big Chief” (B&W). Big Chief Ellis leaning against a car, arms crossed, holding a cigarette in his right hand. |
||||
Erby, John (B&W). Portrait photo of John Erby, arms crossed, hunched forward. Used in |
||||
Erby, John (negative). Negative of above-mentioned photo of John Erby. (4×5) |
||||
Estes, John (B&W). close-up head shot of John Estes, taken from the left side. (3.75×4.75) |
||||
Estes, John (negative). Sleepy John Estes wearing a hat and glass, close-up, head thrown back in mid-verse. (8×10) |
||||
Evans, Margie (B&W). Publicity head shot of Margive Evans with a nice, even Afro. Used in |
||||
Everett, Betty (B&W). Vee Jay promo photo of Betty Everett leaning on a column in a tight black dress, hands on her hips. (8×10) |
||||
Photographs. F |
||||
Floyd, Frank (B&W). Close-up, off center head shot of Frank Floyd, eyes squinted looking into the camera. He’s wearing a striped |
||||
Fortescue, John (Guitar Shorty) (B&W). Head and shoulders photo of Guitar Shorty outside, wearing a white shirt. Photographer: |
||||
Fortescue, John (Guitar Shorty) (B&W). Head and shoulders profile photo of Guitar Shorty outside, wearing a white shirt. Used |
||||
Fortescue, John (Guitar Shorty) (B&W). Guitar Shorty playing a flower-covered guitar with no shirt on, seated on a bed or |
||||
Foster, Leroy (B&W). “Babyface” Leroy Foster standing with his arm around Betty Foster. Used in |
||||
Foster, Leroy (B&W). Englarged and cropped version of the above-mentioned photo. (6-1/4×8 1/8) |
||||
The Four Tunes (B&W). Autographed promo photo of The Four Tunes, 1947 (7×5) |
||||
Franklin, Edward “Pete” (B&W). Pete Franklin playing piano and singing into a microphone in front of an audience. Used in Blues Who’s Who courtesy of |
||||
Frazier, Calvin (B&W). Calvin Frazier standing, holding his guitar, and smiling…perhaps on a porch. Used in |
||||
Frost, Frank (B&W). Frank Frost leaning on a fence post, looking pensively to his right. Used in |
||||
Fuller, Blind Boy (B&W). THE Blind Boy Fuller photo: he’s seated on a bench, legs crossed, guitar ready to play. (5×7) |
||||
Fuller, Blind Boy (B&W). THE Blind Boy Fuller photo: he’s seated on a bench, legs crossed, guitar ready to play. (8×10) |
||||
Fuller, Blind Boy (B&W). negative of THE Blind Boy Fuller photo. (4×5) |
||||
Fuller, Johnny (B&W). Johnny Fuller playing guitar onstage at the 1977 San Francisco Blues Fest with an extreme look of intensity |
||||
Fuller, Johnny (B&W). Englarged and cropped version of the above-mentioned photo, , Photographer: Jerry Haussler 1977 (6.25×9.5) |
||||
Fulson, Lowell (B&W). Reprint of a Jewel Records publicity photo. Fulson’s wearing a scarf around his neck. Used in |
||||
Photographs. G |
||||
Garlow, Clarence (B&W). Portrait photo of Clarence “Bon Ton” Garlow, c. 1950. Used in |
||||
Garlow, Clarence (color). Snapshot of Clarence Garlow standing in front of a small organ and a cinderblock wall holding a |
||||
Garlow, Clarence (color). Snapshot of Clarence Garlow seated in front of a small organ and cinderblock wall, holding a guitar. |
||||
Gillum, Jazz (B&W). Slightly blurry RCA Victor/Bluebird publicity photo of Jazz Gillum, wearing a dark suit. (8×10) |
||||
Gillum, Jazz (B&W). (Same photo as above but w/o the name) publicity photo of Jazz Gillum, wearing a dark suit. Better quality |
||||
Gordon, Odetta (B&W). Kazuko Hillyer International publicity photo of Odetta wearing dark sweater and long skirt with her |
||||
Gordon, Odetta (B&W). United Artists publicity photo of Odetta singingm wearing headphones in the studio. It has three creases |
||||
Gordon, Odetta (B&W). Close-up of Odetta eyes closed and singing, guitar across her chest. She is in front of a dark background. |
||||
Gordon, Odetta (B&W). Close-up of Odetta eyes closed and singing, guitar across her chest. She is in front of a dark background. |
||||
Gordon, Odetta (negative). Negative of the close-up of Odetta eyes closed and singing, guitar across her chest. She is in |
||||
Gordon, Odetta (color). Poloroid snapshot of Sheldon Harris conversing with Odetta at the Lone Star Café in NYC 1980. (3.5×4.75) |
||||
Gordon, Odetta (color). Poloroid snapshot of Sheldon Harris talking to Odetta at the Lone Star Café in NYC 1980. (3.5×4.75) |
||||
Gordon, Odetta (color). Poloroid snapshot of Odetta talking to Sheldon Harris at the Lone Star Café in NYC in 1980. (3.5×4.75) |
||||
Gordon, Odetta (color). Poloroid snapshot of Sheldon smiling at Odetta at the Lone Star Café in NYC in 1980. (3.5×4.75) |
||||
Gordon, Odetta (negative). Poloroid snapshot of Sheldon Harris talking to Odetta at the Lone Star Café in NYC 1980. (3.5×4.75) |
||||
Grant, Leola “Coot” (B&W). Magazine photo of Coot Grant, hands on her hips and smiling. Used in |
||||
Grant, Leola “Coot” (B&W). Enlarged reprint of the abovementioned photo of Grant. (6.5×5) |
||||
Gray, Arvella (B&W). Publicity photo of Blind Arvella Gray seated on a stool holding his resonator guitar in his left hand |
||||
Gray, Henry (B&W). Headshot of Henry Gray looking up at the New Orleans Jazz & Heritage Festival, April 17, 1976. Taken by |
||||
Green, Chuck (B&W). Chuck Green jumping off the floor in what appears to be a classroom with a projection screen behind him. (4.25×3.5) |
||||
Green, Chuck (B&W). Chuck Green (right) dancing with unknown African American woman (in clam diggers, sunglasses, and a striped |
||||
Green, Chuck (B&W). Chuck Green prancing high, his right knee is high as if he’s about to kick, projection screen behind him. (4.25×3.5) |
||||
Green, Chuck (B&W). Chuck Green on his toes with blurry hands and arms. (4.25×3.5) |
||||
Green, Chuck (B&W). Chuck Green dances next to Eddie Smith (right). (4.25×3.5) |
||||
Green, Chuck (B&W). Chuck Green dances next to Eddie Smith (right). (4.25×3.5) |
||||
Green, Chuck (B&W). Chuck Green dances on a table…we see him from his right side. (4.25×3.5) |
||||
Green, Chuck (B&W). Unknown lady in clam diggers, stripes, and sunglasses is having fun dancing as Marshall Stearns looks |
||||
Green, Clarence “Candy” (B&W). Photo of Clarence Green posing seated in a plaid jacket and wide-brimmed hat. Taken in Berlin, |
||||
Green, Lil (B&W). Reprint of Lil Green publicity photo autographed, “To Clyde” – her head is resting on her fist, 1944 (8×10) |
||||
Green, Lil (B&W). Original Lil Green publicity photo, used in |
||||
Guesnon, George (B&W). Up close shot of Creole George Guesnon wearing a hat, looking down to his left, smoking a cigarette. |
||||
Gunter, Arthur (B&W). Arthur Gunter playing guitar and singing onstage at the Ann Arbor Blues & Jazz Festival, September 1973. |
||||
Gunter, Arthur (B&W). Right profile, upper body shot of Arthur Gunter leaning into the mircophone and playing guitar onstage |
||||
Gunter, Arthur (B&W). Head and shoulders shot of Arthur Gunter singing onstage behind the mic at the Ann Arbor Blues and Jazz |
||||
Guthrie, Woody (B&W). Publicity photo of Woody Guthrie, circa 1940’s. Courtesy of Frank Driggs Collection. (8×10) |
||||
Guy, Buddy (B&W). Publicity photo of Buddy Guy (right) onstage with Junior Wells (left), circa late 1960’s/early 1970’s. (8×10) |
||||
Photographs. H |
||||
Handy, Wyer (color). Snapshot of Wyer Handy (W.C.’s son) sitting at the dinner table and smiling. Taken June 1989 by Joe Palladino, |
||||
Harris, Don “Sugarcae” (B&W). Sugarcane plays serious violin. Taken by Norbert Hess and used in |
||||
Harris, Edna Mae (color). snapshot of Edna Mae Harris (left) and Vivian Harris (right) seated at a table with empy coffee |
||||
Harris, Hi Tide (B&W). Photo of Hi Tide Harris playing hard guitar and sweating in the sunshine. Taken by Dave Patrick and |
||||
Harris, James “Jake” (B&W). Polydor promotional photo of Shakey Jake Harris. Head and shoulders shot of Harris; he’s wearing |
||||
Harris, Peppermint (B&W). Publicity photo of Peppermint Harris, head and shoulders shot. He’s holding a guitar and wearing |
||||
Harris, Sheldon (color). snapshot of Sheldon at RRA meeting displaying his Clyde Bernhardt book, 7 October 1986 (4.5×3.5) |
||||
Harris, Sheldon (color). snapshot of Sheldon standing in front of a wall of photos, most likely in his house, August 1997 (4×6) |
||||
Harris, Sheldon (color). snapshot of Sheldon standing in the “music room” in his house…the date says 1988, but when compared |
||||
Harris, Sheldon (color). snapshot of Sheldon next to his two shelves of black musician figurines, 1998 (4×6) |
||||
Harris, Vivian (color). snapshot of Edna Mae Harris (left) and Vivian Harris (right) seated at a table with empy coffee cups, 1982 (3.5×4.5) |
||||
Harris, Wynonie (B&W). Publicity headshot of Wynonie Harris, signed, “To the finest bitch I know…” (8×10) |
||||
Harris, Wynonie (B&W). Publicity photo of Wynonie Harris, taken from his right side, he’s turned to the camera. Used in |
||||
Hawkins, Jalacy “Screamin’ Jay” (B&W). Early publicity photo of Screamin’ Jay Hawkins (circa 1956). He’s wearing a black bowtie |
||||
Hawkins, Jalacy “Screamin’ Jay” (B&W). Later publicity photo of Screamin’ Jay, “The Black Prince,” looking the part of a lounge |
||||
Hawkins, Jalacy “Screamin’ Jay” (color). Snapshot of Screamin Jay, Sheldon Harris, and an unidentified woman all arm in arm |
||||
Hawkins, Jalacy “Screamin’ Jay” (Color). Snapshot of Sheldon pointing a finger at Screamin Jay at Sheldon’s house, 1982 (3.5×4.5) |
||||
Hawkins, Jalacy “Screamin’ Jay” (Color). Snapshot of Screamin Jay, Sheldon Harris, and an unidentified woman all arm in arm |
||||
Hawkins, Jalacy “Screamin’ Jay” (negative). negative of the photo of Sheldon pointing at Screamin’ Jay, 1982 |
||||
Heagren, Pam (purple tinted). promo photo card of Pam Heagren, wearing a long gown, her left hand stuck out, courtesy Steve |
||||
Henderson, Katherine (B&W). reprint of a damaged old portrait photo of Katherine Henderson courtesy of Spencer Williams, used |
||||
Henderson, Katherine (B&W). another reprint of a damaged portrait photo of Katherine Henderson, circa 1920’s. (8×10) |
||||
Henderson, Katherine (B&W). original portrait photo of Katherine Henderson in a bad state of decay (8×10) |
||||
Henderson, Katherine (B&W). original portrait photo of Katherine Henderson in a bad state of decay (8×10) |
||||
Henderson, Katherine (B&W). full body pose of Katherine Henderson, photo in bad state of decay (8×10) |
||||
Henderson, Katherine (B&W). badly decayed photo of a small child and possible someone else, circa 1920’s (8×10) |
||||
Hendrix, Jimi (B&W). Reprise publicity photo of Jimi Hendrix, dressed in black, hands on hips. Used in |
||||
Hensley, William (B&W). “The Fantabulous” Washboard Willie is performing at an undisclosed location. Used in |
||||
Hicks, Otis (B&W). Otis “Lightnin Slim” Hicks singing into a mic, with his guitar strapped across his shoulder. Used in |
||||
Hicks, Robert “Barbecue Bob” (B&W). Barbecue Bob dressed in his chef’s outfit (all white) playing guitar in the barbecue pit, |
||||
Hill, Bertha “Chippie” (B&W). Chippie Hill leaning on a wall, looking proud with a purse in her hand. (8×10) |
||||
Hill, Beverly “Big Mama Bev” (color). Snapshot of Big Mama Bev singing onstage with the Tailgate Ramblers in Detroit, 21954 (3.5×5) |
||||
Hill, Beverly “Big Mama Bev” (color). Snapshot of Big Mama Bev seated with her family, 1977. Used in |
||||
Hill, Beverly “Big Mama Bev” (color). Snapshot of Big Mama Bev singing with the Bob Snyder All Stars in Ohio, 1971 (3.5×3.5) |
||||
Hill, Beverly “Big Mama Bev” (color). Snapshot of Big Mama Bev singing with Mothers’ Boys at Banjo Beach at Mercy College |
||||
Hill, Beverly “Big Mama Bev” (color). Photo of Big Mama Bev clad in full wedding regalia holding a yellow bouquet standing |
||||
Hill, Beverly “Big Mama Bev” (color). Big Mama Bev and new husband in wedding photo, 1977 (4×5) |
||||
Hogan, Silas (B&W). Silas Hogan playing guitar onstage to the right of an unidentified drummer. Taken by Terry Pattison and |
||||
Hogg, Andrew “Smokey” (B&W). Close-up photo of Smokey Hogg dressed in light suit with a guitar slung ’round his neck. (7×5) |
||||
Hogg, Andrew “Smokey” (negative). negative of Smokey Hogg photo mentioned above |
||||
Howell, John “Peg Leg” (B&W). Photo reprint of Peg Leg Howell’s page in a Columbia Records ’78 RPM catalog. Used in |
||||
Holt, Morris “Magic Slim” (B&W). Magic Slim jamming on guitar, wearing a flowered shirt and knit hat. Taken by Gary Hill, |
||||
Holts, Roosevelt (B&W). Roosevelt Holts wearing a dark suit, seated outside holding an electric guitar. Taken by David Evans |
||||
Hooker, Earl (B&W). Earl Hooker playing guitar and looking satisfied. Taken by Norbert Hess at the American Folk Blues Fest, |
||||
Hooker, Earl (B&W). Arhoolie publicity photo of Earl Hooker seated, playing his double neck guitar. Photographer: Chris Strachwitz (8×10) |
||||
Hoopii, Sol (B&W). Sol Hoopii surrounded by his band and Hollywood stars including Milton Berle, James Cagney, and other unknowns… (8×10) |
||||
Hopkins, Sam “Lightnin” (B&W). Left profile photo of Lightnin’ Hopkins’ head and shoulder. (8×5) |
||||
Hopkins, Sam “Lightnin” (B&W). Publicity photo of Lightnin Hopkins wearing hat, dark glasses, foot propped up, holding guitar. (8×10) |
||||
Hopkins, Sam “Lightnin” (negative). small negative of Lightnin’ Hopkins portrait |
||||
Hopkins, Linda (color). Sheldon Harris is smiling with his arm around Linda Hopkins. Lincoln Center, 1981 (8×10) |
||||
Hopkins, Linda (color). Sheldon Harris is smiling with his arm around Linda Hopkins. Lincoln Center, 1981 (3.5×4.5) |
||||
Hopkins, Linda (color). Linda Hopkins stands alone in a purple shirt, Lincoln Center, 1981 (3.5×4.5) |
||||
Hopkins, Linda (color). Linda Hopkins (right) stands next to Miss Rhap (left) at Lincoln Center, 1981 (3.5×4.5) |
||||
Hopkins, Linda (negative). Negative of three above-mentioned Linda Hopkins photos, 1981 |
||||
Horton, Joanne “Pug” (B&W). Bob Wilbur casually leans up against a tree, holding his clarinet and Pug Horton holds Bob Wilbur |
||||
Horton, Joanne “Pug” (B&W). Bob Wilbur is holding a saxophone and Pug Horton is holding Bob Wilbur. They’re standing in front |
||||
Horton, Walter (B&W). Alligator publicity photo of Big Walter Horton, extreme close-up him holding a harmonica to his mouth. |
||||
Horton, Walter (B&W). One-third of an Arhoole publicity photo of a young Big Walter Horton in black hat, holding a harmonica |
||||
House, Son (B&W). Famous Jeff Todd Titon photo of Son House, close-up shot of the right side of Son’s face as he looks slightly |
||||
House, Son (color). snapshot of the front of Son House’s black memorial marker at Mt. Hazel Cemetary in Detroit, , Photographer: |
||||
House, Son (color). snapshot of the back of Son House’s black memorial marker with Dick Waterman quote at Mt. Hazel Cemetary |
||||
House, Son (color). snapshot of “Beloved Husband” Son House grave marker at Mt. Hazel Cemetary, Detroit, , Photographer: Len |
||||
Howard, Rosetta (B&W). Photo of Rosetta Howard standing behind a giant Columbia Records microphone. Used in |
||||
Huff, Luther (B&W). Luther Huff holds a mandolin and sits next to an amp. On his face is a look of surprise combined with |
||||
Huff, Luther (color). snapshot of Luther Huff’s grave marker. Taken in 1997 by Len Klosner, , Photographer: Len Klosner 1987 (4×6) |
||||
Humes, Helen (color). snapshot of Sheldon Harris with a hand on Helen Humes’s shoulder. Both are smiling. Taken at the home |
||||
Humes, Helen (color). snapshot of Dave Griffiths with his arm around Helen Humes in the home of Dr. Al Volmer, Larchmont, |
||||
Humes, Helen (color). snapshot of Sheldon Harris with a hand on Helen Humes’s shoulder. Both are smiling. Taken at the home |
||||
Humes, Helen (color). snapshot of Sheldon Harris repressing a smile, with his arm around Helen Humes in the home of Dr. Al |
||||
Humes, Helen (color). snapshot of Sheldon Harris with a hand on Helen Humes’s shoulder. Both are smiling. Taken at the home |
||||
Humes, Helen (B&W). reprint of a Helen Humes publicity photo with a caption concerning her performance on an NPR jazz broadcast. |
||||
Humes, Helen (B&W). Helen Humes publicity photo with a caption concerning her performance on an NPR jazz broadcast. Used in Blues Who’s Who courtesy of |
||||
Humes, Helen (negative). Helen Humes publicity photo with a caption concerning her performance on an NPR jazz broadcast. Used |
||||
Hunter, Alberta (B&W). Early publicity photo of Alberta Hunter, circa 1940. She’s smiling and looking up to the right. Used |
||||
Hunter, Alberta (negative). Early publicity photo of Alberta Hunter, circa 1940. She’s smiling and looking up to the right. |
||||
Hurt, John “Mississippi” (negative). headshot of Mississippi John Hurt, circa 1960’s. (8×10) |
||||
Hutto, J.B. (B&W). Publicity photo of J.B. Hutto playing slide and singing onstage. Used in |
||||
Photographs. I-J |
||||
The Ink Spots (B&W). Reprint, duplicate photo of original Ink Spots, late 1930’s, L to R: Ivory “Deek” Watson, Bill Kenny, |
||||
Institute of Jazz Studies (negative). 4 strips of negatives of unknown people |
||||
Jackson, Arthur “Peg Leg Sam” (B&W). Peg Leg Sam squinting almost snarling curiously at the camera. Taken at the New Orleans |
||||
Jackson, Benjamin “Bullmoose” (color). snapshot of Bullmoose Jackson seated next to Sheldon Harris as Harris gives Jackson |
||||
Jackson, Benjamin “Bullmoose” (negative). negative of snapshot of Bullmoose Jackson seated next to Sheldon Harris as Harris |
||||
Jackson, Benjamin “Bullmoose” (B&W). Bogus Records promotional photo of Bullmoose Jackson arms crossed, dressed in light colored |
||||
Jackson, Benjamin “Bullmoose” (B&W). Circle Artists Crop. Promotional photo of Bullmoose Jackson, smiling, holding his saxophone |
||||
Jackson, Benjamin “Bullmoose” (B&W). Promotional photo of Bullmoose Jackson, “featured tenor sax and vocalist [of the] Lucky |
||||
Jackson, Bessie (negative). negative of an old promotional photo of Bessie Jackson (4×5) |
||||
Jackson, Charlie “Papa” (B&W). Early famous promotional photo of Papa Charlie Jackson seated, holding a 12-string banjo across |
||||
Jackson, Charlie “Papa” (B&W). Enlarged and cropped version of the upper half of the aforementioned Papa Charlie photo. (6.5×6.25) |
||||
Jackson, Charlie “Papa” (negative). Negative of the early famous promotional photo of Papa Charlie Jackson seated, holding |
||||
Jackson, Jim (B&W). Full body shot of Jim Jackson seated on a stool draped in a sheet, holding a guitar across his chest, |
||||
Jackson, Jim (B&W). Enlarged and cropped photo of Jim Jackson seated on a stool holding his guitar across his shoulder (as |
||||
Jackson, Jim (negative). Negative of full body shot of Jim Jackson seated on a stool draped in a sheet, holding a guitar across |
||||
Jackson, John (B&W). Reprint of John Jackson standing in front of some woods, grinning wide with his guitar slung across his |
||||
Jackson, John (B&W). Arhoolie promotional photo of John Jackson wearing a tweed jacket and hat, leaning back, smiling and |
||||
Jackson, Lee (B&W). C-J Records promotional photo of Lee Jackson seated, standing his guitar up on his lap. He’s smiling. |
||||
Jackson, Melvin “Little Son” (B&W). Upper body photo of Little Son Jackson, holding his guitar across his chest, looking sad. |
||||
Jackson, Melvin “Little Son” (negative). Negative of upper body photo of Little Son Jackson, holding his guitar across his |
||||
Jacobs, Little Walter (B&W). Reprint of a promotional photo of Little Walter leaning forward, his chin on his fist, noticeable |
||||
Jacobs, Little Walter (B&W). Promotional photo of Little Walter leaning forward, his chin on his fist, noticeable watch around |
||||
Jacobs, Matthew “Boogie Jake” (B&W). Head and shoulders of Boogie Jake in striped jacket looking to his left. Used in |
||||
James, Elmore (B&W). Elmore James in sport jacket standing in what appears to be a drug store, holding some papers in his |
||||
James, Elmore (B&W). Reprint of famous protrait of Elmore James in tweed jacket and tie, arms crossed, looking to the right. |
||||
James, George (color). snapshot of George James seated, right arm on his chair, smiling slightly. Tommy Benford is in a blue |
||||
James, Skip (B&W). Photo of Skip James seated onstage playing guitar and singing into a microphone. Courtesy |
||||
Jaxon, Frankie “Half-Pint” (B&W). Frankie “Half Pint” Jaxon crouching, looking wild, ready to whack someone with the wand |
||||
Jaxon, Frankie “Half-Pint” (negative). Negative of Frankie “Half Pint” Jaxon crouching, looking wild, ready to whack someone |
||||
Jefferson, Blind Lemon (B&W). Promotional (and only) photo of Blind Lemon Jefferson, seated holding his guitar and signed, |
||||
Jeffrey, Robert (B&W). Bob Jeffrey seated at an upright piano, looking eager to play. Used in |
||||
Jenkins, Bobo (B&W). Bobo Jenkins (right) outside next to Eddie Burns (left) – both are smiling. Photographer: Peter Lowry (4×5) |
||||
Jenkins, Bobo (B&W). Bobo Jenkins stading behind a large amp (?), holding a guitar, looking at the camera and smiling. Signed, |
||||
Jenkins, Gus (B&W). Gus Jenkins’ head, portion of a larger photo. Used in |
||||
Johnson, Ella (color). snapshot of Ella Johnson (left) and the back of George James (right). Taken August 1979 by B. Kukla, |
||||
Johnson, Ella (B&W). Beulah Bryant (left) seated next to a smiling Ella Johnson (right), portions of a saxphone, trombone, |
||||
Johnson, Ella (B&W). Classic promotional photo of Ella Johnson “vocalist – Buddy Johnson’s Orchestra”; used in |
||||
Johnson, Henry “Rufe” (B&W). Henry Johnson in hat and sport jacket playing guitar and looking satisfied. Unidentified woman |
||||
Johnson, Henry “Rufe” (B&W). Henry Johnson seated onstage, behind the mic, playing steel guitar and a harmonicirca Used in Blues Who’s Who courtesy of |
||||
Johnson, Henry “Rufe” (B&W). Henry Johnson seated onstage, behind the mic, playing steel guitar and singing. Photographer: |
||||
Johnson, Lonnie (negative). negative of two people standing side by side, assuming one is Lonnie Johnson since it is his file |
||||
Johnson, Lonnie (B&W). an older Lonnie Johnson playing guitar and singing, standing behind the mic, a band is seated onstage |
||||
Johnson, Lonnie (B&W). Lonnie and Blind John Davis (piano) recording in the studio together, 1946. Used in |
||||
Johnson, Lonnie (B&W). Lonnie and Blind John Davis (piano) recording in the studio together, 1946. Used in |
||||
Johnson, Lemuel “Lem” (B&W). Signed promotional photo of Lem Johnson “Deacon of the Blues” in a striped suit, smiling, holding |
||||
Johnson, Leslie “Lazy Lester” (B&W). Portrait of a young Lazy Lester, seated, holding his harmonica up in his right hand. |
||||
Johnson, Leslie “Lazy Lester” (negative). Negative of aforementioned portrait of a young Lazy Lester, seated, holding his |
||||
Johnson, Luther “Guitar Jr.” (B&W). Guitar Jr. jamming onstage, looking pleased. Used in |
||||
Johnson, Luther “Georgia Boy” (B&W). Georgia Boy Johnson seated, turned to his right towards the camera, he’s wearing sunglasses. |
||||
Johnson, Luther “Georgia Boy” (B&W). Little MC Simmons (left), Fred Below (center), and Luther “Georgia Boy Johnson (right) |
||||
Johnson, Luther “Georgia Boy” (B&W). Close-up /cropped photo of Georgia Boy in Frane, 1975. Photographer: Guy Schoukroun (7×5) |
||||
Johnson, Mary (B&W). Mary Johnson standing in a dark dress, left hand on her hip, and smiling. Used in |
||||
Johnson, Tommy (B&W). Head and shoulders portrait of Tommy Johnson. Used in |
||||
Johnson, Tommy (negative). Negative of the head and shoulders portrait of Tommy Johnson. Used in |
||||
Johnston, Johnnie (B&W). Signed promo photo of Johnnie Johnston singing. (5×7) |
||||
Jones, Albennie (B&W). Albennie Jones looks to her right as two gentlemen friends stand on either side. (7×5) |
||||
Jones, Albennie (B&W). Albennie Jones grins big in the center of a group of folks around a table in what looks to be a nightclub. |
||||
Jones, Albennie (B&W). Albennie Jones (left) sits next to a man and woman (possible Ginger and Gus) at a restaurant table. |
||||
Jones, Booker T. (B&W). Early photo of Booker T. Jones looking towards the camera, looking a tad shy but wearing a hip jacket. (4×5) |
||||
Jones, Curtis (B&W). Upper body photo of Curtis Jones standing outside in a suit and tie, smoking a cigarrette, looking to |
||||
Jones, Curtis (B&W). Curtis Jones playing piano. Taken from the left side. (4×5) |
||||
Jones, Eddie “Guitar Slim” (B&W). Promotional photo of Guitar Slim holding his guitar with his right hand, smiling into the |
||||
Jones, Eddie “Guitar Slim” (color). snapshot of Guitar Slim onstage playing guitar, left leg kicked back. Taken from Slim’s |
||||
Jones, Eddie “Guitar Slim” (color). snapshot of Guitar Slim singing duet with unknown musician. (3.5×3.5) |
||||
Jones, Eddie “Guitar Slim” (color). snapshot of Guitar Slim in a purple shirt and jacket, singing and playing onstage. Saxophone |
||||
Jones, Eddie “Guitar Slim” (color). snapshot of Guitar Slim singing with his left hand in the air, fellow dancing in the background |
||||
Jones, Eddie “Guitar Slim” (color). snapshot of Guitar Slim singing and playing onstage (3.5×3.5) |
||||
Jones, Eddie “Guitar Slim” (color). snapshot of Guitar Slim doing some tricks with his guitar onstage (3.5×3.5) |
||||
Jones, Floyd (B&W). Floyd Jones in a black hat and black-rimmed glasses frowning and looking slightly down. Used in |
||||
Jones, Johnnie (B&W). Johnnie Jones (left), a wild looking Syl Johnson (center), and Odell Campbell (right) partying at an |
||||
Jones, Maggie (B&W). Reprint of Maggie Jones photo from a page featuring other musicians from the 1920’s. She’s standing straight |
||||
Joplin, Janis (B&W). Janis Joplin singing deep into the mic onstage at Frankfurt, , Photographer: Norbert Hess March 1969 (4×6) |
||||
Jordan, Charley (B&W). reprint of an old promotional photo of Charley Jordan, seated, holding his guitar with a relaxed look |
||||
Jordan, Charley (B&W). enlarged and cropped reprint of an old promotional photo of Charley Jordan, seated, holding his guitar |
||||
Jordan, Louis (B&W). Publicity postcard of Louis Jordan, headshot. Used in |
||||
Jordan, Sheila (B&W). Photosheet consisting mostly of pictures of Sheldon Harris and Shelia Jordan having a conversation. |
||||
Jordan, Sheila (B&W). Close-up of Shelia Jordan’s head, she’s looking up, 1972 (8×10) |
||||
Jordan, Sheila (B&W). Sheldon Harris (left) is talking to a smiling Sheila Jordan (right), 1972 (8×10) |
||||
Jordan, Sheila (negatives). 4 bundles of negatives of Sheila Jordan |
||||
Jordan, Sheila (negative). negative of Sheila Jordan singing into a mic (4×5) |
||||
Jordan, Sheila (B&W). Sheila Jordan singing into the mic, eyes closed. Photographer: Raymond Ross Photography (4×5) |
||||
Jordan, Sheila (B&W). Sheila Jordan singing into the mic, eyes closed. Photographer: Raymond Ross Photography (8×10) |
||||
Jordan, Sheila (B&W). Sheila Jordan singing into the mic, eyes closed. Photographer: Raymond Ross Photography (8×10) |
||||
Jordan, Sheila (B&W). Sheila Jordan singing into the mic, eyes closed. Photographer: Raymond Ross Photography (8×10) |
||||
Jordan, Sheila (B&W). Sheila Jordan singing into the mic, eyes closed. Photographer: Raymond Ross Photography (8×10) |
||||
Jordan, Sheila (B&W). Sheila Jordan leaning forward and laughing (8×10) |
||||
Jordan, Sheila (B&W). Photosheet consisting mostly of solo shots of Sheila Jordan, but a few with Sheldon Harris are included. (8.5×11) |
||||
Jordan, Sheila (B&W). Sheldon conversing with Sheila (right), both are seated on a couch, 21953 (7×5) |
||||
Jordan, Sheila (B&W). Sheila wearing a spotty top looking to the right. Photographer: Leonard Silverman (7×5) |
||||
Jordan, Sheila (B&W). Sheila wearing a spotty top looking to the left. Photographer: Leonard Silverman (7×5) |
||||
Jordan, Sheila (B&W). Landscape oriented photo, Sheila wearing a spotty top looking up and to the right. Photographer: Leonard |
||||
Jordan, Sheila (B&W). Sheila wearing a spotty top, grinning wide, and looking straight at the camera. Photographer: Leonard |
||||
Jordan, Sheila (B&W). Sheila wearing a spotty top and Sheldon sporting a moustache, both are looking at the camera. Photographer: |
||||
Jordan, Sheila (B&W). Sheila Jordan smirking in mid-explanation, arms slightly extended left hand atop right hand. (8×10) |
||||
Jordan, Sheila (B&W). Photosheet of mostly Sheila Jordan in a spotty top; a few photos feature Sheldon Harris and Jordan. (8.5×11) |
||||
Joye (B&W). Joyce Agency promo photo of Joye…one funky looking bunch: four white guys and two white girls surrounding a |
||||
Joye (B&W). Joyce Agency promo photo of Joye…one funky looking bunch: four white guys and two white girls surrounding a |
||||
Photographs. K |
||||
Kelley, Arthur (B&W). Arthur Kelley seated in a folding chair onstage, playing guitar and singing into a mic. Used in |
||||
Kelly, Jo Ann (B&W). Jo Ann Kelly playing guitar, looking distant in Berlin, September 1974. Used in |
||||
Kennedy, John F. (B&W). Close-up head shot of JFK looking to the left. (8×10) |
||||
King, Al (B&W). Al King singing in concert outside. Used in |
||||
King, Albert (B&W). Utopia promotional photo of Albert King standing, holding his guitar, and smiling. Used in |
||||
King, B.B. (B&W). Early promotional photo of BB King. He’s smiling and his hands are crossed on his knee. Courtesy of Bill |
||||
King, B.B. (B&W). BB King seated in his apartment in NYC, 1974. From the film “Give My Poor Heart Ease” – taken by Bill Ferris, |
||||
King, B.B. (B&W). Early promotional photo of BB King. He’s smiling and his hands are crossed on his knee. Courtesy of Bill |
||||
King, B.B. (B&W). ABC/Bluesway promotional photo of BB: he’s onstage behind the mic, hands in fists drawn up to his chest,smiling, |
||||
King, B.B. (B&W). ABC/Bluesway promotional photo of BB: onstage, looking down at Lucille that he is playing oh so sweetly. (8×10) |
||||
King, B.B. (B&W). BB deep in thought as he plays in concert looking to the right, microphone in the foreground. Taken at the |
||||
King, B.B. (B&W). Soulful playing from BB, spolight hovers above, bandmember visible in the background to the left. Taken |
||||
King, B.B. (negative). Negative of the well-known early promotional photo of BB King. He’s smiling and his hands are crossed |
||||
King, B.B. (B&W). “Norman A. Carlson, Director of the Federal Bureau of Prisons, presents plaque to BB King, Co-Chairman of |
||||
King, B.B. (B&W). BB (right) with a bunch of unidentified white guys. (8×10) |
||||
King, Freddie (B&W). Close-up of Freddie King singing into a microphone big and happy. Used in |
||||
Kittrell, Jean (B&W). Close-up of Jean Kittrell sitting next to a piano, smiling, looking to the left. Used in |
||||
Kittrell, Jean (B&W). Close-up of Jean Kittrell sitting next to a piano, smiling, looking to the left. Used in |
||||
Kittrell, Jean (B&W). Close-up of Jean Kittrell sitting next to a piano, smiling, looking to the left. Used in |
||||
Koerner, John (B&W). John Koerner onstage behind the mic, beer in left hand, guitar in the other, looking to the right. Photo |
||||
Photographs. L |
||||
Lacy, Rubin (B&W). Rev. Rubin Lacy & wife Malisia seated in a church in front of the pulpit. The Rev. is looking distantly |
||||
Lamb, Natalie (color). Enlarged photo of a smiling Sheldon Harris standing next to a smiling Natalie Lamb at Binghamton’s, |
||||
Lamb, Natalie (color). A smiling Sheldon Harris standing next to a smiling Natalie Lamb at Binghamton’s, Edgewater, NJ, 26 February 1982 (4×5) |
||||
Lamb, Natalie (color). A smiling Sheldon Harris standing next to a smiling Natalie Lamb at Binghamton’s, Edgewater, NJ, 26 February 1982 (4×5) |
||||
Lamb, Natalie (color). Natalie Lamb in a floral dress and red boa, clapping her hands as if enjoying herself at Binghamton’s |
||||
Lamb, Natalie (negative). slim strip of negative featuring Natalie Lamb |
||||
Lamb, Natalie (negative). slim strip of negative featuring Natalie Lamb |
||||
Lamb, Natalie (B&W). Promotional photo of Natalie Lamb looking up. She’s wearing a tight black dress and long white gloves. |
||||
Ledbetter, Huddie (Leadbelly) (B&W). Leadbelly playing guitar and singing. Dressed in a dark pin-stripe suit with a polka |
||||
Ledbetter, Huddie (Leadbelly) (B&W). Leadbelly playing guitar and singing. Dressed in a dark pin-stripe suit with a polka |
||||
Ledbetter, Huddie (Leadbelly) (negative). Leadbelly playing guitar and singing. Dressed in a dark pin-stripe suit with a polka |
||||
Lee, John (B&W). John Lee looking happy behind the mic playing guitar. Used in |
||||
Lee, Julia (B&W). Capitol publicity photo of Julia Lee holding a microphone and leaning to the right, circa 1946. Used in Blues Who’s Who courtesy of Frank Driggs. (8×10) |
||||
Leibowitz, Jeff (color). Tramps, NYC, friends meeting for drinks (L to R): Renato Tonelli, Sheldon Harris, Jeff Leibowitz, |
||||
Leibowitz, Jeff (color). Tramps, NYC, friends meeting for drinks: Sheldon Harris (left) and Jeff Leibowitz (right), , Photographer: |
||||
Leigh, Carol (color). Publicity photo of Carol Leigh with irritating eyelashes, a white flower in her hair, and an unflattering |
||||
Leigh, Carol (B&W). Publicity photo of Carol Leigh with irritating eyelashes, a white flower in her hair, and an unflattering |
||||
Leigh, Carol (B&W). Signed publicity photo of Carol Leigh trying to look sexy in her dress of silver. (8×10) |
||||
Leigh, Carol (color). Photo of Carol Leigh’s husband playing bass saxophone, 12 August 1979 (3.5×5) |
||||
Leigh, Carol (color). Carol Leigh doing a dance step in front of a band, , Photographer: B. Kukla 12 August 1979 (3.5×5) |
||||
Leigh, Carol (B&W). Carol Leigh performing next to Bob Williams, , Photographer: Dennis Chalkin Studios 12 August 1979 (11×7.5) |
||||
Lewis, Furry (B&W). Furry Lewis seated, left hand raised, and looking at the camera as if he’s about to speak, used in |
||||
Lewis, Furry (B&W). Furry Lewis seated, left hand raised, and looking at the camera as if he’s about to speak, used in |
||||
Lewis, Johnie (B&W). Johnie Lewis sitting on wooden steps, playing guitar and singing. Used in Blue Who’s Who courtesy of |
||||
Lewis, Smiley (B&W). Publicity photo of Smiley Lewis with arms crossed and smiling! Used in |
||||
Lightfoot, Alexander (B&W). Alexander Lightfoot seated on a porch with his head resting on his knuckles, looking contemplative |
||||
Lincoln, Abraham (B&W). Close-up headshot of Abe Lincoln (pre-beard) looking to the right. (8×10) |
||||
Lipscomb, Mance (B&W). Close-up photo of a grizzled Mance Lipscomb wearing a striped shirt and looking downward. Used in |
||||
Lipscomb, Mance (B&W). Close-up photo of a grizzled Mance Lipscomb wearing a striped shirt and looking downward. Used in |
||||
Lipscomb, Mance (B&W). Close-up photo of a grizzled Mance Lipscomb wearing a striped shirt and looking downward. Used in |
||||
Lipscomb, Mance (negative). Negative of close-up photo of a grizzled Mance Lipscomb wearing a striped shirt and looking downward. |
||||
Lipscomb, Mance (negative). Negative of close-up photo of a grizzled Mance Lipscomb wearing a striped shirt and looking downward. |
||||
Lipscomb, Mance (B&W). Arhoolie publicity photo of Mance looking distant and playing guitar. (8×10) |
||||
Littlefield, Little Willie (B&W). Norbert Hess’s Little Willie Littlefield promotional photo/card. . Photographer: Norbert |
||||
Littlefield, Little Willie (B&W). Concert photo of Little Willie playing piano and singing in a plaid jacket. Used in |
||||
Littlejohn, John (B&W). Arhoolie promotional photo of John Littlejohn standing on a city street and looking happy. Used in Blues Who’s Who courtesy of Arhoolie. Photographer: Chris Strachwitz (8×10) |
||||
Lockwood, Robert Jr. (B&W). Headshot of Robert Jr. Lockwood looking a bit perplexed. Photographer: Peter Lowry (4×5) |
||||
Lockwood, Robert Jr. (B&W). Right profile shot of Robert Jr. Lockwood looking up. Photographer: Peter Lowry (8×10) |
||||
Lofton, “Cripple” Clarence (B&W). Upper body shot of Cripple Clarence Lofton in a pinstripe suit. Used in Blue Who’s Who. (7×5) |
||||
Louis (B&W). Louis in his stage attire signed photo to Margarett (5×7) |
||||
Louis, Joe Hill (B&W). Photo of Joe Hill Louis standing tall, holding his guitar with a harmonica tied to a microphone around |
||||
Love, Willie (B&W). Willie Love seated at the piano, one hand on the keys and the other holding a microphone. Used in |
||||
Lowery, Robert (B&W). Close-up photo of Bob Lowery wearing light colored turtleneck and light felt hat with a look of satisfaction |
||||
Luandrew, Albert “Sunnyland Slim” (B&W). Sunnyland Slim at the piano in a tweed jacket turns and smiles; microphone in foreground. (4×5) |
||||
Luandrew, Albert “Sunnyland Slim” (B&W). Airway Records promotional photo of Sunnyland Slim seated at an electric piano in |
||||
Lucas, Lazy Bill (B&W). Lazy Bill seated in an easy chair, head resting on his fist. He’s smiling. Used in |
||||
Photographs. M |
||||
Mabon, Willie (B&W). Early publicity photo of Willie Mabon seated at the piano, turned towards the camera, smiling. Used in Blues Who’s Who courtesy of |
||||
Mabon, Willie (B&W). Snapshot of Willie Mabon at the piano at club, “La Cova Del Drac” in Barcelona, , Photographer: Vicente |
||||
Macon, John “Mr. Shortstuff” (B&W). Upper body photo of Mr. Shortstuff wearing a dark, collarless, button up shirt. He’s looking |
||||
Macon, John “Mr. Shortstuff” (negative). Negative of upper body photo of Mr. Shortstuff wearing a dark, collarless, button |
||||
Maghett, Sam “Magic Sam” (B&W). Reprint of a Delmark publicity photo of Magic Sam, looking ahead and holding his guitar. Used |
||||
Mahal, Taj (color). blurry snapshot of Taj and Harris in an unidentified airport, , Photographer: Steve Lauer 15 February 1991 (4×6) |
||||
Mahal, Taj (color). blurry snapshot of Taj and Harris in an unidentified airport, , Photographer: Steve Lauer 15 February 1991 (4×6) |
||||
Mahal, Taj (B&W). ICM publicity photo of Taj Mahal and band. Taj is in the middle wearing the straw sombrero. (8×10) |
||||
Martin, Carl (B&W). snapshot of Carl Martin’s head. Used in |
||||
Martin, Carl (B&W). snapshot of Carl Martin’s head as he looks to the right. (4×5.5) |
||||
Martin, Carl (B&W). Martin playing/singing behind the mic in concert. Photographer: Peter Lowry (4×5) |
||||
Martin, Carl (B&W). Left to right: Howard Armstrong, Carl Martin, and Ted Bogan at the Philadelphia Folk Festival, 1975. Photographer: |
||||
Martin, Joe (B&W). Fiddlin’ Joe Martin seated behind a set of drums smoking a cigarette; a couple of young men are seated |
||||
Martin, Sara (B&W). Promotional photo of Sara Martin (left), Clarence Williams (middle), and Eva Taylor (right). Used in |
||||
Martin, Sara (negative). Small negative of Sara Martin photo mentioned above |
||||
Mayall, John (B&W). artistic photo of John Mayall in concert, , Photographer: Dale Scherfling 1986 (8×5) |
||||
Mayall, John (B&W). Mayall blowing harp in concert, , Photographer: Dale Scherfling 1986 (8×5) |
||||
Mayall, John (B&W). reprint of a publicity photo of Mayall “Of the Harmonicas,” used in |
||||
Mayfield, Percy (B&W). Percy Mayfield holding a set of glasses and looking to the right, in Los Angeles in May 1976. Used |
||||
McCain, Jerry (B&W). Jewel/Paula promotional photo of Jerry McCain, “King of the Blues Harmonica.” Used in |
||||
McCain, Jerry (B&W). Jerry McCain seated, wearing glasses and striped cap, looking to his right. Photographer: Peter Lowry (4×5) |
||||
McCain, Jerry (B&W). Jerry McCain left profile shot, blowing harp. Photographer: Peter Lowry (4×5) |
||||
McClennan, Tommy (B&W). head and shoulders shot of Tommy McClennan wearing a white hat. Used in |
||||
McClennan, Tommy (negative). negative of head and shoulders shot of Tommy McClennan wearing a white hat. Used in |
||||
McCoy, Joe (B&W). enlarged, cropped photo of Joe McCoy seated, holding guitar, legs crossed (7.5×6) |
||||
McCoy, Joe (B&W). photo from unknown magazine of Joe McCoy (seated) with Memphis Minnie (7 5/8×5) |
||||
McCoy, Viola (B&W). Portrait photo of Viola McCoy in long white gown, seated on a bench in front of a wipsy backdrop. Used |
||||
McCracklin, Jimmy (B&W). Jimmy McCracklin holding the microphone up to his mouth, singing outside somewhere unkown. Used in Blues Who’s Who courtesy of |
||||
McDaniel, Hattie (B&W). Headshot of Hattie McDaniel in full “Aunt Jemima” garb, used in |
||||
McDowell, Mississippi Fred (B&W). Arhoolie publicity photo of Mississippi Fred McDowell in bib overalls, holding his guitar, |
||||
McGhee, Brownie (B&W). reprint of a portion of an APA publicity photo of Brownie McGhee, upper body shot: he has some sort |
||||
McGhee, Brownie (negative). negative of the photo mentioned above (8×5) |
||||
McGhee, Stick (B&W). reprint of an Atlantic publicity photo of Stick McGhee, he’s smiling and holding a guitar, circa 1950. |
||||
McMahon, Andrew “Blueblood” (B&W). reprint of a Dharma Records’ promotional photo of Blueblood McMahon (close-up) singing |
||||
McTell, “Blind” Willie (B&W). reprint of one of the final photos of Blind Willie McTell, playing guitar and singing, circa |
||||
Merriweather, Major (Big Maceo) (B&W). Big Maceo at the piano, left hand resting on the keyboard, he’s turned to the right |
||||
Mickle, Elmon (B&W). Elmon “Driftin’ Slim” Mickle blowing harp into a microphone. Used in |
||||
Milburn, Amos (B&W). Promotional photo of Amos Milburn. Upper body shot, close-up, Milburn is smiling and staring into the |
||||
Miller, Big Clarence (B&W). Portrait of Big Clarence Miller in a plaid jacket and purple tie. Used in |
||||
Milton, Roy (B&W). reprint of a Roy Milton promotional photo, Milton is leaning forward and smiling slightly and wearing a |
||||
Minstrels (color). photo of Vogel’s Big City Minstrels poster… (3×4) |
||||
Minstrels (B&W). group photo of an unknown minstrel troupe (5×7) |
||||
Minstrels (B&W). reprint of a Silas Green Minstrels poster, circa 1920’s. (8×10) |
||||
Minter, Iverson (B&W). Louisiana Red (left) standing next to Odetta (?), both dressed in hippie attire, used in |
||||
Montgomery, Little Brother (B&W). Little Brother Montgomery sitting in front of a microphone, looking distant, lightint a |
||||
Montgomery, Little Brother (B&W). reprint of a Delmark promotional photo of Little Brother Montgomery, sitting at the piano, |
||||
Montgomery, Little Brother (B&W). snapshot of Little Brother Montgomery (right) with Edith Wilson (center), Rosetta Reitz |
||||
Montgomery, Little Brother (B&W). snapshot of Little Brother Montgomery (left) with Edith Wilson (center) and Sheldon Harris |
||||
Moore, Alex (B&W). Arhoolie promotional photo of Alex Moore, close-up looking to the left, wearing a plaid driving cap. Used |
||||
Moore, James “Slim Harpo” (B&W). Slim Harpo seated, holding his harmonica in his left hand and pointing towards the camera |
||||
Moore, Johnny (B&W). Reprint of a photo of Johnny Moore playing guitar and singing onstage behind the mic in a glittery jacket. |
||||
Moore, Monette (B&W). Monette Moore reading the lyrics to “Sugar Hill,” 1949. Used in |
||||
Moore, Willie “Boll Weevil Bill” (B&W). Reprint of a photo of Boll Weevil Bill seated in a living room, a door to his left. |
||||
Morgan, Russ (B&W). Russ Morgan headshot in suit, signed bestest, 26 August 1946 (8×10) |
||||
Morganfield, McKinley “Muddy Waters” (B&W). Cameron, Inc. promotional photo of Muddy Waters, close-up headshot; Muddy’s wearing |
||||
Morganfield, McKinley “Muddy Waters” (B&W). Reprint of a Cameron, Inc. promotional photo of Muddy Waters, close-up headshot; |
||||
Morganfield, McKinley “Muddy Waters” (negative). Negative of a Cameron, Inc. promotional photo of Muddy Waters, close-up headshot; |
||||
Moss, Buddy (B&W). Buddy Moss seated somewhere in a house wearing a white A-shirt playing guitar and smiling. Photographer: |
||||
Moss, Buddy (B&W). Buddy Moss seated somewhere in a house wearing a white A-shirt playing guitar and singing. Photo taken |
||||
Moss, Buddy (B&W). Reprint of a Buddy Moss playing guitar leaning back, playing guitar with a look of intensity. Photographer: |
||||
Muse, Rabbit (B&W). Old photo of Lewis “Rabbit” Muse wearing bowtie and floppy old cowboy hat, used in |
||||
Musselwhite, Charlie (B&W). Reprint of a photo of Charlie Musselwhite in sunglasses, hair slicked back, playing harmonica |
||||
Myers, Louis (B&W). Reprint of a photo of Louis Myers playing guitar onstage in a shiny shirt. Used in |
||||
Myers, Sammy (B&W). Reprint of a Sammy Myers photo, head and shoulders shot. Myers stands next to a porch post and is mostly |
||||
Photographs. N |
||||
Nelson, Iromeio (B&W). Romeo Nelson seated at the piano, hands on the keyboard. He’s leaning back and looking to his left, |
||||
Nelson, Iromeio (negative). Negative of the photo of Romeo Nelson seated at the piano, hands on the keyboard. He’s leaning |
||||
New Orleans, LA (B&W). Photo taken at a press conference concerning the 1980 Jazz & Heritage Fest of “Daniel F. McKeithan, |
||||
Nichols, Alvin (B&W). Alvin “Youngblood” Nichols as BB Jones wearing a plaid jacket and bowtie, eyes closed, holding a microphone |
||||
Nighthawk, Robert (B&W). A young Robert Nighthawk standing behind a podium containing two microphones. He’s holding his guitar |
||||
Nighthawk, Robert (negative). Negative of a young Robert Nighthawk standing behind a podium containing two microphones. He’s |
||||
Nix, Willie (B&W). Two old photos reprinted as one: on the left: Willie Nix plays drums as Willie Love with the Three Aces; |
||||
Nixon, Hammie (B&W). Hammie Nixon playing harmonica and Sleeping John Estes playing guitar (both seated) onstage behind a |
||||
Norris, William (B&W). William “Deadeye” Norris (right) jamming guitar onstage with Joe Parrington (left). Used in |
||||
Photographs. O-P |
||||
Odom, Andrew (B&W). Photo of the left side of Andrew Odom’s face. He’s wearing a felt hat with a feather and has a toothpick |
||||
The Orioles (B&W). Orioles group promo photo signed by Sonny Til (7×5) |
||||
Page, Oran “Hot Lips” (B&W). Promotional of Hot Lips Page holding his trumpet and smiling at the camera. Used in |
||||
Page, Oran “Hot Lips” (B&W). Hot Lips Page smiling at the camera, right hand in his pocket, left hand holding the trumpet |
||||
Page, Oran “Hot Lips” (negative). Hot Lips Page smiling at the camera, right hand in his pocket, left hand holding the trumpet |
||||
Parker, Herman “Little Jr.” (B&W). Portrait of Little Junior Parker, right fist resting on his cheek, he’s smiling at the |
||||
Parker, Herman “Little Jr.” (B&W). Reprint of a Duke Records promotional photo of Little Junior Parker smiling and holding |
||||
Patt, Frank (B&W). Honeyboy Frank Patt looking up, there’s an exit sign behind him. Taken in L.A, May 1975 by Norbert Hess |
||||
Patterson, Ottilie (B&W). Portrait of Ottilie Patterson (left) and Chris Barber (right). Used in |
||||
Patton, Charley (B&W). Only known photo of Charley Patton, headshot. Used in |
||||
Patton, Charley (negative). Negative of only known photo of Charley Patton, headshot. Used in |
||||
Payton, Earlee (B&W). Earlee Payton in a chair wearing a loud outfit, holding a harmonica up to a microphone in his left hand. |
||||
Penniman, Little Richard (B&W). Little Richard in a typical wig, looking up with a crazed look in his face. Used in |
||||
Penniman, Little Richard (B&W). Little Richard in black, in a typical wig screaming and looking right insane. (8×10) |
||||
Perkins, Joe “Pinetop” (B&W). Pinetop Perkins playing piano at the Chicago Blues Festival at the Palau de la Musica in Barcelona, |
||||
Perkins, Joe “Pinetop” (B&W). Pinetop Perkins looking happy, mouth open. Something’s blurring part of the photo in the foreground. |
||||
Perryman, Rufus “Speckled Red” (B&W). Speckled Red playing piano and singing, a pack of Marlboros are lying open in front |
||||
Perryman, Willie “Piano Red/Dr. Feelgood” (B&W). Promotional card/photo for Dr. Feelgood/Piano Red – he’s wearing a white |
||||
Perryman, Willie “Piano Red/Dr. Feelgood” (B&W). Piano Red playing piano and looking jubilant; a microphone is close by. He’s |
||||
Perryman, Willie “Piano Red/Dr. Feelgood” (B&W). Reprint of a portion of a photo strip of a nearly bald Piano Red playing |
||||
Phelps, Arthur “Blind Blake” (B&W). Reprint of the famous Blind Blake photo, he’s seated on a bench, legs crossed, smiling |
||||
Phillips, Esther (B&W). Esther Phillips smiling, hand on her chin, looking angelic in her white blouse. Used in |
||||
Pichon, Walter “Fats” (B&W). Walter “Fats” Pichon’s head and shoulders: He’s smiling, looking to the left and isbehind an |
||||
Pierce, Billie (B&W). Billie Pierce lounging at the Hollywood Lounge, New Orleans in November 1951. She’s leaning on a partition |
||||
Pierce, Billie (B&W). Billie Pierce playing piano to DeDe Pierce’s trumpet. . Photographer: Jack Bradley (7×9) |
||||
Pierce, Billie (B&W). Billie Pierce in a white dress with wide lapels, wearing glasses, and smiling, looking to her right. |
||||
Pleasant Joseph “Cousin Joe” (B&W). Cousin Joe smiling with a mic inches away from his face. Used in |
||||
Pleasant Joseph “Cousin Joe” (color). Cousin Joe turned towards the camera, though seated at the piano, with a mic inches |
||||
Pleasant Joseph “Cousin Joe” (color). Cousin Joe with a cigar (?) in his mouth and something in his hand. He’s seated at the |
||||
Pleasant Joseph “Cousin Joe” (color). Cousin Joe seated at the piano, grinning wide, looking slightly behind him, Tramps, |
||||
Pleasant Joseph “Cousin Joe” (color). Cousin Joe leaning into Sheldon Harris and smiling. Only a small portion of Sheldon’s |
||||
Pleasant Joseph “Cousin Joe” (color). Sheldon Harris has his arm around Cousin Joe at Tramps, NYC. Both are smiling, 6 January 1982 (4×5) |
||||
Pleasant Joseph “Cousin Joe” (negative). small strip of two negatives of Cousin Joe at Tramps, NYC, 6 January 1982 |
||||
Pleasant Joseph “Cousin Joe” (negative). small strip of three negatives of Cousin Joe at Tramps, NYC, 6 January 1982 |
||||
Powell, Vance “Tiny” (B&W). extreme close-up of Tiny Powell’s face, holding a microphone to pursed lips as if ready to sing; |
||||
Price, Kerry (B&W). Atmospheric and shadowy close-up of Kerry Price inches from the mic, in mid-verse of a song. Used in |
||||
Price, Sammy (color). snapshot of Sammy Price playing piano and singing at the Bottom Line, NYC, 22 February 1982 (4×5) |
||||
Price, Sammy (negative). negative of snapshot of Sammy Price playing piano and singing at the Bottom Line, NYC, 22 February 1982 |
||||
Price, Walter (B&W). Promo photo of Big Walter Price w/ caption “BWP has a role as a drunken preacher in the movie “Sugar |
||||
Price, Walter (B&W). Norbert Hess promo photo card of Big Walter Price, “The Thunderbird” (4×6) |
||||
Price, Walter (B&W). Head and shoulders photo of Big Walter Price staring at the camera. Berlin, , Photographer: Norbert Hess 5 December 1978 (4×6) |
||||
Pryor, James “Snooky” (B&W). Snooky Pryor holding his harmonica with his right hand, looking at the camera and smiling. Used |
||||
Photographs. Q-R |
||||
Quattlebaum, Doug (B&W). Doug Quattlebaum seated next to an amp, holding his guitar. Used in |
||||
Quattlebaum, Doug (negative). Negative of Doug Quattlebaum seated next to an amp, holding his guitar. Used in |
||||
Rachell, Yank (B&W). Yank Rachell holding an unidentified object in his left hand (perhaps a pipe?) and looking satisfied, |
||||
Rainey, Gertrude “Ma” (B&W). Head shot of Ma Rainey, smiling, head cocked slightly to the right, wearing a dark dress and |
||||
Rainey, Gertrude “Ma” (B&W). Head shot of Ma Rainey, smiling, head cocked slightly to the right, wearing a dark dress and |
||||
Rainey, Gertrude “Ma” (negative). Negative of head shot of Ma Rainey, smiling, head cocked slightly to the right, wearing |
||||
Rainey, Gertrude “Ma” (B&W). Head shot of Ma Rainey, smiling, head cocked slightly to the right, wearing a more revealing |
||||
Rainey, Gertrude “Ma” (B&W). Early unpublished photo of Ma Rainey as “Moranie” wearing a boa and smiling with an ambiguous |
||||
Raitt, Bonnie (B&W). Headshot of a freckle-faced, wild-haired Bonnie Raitt, used in |
||||
Raitt, Bonnie (B&W). A sassy looking Bonnie Raitt standing on the street, wearing a floral print dress, hands on her hips. (8×10) |
||||
Rankin, RS (B&W). RS Ranking dressed in white, playing guitar behind his head. Used in |
||||
Rawls, Lou (B&W). CMA publicity photo of Lou Rawls seated, hands threaded on his knees. He’s smiling, wearing jewelry on his |
||||
Rawls, Lou (B&W). Enlarged, cropped CMA publicity photo of Lou Rawls’ head. He’s smiling and dressed in denim. Used in |
||||
Ray, Harmon (B&W). Harmon Ray seated on a large stone (?) outside in a striped shirt, hands on his knees, looking pensive. |
||||
Reed, Jimmy (B&W). Jimmy Reed laughing, holding his guitar, harmonica around his neck, behind the mic, in front of a wall |
||||
Richardson, Clarence “CC” (B&W). CC Richardson behind the mic playing guitar with a look of intensity on his face. Used in Blues Who’s Who courtesy of Amy O’Neal. Photographer: Amy O’Neal (8×5) |
||||
Ridgley, Tommy (B&W). Flyright promo photo of Tommy Ridgley, “The New King of the Stroll.” He’s standing straight and tall, |
||||
Robinson, Fenton (B&W). Fenton Robinson in floweredl shirt and vest as if about to speak. Used in |
||||
Robinson, Fenton (B&W). Alligator promo photo of Fenton Robinson playing guitar and looking jubilant. (8×10) |
||||
Robinson, James “Jimmy Lee” (B&W). Reprint of an early promo photo of Jimmy Lee Robinson, “Lonesome Me,” used in |
||||
Robinson, LC “Good Rockin” (B&W). Arhoolie promo photo of Good Rocking Robinson in the studio singing and playing fiddle. |
||||
Robinson, LC “Good Rockin” (B&W). ABC promo photo of Good Rockin Robinson, standing and holding his guitar. Used in |
||||
Rodgers, Jimmie (B&W). Early Jimmie Rodgers publicity photo, he’s seated, in a hat, holding his guitar. Used in |
||||
Rogers, Jimmy (B&W). Reprint of a Jimmy Rogers photo, cropped tightly around Rogers playing guitar. Used in |
||||
Rundgren, Todd (B&W). Promo photo of Todd Rundgren hazily smiling into the camera. (4×5) |
||||
Rush, Otis (B&W). Dick Waterman publicity photo of Otis Rush, close-up on his face, with a toothpick in his mouth. Used in Blues Who’s Who courtesy of Sheldon Harris. (8×10) |
||||
Rush, Otis (B&W). Delmark promo photo of Otis Rush looking happy to play guitar. Photographer: Amy O’Neal (8×10) |
||||
Rushing, Jimmy (B&W). “Sheldon Harris presenting Jimmy Rushing with the 1967 Jay Award for his outstanding blues work.” (8×10) |
||||
Rushing, Jimmy (B&W). 1937 publicity photo of Jimmy Rushing, used in |
||||
Rushing, Jimmy (B&W). 1937 publicity photo of Jimmy Rushing, used in |
||||
Rushing, Jimmy (negative). Negative of the 1937 publicity photo of Jimmy Rushing, used in |
||||
Rushing, Jimmy (B&W). photo of Jimmy Rushing seated, holding a paper in his hands mounted below autographed (Jimmy Rushing) |
||||
Photographs. S |
||||
Sadler, Haskell “Cool Papa” (B&W). Cool Papa Sadler seated on a stool, wearing sunglasses, smiling as he holds his guitar. |
||||
Saxton, Bobby (B&W). Bobby Saxton standing behind a microphone, smiling and holding a giant key in his right hand and a giant |
||||
Sayles, Charlie (B&W). Charlie Sayles playing harmonica into a microphone wearing a striped jacket. Used in |
||||
Seals, Son (B&W). Alligator promo photo of Son Seals playing guitar and singing onstage. Used in |
||||
Sellers, Brother John (B&W). Brother John Sellers in African garb (dashiki and hat) playing Bongo drum and singing…a microphone |
||||
Sellers, Brother John (B&W). Brother John Sellers in a 1946 portrait photo, wearing bracelet, 1946 (8×10) |
||||
Sellers, Brother John (B&W). Brother John Sellers in concert, a young hippie girl to the left is obviously digging the show. (8 x10) |
||||
Sellers, Brother John (B&W). Brother John Sellers singing into a mic and beating a tambourine. (8×10) |
||||
Seward, Alec (B&W). Alec Seward seated, reading a book. Photographer: Pete Lowry (2.25×3.25) |
||||
Seward, Alec (B&W). Alec Seward seated, staring at the camera, used in |
||||
Seward, Alec (B&W). Alec Seward seated, staring at the camera, used in |
||||
Shaw, Robert (B&W). Robert Shaw in a white apron and paper hat, looking ready to assist. Austin, , Photographer: Mack McCormick 1963 (8×5) |
||||
Shaw, Robert (B&W). Robert Shaw playing piano in concert in Berlin, , Photographer: Norbert Hess October 1974 (4×6) |
||||
Shaw, Robert (B&W). Robert Shaw seated at the piano, turned towards the camera, smiling wistfully. Used in |
||||
Shaw, Thomas (B&W). Thomas Shaw seated, in sunglasses, playing guitar into a microphone. Taken in Berlin, , Photographer: |
||||
Simmons, Mack (B&W). Little Mack Simmons in a bowtie and zebra striped jacket holding a mighty fancy looking guitar, used |
||||
Simmons, Mack (B&W). Little Mack Simmons in a bowtie and zebra striped jacket holding a mighty fancy looking guitar, used |
||||
Sims, Frankie Lee (B&W). Cropped photo of Frankie Lee Sims face, used in BWW courtesy of C. Strachwitz and Arhoolie. (5.25×7) |
||||
Sims, Frankie Lee (negative). Negative of photo of Frankie Lee Sims face, used in BWW courtesy of C. Strachwitz and Arhoolie. (4×5) |
||||
Smith, Bessie (B&W). Portrait photo of Bessie Smith fingering the beads around her neck with a wistful look on her face. Used |
||||
Smith, Bessie (B&W). Portrait photo of Bessie Smith fingering the beads around her neck with a wistful look on her face. This |
||||
Smith, Bessie (negative). Portrait photo of Bessie Smith fingering the beads around her neck with a wistful look on her face… (8×10) |
||||
Smith, Carrie (color). Snapshot of Sheldon Harris & Carrie Smith (blue dress, silver “hat”) conversing at Essex County College, |
||||
Smith, Carrie (color). Snapshot of Sheldon Harris & Carrie Smith (blue dress, silver “hat”) conversing at Essex County College, |
||||
Smith, Carrie (color). Snapshot of Carrie Smith (pink dress) performing with Doc Cheatham (trumpet) at Essex County College, |
||||
Smith, Carrie (color). Snapshot of Carrie Smith (pink dress) performing with Doc Cheatham (trumpet) at Essex County College, |
||||
Smith, Carrie (color). Snapshot of Carrie Smith (pink dress) performing with band at Essex County College, Newark, NJ, early |
||||
Smith, Carrie (color). Snapshot of Carrie Smith (pink dress) performing with band at Essex County College, Newark, NJ, early |
||||
Smith, Carrie (color). Snapshot of Carrie Smith (pink dress) performing with band at Essex County College, Newark, NJ, early |
||||
Smith, George “Harmonica” (B&W). Portrait of George “Harmonica” Smith holding the harmonica to his mouth with a look of unique |
||||
Smith, Carrie (color). Snapshot of Carrie Smith (pink dress) performing with band at Essex County College, Newark, NJ, early |
||||
Smith, Carrie (color). Snapshot of Carrie Smith (blue dress, silver “hat”) performing with band, Essex County College, Newark, |
||||
Smith, Carrie (color). Snapshot of Carrie Smith (right) with Miss Rhapsody (left) at O’Neal’s Restaurant, NYC, 25 April 1982 (4×5) |
||||
Smith, Carrie (negative). Tiny negative of snapshot of Carrie Smith (right) with Miss Rhapsody (left) at O’Neal’s Restaurant, |
||||
Smith, Carrie (color). Snapshot of Carrie Smith (left), Sheldon Harris (right), and Jimmy Butts’ head in background, November 1982 (4.5×3.5) |
||||
Smith, Carrie (color). Snapshot of Carrie Smith smiling in fur coat, November 1982 (4.5×3.5) |
||||
Smith, Carrie (B&W). Carrie Smith in concert: singing into a mic, holding a muted trumpet in her right hand, & a tissue in |
||||
Smith, Carrie (B&W). Shadowy left profile photo of Carrie Smith smoking a cigarette, , Photographer: Guy Schoukroun July 1978 (7×5) |
||||
Smith, Carrie (B&W). Carrie Smith emoting in concert, , Photographer: Guy Schoukroun July 1978 (7×5) |
||||
Smith, Clara (color). Photo of Clara Smith’s grave-marker, “Remembered” – taken by Len Klosner in 1997. Photographer: Len |
||||
Smith, Clara (B&W). Reprint of a Clara Smith promo photo, used in BWW courtesy of Sheldon Harris. (7×5) |
||||
Smith, Clara (negative). Negative of reprint of a Clara Smith promo photo, used in BWW courtesy of Sheldon Harris. (4×5) |
||||
Smith, Mabel “Big Maybelle” (B&W). Close-up head shot of a smiling Big Maybelle, used in BWW courtesy of Sheldon Harris. (8×10) |
||||
Smith, Mabel “Big Maybelle” (negative). Negative of close-up head shot of a smiling Big Maybelle, used in BWW courtesy of |
||||
Smith, Mamie (B&W). circa 1920, promo photo of Mamie Smith leaning forward on crossed arms, fondling big black beads, looking |
||||
Smith, Mamie (B&W). circa 1920, promo photo of Mamie Smith leaning forward on crossed arms, fondling big black beads, looking |
||||
Smith, Mamie (negative). Negative of circa 1920, promo photo of Mamie Smith leaning forward on crossed arms, fondling big |
||||
Smith, Mamie (B&W). reprint of a promo photo of Mamie Smith and Her 7 Jazz Hounds, courtesy of Alex Albright. (3.5×5) |
||||
Smith, Moses “Whispering Smith” (B&W). Otis “Lightnin Slim” Hicks (left) arm in arm with Moses “Whispering” Smith (right) |
||||
Smothers, Otis (B&W). Photo of Otis Smothers (left) standing on the street next to two good friends. Used in BWW courtesy |
||||
Spann, Lucille (B&W). “Country Girl Returns” – Lucille’s just off the train and looking to her left as she crosses the tracks. |
||||
Spann, Otis (B&W). Flying Dutchman/Bluestime promo photo of Otis singing and he appears to be playing, used in BWW courtesy |
||||
Spann, Otis (negative). Negative of Flying Dutchman/Bluestime promo photo of Otis singing and he appears to be playing, used |
||||
Spann, Otis (B&W). Blurry headshot of Otis Spann, looking sad (8×5) |
||||
Spires, Arthur “Big Boy” (B&W). Reprint of a promo photo of Big Boy Spires standing in front of a brick wall, holding his |
||||
Spivey, Victoria (B&W). Portrait of a chic looking Victoria Spivey wearing a dark hat, her hands stuck in the pockets of her |
||||
Spivey, Victoria (B&W). Victoria Spivey seated onstage at the piano making a silly face. Unidentified white hippie fellow |
||||
Spivey, Victoria (B&W). Victoria Spivey singing at an outdoor concert. Photographer: Peter Lowry (4×5) |
||||
Spivey, Victoria (B&W). Victoria Spivey wearing fancy glasses, smiling behind the mic. Taken at the Ann Arbor Blues & Jazz |
||||
Stackhouse, Houston (B&W). Photo of Stackhouse taken from his right side, he’s smiling slightly. Used in BWW courtesy of LB. (8×5) |
||||
Stafford, Mary (B&W). Enlarged reprint of a Mary Stafford, “Jazz Queen” headshot, used in BWW courtesy of Frank Driggs (8×10) |
||||
Stearns, Marshall W. (B&W). Marshall Stearns looking contemplatively at the camera, right finger resting near his right ear. |
||||
Stearns, Marshall W. (B&W). Sheldon Harris (right) standing in front of a wall 78s next to Marshall Stearns at the Institute |
||||
Stearns, Marshall W. (B&W). Marhall Stearns (left) holding a tenor sax as Sheldon Harris (right) examines it at the Institute |
||||
Stearns, Marshall W. (B&W). View through the fence of the cemetary where Marshall Stearns is buried in Key West. (7×5) |
||||
Stearns, Marshall W. (B&W). Group photo: L-R back row: Jean Stearns, unknown African American woman, Gladys Harris, Sheldon |
||||
Stearns, Marshall W. (B&W). Group photo: L-R: Chuck Green, Sheldon Harris, Marshall Stearns, Eddie Smith. (4.25×3.25) |
||||
Stearns, Marshall W. (B&W). Group photo: L-R: Marshall Stearns (smiling), Chuck Green (hands on the desk), Eddie Smith (listening). (4.25×3.25) |
||||
Stearns, Marshall W. (B&W). Group photo: L-R: Marshall Stearns (smiling), Chuck Green (telling someone something or getting |
||||
Stearns, Marshall W. (B&W). Group photo: L-R: Marshall Stearns (still smiling), Chuck Green (left hand on his right knee), |
||||
Stearns, Marshall W. (B&W). Group photo: L-R: Marshall Stearns (smiling), Chuck Green (telling someone something or getting |
||||
Stearns, Marshall W. (B&W). Group photo: L-R: Chuck Green, Sheldon Harris, Marshall Stearns, Eddie Smith. (7×4.25) |
||||
Stewart-Baxter, Derrick (B&W). Sheldon Harris (right) smiling with his arm around Derrick Stewart-Baxter (left). Derrick’s |
||||
Stidham, Arbee (B&W). Arbee Stidham looking sleepily at the camera, wearing a dark jacket and tie. (3.75×4.75) |
||||
Stidham, Arbee (B&W). Arbee Stidham playing guitar and singing, looking slightly to his left. Used in BWW courtesy of |
||||
Stovall, Babe (B&W). Jewell “Babe”Stovall seated on the back of a stone lion. He’s playing guitar and smiling. Used in BWW |
||||
Stovall, Babe (B&W). Babe Stovall seated in a shadowy room playing guitar, smoking a cigarette, looking to the left towards |
||||
Stokes, Frank (B&W). Well-known photo of Frank Stokes (whited out background) seated, holding guitar, used in BWW courtesy |
||||
Stokes, Frank (negative). Negative of well-known photo of Frank Stokes (whited out background) seated, holding guitar, used |
||||
Sumlin, Hubert (B&W). Hubert Sumlin seated at a table, reading the newspaper but taking time to acknowledge the camera and |
||||
Sumlin, Hubert (negative). Negative of Hubert Sumlin seated at a table, reading the newspaper but taking time to acknowledge |
||||
Sykes, Roosevelt (B&W). The Honeydripper’s holding a cigar in his left hand, looking slightly to his right. Used in BWW courtesy |
||||
Sylvester, Hannah (B&W). Hannah Sylvester pointed towards one o’clock, in a polka dot dress, flower in her hair, smiling at |
||||
Photographs. T |
||||
Tate, Baby (B&W). Baby Tate standing behind a stage and some scaffolding (other people are behind him). Tate’s holding a guitar |
||||
Taylor, Billy (B&W). Billy Taylor seated in front of a window, smiling, with his arms crossed loosely across his crossed legs. (8×10) |
||||
Taylor, Eddie (B&W). Eddie Taylor with a look of knowing surprise on his face. Used in BWW courtesy of LB. . Photographer: |
||||
Taylor, Eva (B&W). Eva Taylor (Irene Williams) portrait photo, she’s wearing a dark dress and white beaded necklace, smiling |
||||
Taylor, Eva (B&W). Eva Taylor singing, holding the mic up to her mouth with her right hand. Taken 9/22/1974 by Andrew Wittenborn, |
||||
Taylor, Eva (B&W). Eva Taylor (right) with her arm around Viola Wells (left), 1975 (3.25×4.25) |
||||
Taylor, Eva (B&W). Eva Taylor (right) next to an unidentified youth, 1975 (3.25×4.25) |
||||
Taylor, Hound Dog (B&W). Hound Dog’s grinning from ear to ear because, judging from the photo, someone gave him back his wig. |
||||
Taylor, “Little” Johnny (B&W). Reprint of a Ronn Records promo photo of Little Johnny Taylor seated, looking at the camera |
||||
Taylor, Montana (B&W). Right profile head shot of Montana Taylor, taken slightly from his back. Used in BWW courtesy of Sheldon |
||||
Taylor, Montana (negative). Negative of right profile head shot of Montana Taylor, taken slightly from his back. Used in BWW |
||||
Temple, Johnnie (B&W). Johnnie Temple seated in Big Bill’s (Broonzy?) apartment in Chicago, December 1957. Used in BWW courtesy |
||||
Temple, Johnnie (B&W). Johnnie Temple standing stoically on a front porch holding a guitar, light reflecting off his spectcles. |
||||
Terry, Doc (B&W). Doc Terry in fishing hat and polka dotted shirt is hipping Sylvia Pitcher to the current lowdown. Used in |
||||
Terry, Sonny (B&W). Half a promo photo: Brownie McGhee’s been chopped off in lieu of a smiling Sonny Terry in black leather… (8×5) |
||||
Terry, Sonny (negative). Negative of the half a promo photo: Brownie McGhee’s been chopped off in lieu of a smiling Sonny |
||||
Thomas, Charles “Maxwell St. Jimmy Davis” (B&W). Maxwell Street Jimmy (center) seated with guitar, cutting up – unidentified |
||||
Thomas, Charles “Maxwell St. Jimmy Davis” (B&W). Enlarged and cropped photo of Maxwell Street Jimmy (center) seated with guitar, |
||||
Thomas, Hociel (B&W). Hociel Thomas happy to be playing piano. 1946. Used in BWW courtesy Frank Driggs, 1946 (8×10) |
||||
Thomas, Irma (B&W). Irma Thomas with perfect afro singing live in concert, used in BWW courtesy LB. Photographer: Norbert |
||||
Thomas, James “Son” (color). Snapshot of Son seated in the Alternative Museum, NYC, Feb. 5, 1983. Hat cocked to one side, |
||||
Thomas, James “Son” (color). Snapshot of Sheldon Harris kneeling next to and arm around Son in the Alternative Museum, NYC, 5 February 1983 (3.5×4.5) |
||||
Thomas, James “Son” (color). Enlarged snapshot of Sheldon Harris kneeling next to and arm around Son in the Alternative Museum, |
||||
Thomas, James “Son” (B&W). Son Thomas playing and singing, wearing a groovy Maytag shirt. From the film, “James ‘Sonny Ford’ |
||||
Thomas, James “Son” (B&W). Son Thomas playing and singing, wearing a groovy Maytag shirt. From the film, “James ‘Sonny Ford’ |
||||
Thomas, James “Son” (B&W). Close-up shot of Son Thomas smoking a cigarette, looking intently disappointed, wearing a sherriff’s |
||||
Thomas, Rufus (B&W). Reprint of a Stax promo photo of a happy looking Rufus Thomas, used in BWW courtesy of LB. (8×10) |
||||
Thomas, Rufus (B&W). Rufus Thomas performing in the studio. (4×5) |
||||
The Three Rockets (B&W). Autographed promo photo of The Three Rockets, missing a bit of each corner of photo (8×10) |
||||
Townsend, Henry (B&W). Henry Townsend in a white T-shirt playing guitar behind a mic, next to a piano. Used in BWW courtesy |
||||
Townsend, Henry (B&W). Enlarged and cropped photo of Henry Townsend in a white T-shirt playing guitar behind a mic, next to |
||||
Tracy, Arthur “The Street Singer” (color). Arthur Tracy “The Street Singer” in mid-thought, right arm pulled back and right |
||||
Tracy, Arthur “The Street Singer” (color). Sheldon Harris (left) smiling with his arm around Arthur Tracy, also smiling, March 1989 (4×5) |
||||
Tracy, Arthur “The Street Singer” (color). Sheldon Harris (left) smiling with his arm around Arthur Tracy, also smiling, March 1989 (4×5) |
||||
Trice, Richard “Rich” (B&W). Rich Trice in a striped suit, behind the mic guitar in hand, circa 1949, courtesy Pete Lowry. (4.5×5.5) |
||||
Trice, Richard “Rich” (B&W). Rich Trice in a striped suit and had, behind the mic, guitar in hand. Used in BWW courtesy of |
||||
Trice, Willie (B&W). Willie Trice holding his resonator looking peacefully at the camera. . Photographer: Peter Lowry (4×5) |
||||
Trice, Willie (B&W). Close-up of Willie Trice’s head/face. He’s staring directly into the camera with a twinkle in his eye. |
||||
Trice, Willie (B&W). Willie Trice pointing the nect of his resonator towards the camera, he’s smiling peacefully. Used in |
||||
Trombone Sam (color). snapshot of Trombone Sam’s head next to Sheldon Harris’, 1994 (4×5) |
||||
Trombone Sam (color). snapshot of Trombone Sam’s head next to Sheldon Harris’ (4×5) |
||||
Tucker, Luther (B&W). Luther Tucker in dark turtleneck, playing guitar. Used in BWW courtesy of LB. Photographer: Doug Fulton (8×10) |
||||
Tucker, Tommy (B&W). Reprint of early promo photo of Tommy Tucker seated at the piano but turned towards the camera. His left |
||||
Tucker, Tommy (color). Snapshot of Sheldon Harris with his arm around Tommy Tucker at Eric’s in NYC, 8 January 1982 (4×5) |
||||
Tucker, Tommy (color). Snapshot of Sheldon Harris with his arm around Tommy Tucker at Eric’s in NYC, 8 January 1982 (4×5) |
||||
Tucker, Tommy (negative). Small negatives of snapshots of Sheldon Harris with his arm around Tommy Tucker at Eric’s in NYC, 8 January 1982 |
||||
Turner, Big Joe (B&W). Flying Dutchman/Bluestime promo photo of Joe Turner. Taken from his right side. Used in BWW courtesy |
||||
Turner, Big Joe (negative). Negative of the Flying Dutchman/Bluestime promo photo of Joe Turner. Taken from his right side. |
||||
Photographs. V |
||||
Van Ronk, Dave (color). Snapshot of a disgusted looking Dave Van Ronk kicked back, smoking a cigarette. Sept. 1977. Photographer: |
||||
Vibrations, The (B&W). ABC promo photo of The Vibrations in tuxedos. Photographer: Michael Denning (8×10) |
||||
Vincent, Monroe “Polka Dot Slim” (B&W). Polka Dot Slim holding his harmonica and smiling slightly at the camera. Used in BWW |
||||
Vinson, Eddie “Cleanhead” (B&W). Flying Dutchman/Bluestime promo photo of Eddie Cleanhead Vinson wearing a hat. Used in BWW |
||||
Vinson, Eddie “Cleanhead” (B&W). Flying Dutchman/Bluestime promo photo of Eddie Cleanhead Vinson wearing a hat. Used in BWW |
||||
Vinson, Walter (B&W). Walter Vincent (left) holding guitar seated next to Sam Hill (right) also holdin guitar. Used in BWW |
||||
Photographs. W |
||||
Walker, Aaron “T-Bone” (B&W). Flying Dutchman/Bluestime promo photo of T-Bone Walker, close-up laughing big. Used in BWW courtesy |
||||
Walker, Aaron “T-Bone” (B&W). Flying Dutchman/Bluestime promo photo of T-Bone Walker, close-up laughing big. Used in BWW courtesy |
||||
Walker, Charles (B&W). Charles Walker wearing a headset, smoking a cigarette, smirking at the camera. Used in BWW courtesy |
||||
Walker, James “Jimmy” (B&W). Jimmy Walker portrait photo – wearing a tux, has a pencil thin moustache, smiling slightly – |
||||
Walker, John “Johnny” (B&W). Johnny Walker looking happy to be playing piano with a Colt 45 in reach and an unidentified fellow |
||||
Walker, Phillip (B&W). Phillip Walker grinning wide in sunglasses, dark hat, and snazzy looking suit, a freaky looking background |
||||
Wallace, Sippie (B&W). head shot of Sippie Wallace looking concerned, used in BWW courtesy of LB. Photographer: Doug Fulton (8×5) |
||||
Wallace, Sippie (color). Trinity Cemetary, Detroit, Sippie’s unmarked grave, “Section F-Range 3-Grave 9, , Photographer: Len |
||||
Wallace, Sippie (color). Trinity Cemetary, Detroit, Sippie’s marked and respectful grave monument, , Photographer: Len Klosner April 2000 (4×5.5) |
||||
Walton, Mercy Dee (B&W). Portrait of a smiling Mercy Dee Walton, used in BWW courtesy of Sheldon Harris (7×5) |
||||
Walton, Mercy Dee (negative). Portrait of a smiling Mercy Dee Walton, used in BWW courtesy of Sheldon Harris (4×5) |
||||
Walton, Wade (B&W). Wade Walton in the barbershop sharpening his razor on a strap, used in BWW courtesy of LB and Jim O’Neal. |
||||
Walton, Wade (B&W). Close-up cropped photo of Walton, taken from above photo. Photographer: Jim O’Neal (6.25×8) |
||||
Warren, Robert “Baby Boy” (B&W). Baby Boy Warren on the phone, courtesy of Cadence Records or Magazine??? (4×5) |
||||
Warren, Robert “Baby Boy” (B&W). Baby Boy Warren in a suit w/ bowtie resting his guitar on his thigh, used in BWW courtesy |
||||
Warren, Robert “Baby Boy” (color). Snapshot of Baby Boy Warren’s gravestone in Detroit, , Photographer: Len Klosner 1987 (4×5) |
||||
Washington, Albert (B&W). Albert Washington smiling into a microphone, in front of a set of drums. Used in BWW courtesy of |
||||
Washington, Dinah (B&W). Publicity photo of a young, sexy Dinah Washington, hands clutching white fur. Photoplay Magazine |
||||
Washington, Dinah (B&W). publicity photo of Dinah Washington resting her chin on her fist. Used in BWW courtesy of BMI archives. (8×10) |
||||
Washington, Dinah (B&W). publicity photo of Dinah Washington resting her chin on her fist. Used in BWW courtesy of BMI archives. (8×10) |
||||
Washington, Dinah (negative). negative of above-mentioned BMI photo (8×10) |
||||
Waters, Ethel (B&W). Publicity photo of Ethel Waters in white fur smiling sexily into the camera. (8×10) |
||||
Waters, Ethel (B&W). Publicity photo of a mostly air-brushed Ethel Waters turned toward the camera with her fingers on her |
||||
Waters, Ethel (negative). Negative of air-brushed publicity photo mentioned above. (8×10) |
||||
Waters, Ethel (B&W). Pub. Photo of Ethel Waters seated in a plush chair with a bow in her hair. (7×5) |
||||
Watson, Ivory “Deek” (B&W). Autographed publicity photo of Deek Watson, “To Albennie…” (7×5) |
||||
Watson, Johnny “Guitar” (B&W). Johnny Guitar Watson looking confused with his guitar slung over his shoulder. Used in BWW |
||||
Webb, Boogie Bill (B&W). Boogie Bill Webb playing guitar at his home in New Orleans, Sept. 1972. Taken by Hans Andreasson |
||||
Webb, Boogie Bill (B&W). Boogie Bill Webb seated, playing guitar and singing into a microphone. . Photographer: David Evans (8×5) |
||||
Wells, Amos Jr. (B&W). Publicity photo of Junior Wells looking up and to the right with a possible microphone in his hand. |
||||
Wells, Amos Jr. (B&W). Junior Wells in concert, singing into a mic, , Photographer: Dale Scherfling 1987 (8×10) |
||||
Wells, Viola “Miss Rhapsody” (B&W). Photograph of three old newspaper clippings about Viola “Miss Rhapsody” Wells. (8×10) |
||||
Wells, Viola “Miss Rhapsody” (B&W). Photograph of old newspaper clipping “Local Girl Makes Good” concerning Viola Wells’ second |
||||
Wells, Viola “Miss Rhapsody” (B&W). Photograph of Viola Wells’ contract to play at the Apollo during December of 1939. (8×10) |
||||
Wells, Viola “Miss Rhapsody” (color). Snapshot of Miss Rhapsody with an unidentified woman who is partly obscured because |
||||
Wells, Viola “Miss Rhapsody” (color). Snapshot of Viola Wells (left) shaking hands with Edye Byrd (right), Jimmy Butts is |
||||
Wells, Viola “Miss Rhapsody” (color). Snapshot of Sheldon Harris with his arms around Miss Rhap and C. Moorman, , Photographer: |
||||
Wells, Viola “Miss Rhapsody” (color). Snapshot of Viola Wells next to George James (he’s holding a sax). They’re at a |
||||
Wells, Viola “Miss Rhapsody” (color). Snapshot of Viola Wells singing with her arms in the air w/ George James’ sax making |
||||
Wells, Viola “Miss Rhapsody” (color). Snapshot of Viola Wells (in pink) at a |
||||
Wells, Viola “Miss Rhapsody” (B&W). Photo of group recording session at Savoy in Newark, NJ, 1945: Viola Wells in floral dress |
||||
Wells, Viola “Miss Rhapsody” (B&W). Viola Wells singing in light dress, gloves, and wig onstage, taken from her left side, 21953 (3.5×5) |
||||
Wells, Viola “Miss Rhapsody” (B&W). Fess Williams w/ arm around Viola, both are laughing, 6 April 1975 (4.25×3.5) |
||||
Wells, Viola “Miss Rhapsody” (B&W). Fess Williams w/ arm around Viola, both are laughing, 6 April 1975 (4.25×3.5) |
||||
Wells, Viola “Miss Rhapsody” (color). Viola Wells (left) standin next to Linda Hopkins (right) at Lincoln Center, NYC, 1981 (3.5×4.5) |
||||
Wells, Viola “Miss Rhapsody” (color). Viola Wells holding mic, singing and behind her are two band members in tuxes, one playing |
||||
Wells, Viola “Miss Rhapsody” (B&W). Publicity photo of Miss Rhapsody in dark sparkly dress, right arm resting on arm of chair, |
||||
Wells, Viola “Miss Rhapsody” (negative?). Folded negative of 1945 Savoy recording session as described above, 1945 (10.5×13.5) |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells in white gown, necklace, earrings, and hair pulled back |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells in white gown, necklace, earrings, and hair pulled back |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells in white gown, necklace, earrings, and hair pulled back |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells in white gown, necklace, earrings, and hair pulled back |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells in white gown, necklace, earrings, and hair pulled back |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells in white gown, necklace, earrings, and hair pulled back |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells in white gown, necklace, earrings, and hair pulled back |
||||
Wells, Viola “Miss Rhapsody” (negative). Studio portrait of Viola Wells in white gown, necklace, earrings, and hair pulled |
||||
Wells, Viola “Miss Rhapsody” (negative). Studio portrait of Viola Wells in white gown, necklace, earrings, and hair pulled |
||||
Wells, Viola “Miss Rhapsody” (negative). Studio portrait of Viola Wells in white gown, necklace, earrings, and hair pulled |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells similar to ones described above but with a different mesh/sweater |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells similar to ones described above but with a different mesh/sweater |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells similar to ones described above but with a different mesh/sweater |
||||
Wells, Viola “Miss Rhapsody” (negative). Studio portrait of Viola Wells similar to ones described above but with a different |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells circa mid 1970’s w/ her hair down, sleeve-less dress, fancy |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells circa mid 1970’s w/ her hair down, sleeve-less dress, fancy |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells circa mid 1970’s w/ her hair down, sleeve-less dress, fancy |
||||
Wells, Viola “Miss Rhapsody” (negative). Studio portrait of Viola Wells circa mid 1970’s w/ her hair down, sleeve-less dress, |
||||
Wells, Viola “Miss Rhapsody” (negative). Studio portrait of Viola Wells circa mid 1970’s w/ her hair down, sleeve-less dress, |
||||
Wells, Viola “Miss Rhapsody” (B&W). Studio portrait of Viola Wells circa mid 1970’s w/ her hair down, sleeve-less dress, fancy |
||||
Wells, Viola “Miss Rhapsody” (B&W). Sheldon Harris arms crossed, standing next to Miss Rhap in front of a wall of records, 1964 (8×10) |
||||
Wells, Viola “Miss Rhapsody” (B&W). Sheldon Harris arms crossed, standing next to Miss Rhap in front of a wall of records, 1964 (3.25×4.25) |
||||
Wells, Viola “Miss Rhapsody” (B&W). Sheldon Harris arms crossed, standing next to Miss Rhap in front of a wall of records, 1964 (3.25×4.25) |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhap seated in front of the same wall of records mentioned above, smiling and looking |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhap seated in front of the same wall of records mentioned above, smiling and looking |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhap holding a banjo-uke, smiling in front of a bookshelf, 1964 (3.25×4.25) |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhap holding a banjo-uke, smiling in front of a bookshelf, 1964 (3.25×4.25) |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhap seated, hands crossed, looking to the left, 1964 (3.25×4.25) |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhap seated at a piano, playing and smiling, 1964 (3.25×4.25) |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhap seated at a piano, playing and smiling, 1964 (3.25×4.25) |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhapsody with band singing at the entrance to B. Dalton Bookstore in NYC on 14 September |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhapsody with band singing at the entrance to B. Dalton Bookstore in NYC on 14 September |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhapsody with band singing at the entrance to B. Dalton Bookstore in NYC on 14 September |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhapsody with band singing at the entrance to B. Dalton Bookstore in NYC on 14 September |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhap in dark hat, blouse, and checkered skirt; hands behind her back with banjo hanging |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhap in dark hat, blouse, and checkered skirt; hands behind her back with banjo hanging |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhap in dark hat, blouse, and checkered skirt; hands behind her back with banjo hanging |
||||
Wells, Viola “Miss Rhapsody” (negative). Miss Rhap in dark hat, blouse, and checkered skirt; hands behind her back with banjo |
||||
Wells, Viola “Miss Rhapsody” (B&W). Miss Rhap chin resting on fist seated on couch next to a smiling June Cole. Minstrel poster |
||||
West, Charles (B&W). Charles West with his thumb on his chin and a sly look in his eye. Used in BWW courtesy of LB. Taken |
||||
Wheatstraw, Peetie (B&W). Popular portrait of Peetie Wheatstraw grinning from ear to ear. Used in BWW courtesy of Sh. Harris. (7×5) |
||||
Wheatstraw, Peetie (negative). Popular portrait of Peetie Wheatstraw grinning from ear to ear. Used in BWW courtesy of Sh. |
||||
Whipper, Leigh (B&W). Six shots of Leigh Whipper in various guises and characters combined into one photo, signed by Whipper (8×10) |
||||
White, “Schoolboy” Cleve (B&W). Schoolboy Cleve holding his guitar and standing in a room, looking at the camera. Used in |
||||
White, “Schoolboy” Cleve (B&W). Enlarged, cropped photo of Schoolboy Cleve holding his guitar and standing in a room, looking |
||||
White, Georgia (B&W). Georgia White promo photo. She’s smiling over her left shoulder. Used in BWW courtesy of Frank Driggs. (8×10) |
||||
White, Josh (B&W). Josh White playing guitar behind a mic in concert. Taken by Franz Cahoon & used in BWW courtesy of Jack |
||||
White, Josh (B&W). Promo photo of Josh White, one foot on a bench, holding his guitar and smiling. Used in BWW courtesy of |
||||
White, Princess (B&W). Reprint of Princess White (far right) seated with the rest of the Silas Green Dancers, circa 1927-8. |
||||
White, Princess (B&W). Reprint of Princess White (rear left?) leaning against a car with the rest of the Silas Green Dancers. (3.5×5) |
||||
White, Princess (B&W). Princess White seated with her arms crossed and glasses around her neck, 6 April 1975 (3.5×4.25) |
||||
White, Princess (B&W). Princess White (left) seated with Eva Taylor (right), 6 April 1975 (3.5×3.5) |
||||
White, Princess (B&W). Princess White in a dark dress standing next to a mirror, June 1933 (8×10) |
||||
White, Princess (B&W). Princess White in a dark dress standing next to a mirror, June 1933 (8×10) |
||||
White, Princess (B&W). Studio publicity portrait of Princess White smiling over her shoulder. (8×10) |
||||
White, Princess (B&W). Studio publicity portrait of Princess White smiling over her shoulder. (8×10) |
||||
White, Princess (B&W). Studio publicity portrait of Princess White smiling over her shoulder. (8×10) |
||||
White, Princess (negative). Studio publicity portrait of Princess White smiling over her shoulder. (8×10) |
||||
Whittaker, Hudson (Tampa Red) (B&W). RCA Victor promo shot of Tampa Red in tweeds and bowtie. Used in BWW courtesy of the |
||||
Whittaker, Hudson (Tampa Red) (B&W). Tamp Red playing guitar and looking at a nearby microphone. (4×5) |
||||
Wilkins, Joe Willie (B&W). Joe Willie Wilkins playing guitar intently. (4×5) |
||||
Wilkins, Joe Willie (B&W). Joe Willie Wilkins smiling with an unlit cigarette in his mouth. Used in BWW courtesy of Peter |
||||
Williams, Bert (B&W). An old postcard of a grinning Bert Williams, “A Jolly Coloured Coon” (3.5×5.5) |
||||
Williams, Big Joe (B&W). Big Joe Williams playing a duct-taped guitar in Berlin, , Photographer: Norbert Hess March 1977 (4×6) |
||||
Williams, Big Joe (B&W). Promo photo of Big Joe, seated behind a mic w/ guitar as if about to sing, circa 1946 used in BWW |
||||
Williams, Bill (B&W). Col. Bill Williams explaining something to someone with left hand outstretched; he’s seated with guitar |
||||
Williams, Bill (B&W). Enlarged and cropped photo of Bill Williams, same as above, only focusing more on Williams’ upper body. (6.5×8) |
||||
Williams, Cootie (B&W). Cootie Williams promotional photo. Cootie’s smiling and holding his trumpet, looking towards the camera. |
||||
Williams, Emery (Detroit Jr.) (B&W). Older publicity photo of Detroit Jr. on keys, looking up at camera with a look of slight |
||||
Williams, Emery (Detroit Jr.) (B&W). Enlarged cropped photo, taken from above Detroit Jr. promo photo. (6×8.5) |
||||
Williams, Joe (B&W). Joe Williams smiling big in a tux, right fist over left fist. (8×10) |
||||
Williams, Joe (B&W). Joe Williams looking more apprehensive in a tux. (8×10) |
||||
Williams, Joe (B&W). Joe Williams looking more apprehensive in a tux. (8×10) |
||||
Williams, Joe (B&W). Joe Williams in white suit, shirt unbutton revealing a clean chest and medallion. (8×10) |
||||
Williams, John (color). snapshot of John Williams (trumpet), George James (tenor sax), and Ram Ramirez (piano) jamming at |
||||
Williams, John (color). snapshot of John Williams (trumpet), George James (tenor sax), and Ram Ramirez (piano), and a small |
||||
Williams, John (color). snapshot of John Williams (trumpet) and Ram Ramirez (piano) jamming at |
||||
Williams, John (color). snapshot of John Williams (trumpet), Eddie Durham (trombone, left) and Shelton Gary (drums, right) |
||||
Williams, Joseph “Jo Jo” (B&W). Reprint of old promo photo of JoJo Williams seated behind a mic, holding his guitar and looking |
||||
Williams, Joseph “Jo Jo” (B&W). Enlarged, cropped version of above-mentioned JoJo Williams photo. (6.5×8.5) |
||||
Williams, Robert Pete (B&W). Robert Pete Williams wearing straw hat and playing guitar onstage in concert. Taken by Amy O’Neal |
||||
Williamson, John “Homesick James” (B&W). Homesick James playing some mean guitar behind a tall mic. Taken by Peter Lowry. |
||||
Williamson, John “Homesick James” (B&W). Homesick James from left wearing hat and glasses, smiling slightly. Taken by Pete |
||||
Williamson, John “Homesick James” (B&W). A smiling, young Homesick James in suit, holding guitar. (4×5) |
||||
Williamson, John Lee “Sonny Boy” (B&W). Reprint of a photo containing John Lee Sonny Boy Williamson (on right, holding harmonica) |
||||
Williamson, Sonny Boy (Rice Miller) (B&W). Checker Records publicity photo of Sonny Boy leaning to one side, looking up, holding |
||||
Williamson, Sonny Boy (Rice Miller) (B&W). Promo photo of Houston Stackhouse (left, w/guitar), Sonny Boy Williamson (center, |
||||
Willis, Aaron “Little Son” (B&W). Little Son Willis singing his heart out into a mic held by his left hand, in concert…used |
||||
Wilson, Edith (B&W). snapshot of Little Brother Montgomery (left) with Edith Wilson (center) and Sheldon Harris (right), June 1905 (3.5×4.25) |
||||
Wilson, Edith (B&W). snapshot of Little Brother Montgomery (left) with Edith Wilson (center) and Sheldon Harris (right), June 1905 (3.5×4.25) |
||||
Wilson, Edith (B&W). snapshot of Little Brother Montgomery (left) with Edith Wilson (center) and Sheldon Harris (right), June 1905 (3.5×4.25) |
||||
Wilson, Edith (B&W). Snapshot of Sheldon Harris (left), Edith Wilson (center), Little Brother Montgomery (right), June 1905 (3.5×4.25) |
||||
Wilson, Edith (B&W). Snapshot of Rosetta Reitz (bottom left), Len Kunstadt (top left), Edith Wilson (center), and Little Brother |
||||
Wilson, Edith (B&W). Len Kunstadt (left) seated next to Edith Wilson (right) on couch indoors, June 1905 (3.5×4.25) |
||||
Wilson, Edith (B&W). Little Brother Montgomery (left) standing next to Edith Wilson (right), June 1905 (5×7) |
||||
Wilson, Edith (negative). negative corresponding to Harris, Wilson, Montgomery photos mentioned above, June 1905 (4×5) |
||||
Wilson, Edith (negative). negative corresponding to Harris, Wilson, Montgomery photos mentioned above, June 1905 (4×5) |
||||
Wilson, Edith (negative). negative corresponding to Kunstadt, Reitz, Wilson, and Montgomery photo mentioned above, June 1905 (4×5) |
||||
Wilson, Edith (B&W). Publicity portrait of smiling Edith Wilson taken by Norman Lloyd [of] Hollywood. (8×10) |
||||
Wilson, Edith (B&W). Another publicity portrait of Wilson, sort of blurry and tinted. (8×10) |
||||
Wilson, Edith (B&W). Publicity portrait of smiling Wilson used in BWW courtesy of Edith Wilson. (8×10) |
||||
Wilson, Hop (B&W). Hop Wilson sitting behind a steel guitar and microphone, looking a bit disgusted. Appears to be taken in |
||||
Wilson, Hop (B&W). Enlarged, cropped, close-up photo of Wilson – taken from above photo. Photographer: Mack McCormick (5.25×7) |
||||
Wilson, Lena (B&W). Photograph of a portrait of Lena Wilson wrapped in hat and fur, left hand across chest. Used in BWW courtesy |
||||
Winter, Johnny (B&W). Promo photo of Johnny Winter leaning down on his guitar, hair blowing slightly to the left (8×10) |
||||
Winter, Johnny (B&W). Promo photo of Johnny Winter (left), Randy Hobbs (center), and Richard Hughes (right). (8×10) |
||||
Winter, Johnny (B&W). Promo photo of Johnny Winter rocking out onstage, solo. (8×10) |
||||
Winter, Johnny (B&W). Promo photo of Johnny Winter (left) and Rick Derringer (right) rocking out together (8×10) |
||||
Winter, Johnny (B&W). Promo photo of Johnny Winter onstage, playing guitar, eyes closed, used in BWW courtesy of Sheldon Harris (8×10) |
||||
Witherspoon, Jimmy (B&W). Jimmy Witherspoon up close and in your face Fantasy Records publicity photo. (8×10) |
||||
Wrencher, “Big” John (B&W). Portrait of Big John Wrencher in plaid hat, coat, and tie, frowning at the camera. Taken by Frank |
||||
Photographs. Y |
||||
Yancey, Estella “Mama” (B&W). Mama Yancey seated amidst microphones, her right arm is resting on a chair back. She’s looking |
||||
Yancey, Jimmy (B&W). Jimmy Yancey seated at a piano though turned towards the camera. Used in BWW courtesy of the Institute |
||||
Yankee, Pat (B&W). Pat Yankee singing in concert with an unidentified trombone player in the background. Used in BWW courtesy |
||||
Young, Johnny (B&W). portion of an Arhoolie promo photo featuring Johnny Young with guitar. Used in BWW courtesy of Arhoolie. |
||||
Young, Mighty Joe (B&W). Promo photo of Mighty Joe close-up head shot, playing guitar, used in BWW courtesy Sheldon Harris. (8×10) |
||||
Young, Mighty Joe (B&W). Promo photo of Mighty Joe playing guitar next to a drum set. His head is mighty close to the cymbal…careful |
||||
|
||||
Series IV. Research Files |
||||
Research Files. A |
||||
Actors/Actresses |
||||
Adams, John |
||||
Adams, Johnny (R+B) |
||||
Adams, Woodrow |
||||
Advertisements |
||||
Africa |
||||
Agee, Ray |
||||
Akers, Garfield |
||||
Albums (LP Hits) |
||||
Alexander, Dave |
||||
Alexander, Texas |
||||
Alix, Mary |
||||
Allison, Luther |
||||
Anderson, Lester |
||||
Anderson, Pink |
||||
Ann Arbor Blues/Jazz Festival |
||||
Armstrong, Howard “Louie Bluie” |
||||
Armstrong, Louis |
||||
Arnold, Billy Boy |
||||
Arnold, James Kokomo |
||||
Art |
||||
ASCAP |
||||
Association for Recorded Sound Collections (ARSC) |
||||
Audio Tapes |
||||
Austin, Claire |
||||
Australia |
||||
Autographs |
||||
Awards |
||||
Research Files. B |
||||
Bailey, Kid |
||||
Baker, Lavern |
||||
Baker, Mickey |
||||
Ball, Marcia |
||||
Baltimore Blues Society |
||||
Bankston, Dick |
||||
Barbee, John |
||||
Barker, Louisa |
||||
Barnes, Fay |
||||
Barnes, Roosevelt “Booby” |
||||
Batts, Will |
||||
Beaman, Lottie |
||||
Bell, Brenda |
||||
Bell, Carey |
||||
Bell, Ed |
||||
Bell, Lurrie |
||||
Bennett, Duster |
||||
Bentley, Gladys |
||||
Bernbach, Doyle Dane |
||||
Bernhardt, Clyde (1) |
||||
Bernhardt, Clyde (2) |
||||
Bernhardt, Clyde (3) |
||||
Bernhardt, Clyde (4) |
||||
Bernhardt, Clyde (5) |
||||
Bernhardt, Clyde (6) |
||||
Bernhardt, Clyde (7) |
||||
Bernhardt, Clyde (8) |
||||
Bernhardt, Clyde (9) |
||||
Berry, Chuck |
||||
Bethune, Blind Tom |
||||
Bibliography |
||||
Big Time Sarah |
||||
Bigeou, Esther |
||||
Birth Dates |
||||
Black Collectables |
||||
Black Collectables-Ethnic |
||||
Black History |
||||
Black Music Caucus |
||||
Black Music Research |
||||
Black Perspectives in Music |
||||
Black Poetry |
||||
Black Statistics |
||||
Black Writers |
||||
Blackwell, Otis |
||||
Blackwell, Scrapper |
||||
Blake, Eubie |
||||
Bland, Bobby “Blue” |
||||
Blanks, Birlenne |
||||
Blaylock, Travis “Harmonica Slim” |
||||
Block, Rory |
||||
Bloomfield, Mike |
||||
Blue, Joe |
||||
Blues Authors |
||||
Blues Cruise |
||||
Blues – Definition |
||||
Blues – Delta |
||||
Blues Discography |
||||
Blues – Foreign |
||||
Blues – Forum |
||||
Blues Foundation |
||||
Blues Hall of Fame |
||||
Blues Heaven Foundation |
||||
Blues – History |
||||
Blues – Interest |
||||
Blues Life Magazine |
||||
Blues – Long Island |
||||
Blues – Musicians |
||||
Blues – Name |
||||
Blues – Piedmont Style |
||||
Blues – Producer |
||||
Blues – Record Reviews |
||||
Blues Review Magazine |
||||
Blues – Singers/Agents |
||||
Blues Singers (Female) |
||||
Blues Singers (Male) |
||||
Blues Songs |
||||
Blues – Teaching |
||||
Blues – Unlimited |
||||
Blues – Urban |
||||
Blues Who’s Who |
||||
Bogan, Lucille |
||||
Bogan, Ted |
||||
Bond, John (Son) |
||||
Bonner, Juke Boy |
||||
Bookbinder, Roy |
||||
Book Catalogues – Big Nickel |
||||
Book Catalogues – Black Book Club |
||||
Book Catalogues – Cadence Jazz Books |
||||
Book Catalogues – DaCapo Press |
||||
Book Catalogues – Elliott and Clark |
||||
Book Catalogues – Greenwood Press |
||||
Book Catalogues – Halbert’s |
||||
Book Catalogues – Jellyroll Productions |
||||
Book Catalogues – Krause |
||||
Book Catalogues – L-W Sales |
||||
Book Catalogues – The Music Bookstore |
||||
Book Catalogues – Oak Lawn Books |
||||
Book Catalogues – Original Music |
||||
Book Catalogues – Oxford University Press |
||||
Book Catalogues – Popular Culture, Ink. |
||||
Book Catalogues – Record Research |
||||
Book Catalogues – Scarecrow Press |
||||
Book Catalogues – Smithsonian |
||||
Book Catalogues – Storyville |
||||
Book Catalogues – Strand Bookstore |
||||
Book Catalogues – Temple University |
||||
Book Catalogues – University of CA |
||||
Book Catalogues – University of Illinois |
||||
Book Catalogues – University of Penn |
||||
Book Dealers |
||||
Book Dealers – Berger, Ira |
||||
Book Dealers – Blues Bookstore |
||||
Booker, Charlie |
||||
Booker, James |
||||
Book Publisher – Woodford Press |
||||
Book Publishing |
||||
Book Reviews |
||||
Books |
||||
Booze, Bea |
||||
Borum, Willie |
||||
Boyd, Eddie |
||||
Bracey, Ishmon |
||||
Branch, Billy |
||||
Brewer, Jim |
||||
Brim, Grace |
||||
Brim, John |
||||
Brisbane, Ruth |
||||
Broadcast Music, Inc. |
||||
Brooklyn College Arts Calender |
||||
Brooks, Lonnie |
||||
Broonzy, Bill |
||||
Brown, Ada |
||||
Brown, Andrew |
||||
Brown, Bessie |
||||
Brown, Buster |
||||
Brown, Charles |
||||
Brown, Charlotte |
||||
Brown, Clarence “Gatemouth” |
||||
Brown, Dusty |
||||
Brown, Henry |
||||
Brown, Ida |
||||
Brown, JT |
||||
Brown, John |
||||
Brown, Lillian |
||||
Brown, Nappy |
||||
Brown, Olive |
||||
Brown, Rabbit |
||||
Brown, Robert “Washboard Sam” |
||||
Brown, Roy |
||||
Brown, Ruth |
||||
Brown, Walter |
||||
Brown, Willie |
||||
Bryant, Beulah |
||||
Buford, George “Mojo” |
||||
Bunn, Allen “Tarheel Slim” |
||||
Burnett, Chester “Howlin’ Wolf” |
||||
Burns, Eddie “Guitar” |
||||
Burnside, R.L. |
||||
Burris, JC |
||||
Burse, Charley |
||||
Butler, George “Wild Child” |
||||
Butterfield, Paul |
||||
Byrd, John |
||||
Byrd, Roy “Professor Longhair” |
||||
Research Files. C |
||||
Cage, James “Butch” |
||||
Calenders |
||||
California |
||||
Callicott, Joe |
||||
Cambridge, Mass. (House of Blues) |
||||
Campbell, Floyd |
||||
Campbell, John |
||||
Campbell, Little Milton |
||||
Cannon, Gus |
||||
Cannon’s Jug Stompers |
||||
Cards |
||||
Carr, Leroy |
||||
Carradine, William |
||||
Carroll, Jeanne |
||||
Carter, Joe |
||||
Castell, Michelle |
||||
Caston, Leonard |
||||
Center for Black Music Research (CBMR Digest) |
||||
Center for Southern Folklore |
||||
Center for the Study of Southern Culture |
||||
Cephas, John |
||||
Charity, Pernell |
||||
Charles, Ray |
||||
Charts |
||||
Chatman, Peter “Memphis Slim” |
||||
Chatmon, Armenter “Bo” (Bo Carter) |
||||
Chatmon, Sam |
||||
Cheatham, Jeannie |
||||
Checkerboard Blues Band |
||||
Chenier, Clifton |
||||
Chicago, Illinois |
||||
Clapton, Eric |
||||
Clark, James |
||||
Clark, W.C. |
||||
Clayton, Mary |
||||
Clayton, Peter |
||||
Clearwater, Eddie |
||||
Clubs/Societies |
||||
Coleman, Jaybird |
||||
Collectables |
||||
Collectors Record Club |
||||
Collins, Albert |
||||
Collins, Louis Bo |
||||
Collins, Sam |
||||
Compact Discs |
||||
Composers |
||||
Concert Managers |
||||
Conners, Gene “Mighty Flea” |
||||
Cook, Ann |
||||
Copeland, Johnny |
||||
Copeland, Martha |
||||
Copyrights |
||||
Corley, Dewey |
||||
Cotton, Elizabeth |
||||
Cotton, James “Jimmy” |
||||
Council, Floyd |
||||
Country and Western |
||||
Courtney, Thomas |
||||
Covington, Ben |
||||
Cox, Ida |
||||
Cray, Robert |
||||
Crayton, Pee Wee |
||||
Crippen, Katie |
||||
Crudup, Arthur |
||||
Crump, Jesse |
||||
Culture – Black |
||||
Curfman, Shannon |
||||
Curtis, James |
||||
Research Files. D |
||||
Daddy Stovepipe |
||||
Dale, Larry |
||||
Dance |
||||
Dane, Barbara |
||||
Darby, Ike |
||||
Darby, Theodore |
||||
Davenport, Cow Cow |
||||
Davis, Blind John |
||||
Davis, CeDell |
||||
Davis, Gary |
||||
Davis, Harmonica Sammy |
||||
Davis, Larry |
||||
Davis, Maxwell Street Jimmy |
||||
Davis, Walter |
||||
Dawkins, Jimmy |
||||
Death Dates |
||||
Delaney, Tom |
||||
Delta Blues Museum |
||||
Detroit, Michigan |
||||
Disc Jockey (Blues) |
||||
Discographies |
||||
Dixon, Floyd |
||||
Dixon, Willie |
||||
Domino, Antoine “Fats” |
||||
Dooley, Simmie |
||||
Dorsey, Mattie |
||||
Dorsey, Tom |
||||
Douglas, K.C. |
||||
Douglas, Lizzie “Memphis Minnie” |
||||
Drugs |
||||
Dunbar, Scott |
||||
Dunn, Roy |
||||
Dupree, Jack “Champion” |
||||
Dylan, Bob |
||||
Research Files. E |
||||
Eaglin, Fird “Snooks” |
||||
Easton, Amos |
||||
Edwards, Archie |
||||
Edwards, Charlie |
||||
Edwards, Frank |
||||
Edwards, Honey Boy |
||||
Edwards, Susie |
||||
Ellington, Duke |
||||
Elliott, Jack “Ramblin'” |
||||
Ellis, Darnell |
||||
Ellis, Jimmy |
||||
Ellis, Wilbert T. “Big Chief” |
||||
Emerson, Billy “The Kid” |
||||
Equipment |
||||
Erby, John |
||||
Estes, John |
||||
Evans, Margie |
||||
Research Files. F |
||||
Festivals |
||||
Films |
||||
Finn, Julio |
||||
Flea Markets |
||||
Floyd, Frank |
||||
Flyright Records |
||||
Folk History/Folklore |
||||
Folk Music |
||||
Fortesque, John “Guitar Shorty” |
||||
Foster, Leroy |
||||
Foster, Willie |
||||
Fran, Carol |
||||
Franklin, Edward “Pete” |
||||
Frazier, Calvin |
||||
Frost, Frank |
||||
Fuller, Blind Boy |
||||
Fuller, Jesse |
||||
Fuller, Johnny |
||||
Fulson, Lowell |
||||
Research Files. G |
||||
Gabler, Milt |
||||
Gaddy, Bob |
||||
Gant, Cecil |
||||
Garrow, Clarence |
||||
Gibson, Clifford |
||||
Gillum, Jazz |
||||
Gilmore, Boyd |
||||
Glover, Lily Mae |
||||
Glover, Tony “Little Son” |
||||
Gordon, Odetta |
||||
Gospel |
||||
Grace, Teddy |
||||
Grammy Awards |
||||
Granderson, John Lee |
||||
Grant, Leola “Coot” |
||||
Gravestones/Markers |
||||
Gray, Arvella |
||||
Gray, Henry |
||||
Green, Clarence “Candy” |
||||
Green, Lil |
||||
Green, Norman |
||||
Greenhill, Mitch |
||||
Griffith, Shirley |
||||
Guesnon, George |
||||
Gunter, Arthur |
||||
Guthrie, Woody |
||||
Guy, Buddy |
||||
Research Files. H |
||||
Hammond, John Jr. |
||||
Handy, W.C. |
||||
Harlem |
||||
Harris, Don “Sugarcane” |
||||
Harris, Edward |
||||
Harris, Hi Tide |
||||
Harris, James “Jake” |
||||
Harris, Peppermint |
||||
Harris, William |
||||
Harris, Wynonie |
||||
Harrison, Vernon “Boogie Woogie Red” |
||||
Harrison, Wilbert |
||||
Havens, Ritchie |
||||
Hawkins, Jay |
||||
Hegamin, Lucille |
||||
Hemphill, Jessie Mae |
||||
Henderson, Katherine |
||||
Henderson, Rosa |
||||
Hendrix, Jimi |
||||
Hensley, William “Washboard Willie” |
||||
Hess, Norbert |
||||
Hibbler, Al |
||||
Hicks, Edna |
||||
Hicks, Charlie |
||||
Hicks, Otis |
||||
Hicks, Robert |
||||
Higgins, Billy |
||||
Hill, Bertha “Chippie” |
||||
Hill, Big Mama Bev |
||||
Hill, Rosa Lee |
||||
Hillery, Mable |
||||
Hogan, Silas |
||||
Hogg, Andrew |
||||
Holder, John |
||||
Holiday, Billlie |
||||
Holmes, Joseph |
||||
Holt, Morris “Magic Slim” |
||||
Holts, Roosevelt |
||||
Hooker, Earl |
||||
Hooker, John Lee |
||||
Hopkins, Joel |
||||
Hopkins, Linda |
||||
Hopkins, Sam “Lightnin'” |
||||
Horton, Pug |
||||
Horton, Walter |
||||
House, Son |
||||
House of Blues (Club) |
||||
Houston Blues Society |
||||
Houston, Edward “Bee” |
||||
Hovington, Frank |
||||
Howard, Rosetta |
||||
Howell, John “Peg Leg” |
||||
Huff, Luther |
||||
Humes, Helen |
||||
Humor |
||||
Hunter, Alberta |
||||
Hunter, Ivory Joe |
||||
Hurt, John |
||||
Hutto, J.B. |
||||
Research Files. I |
||||
The I.A.J.R.C. Record |
||||
Institute of Jazz Studies (1) |
||||
Institute of Jazz Studies (2) |
||||
Institute of Jazz Studies (Misc. Correspondence) |
||||
Institute of Jazz Studies (NYC) |
||||
Institute of Jazz Studies (Projects/Programs) |
||||
Institute of Jazz Studies (Rutgers) |
||||
Institute for Studies in American Music |
||||
Insurance |
||||
International Assoc. of Jazz Record Collectors |
||||
Internet |
||||
Research Files. J |
||||
Jackson, Arthur “Peg Leg Sam” |
||||
Jackson, Benjamin “Bull Moose” |
||||
Jackson, Bessie |
||||
Jackson, Charles |
||||
Jackson, Jim |
||||
Jackson, John |
||||
Jackson, Lee |
||||
Jackson, Melvin “Little Son” |
||||
Jackson, William Henry |
||||
Jacobs, “Little Walter” |
||||
Jacobs, Matthew |
||||
James, Elmore |
||||
James, Etta |
||||
James, Skip |
||||
Jaxon, Frankie |
||||
Jazz |
||||
Jazz CDs/Films/Books/Posters/etc. |
||||
Jazz Collectables |
||||
Jazz History |
||||
Jazz Photos |
||||
Jefferson, Blind Lemon |
||||
Jeffery, Robert |
||||
Jenkins, Bobo |
||||
Jenkins, Gus |
||||
Johnson, Buster |
||||
Johnson, Edith North |
||||
Johnson, Ella |
||||
Johnson, Henry |
||||
Johnson, Jack |
||||
Johnson, Jimmy |
||||
Johnson, Larry |
||||
Johnson, Lemuel |
||||
Johnson, Leslie “Lazy Lester” |
||||
Johnson, Lonnie |
||||
Johnson, Luther “Guitar Jr.” |
||||
Johnson, Luther “Georgia Boy”/”Snake” |
||||
Johnson, Mary |
||||
Johnson, Ollie “Dink” |
||||
Johnson, Robert |
||||
Johnson, Syl |
||||
Johnson, Tommy |
||||
Jones, Albennie |
||||
Jones, Birmingham |
||||
Jones, Curtis |
||||
Jones, Eddie “Guitar Slim” |
||||
Jones, Etta |
||||
Jones, Floyd |
||||
Jones, Johnnie |
||||
Jones, Maggie |
||||
Joplin, Janis |
||||
Jordan, Charley |
||||
Jordan, Louis |
||||
Jordan, Sheila |
||||
Juke Box |
||||
Research Files. K |
||||
Kadoe, Ernie |
||||
Kearney, David William “Guitar Shorty” |
||||
Kelley, Arthur |
||||
Kelly, JoAnn |
||||
Kimbrough, Jr. |
||||
King, Al |
||||
King, Albert |
||||
King, B.B. |
||||
King, B.B. Clippings |
||||
King, B.B. Ephemera & Sheldon Harris Invitation Letter |
||||
King, B.B. Itineraries |
||||
King, B.B. News Releases |
||||
King, B.B. Photographs |
||||
King, B.B. Publicity Clippings |
||||
King, Earl |
||||
King, Freddie |
||||
Kinsey, Lester “Big Daddy” |
||||
Kirkland, Eddie |
||||
Kittrell, Jean |
||||
Klatzko, Bernard |
||||
Knight, Gladys |
||||
Koerner, John |
||||
Kunstadt, Len |
||||
Research Files. L |
||||
Lacy, Rube |
||||
Lamb, Natalie |
||||
Lang, Jonny |
||||
Las Vegas, NV |
||||
Lawlars, Ernest |
||||
Leadbelly Society |
||||
Ledbetter, Huddie (Lead Belly) |
||||
Lee, John |
||||
Lee, Julia |
||||
Lee Lo’s NY Jazz Newsletter |
||||
Leigh, Carol |
||||
Lemay, Bud |
||||
Lenoir, JB |
||||
Lewis, Furry |
||||
Lewis, Johnie |
||||
Lewis, Noah |
||||
Lewis, Smiley |
||||
Libraries |
||||
Lightfoot, Alexander |
||||
Linen, Eugene |
||||
Linguistics |
||||
Lipscomb, Mance |
||||
Liston, Virginia |
||||
Littlefield, Little Willie |
||||
Littlejohn, John |
||||
Living Blues Magazine |
||||
Lockwood, Robert “Junior” |
||||
Lofton, Clarence |
||||
Lomax, Alan |
||||
Louis, Joe Hill |
||||
Love, Willie |
||||
Lowery, Robert “Bob” |
||||
Luandrew, Albert “Sunnyland Slim” |
||||
Lucas, Bill |
||||
Research Files. M |
||||
Mabon, Willie |
||||
Macon, John |
||||
Magazines |
||||
Maghett, Sam “Magic Sam” |
||||
Mahal, Taj |
||||
Mangione, Chuck |
||||
Markham, Pigmeat |
||||
Mars, Johnny |
||||
Martin, Carl |
||||
Martin, Joe |
||||
Martin, Sarah |
||||
Mayall, John |
||||
Mayfield, Percy |
||||
McCain, Jerry |
||||
McCall, Cash |
||||
McClennan, Tommy |
||||
McCoy, Charlie |
||||
McCoy, Joe |
||||
McCoy, Robert |
||||
McCoy, Viola |
||||
McCracklin, Jimmy |
||||
McCullaugh, Coolhand |
||||
McDaniel, Ellas “Bo Diddley” |
||||
McDaniel, Hattie |
||||
McDowell, Fred |
||||
McFarland, Thomas |
||||
McGhee, Brownie |
||||
McGhee, Granville “Stick” |
||||
McMahon, Andrew “Blueblood” |
||||
McPherson, Stanley |
||||
McShann, Jay |
||||
McTell, Willie |
||||
Memphis Blues Foundation |
||||
Memphis, TN |
||||
Mendelsohn, Fred |
||||
Merritt, Theresa |
||||
Merriweather, Major “Big Maceo” |
||||
Meyers, Hazel |
||||
Mickle, Elmon |
||||
Milburn, Amos |
||||
Miles, Josie |
||||
Miles, Lizzie |
||||
Miles, Luke “Long Gone” |
||||
Miller, Big Clarence |
||||
Mills, Maude |
||||
Milton, Roy |
||||
Minstrels |
||||
Minter, Iverson “Louisiana Red” |
||||
Mississippi |
||||
Mississippi Delta Blues Project |
||||
Monterey Jazz Festival, CA |
||||
Montgomery, Little Brother |
||||
Moore, Alex |
||||
Moore, Arthur “Gatemouth” |
||||
Moore, James “Slim Harpo” |
||||
Moore, Johnny |
||||
Moore, Kevin “Keb’ Mo'” |
||||
Moore, Monette |
||||
Moore, William |
||||
Morganfield, Big Bill |
||||
Morganfield, McKinley “Muddy Waters” |
||||
Moss, Buddy |
||||
Murphy, Matt “Guitar” |
||||
Muse, Rabbit |
||||
Museums |
||||
Music Critics |
||||
Music History |
||||
Musselwhite, Charlie |
||||
Myers, Louis |
||||
Myers, Sammy |
||||
Research Files. N |
||||
NAACP |
||||
Nash, Lemon |
||||
Neal, Raful |
||||
Negro Actors Guild (NAG) |
||||
Nelson, Iromeigo |
||||
Nettles, Isaiah |
||||
Newark, NJ |
||||
New Jersey |
||||
New Orleans, LA |
||||
Newport Jazz/Folk Fest |
||||
New York, NY |
||||
New York, NY, Abilene Café |
||||
New York, NY, Apollo Theater |
||||
New York, NY, Café Society |
||||
New York, NY, Carnegie Hall |
||||
New York, NY, Chicago B.L.U.E.S. |
||||
New York, NY, Dan Lynch |
||||
New York, NY, Fillmore East |
||||
New York, NY, Folk City |
||||
New York, NY, The International Center |
||||
New York, NY, The Lincoln Center |
||||
New York, NY, Lone Star Café |
||||
New York, NY, Madison Square Garden |
||||
New York, NY, Queens |
||||
New York, NY, Savoy Ballroom |
||||
New York, NY, Town Hall |
||||
New York, NY, Tramps |
||||
New York, NY, Triplex Theater |
||||
New York, NY, Village Gate |
||||
New York, NY, Village Vanguard |
||||
Nichols, Alvin |
||||
Nicholson, JD |
||||
Nighthawk, Robert |
||||
Nix, Willie |
||||
Nixon, Elmore |
||||
Nixon, Hammie |
||||
Norris, William |
||||
Norwood, Sam |
||||
Research Files. O |
||||
Obituaries |
||||
Oden, James “St. Louis Jimmy” |
||||
Odom, Andrew |
||||
Ohio |
||||
One String Sam |
||||
Osby, Levi |
||||
Otis, Johnny |
||||
Owens, Jay |
||||
Research Files. P |
||||
Page, Oran “Hot Lips” |
||||
Parker, Herman |
||||
Parker, Sonny |
||||
Patt, Frank |
||||
Patterson, Ottilie |
||||
Patton, Charlie |
||||
Payne, Odie |
||||
Payton, Earlee |
||||
Penniman, Little Richard |
||||
Perkins, Joe “Pinetop” |
||||
Perry, Johnny “Blue Boy” |
||||
Perryman, Rufus “Speckled Red” |
||||
Perryman, Willie “Dr. Feelgood” |
||||
Personalities |
||||
Phelps, Arthur “Blind Blake” |
||||
Philadelphia Folk Festival |
||||
Phillips, Esther |
||||
Phonographs |
||||
Photo Info/Misc. |
||||
Piano Rolls |
||||
Pichon, Walter |
||||
Pickens, Edwin |
||||
Pierce, Billie |
||||
Pitchford, Lonnie |
||||
Pleasant Joseph (Cousin Joe) |
||||
Pocono Blues Festival |
||||
Poets |
||||
Polls |
||||
Pomposelle, Honest Tom |
||||
Pop Music – History |
||||
Posters |
||||
Powell, Eugene |
||||
Powell, Vance |
||||
Price Catalogues |
||||
Price, Kerry |
||||
Price, Lloyd |
||||
Price, Sammy |
||||
Price, Walter |
||||
Pryor, James “Snooky” Pryor |
||||
Research Files. Q-R |
||||
Quattlebaum, Doug |
||||
Queen Ida |
||||
Race |
||||
Rachell, Yank |
||||
Radio |
||||
Ragtime |
||||
Rainey, Gertrude “Ma” |
||||
Raitt, Bonnie |
||||
Rankin, R.S. |
||||
Rap |
||||
Rawls, Lou |
||||
Reaves – Phillips, Sandra |
||||
Ray, Harmon |
||||
Rebennack, Mac |
||||
Record – Accessories |
||||
Record – Bootlegers |
||||
Record – Business |
||||
Record – Catalogues |
||||
American Roadhouse |
||||
Atomic Beat |
||||
Chiaroscuro |
||||
Collector’s Choice |
||||
Creative Improvised Music |
||||
Daedalus |
||||
Daybreak Express |
||||
Daybreak M.O. |
||||
Document |
||||
Down Home |
||||
DWM |
||||
Evidence Music |
||||
Fantasy |
||||
Good Music |
||||
H + B Recordings Direct |
||||
Horizons |
||||
Jan Scobey’s Hot Jazz |
||||
Jazz Etc. |
||||
Jazz Record Company |
||||
Jazz Musical Concepts |
||||
Oaklawn |
||||
Razor and Tie Music |
||||
Rhino Direct |
||||
Rhythm and News |
||||
Rounder – Roundup |
||||
Smithsonian Institute |
||||
Sound Exchange |
||||
Stackhouse/Rooster |
||||
Stash |
||||
Stash Daybreak |
||||
Time Life |
||||
Vintage |
||||
Worlds |
||||
Record Collecting |
||||
Record Companies – Addresses |
||||
Record Companies – General |
||||
Record Companies |
||||
Alligator |
||||
Antone’s |
||||
Arhoolie |
||||
ASCH |
||||
Atlantic |
||||
Big Mo |
||||
Biograph |
||||
Blind Pig |
||||
Black Top |
||||
Blue Goose |
||||
Blue Horizon |
||||
Blue Note |
||||
Blues Time |
||||
Blues Way |
||||
Buddah |
||||
Bug |
||||
Bullseye |
||||
Capitol |
||||
Chameleon |
||||
Chess |
||||
Circle |
||||
Columbia |
||||
Columbia House |
||||
Commodore |
||||
Contemporary |
||||
Cook |
||||
Criminal Records |
||||
Decca |
||||
Delmark |
||||
Document |
||||
Dreamstreet |
||||
Earwig |
||||
EBM |
||||
Edison |
||||
Electra |
||||
Emarcy |
||||
Evidence Music |
||||
Excello |
||||
Fat Possum |
||||
Fire-Fury |
||||
Flying Dutchman |
||||
Flying Fish |
||||
Folkways |
||||
GRP |
||||
Hightone |
||||
High Water |
||||
Home Cooking |
||||
Ichiban |
||||
Jazz Archives |
||||
Jewel |
||||
King |
||||
L + R |
||||
Library of Congress |
||||
Miracle |
||||
Mosaic |
||||
Murray Bros. |
||||
Muse |
||||
Nighthawk |
||||
Oker |
||||
OJC/OBC |
||||
Orleans |
||||
Paramount |
||||
Pee Wee |
||||
Piano Mania |
||||
Plaza Group |
||||
Prestige |
||||
Pulsar |
||||
Red Beans |
||||
Red Lick |
||||
Rhesus Blues |
||||
River |
||||
Rivera |
||||
Riverside |
||||
Rooster |
||||
Rosetta |
||||
Savoy |
||||
Saydisc |
||||
Shoestring |
||||
Smithsonian Institute |
||||
Specialty |
||||
Spivey |
||||
Tradition |
||||
Trix |
||||
Trumpet |
||||
V-Disc |
||||
Vanguard |
||||
Victor |
||||
Vo-Do-De-O-Do |
||||
Vogue |
||||
World Jazz |
||||
Yazoo |
||||
Record Dating Guide |
||||
Record Labels |
||||
Record Price Guides |
||||
Record Research Association |
||||
Record Royalties |
||||
Record Supplies |
||||
Records- Best Sellers |
||||
Records – Bootlegs |
||||
Records – CD |
||||
Records – Dating Charts |
||||
Records – 45 RPM |
||||
Records – History |
||||
Records – Listings |
||||
Records – LP |
||||
Records – Technology |
||||
Reed, Jimmy |
||||
Regulars, Johnnie |
||||
Reynolds, Blind Joe |
||||
Rhythm and Blues |
||||
Rhythm and Blues Foundation |
||||
Richardson, Clarence |
||||
Ridgley, Tommy |
||||
Robinson, Fenton |
||||
Robinson, James |
||||
Robinson, LC |
||||
Rock |
||||
Rock and Roll Hall of Fame |
||||
Rodgers, James Charles |
||||
Rodgers, Jimmy |
||||
Ross, Isaiah |
||||
Rush, Otis |
||||
Rushing, Jimmy |
||||
Research Files. S |
||||
Sadler, Haskell |
||||
St. Louis Blues Heritage Festival |
||||
St. Louis Blues Society |
||||
Satan (Sterling Magee) |
||||
Sayles, Charlie |
||||
Scat |
||||
Schomburg Center |
||||
Scruggs, Irene |
||||
Seals, Son |
||||
Seeger, Pete |
||||
Sellers, Brother John |
||||
Seward, Alec |
||||
Shade, Will |
||||
Shaw, Robert |
||||
Shaw, Thomas |
||||
Sheet Music |
||||
Sheet Music – Auctions |
||||
Sheet Music Society |
||||
Sheet Music – RTS Newsletter |
||||
Sheet Music – RTS continued |
||||
Sheet Music – Supplies |
||||
Shines, Johnny |
||||
Short, JD |
||||
Simien, “Rockin'” Sidney |
||||
Simmons, Mack |
||||
Sims, Frankie Lee |
||||
Sims, Henry “Son” |
||||
Singers – Blind |
||||
Singers – Jazz |
||||
Singers – Non-Blues |
||||
Slavery |
||||
Smith, Bessie |
||||
Smith, Byther |
||||
Smith, Carrie |
||||
Smith, Clara |
||||
Smith, George “Harmonica” |
||||
Smith, Laura |
||||
Smith, Laverne |
||||
Smith, Mabel (Big Maybelle) |
||||
Smith, Mamie |
||||
Smith, Mary |
||||
Smith, Moses |
||||
Smith, Pinetop |
||||
Smith, Trixie |
||||
Smothers, Otis |
||||
Songs – Non-Blues |
||||
Songwriters |
||||
Soul |
||||
Spann, Lucille |
||||
Spann, Otis |
||||
Spires, Arthur |
||||
Spivey, Addie “Sweet Peas” |
||||
Spivey, Elton “Zazu Girl” |
||||
Spivey, Victoria |
||||
Stackhouse, Houston |
||||
Stafford, Mary |
||||
Stamps |
||||
Stearns, Marshal W. (1) |
||||
Stearns, Marshal W. (2) |
||||
Stidham, Arbee |
||||
Stovall, Babe |
||||
Stroger, Bob |
||||
Strokes, Frank |
||||
Stuckey, Henry |
||||
Sugar Blue (James Whiting) |
||||
Suggs, James |
||||
Sumlin, Hubert |
||||
Sykes, Roosevelt |
||||
Sylvester, Hannah |
||||
Research Files. T |
||||
Tate, Baby |
||||
Tate, Henry |
||||
Taylor, Billy |
||||
Taylor, Eddie |
||||
Taylor, Eva |
||||
Taylor, Hound Dog |
||||
Taylor, Johnnie Harrison |
||||
Taylor, Koko |
||||
Taylor, “Little” Johnny Lamar |
||||
Taylor, Melvin |
||||
Taylor, Montana |
||||
Taylor, Ron |
||||
Tedeschi, Susan |
||||
Television |
||||
Temple, Johnnie |
||||
Tenessee |
||||
Terry, Doc |
||||
Terry, Sonny |
||||
Texas |
||||
Theard, Sam |
||||
Theater |
||||
Theater Owners Booking Assoc. (TOBA) |
||||
Thomas, Blanche |
||||
Thomas, Charles (Maxwell St. Jimmy Davis) |
||||
Thomas, Henry “Ragtime” |
||||
Thomas, Hocile |
||||
Thomas, Irma |
||||
Thomas, James “Sonny Ford” |
||||
Thomas, Jesse “Baby Face” |
||||
Thomas, Lafayette |
||||
Thomas, Rufus |
||||
Thompson, Evelyn |
||||
Thornton, Big Mama |
||||
Toussaint, Allen |
||||
Townsend, Henry |
||||
Trading Cards |
||||
Trice, Richard |
||||
Trice, Willie |
||||
Tucker, Luther |
||||
Tucker, Tommy |
||||
Tucson Blues Society |
||||
Tulane University |
||||
Turner, Babe |
||||
Turner, Ike |
||||
Turner, Big Joe |
||||
Turner, Tina |
||||
Research Files. U-V |
||||
Uncle Boogie |
||||
University of Mississippi |
||||
VanRonk, David |
||||
Vaughan, Sarah |
||||
Video Tapes |
||||
Vincent, Monroe |
||||
Vinson, Eddie “Clean Head” |
||||
Vinson, Walter |
||||
Voodoo/Spirituality/Magic |
||||
Research Files. W |
||||
Walker, Aaron “T-Bone” |
||||
Walker, Charles |
||||
Walker, James |
||||
Walker, Joe Louis |
||||
Walker, John |
||||
Walker, Phillip |
||||
Walker, Willie |
||||
Wallace, Nora Jean |
||||
Wallace, Sippie |
||||
Walton, Mercy |
||||
Walton, Wade |
||||
Ward, Vera Hill |
||||
Warren, Robert “Baby Boy” |
||||
Washboard Doc |
||||
Washington, Albert |
||||
Washington D.C. |
||||
Washington, Dinah |
||||
Washington, Edna |
||||
Washington, Isabel |
||||
Waters, Ethel |
||||
Watson, Johnny “Guitar” |
||||
Watson, Johnny “Jimmy” |
||||
Watts, Lou T. |
||||
Weaver, Curley |
||||
Webb, Bill |
||||
Webster, Katie |
||||
Wellington, Valerie |
||||
Wells, Amos “Jr.” |
||||
Wells, Tudie |
||||
Wells, Viola (Miss Rhapsody) 1 |
||||
Wells, Viola (Miss Rhapsody) 2 |
||||
West, Charles |
||||
Wheatstraw, Petie (William Bunch) |
||||
Whidby, Lulu |
||||
White, Booker |
||||
White, Cleve |
||||
White, Georgia |
||||
White, Hi-Fi |
||||
White, Josh |
||||
White, Princess |
||||
Whitman, Essie |
||||
Whittaker, Hudson (Tampa Red) |
||||
Wilkins, Joe Wilkie |
||||
Wilkins, Robert Tim |
||||
Williams, Bert |
||||
Williams, “Big” Joe |
||||
Williams, Bill |
||||
Williams, Ed (Li’l Ed) |
||||
Williams, Emery (Detroit Jr.) |
||||
Williams, George “Bullet” |
||||
Williams, Jabo |
||||
Williams, Joe |
||||
Williams, Joseph “JoJo” |
||||
Williams, L.C. |
||||
Williams, Robert Pete |
||||
Williams, Rubberlegs |
||||
Williams, Sylvia (Kuumba) |
||||
Williamson, John “James” (Homesick James) |
||||
Williamson, John Lee (SB) |
||||
Williamson, Sonny Boy (Rice Miller) |
||||
Willis, Aaron “Little Son” |
||||
Wills |
||||
Wills, Oscar |
||||
Wilson, Edith |
||||
Wilson, Hop |
||||
Wilson, Lena |
||||
Wilson, “Sox” Wesley |
||||
Winter, Johnny |
||||
Witherspoon, Jimmy |
||||
Witherspoon, Matilda |
||||
Woods, Carol |
||||
The World Music Institute |
||||
Wrencher, John |
||||
Research Files. Y-Z |
||||
Yancey, Estella “Mama” |
||||
Yancey, Jimmy |
||||
Yankee, Pat |
||||
Young, Johnny |
||||
Young, “Mighty” Joe |
||||
Young, Zora |
||||
Zydeco |
||||
|
||||