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Finding-Aid for the Larry Brown Collection (MUM00051) The Department of Archives and Special Collections. The University of Mississippi Libraries

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MUM00051

Finding-Aid for the Larry Brown Collection (MUM00051)

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Descriptive Summary
PURL:
http://purl.oclc.org/umarchives/MUM00051/
Title:
Larry Brown Collection
Materials in:
English
Quantity:
19 boxes.
Number:
MUM00051
Location:
B-12.
Repository :
The University of Mississippi
J.D. Williams Library
Department of Archives and Special Collections
P.O. Box 1848, University, MS 38677-1848, USA
Phone: 662.915.7408
Fax: 662.915.5734
E-Mail: archive@olemiss.edu
URL: https://www.olemiss.edu/depts/general_library/archives/
Cite as:
Larry Brown Collection (MUM00051). The Department of Archives and Special Collections, J.D. Williams Library, The University of Mississippi.

 Collection Outline

Biographical Note
cited: https://www.olemiss.edu/depts/english/ms-writers/dir/brown_larry/
One of the foremost writers in what has been dubbed grit lit, Larry Brown has been lauded for his graphic, raw fiction about the rural South stories featuring characters who are ordinary and poor, and struggling with such real-life issues as marital strife, alcoholism, suicide, and the traumas of war. Born July 9, 1951, in Oxford, Mississippi, Brown is sometimes compared to fellow Oxford resident William Faulkner because of their similar origins and education: both briefly attended the University of Mississippi (without graduating), and both learned their craft as writers in large measure by avid reading.
Brown worked in a number of jobs over the years, including carpenter, lumberjack, fence builder, carpet cleaner, housepainter, hay hauler, and store employee, but he began his writing career during his career as a firefighter, a job he held from 1973 to 1990, when he retired to write full-time. First publishing stories in a number of magazines and journals, Brown’s first book was a collection of stories, Facing the Music (1988). The following year, he published his first novel, Dirty Work (1989), which was inspired in part by his father’s experiences in World War II.
Brown’s fiction continued to chronicle the downtrodden and disheartened denizens of the American South. The stories in Big Bad Love (1990) depict marital malaise of varying degrees, while the novel Joe (1991) teams up the title character, a hard-drinking ex-convict who heads up a forest defoliation crew, with 15-year-old Gary Jones, the son of a truly evil no-count drunk migrant worker; despite the opinion of the local cops, both are essentially good and just, and despite his own reluctance as a role model, Joe proves to be just what Gary needs.
Other works of fiction by Brown include Father and Son (1996) and Fay (2000). He has also written several nonfiction works, including On Fire (1993), about his work as a firefighter, and Billy Ray’s Farm (2001), essays about his life and work as a writer.
Brown died November 24, 2004, at his home near Oxford. He was 53 years old.

Scope and Contents Note
The collection contains original manuscripts, galleys, and promotional materials relating to his work. 21 boxes. Typed inventory available.

Restrictions
Access Restrictions
Open.
Use Restriction
The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of “fair use”, that user may be liable for copyright infringement.

Box and Folder List


Larry Brown Collection [Early Accessions].
1/1
“[Alligator Alley]”. TM [original fragment] (6 pages): With holograph corrections. Piece is undated, but Brown says 1982.
1/2
“Chickens Incorporated”. TM [original] (5 pages): Labeled “About 1100 words. Copyright 1982.” Clean copy.
1/3
“Critters”. TM [original] (5 pages): Labeled “About 1100 words. Copyright 1982.” .
1/4
“Enough is Enough”. TM [photocopy] (11 pages): Labeled “About 2600 words. Copyright 1982.” With holograph corrections. .
1/5
“Enough is Enough”. TM [original] (11 pages): Labeled “About 2600 words. Copyright 1982.” With holograph corrections. .
1/6
“Enough is Enough”. TM [photocopy] (11 pages): Labeled “About 2600 words. Copyright 1982.” With holograph corrections. (Same as “Them Golden Years.”).
1/7
“Fun at the Rangewars”. TM [original] (3 pages): Labeled “About 600 words. Copyright 1982.” Clean copy.
1/8
“Fun at the Rangewars”. TM [original] (3 pages): Labeled “About 600 words. Copyright 1982.” Clean copy.
1/9
“The Good Guys”. TM [original] (10 pages): Labeled “About 2400 words. Copyright 1982.” With holograph corrections. .
1/10
“The Hell of It”. TM [original] (9 pages): Labeled “About 2000 words. Copyright 1982.” With holograph corrections. (including title page).
1/11
“The Hunted”. TM [original] (14 pages): Labeled “About 3600 words. Copyright 1982.” Clean copy.
1/12
“The Lair”. TM [original] (6 pages): Labeled “About 1600 words. Copyright 1982.” With 1 holographic correction. .
1/13
“The Last Day”. TM [photocopy] (13 pages): labeled “About 3500 words. Copyright 1982.” With holograph corrections and comments by an unidentified reader who has written on the first page “I have occasionally put in a comma for pause, rhythm, emphasis, or sense. You may disagree. This is exceed.
1/14
“The Lesson”. TM [original] (8 pages): Labeled “About 2000 words. Copyright 1982.” Clean copy.
1/15
“The New Warriors”. TM [original] (14 pages): Labeled “About 3800 words. Copyright 1982.” With holograph corrections. .
1/16
“Nothing But Good Old Boys”. TM [original] (15 pages): Labeled “About 5100 words. Copyright 1982.” With holograph corrections. .
1/17
“On a Chain”. TM [original] (4 pages): Labeled “About 800 words. Copyright 1982.” Clean copy.
1/18
“One Night in Texas”. TM [original] (13 pages): Labeled “About 3200 words. Copyright 1982.” Clean copy.
1/19
“Power Puncher Gets Knocked in the Noggin”. TM [original] (7 pages): Labeled “About 1000 words. Copyright 1982.” With one holograph correction. .
1/20
“The Ridge”. TM [original] (8 pages): Labeled “About 2100 words. Copyright 1982.” Clean copy.
1/21
“Shaitan”. TM [original] (22 pages): Labeled “About 5000 words. Copyright 1982.” With holograph corrections. .
1/22
“Summer Steak”. TM [original] (16 pages): Labeled “About 4000 words. Copyright 1982.” Clean copy.
1/23
“T. J.’s Last Weekend”. TM [photocopy] (44 pages): Labeled “About 11500 words. Copyright 1982.” With corrections and comments by unidentified reader (on photocopied typescript) in green ink.
1/24
“The Varmint”. TM [original] (10 pages): Labeled “About 2200 words. Copyright 1982.” Clean copy.
1/25
“A Walk in the Dark”. TM [original] (12 pages): Labeled “About 3000 words. Copyright 1982.” .
1/26
“A Week in Paradise”. TM [original] (6 pages): Labeled “About 1500 words. Copyright 1982.” Clean copy.
1/27
“The White Coon”. TM [original] (10 pages): Labeled “About 2800 words. Copyright 1982.”Clean copy.
1/28
“A Wide Place in the Road”. TM [original] (11 pages): Labeled “About 2700 words. Copyright 1982.” With one holograph correction. .
1/29
“A Wide Place in the Road”. TM [photocopy] (11 pages): Labeled “About 2700 words. Copyright 1982.” Clean copy.
1/30
“Woman Molested by Gorilla and Company, Read All About It”. TM [original] (7 pages): Labeled About 1800 words. Copyright 1982.”.
1/31
“Yancy, We Hardly Knew You”. TM [original] (22 pages): Labeled “About 5800 words. Copyright 1982.” Corrections with whitener.
1/33
“Yancy, We Hardly Knew You”. TM [photocopy] (21 pages): Labeled “About 5800 Words. Copyright 1982.” With holograph corrections and comments by unidentified reader (green ink). .
1/34
“Yancy, We Hardly Knew You”. TM [photocopy] (22 pages): Labeled “About 5800 words. Copyright 1982.” .
1/35
“Yancy, We Hardly Knew Ye”. TM [original] (21 pages): Labeled “About 5800 words. Copyright 1982.” With holograph corrections. .
1/36
“Also Know as Junior”. TM [original] (11 pages): Labeled “About 2900 words. Copyright 1983.” Clean Copy.
1/37
“Bobby and the Magic Bean”. TM [original] (8 pages): Labeled “About 1800 words. Copyright 1983.” Clean Copy.
1/38
“Calling Earl”. TM [original] (9 pages): Labeled “About 2400 words. Copyright 1983.” Clean Copy.
1/39
“Desperados”. TM [original] (25 pages): Labeled “About 6000 words. Copyright 1983.” Clean Copy.
1/40
“Eat Up With It”. TM [original] (7 pages): Labeled “About 1700 words. Copyright 1983.” Clean Copy.
2/33
“Home of the Brave”. TM [original] (19 pages): Labeled “About 5600 words. Copyright 1983.” Clean Copy.
2/34
“The Last Day”. TM [original] (13 pages): Labeled “About 3500 words. Copyright 1983.” With holograph corrections. .
2/35
“Manslaughter”. TM (29 pages): [title in holograph; originally titled “Dirty Story”] OriginalLabeled “About 1983.” With typed and holograph corrections. .
2/36
“Menu”. TM [original] (5 pages): Labeled “About 1100 words. Copyright 1983.” Clean copy.
2/37
“A Mountain Morning”. TM [original] (11 pages): Labeled “About 2700 words. Copyright 1983.”.
2/38
“Nightmare”. TM [original] (4 pages): Labeled “About 800 words. Copyright 1983.” Clean copy.
2/39
“Nightmare”. TM [photocopy] (4 pages): Labeled “About 800 words. Copyright 1983.” Clean copy.
2/40
“Nightmare”. TM [photocopy] (4 pages): Labeled “About -00 words.” With corrections by “TK.” Typed on front page “Larry — I’ve made a few very tiny changes, almost all of them for rhythm (or my skewed conception of rhythm). Please let me know if anything’s not to your liking. TK.” .
2/41
“The Prophet”. TM [original] (19 pages): Labeled “About 4000 words. Copyright 1983.” Clean copy.
2/42
“The Puppy Killers”. TM [original] (6 pages): Labeled “About 1300 words. Copyright 1983.”.
2/43
“Special Delivery”. TM [original] (12 pages): Labeled “About 2700 words. Copyright 1983.” Clean copy.
2/44
“Them Golden Years”. TM [original] (10 pages): Labeled “About 2600 words. Copyright 1983.” Clean copy. (Same as “Enough is Enough”).
2/45
“To Max”. TM [original] (5 pages): Labeled “About 1200 words. Copyright 1983” Clean copy.
2/46
“The Wanderer”. TM [original] (12 pages): Labeled “About 3100 words. Copyright 1983.” Clean copy.
2/55
“Big and Juicy Lucy”. TM [original] (23 pages): Labeled “About 2700 words. Copyright 1984.” With holograph corrections. .
2/56
“Dear Jane”. TM [original] (8 pages): Labeled “About 2100 words. Copyright 1984.” Clean copy.
2/57
“Future Foremen”. TM [original] (21 pages): Labeled “About 6000 words. Copyright 1984.” With holograph corrections. .
2/58
“Heartbroke Around Houston”. TM [original] (5 pages): Labeled “About 1300 words. Copyright 1984.” With holograph corrections. .
2/59
“Lakeside Hospital”. TM [original] and [photocopy] (9 pages): Labeled “About 2300 words. Copyright 1984.” Clean copy.
2/60
“Me and the Russian”. TM [original] (7 pages): Labeled “About 1500 words. Copyright 1984.” Clean copy.
2/61
“Neighborhood Watch”. TM [original] (16 pages): Labeled “About 3700 words. Copyright 1984.” Clean copy.
2/62
“Old Frank and Jesus”. TM [photocopy] (14 pages): Labeled “Copyright 1984.” Clean copy.
2/63
“Poaching”. TM [original] (23 pages): Labeled “About 6800 words. Copyright 1984.” Clean copy.
2/64
“A Real Fox”. TM [photocopy] (21 pages): Labeled “About 5600 words. Copyright 1984.” Holograph corrections on photocopied typescript. .
2/65
“A Real Fox”. TM [original] (21 pages): Labeled “About 5600 words. Copyright 1984.” Clean copy.
2/66
“A Real Fox”. TM [photocopy] (21 pages): Labeled “About 5600 words. Copyright 1984.” Clean copy.
2/67
TM. “Siege”. [original] (5 pages): Labeled “About 1200 words. Copyright 1984.” With holographic corrections. .
2/68
“Siege”. TM [photocopy] (5 pages): Labeled “About 1200 words. Copyright 1984.” Clean copy.
2/69
“Siege”. TM [original] (5 pages): Labeled “About 1200 words. Copyright 1984.” Clean copy.
2/70
“The Varmit”. TM [original] (13 pages): Labeled “About 3200 words. Copyright 1984.” .
2/71
“You Can’t Go on Like This”. TM [photocopy] (25 pages): Labeled “About 6000 words. Copyright 1984.”.
2/72
“Between Friends. TM [original] (15 pages): Labeled About 4100 words. Copyright 1985.” Clean copy.
2/73
“Between Friends”. TM [photocopy] (15 pages): Labeled “About 4100 words. Copyright 1985.” Clean copy.
2/74
“Between Friends”. TM [Fragment] [photocopy] (10 pages): Labeled “About 4100 words. Copyright 1985.” With holographic corrections.
2/77
“Facing the Music”. TM [photocopy] (9 pages): Labeled “About 2500 words. Copyright 1985.” With holograph corrections on photocopied typescript. .
2/78
“Facing the Music”. TM [original] (9 pages): Labeled “About 2500 words. Copyright 1985.” With holograph corrections. .
2/80
“Facing the Music”. TM [original] (10 pages): Labeled “About 2500 words. Copyright 1985.” With holograph corrections. .
3/81
“Home Movies.”(poem). TM [original] (3 pages): Labeled “Copyright 1985.” Clean copy.
3/82
“Jody”. TM [original] (9 pages): Labeled “About 2100 words. Copyright 1985.” Clean copy.
3/83
“The Last Mule”. TM [original] (7 pages): Labeled “About 1800 words. Copyright 1985.” With holograph corrections. .
3/84
“Nightlife”. TM [photocopy] (27 pages): Labeled “About 6900 words. Copyright 1985.” with corrections by an unidentified person. .
3/85
“Nightlife”. TM [original] (27 pages): Labeled “About 6900 words. Copyright 1985.” With holograph corrections (words inked out). .
3/86
“Old Frank and Jesus”. TM [original] (15 pages): Labeled “About 4000 words. Copyright 1985.” With holograph corrections. .
3/87
“Old Frank and Jesus”. TM [original] (20 pages): Labeled “About 5200 words. Copyright 1985.” Clean copy.
3/88
“Samaritans”. TM [photocopy] (14 pages): Labeled “About 3800 words. Copyright 1985.” Clean copy. (2 copies) [a,b].
3/89
“Samaritans”. TM [original] (15 pages): Labeled “About 3800 words. Copyright 1985.” With holograph corrections. .
3/90
“Snow Geese”. TM [original] (9 pages): Labeled “About 2800 words. Copyright 1985.” Clean copy.
3/91
“You Can’t Go on Like This”. TM [photocopy] (28 pages): Labeled “About 7100 words. Copyright 1985.” Clean copy.
3/92
“You Can’t Go on Like This”. TM [original] (25 pages): Labeled “About 6000 words. Copyright 1985.” Clean copy.
3/93
“You Can’t Go on Like This”. TM [original] (28 pages): Labeled “About 7000 words. Copyright 1985.” Clean copy.
3/94
“The Kill Button”. TM: From February 1986. One chapter, chapter outline, character development of Howard Moss, and one page on front with holograph notes.
3/95
“Work in Progress” 9/15/86. TM [photocopy] (18 pages): With typed and holograph corrections. .
3/96
“Kubuku Rides.” 12/9/86. TM [original] (20 pages): Labeled “5925 words.” With holograph corrections. .
3/97
“The Crying.” 12/19/1986. TM [original] (23 pages): Labeled “For Glenn Hill.” With holograph corrections and insertions. (2 pages numbered “18”; one typed and one in holograph. 18 pages typed, numbered 1-18. 5 pages in holograph, numbered 14-18) .
3/98
“Fantasmia ’86.” 10/13/86. TM [original] (6 pages): With typed and holograph corrections. .
3/99
“Big and Juicy Lucy”. TM [original] (22 pages): Labeled “About 2500 words. Copyright 1986.” Clean copy.
3/100
“Big and Juicy Lucy”. TM [photocopy] (22 pages): Labeled “About 2500 words. Copyright 1986.” Clean copy.
3/101
“Julie: A Memory,”. TM [photocopy] (17 pages): Labeled “About 4900 words. Copyright 1986.” Clean copy.
3/102
“Richard Smith”. TM [Fragment] [original] (7 pages): Labeled “About 1500 words. Copyright 1986.” Clean copy.
3/103
“Richard Smith”. TM [original] (38 pages): Labeled “About 11500 words. Copyright 1986.” Clean copy.
3/104
“Samaritans”. TM [photocopy] (15 pages): Labeled “About 3900 words. Copyright 1986.” Clean copy.
3/105
“Samaritans”. TM [original] (15 pages): Labeled “About 3900 words. Copyright 1986.” With holograph corrections. .
3/106
“Samaritans”. TM [original] (15 pages): Labeled “About 3900 words. Copyright 1986.” Clean copy.
3/107
“Samaritans”. TM [photocopy] (15 pages): Labeled “About 3900 Words. Copyright 1986.” Cli pages d together with 3 typed pages of “Street Fightin’ Man”. OriginalWith holograph corrections.
3/109
“Cats”. TM [original] (20 pages): Labeled “Working 2/15/87 to 2/25/87. About 5800.” With typed and holograph corrections.
3/110
“Aint Aretha.” 3/9/87. TM [original] (7 pages): With typed corrections. .
3/111
“Cats”. TM [original] (21 pages): Labeled “About 5800 words. Copyright 1987.” With holograph corrections.
3/112
“The Crying”. TM [photocopy] (19 pages): Labeled “About 5700 words. Copyright 1987.”.
3/113
“The End of Romance”. TM [original] (5 pages): Labeled “1400.” With typed and holograph corrections. Dated 10/13/86.
3/114
“The Genius”. TM [original] (7 pages): Labeled “About 1700 words. Copyright 1987.” Clean copy.
3/115
“The Genius”. TM [photocopy] (7 pages): Labeled “About 1700 words. Copyright 1987.” Clean copy.
3/116
“The Genius”. TM [photocopy] (7 pages): Labeled “About 1700 words. Copyright 1987.” Clean copy.
3/117
“Kubuku Rides (This is It)”. TM [original] (25 pages): Labeled “About 5900 words. Copyright 1987.” With undated ANS Jane to Larry on NPR stationary. Clean copy.
3/119
“The Poor”. TM [original] (7 pages): Labeled “About 1700 words. Copyright 1987.” Clean Copy.
3/120.
“The Poor”. TM [photocopy] (7 pages): Labeled “About 1700 words. Copyright 1987.” (2 copies). [a,b].
4/121
“Old Soldiers”. TM [Fragment][original] (2 pages): Labeled “About 3900 words. Copyright 1988″With editoral comments by Shannon Ravanel. .
4/122
“A Country Girl”. TM [original] (21 page): Labeled “About 6000 words. Copyright 1989.” With corrections by Shannon Ravanel, Algonquin Books. With cover letter, Ravanel to Brown on Algonquin letterhead, 17 November 1989.
4/123
“A Country Girl”. TM [photocopy] (21 pages): Labeled “About 6000 words. Copyright 1989.” Clean copy.
4/124
“A Country Girl”. TM [photocopy] (21 pages): Labeled “About 6000 words. Copyright 1989.”.
4/125
“Crossing the River”. TM [photocopy] (41 pages): Labeled “About 11600 words. Copyright 1989.” With holograph corrections. .
4/126
“Crossing the River”. TM [photocopy] (41 pages): Labeled “About 11,600 words. Copyright 1989.” With holograph corrections. .
4/ 127
“A Roadside Resurrection”. TM [photocopy]: Labeled “About 12000 Words. Copyright 1990.” With comments by Shannon Ravanel. .
4/ 128
“A Roadside Resurrection”. TM [original] (48 pages): Labeled “About 12000 words. Copyright 1990.” Clean copy.
4/ 129
“A Roadside Resurrection”. TM [photocopy] (44 pages): Labeled “About 11000 words. Copyright 1990.” With holograph corrections. .
4/ 130
“Tiny Love”. TM [photocopy] (38 pages): Labeled “About 9000 words. Copyright 1991.” Clean copy.
4/ 131
“The Bad Die Young”. TM [original] (15 pages): Labeled “About 3900 words. Copyright 1992.” With holograph corrections. .
4/ 132
“The Good Guys”. TM [original] (8 pages): On yellow paperLabeled “1995 Los Angeles 3:45 p. m.” (unclean if this is date written or included to establish setting) With typed and holograph corrections.
4/133
“Alligator Alley”. TM [original] (19 page): Labeled “A pages oximately 5100 words.” With holograph corrections (words inked out only). .
4/134
“Alligator Alley”. TM [photocopy] (19 pages): Labeled “A pages oximately 5100 words.” With holograph corrections on photocopied typescript. .
4/136
“And God Created Woman”. TM [original] (28 pages): Labeled “About 7500.” [“Punks” in holograph under title]With holograph corrections. .
4/137
“The Best Bookstore in the World”. TM [original] (3 pages): With holograph and typed corrections. .
4/138
“[Between Friends]”. TM [Fragment] [photocopy] (15 pages): Clean copy.
4/139
“Big and Juicy Lucy”. TM [original] (17 pages): With holograph corrections and insertions. .
4/141
“Bob”. TM [original] (8 pages): Labeled “An Article for Reader’s Digest — First Person.” With holograph corrections. .
4/142
“Bobby and the Magic Bean”. TM [original] (7 pages): Labeled “About 1800 words,” on yellow paperWith typed corrections and holograph notations. .
4/144
“Caleb”. TM [Title in holograph] [original] (20 page): On blue and white paper with typed and holograph corrections. Two page plot summary in holograph.
4/145
“Catland”. TM [Title in holograph] [original] (8 pages): On yellow paperWith holograph corrections.
4/146
“Catman”. TM [original] (8 pages): Labeled “3100.” With holograph corrections. [ pages 1-4 on blue paper].
4/147
“Clouds”. TM [Poem] [original] (1 pages): Clean copy.
4/148
“Commerce”. TM [Fragment][original] (1 pages): Clean copy. Page is numbered “17”.
4/149
“[Commerce]”. TM [Fragment] [original] (10 pages): With holograph corrections. .
4/150
“[Commerce]”. TM [Fragment] [original] (1 pages): Clean copy.
4/151
“A Country Girl.” (“Julian James” in holograph as title is scratched out). TM [original] (20 pages): With holograph and typed corrections. .
4/152
“Creation”. TM [Title in holograph] [original] (5 pages): With holograph corrections and notations.
4/153
“Crossing the River”. TM [original] (41 pages): Labeled “11,600.” With holograph and typed corrections. .
4/154
“Crossing the River”. TM [original] (33 pages): With holograph corrections. .
4/155
“Crossing the River”. TM [photocopy] (33 pages): Clean copy.
4/156
“Daddy’s Drankin’ Up Our Christmas Turkey”. TM [original] (5 pages): On yellow paper with typed and holograph corrections. .
4/157
“Dear Jane”. TM [original] (6 pages): Labeled “6 & 78.” With holograph corrections, .
4/158
“The Dream Dealers.” (by “Bush Brown”). TM [original] (18 pages): Labeled A pages ox. 4500 words. Exclusive for EasyridersWith holograph corrections. .
4/159
“The Dreamers/The Scavengers/The Trashpackers”. TM [Titles in holograph][photocopy] (7 pages): With typed and holograph corrections.
4/160
“Dreaming”. TM [Story title in holograph][original] (3 pages): With holograph corrections. .
5/162
“Facing the Music”. TM [original]: pages numbered 21-29. One page listing Brown’s publications. Clean copy.
5/163
“Facing the Music”. TM [photocopy] (9 pages): Clean copy.
5/164
“Facing the Music”. TM [photocopy] (8 pages): Labeled “Giving in” in holograph over title. Holograph corrections on photocopied typescript. .
5/165
“Facing the Music”. TM [photocopy] (9 pages): Clean copy.
5/166
“Facing the Music”. TM [original] (9 pages): With holograph corrections.
5/167
“The Foreman”. TM [original] (14 pages): “When the Love Dies (At Work).” Holograph corrections. .
5/168
“Giants”. TM [original] (16 pages): On yellow paper. Labeled “3200 words.” With typed and holograph corrections. .
5/169
“Gold Nuggets”. TM [original] (16 pages): Labeled “About 4500 words.” With holograph corrections. .
5/170
“Gypsy People”. TM [original] (19 pages): On yellow paper and with holograph corrections. .
5/171
“Home Movies.” (poem). TM (2 pages): With holograph corrections. .
5/172
“The Hunted”. TM [original] (12 pages): On yellow paper and with holograph corrections. .
5/173
“Jody.” (title in holograph). TM [original] (6 pages): Labeled “About 2700 words.” With holograph corrections.
5/174
“[John James]”. TM [original fragment] and [photocopy] (32 pages): With holograph corrections. .
5/175
[Julie]. labeled “4900 words”. TM [photocopy] (16 pages): With holograph corrections. .
5/176
“[The Kid]”. TM [original fragment] (3 pages): With holograph corrections. First page is torn.
5/177
“The Kotex Kid”. TM [original] (20 pages): With typed and holograph corrections. .
5/178
“Lakeside Hospital”. TM [original] (6 pages): Labeled “2300.” With holograph corrections. .
5/179
“The Last Day”. TM [original] (12 pages): On yellow paper with holograph corrections. .
5/180
“Leaving Town”. TM [photocopy] (43 pages): With typed and holograph corrections.
5/181
“Leaving Town”. TM [Fragment] [original] (5 pages): With holograph corrections. .
5/182
“[Leaving Town]”. TM [Fragment] [photocopy] (31 pages): Clean copy.
5/183
[“Leaving Town”]. TM [original] (51 pages): With typed and holograph corrections. pages 1-44, then miscellaneous pages at end. .
5/184
“Little Sister”. TM [original] (32 pages): Labeled “About 9000 words.” With corrections by [Shannon Ravanel]. .
5/185
“Magic Morning”. TM [photocopy] (8 pages): Labeled “A pages oximately 2000 words.” Clean copy.
5/186
“Magic Morning”. TM [original] (8 pages): Labeled “A pages oximately 2000 words.” Clean copy.
5/187
“Mama’s Waiting”. TM [original fragment] (8 pages): With typed and holograph corrections.
5/188
“Midnight Love.” [Poem]. TM [original] ( 3 pages): Clean copy.
5/189
“Misty”. TM [original] (10 pages): With holograph and typed corrections. .
5/190
“Misty”. TM [photocopy] ( 10 page): With holograph and typed corrections.
5/191
“The Most Interesting Man in the World”. TM [original] (11 pages): With typed and holograph corrections. .
5/192
“The Most Interesting Man in the World”. TM [photocopy] (11 pages): With holograph corrections on photocopied typescript.
5/193
“Neighborhood Watch”. TM [original] (12 pages): With holograph corrections. .
5/194
“Nightlife”. TM [photocopy] (26 pages): Labeled “6900.” With typed and holograph corrections. .
5/195
“Nightmare”. TM [original] (2 page): Labeled “I can understand why Ted don’t buy my stories. The ones he publishes are much better than mine.” With holograph corrections. .
5/196
“Nothing But Good Old Boys”. TM [photocopy] (20 pages): Labeled “About 5100 words.” With holograph corrections on photocopied typescript. .
5/198
“Pick of the Litter”. TM [original] (4 pages): Labeled “3 stories within a story murder his daddy revenge on one son his mama never getting over it.” With holograph and typed corrections. .
5/199
“The Prophet”. TM [original] (13 pages): On yellow paper and abeled “4600.” With holograph corrections.
5/200
“Raiford Get What He Needs”. TM [Title in holograph] [original] (12 pages): On yellow paper and with holograph corrections.
6/201
“Rex”. TM [original] (17 pages): Labeled “A pages oximately 4500 words.” Clean copy.
6/202
“Rex”. TM [original] (15 pages): With holograph corrections, .
6/203
“The Rich”. TM [original] (6 pages): With holograph corrections. .
6/204
“A Roadside Resurrection”. TM [photocopy] (49 pages): With holograph corrections. .
6/205
“The Role Models”. TM [original] (9 pages): With typed and holograph corrections. .
6/206
“Samaritans”. TM [photocopy] (14 pages): With holograph corrections. .
6/207
“Samaritans”. TM [original] (13 pages): With “Strangers” and “Minors” in holograph above titleWith typed and holograph corrections. .
6/208
“Sleep”. TM [photocopy] (8 pages): With holograph corrections (works inked out). pages numbered 129-136. With one typed page of opening remarks for reading at ?.
6/209
“[The Smoke from Their Fires].” [Fragment]. TM [original] (7 pages): With holograph corrections. .
6/210
“Snow Geese”. TM [original] (7 pages): With holograph corrections. .
6/211
“Soldier from the Sea”. TM [original] (5 pages): With typed corrections. .
6/212
“Street Fightin’ Man”. TM [original]: With holograph notes and corrections. pages 15-25, 29-41. 37-41 on yellow paper.
6/213
“Summer Steak”. TM [Title in holograph] [original] (14 pages): Labeled “Short Story of Twilight Zone.” With typed and holograph corrections. .
6/214
“T. J.’s Last Weekend”. TM [original] (39 pages): On white and yellow paper with holograph corrections. .
6/215
“Taking the Scenic Route”. TM [original] (4 pages): With holograph corrections. .
6/216
“That Morning.” [“Bucks Sons” and “Magic Morning” scratched out]. TM [original] (17 pages): With holograph corrections.
6/217
“Tommy”. TM [original] (21 pages): Labeled “A pages oximately 6500 words.” (including title page). Clean copy.
6/218
“Tommy”. TM [original] (21 pages): With typed and holograph corrections, .
6/219
“Too Big to Cry”. TM [original] (5 pages): With typed and holograph notes and corrections. .
6/220
“Strange Man, Strange Country 9”. TM [original] (3 pages): Labeled “Tentative.” Clean copy.
6/221
“The Uncle Bush Show”. TM [original] (5 pages): With typed corrections. .
6/222
“The Varmint”. TM [Title in holograph] [original] (9 pages): With typed and holograph corrections. .
6/223
“The Varmint”. TM [Title in holograph] [photocopy] (9 pages): With typed and holograph corrections. .
6/224
“Waiting for the Ladies”. TM [photocopy] (13 pages): Clean copy. pages numbered 116-128.
6/225
“Waiting for Shirley”. TM [original] (9 pages): Labeled “A pages oximately 2700 words.” With holograph corrections. .
6/226
“A Walk in the Dark”. TM [original] (11 pages): On yellow paper with typed and holograph corrections. .
6/227
“What I Did My Whole Life”. TM [original] (5 pages): With typed corrections. .
6/228
“Where You’re Coming From.” (Title in holograph). TM [original] (17 pages): With holographic corrections. 2 pages numbered “4”; additional pages numbered “7-12” at end after 1-10.
6/229
“The White Coon”. TM [original] (11 pages): Clean copy.
6/230
“The White Coon”. TM [photocopy] (11 pages): Clean copy.
6/231
“A Wide Place in the Road”. TM [original] (10 pages): On yellow paper with holograph and typed corrections. .
6/232
“Woman Molested by Gorilla and Company.” (title in holograph) T.M. Original. (5 pages): On yellow paper with holograph corrections. .
6/233
“Woozy River”. TM [Title in holograph; poem][original] (3 pages): With holograph corrections. .
6/234
“Yancy, We Hardly Knew You”. TM (11 pages): [Title in holograph] With holograph corrections. .
6/235
“You Can’t Go One Like This”. TM [original] (17 pages): With holograph corrections. “One Beer Over the Line” written in holograph over title.
6/236
“[You Can’t Go On Like This]”. [Fragment]. TM [photocopy] (18 pages): With holograph corrections on photocopied typescript.
6/237
“Your Own”. TM [Title in holograph] [original]: Labeled “Taboo (crossed out).” With holograph corrections. pages 1-4; pages 1-6; 6-21; 23-41.
6/238
Untitled. [“The Wagon Lurched into the last wheelruts and rocked once as the mules stood finally in the traces.”]. TM [original] (6 pages): With holograph corrections. .
6/239
Untitled. [“The trees that arched over the pool and held it in their shade were old, twisted, deep green their roots exposed by the springs rains.”]. TM [original] (5 pages): With holograph corrections. First page labeled “I Lafayette County, Mississi pages 1934.” .
6/240
Untitled [“He was one of her best customers”. TM [original] (20 pages): With holograph corrections. .
7/241
Untitled. [“You can ask anybody who keep up with boxing a good bit about Arliss Tatum and he’ll probably tell you that I’m that crazy lefthanded son of a bitch from Mississippi who could Have been the world. TM [photocopy] (35 pages): Labeled “Critiqued by A. Bulsterbaum.” With 1 holograph correction. .
7/242
Title page missing. Fragment. TM [photocopy]: pages 3, 5-8, 10-11, 13-14, 17-18, 21-22, 24-27. (2 copies).
7/243
Untitled [“I was sitting against the wall reading, and I saw these two feet stop in front of me.”]. TM [original] (13 pages): Labeled “Glen told me all this.” With holograph corrections. .
7/244
Untitled [“We shot one down the other day, he came screaming over and I gave the order to fire.”]. TM [original] (4 pages): With typed corrections. .
7/245
Untitled [“Wine bottles, the broken chairs, were strewn over the floor.”]. TM [original] (10 pages): With corrections. .
7/246
Untitled [“Parks was crying when they pulled into the gas station.”] [Fragment]. TM [original] (3 pages): With holograph corrections. Page at end with holograph note “What’s wrong with him? Swallowed dope and dying of cancer (marked out) been shot kill him? Cut open for the dope? Not doctors would operate. Parks dies at the gas station or just turns c.
7/247
Untitled [“Jody Walker opened one eye just a crack and tightened his grip around the butt of the pistol under his pillow”. TM [original] (11 pages): On yellow paper and with typed and holograph corrections. .
7/248
Untitled [“They drove through the streets of their town slowly in the old car, watchful, ceremonial, the fine red dust rolling out from under the bald tires and fanning out along the storefronts and among t. TM [photocopy] (48 pages): Clean copy.
7/249
Untitled [“Well, it’s hunting season again and if you’re like the rest of us, you’ll be wanting to get out in those woods with the rest of the whiskey drinking, red-coated hordes”. TM [original] (4 pages): Labeled “Danny, this is part of what I sent to Penthouse.” With holograph corrections. .
7/250
Untitled [“You don’t want to hear about my whole life.”]. [original] (9 pages): With holographic corrections. .
7/251
Untitled [“I just went over to the window in my cell to see if they’re out there, and they are”. TM [original] (10 pages): With holograph corrections. Plus one page outline of story. .
7/253
Untitled [“The Corvette came out of the night behind them quickly, and hung back long enough for Johnny Patterson to catch a glimpse of polished fiberglass that was coal black under the lights of the Mississ. TM [original] (13 pages): On white and yellow paper with typed and holograph corrections. .
7/254
Untitled [“On dark nights when I am drunk and famished for fornication, when the galley slaves have ceased their moaning and the ship lies quiet, I gird my loins and make my way to the teepee of Fanny Two-Bl. TM [original] (4 pages): On blue paper. With holograph corrections. .
7/255
Untitled [“My name is Arliss Tatum and I get paid a lot of money to beat up niggers and mexicans and sometimes even white guys or just whoever happens to get between me and my paycheck.”]. TM [original] (25 pages): Clean copy.
7/257
“Dogfood.” [Poem]. TM [original] (1 pages): Clean copy.
7/258
“Sons.” [Poem]. TM [original] (1 page): On yellow paper. Clean copy.
7/259
“Woods.” [Poem]. TM [original] (1 page): On yellow paper. Clean copy.
7/260
“Athena.” [Poem]. TM [original] (1 page): With holograph corrections.
7/261
“Ode to Oysters.” [Poem]. TM [original] (2 pages): Clean copy.
7/262
“What Thomas O’Boule Said in a Pub”. TM (1 page): By James Stephens.
7/263
“Molly And Sam”. (1 page): Unnumbered.
7/264
“Uncle Ollie”. (1 page): Unnumbered.
7/264b
“Sleep”. (7 pages): With holograph corrections.
7/265
“Sleep”. (7 pages): With holograph editorial notes. Signed “S.R.” (Shannon Ravanel of Algonquin Books) throughout.
7/266
“Sleep”. (7 pages): Clean (photocopy?).
7/267
“Discipline.” . (22 pages): With holograph corrections. Opening and closing lines in holograph.
7/268
“Discipline”. (29 pages): “About 4,200 words copyright 1986.” Clean copy.
7/269
“Discipline”. : Clean (photocopy?).
7/270
“Waiting for the Ladies”. TM [photocopy] (12 pages): Includes post-it note from Shannon Ravenel.
7/271
“Old Soldiers.” “About 3900 words. Copyright 1988”. TM [photocopy] (15 pages): .
7/272
“Old Soldiers”. (15 pages): About 3900 words. Copyright 1988. .
7/273
. (1 page): Numbered “5” and with holograph corrections. Starts “You’re not normal. You don’t love them enough.”.
7/274
“Gold Nuggets.” ” T.M.Photocopy. (16 pages): About 4500 words.” .
7/275
“Big Bad Love.” T.M.Photocopy. (15 pages): With holograph editorial remarks by Shannon Ravenel.About 4500 words. Copyright 1989. .
7/276
“Wild Thing.” “About 3900 words. Copyright 1989.” 15 pp. T.M.Photocopy. : Clean.
7/277
“Roady (Roadies) Wild Thing”. (14 page): With a few holograph corrections.
7/278
“Giants”. (15 pages): Clean. About 3200 words. Copyright 1982. .
7/279
“Bob”. Clean 15 pp (11 pages): About 3000 words. Copyright 1982. .
7/280
“Hunter’s Blood”. TM [original] (7 pages): Labeled “11/20/88”. With holograph and typed corrections. .
8/281
“Raiford Gets What He Needs”. TM [original] (14 pages): Labeled “about 4,400 words. Copyright 1982”. With holograph and typed corrections. .
8/282
“A Birthday Party”. TM [photocopy] (17 pages): Labeled “about 4200 words. Not for publication”. With holograph corrections. .
8/283
“Hunting on a William Faulkner Afternoon”. TM [original] (1 page): .
8/284
Untitled. [“And that was when I started kicking…”] Fragment. TM [original] (1 page): With holograph corrections.
8/285
“From Ken.” Fragment. TM [original] (1 page): With holograph corrections. .
8/286
“The Apprentice”. (18 pages): Clean photocopy. .
8/287
“Wild Thing”. TM [photocopy] (15 pages): Labeled “about 3900 words. Copyright 1989”. Clean copy.
8/288-289
“Waiting for the Ladies”. TM [photocopy] (12 pages): Labeled “about 3400 words. Copyright 1989”. Holograph corrections in photocopy. 2 copies.
8/290
“Commerce.” Fragment. . TM [original] (27 page): With holograph corrections. .
8/291
“Commerce.” Fragment. TM [original] (6 pages): With holograph corrections. .
8/292
Untitled. [“Few things can lift up the heart…”] Fragment. TM [original] (1 page): Clean.
8/293
Untitled. [“Well they come down to the house there next mornin…”] Fragment. TM [original] (1 page): With typed corrections.
8/294
Untitled. [“I pushed open the screen door a little bit and looked…”] Fragment. TM [original] (1 page): With holograph note on reverse side. .
8/295
Untitled. [“The band’s playing.”] Fragment. TM [original] (1 page): With typed corrections.
8/296
Untitled. Three story fragments. TM [original] (6 pages): With typed and holograph corrections. .
8/297
Untitled. [“I pushed open the screen door a little bit and looked…”] Fragment. TM [original] (1 page): With holograph note on reverse side. .
8/298
Untitled. [“I’d had that old dog for a long time.”]. TM [original fragment] (13 pages): With typed and holograph corrections. .
8/299-300
“Leaving Town. (29 pages): Labeled “about 9000 words. Copyright 1987”. Clean Photocopy. 2 copies.
8/301
“Poaching.” Labeled “about 4200 words. Copyright 1984”. TM [original] (16 pages): Typed and Holograph corrections.
8/302
Untitled. [“the station wagon one morning.”] Fragment. TM [original] (8 pages): With holograph corrections. .
8/303
“Old Frank and Jesus”. TM [photocopy] (20 pages): Labeled “about 5200 words. Copyright 1985”. Clean copy.
8/304
“Julie: A Memory”. TM [original] (17 pages): Labeled “about 4900 words. Copyright 1986”. Typed corrections. .
8/305
“Jewels of Love.” Fragment. [original and photocopied page] (26 pages): With holograph corrections. .
8/306
“Tiny Love.” . TM [photocopy] (35 pages): With holograph typed corrections. .
8/307
Untitled. [“Last Friday night.”] Fragment. TM [original] (2 pages): With holograph corrections. .
8/308
“John James.” Fragment. TM [original] (18 pages): With typed and holograph corrections. .
9/M1
Contract Agreement with Twilight Zone for publication of “Nightmare,” 31 July 1984. [photocopy]: .
9/M3
TLS. [photocopy] (2 pages): From Shannon Ravanel to Larry Brown, 8 July 1987.
9/M4
TD. : Typed transcription of Clarion-Ledger interview with Brown, circa 1987-88.
9/M5
1 Contract. TM [photocopy] : Agreement with Algonquin Books for publication of “Dirty Work,” signed by publisher, 10 May 1989.
9/M7
Biographical note and essay with holograph notations and corrections. (3 pages): .
9/M8
. : Typed transcription of interview with [Jackson Clarion-Ledger], n. d.
9/M9
Speech labeled “Chattanooga 20 minutes”. TM [original] (9 pages): With holograph corrections. [fragment].
9/M10
Speech before the Mississippi Institute of Arts and Letters. TM (3 pages): With holograph notations. .
9/M11
Speech before the Mississippi Council of Arts and Letters. TM (3 pages): With holograph and typed corrections. .
9/M12
Speech before the Mississippi Council of English Teachers,.Meridian. TM [original] (2 pages): With holograph corrections. .
9/M13
Speech labeled “Batesville”. TM [original] (1 page): With TM [photocopy] (11 pages). “A Late Start.” “A Late Start” has holograph corrections. .
9/M14
Untitled. (1 page): Introductory remarks for first reading given by Larry Brown at Yoknapatawpha Arts Council, [1985]. .
9/M16
Untitled. (1 page): List of stories submitted/unsubmitted; titles, to where submitted, when submitted and published/rejected. Typed.
9/M17
Untitled. (1 page): With holograph notes.
9/M18
Untitled. TM (2 pages): One numbered “99” with [ideas for stories].
9/M21
Untitled. : Typed remarks with holograph corrections from reading at unspecified location, n. d.
9/M22
Untitled. (3 page): Three pages of ideas for stories (transcription from tape), n. d.
9/M23
Untitled. (7 pages): Friction Loss Chart on how to pump a firetruck from Oxford Fire Department, n. d. .
9/M24
Untitled. (3 pages): And holograph manuscript table of contents and introduction for facing the music .
9/M25
Untitled. (3 pages): Typed speech with typeovers. Faulkner notes. Different versions of same speech.
9/M26
Untitled. TN (1 pages): Thanks for Clyde’s book. .
9/M27
Untitled. (17 pages): Transcript of a talk given by LB at 5th Biennial Conference on Southern Literature, Chattanooga. Fragment. Holograph corrections and some duplicate pages . .
9/M28
Editor’s Notes on “Dirty Work”. (6 pages): .
9/M29
Untitled. (5 pages): Letter to LB and messages from students. .
9/M30
List of stories in “Facing the Music”. (1 page): .
9/M31
Untitled. (2 pages): Untitled fragment of speech. .
9/M32
List of stories in “Facing the Music”. (1 page): With holograph notes.
10/N1
[“Big Bad Love”] Subtitled “Eight Short Stories and a Novella”. TM [original] and [photocopy] (213 pages): With holograph corrections and editorial remarks.
10/N2
“Big Bad Love.” [. TD [original]] (261 pages): With holograph editorial comments and printer’s marks. With memo from Gian Hasbrock to Bettye Dew, 17 May 1990.
10/N3
“Dirty Work”. TM [photocopy] (211 pages): With holograph editorial remarks .
10/N4
“Dirty Work”. TM [photocopy] (218 pages): With holograph comments and editorial remarks. .
11/N5
“Dirty Work”. TM [photocopy] (225 pages): Clean copy.
11/N6
“Dirty Work”. TD [photocopy] (222 pages): Copyedited manuscript. With typed memo from Bettye Dew to Molly Rends, Ann Moss and Shannon Ravanel, 8 February 1989, 3 pages .
11/N7
“Dirty Work”. TM [original] (178 pages): .
11/N8
[“Dirty Work.”] Stage Play. TM [photocopy] (78 pages): With holograph corrections on photocopied typescript. .
11/N9
“Dirty Work”. TM [photocopy] (216 pages): With holograph editorial comments. .
12/N10
“Facing the Music”. TD (176 pages): With printer’s marks and style sheet.
12/N11
“Facing the Music”. TD (167 pages): Master set of page proofs and manuscript with printer’s marks. With typed memo from Shannon Ravanel, Algonquin, to Molly, 16 March 1988 and autograph memo from Kathy Krahenbuhl, Tseng, to Bettye Dew, Algonquin, 3/23/88.
12/N12
“Facing the Music.” T.D. : Galley pages , loose.
12/N13
“Joe”. TM [original] (388 pages): With holograph corrections. .
12/N14
“Joe”. TM [photocopy] (413 pages): Clean.
13/N15
“Joe”. TM [original] (38 pages): [Fragment] Miscellaneous pages with holograph editoral comments.
13/N16
“Joe”. TM [photocopy] (234 pages): With holographic corrections and editorial remarks by [Shannon Ravanel]. pages numbered 1-49; 70-254.
13/N17
“Joe.” 12/20/88. TM [photocopy]: [Fragment] with holograph corrections. pages 255-69.
13/N19
“When the Rain Comes”. TM [photocopy] (267 pages): Clean copy. .
13/N20
“When the Rain Comes”. TM [photocopy] (267 pages): Labeled “About 78000 words.” Clean copy.
13/N21
[Dirty Work] “AN OLD WOMAN PRAYING . . . “. : .
13/N22
[Dirty Work]. TM [photocopy] (3 pages): pages 1-3.
13/N23
[Dirty Work]. TM [photocopy] (2 pages): [ pages 1-2].
13/N24
“WORK IN PROGRESS 9/15/86”. : With holographic notes 1, 139.
13/N25
[Dirty Work]. TM [photocopy]: pages 1-110, Several copies of p. 1With holographic notes by larry brown and editor.
13/N26
[Dirty Work]. TM [photocopy]: pages 1-124With few holographic notes by larry brown and editor .
14/N18
“Mama’s Waiting”. TM [original] (260 pages): labeled “about 75000 words.” .
15/N27
Noah’s Ark. TM: With holographic notes by larry brown and editor including post-it notes on right margin plus introductory typed and holographic notes pages 1-223.
15/N28
Dirty Work. TM AND TM [photocopy]: With holographic notes angel crossed out on title page,multiple copies of pages written pages 1-216.
15/N29
[Dirty Work]. TM: With holographic notes pages 11-12, 38, 46.
15/N30
[Dirty Work]. TM: With holographic notes pages 51-208. Not sequential.
15/N31
[Dirty Work]. TM AND TM [photocopy]: With holographic notes by larry brown and editor pages 111-210. Many page numbers crossed out and written in .
15/N32
T.M. [Dirty Work]. : With holographic notes pages 60-78 With changes to page numbers.
15/N33
[Dirty Work]. TM: With holographic notes pages 65-117, Not sequentialwith page numbers crossed out and written in .
15/N34
[Dirty Work]. TM: With holographic notes pages 76-158, Not sequential.
15/N35
“Dirty Work Correcyions” [SIC]. TYPED NOTES: .
15/N36
[Joe]. TM: With holographic notes pages 1-14 Numbered, missing p. 2, 5 Additional pages unnumbered .
15/N37
[Joe]. TM AND TM [photocopy]: With holographic notes by larry brown and editor pages 1-27With changes to page numbers.
15/N38
[Joe]. TM [photocopy]: and holographic notes pages 1-69.
15/N39
[Joe]. TM AND TM [photocopy]: With holographic notes 1-242, not sequential, p. 215. Dated 7/3/87.
16/N40
[Joe]. TM AND TM [photocopy]: With few holographic notes 1-254,not sequential .
16/N41
[Joe]. TM [photocopy]: pages 15-26.
16/N42
[Joe]. TM [photocopy]: pages 15-18, Photocopy of #21.
16/N43
[Joe]. TM [photocopy]: With holographic changes some on reverse pages 27-47.
16/N44
[Joe]. TM [photocopy]: pages 27-28, Photocopy of #23.
16/N45
[Joe]. TM and TM [photocopy]: With few holographic notes by larry brown and editor pages 28-69 .
16/N46
[Joe]. TM: With few holographic notes and typeovers, pages 48-66, Not sequential.
16/N47
[Joe]. TM: With white out, holographic notes, pages 147-170. Not sequential.
16/N48
[Joe]. TM: With white out, holographic notes pages 195-203. Not sequential.
16/N49
[Joe]. TM: With holographic notes pages 228-232 .
16/N50
[Joe] “They’d Lived In Seven States”. TM (6 pages): With holographic notes. Unnumbered.
16/N51
[Joe] “She Wouldn’t Leave Them Alone”. TM (2 pages): With holographic notes. Unnumbered.
16/N52
[Joe] “There Were Rabbits . . “. TM (2 pages): With holographic notes. Unnumbered.
16/N53
[Joe] “In September Old Man White . . “. TM (3 pages): With holographic notes. Unnumbered.
16/N54
[Joe] “It Was Fourteen Cans . . “. TM (3 pages): With holographic notes. Unnumbered.
16/N55
[Joe] “The Ones Who Worked . . “. TM (1 page): With holographic notes. Unnumbered. Typed notes on reverse.
16/N56
[Joe] “Norris Had Dreamed . . “. TM (1 page): With holographic notes. Unnumbered.
16/N57
[Joe] “That Was Content To Stay . . “. TM (2 pages): With holographic notes. Unnumbered.
16/N58
[Joe] “The Wrecked Truck”. TM (1 page): With holographic notes. Unnumbered.
16/N59
[Joe] “Endings”. TM (2 pages): With holographic notes. Unnumbered.
16/N60
[Joe] “Revisions”. TM (2 pages): Unnumbered.
16/N61
“The Kotex Kid”. TM (29 pages): With numerous holographic notes.
16/N62
“He’s Growed Up”. TM [photocopy]: Unnumbered.
16/N63
“No Travelers But These . . “. TM [photocopy]: 4 unnumbered, different versions of first page.
16/N64
“In Fall The Trees . . “. TM [photocopy]: 3 unnumbered, page three another version of first page.
16/N65
[“The Bear”?]. : Professional Firefighters” letterhead stationary. Holographic corrections throughout. Some chapter titles in holograph. Lacking title page. pages 2-288. Many pages typed on obverse of “Local 2254 AFL-CIO Oxford.
16/N66
“Blood of Toby Tyler”. TM: pages 50-55,65-82,83-149. A Novel?.
16/N67
“When the Rains Come”. TM (Novel): Paginated and unpaginated sections with holograph corrections throughout. Typed on white, yellow and green-blue paper.
17/N68
“Wages of Sin”. TM: Novel. pages 1-327.
17/N69
“Bullets are Cheaper”. : Fragment. T.M. Photocopy with holograph corrections. 219 pages .
17/N70
“Alisha”. TM [original fragment]: With typed and holograph corrections. 90 pages Title “92 Days” crossed out.
17/N71
“92 Days”. TM [original]: With holograph corrections. 9 pages .
17/N72
“92 Days”. TM [photocopy]: Labeled “about 27,000 words. Copyright 1989”. Clean copy. 89 pages .
17/N73
“Dirty Work”. TM [photocopy fragment] (2 pages): .
17/N74
“Dirty Work”. TM [photocopy fragment]: With holograph corrections and notes by SR. pages 53-168.
17/N75
“Dirty Work”. TM [photocopy fragment]: With holograph corrections and notes by SR. Non-sequential pages from p8 to p216. .
18/N76
“Joe”. TM [photocopy fragment]: With holograph corrections in photocopy. pages 09-254.
18/N77
“Joe”. TM [photocopy fragment]: With holograph corrections in photocopy. pages 85-297.
18/N78
“Joe”. TM [photocopy fragment]: With holograph corrections. pages 33-179.
18/N79
“Fire Notes”. TM [original fragment]: With holograph corrections. pages -17, plus 3 page introduction and title page.
18/N80
“Fire Notes”. TM [photocopy fragment]: With corrections in photocopy. pages -47plus 3 page introduction and title page.
18/N81
“On Fire”. TM [original fragment]: Clean copy. pages 4-46.
18/N82
“Between”. TM [original fragment]: Clean copy. pages 1-15.
18/N83
“Joe”. TM [original fragment] (1 page): Starting “…zooming out there.”.
18/N84
“Joe”. TM [original fragment] (1 page): Starting “the rain fell slant in the townlights…” Holographic corrections.
18/N85
Untitled. [“This is the trip I took that day…”]. TM [photocopy fragment]: Non-sequential original and photocopied pages 1-214. Some duplicate pages . Typed and holograph corrections.
18/N86
Untitled. [“Well I’d done almost lost my faith.”]. TM [photocopy fragment]: pages 169-172. Clean.
19/N87
“On Fire”. TM: Copyedited manuscript with letter from editor, Algonquin Books. (Kept in own box).


Larry Brown Collection [Accession 2007-9].
Accesion # 2007-9.
Manuscript of A Miracle of Catfish by Larry Brown. Annotated Typed Manuscript.714 pp.
Note: Working copy of Algonquin Books editor Shannon Ravenel. Acquired in 2007. Location: KK-15.
Accession # 2007-9.
A Miracle of Catfish by Larry Brown. Typed Manuscript, mostly clean. 716 pp.
Some brief annotations by Algonquin editors. Acquired in 2007. Location: KK-15.
 
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